Ya Ribon
{{Short description|Jewish music}}
Ya Ribon{{Efn|Also: Yah Ribbon, Kah Ribbon, Ya Ribbon, Yah Ribon, Kah Ribon, Ka Ribbon, Ka Ribon.}} ({{Langx|arc|יָהּ רִבּוֹן עַלַם|translit=yāh ribbôn ʿalam|lit=Yah, eternal lord}}) is an Aramaic piyyut by the 16th-century payytan Israel ben Moses Najara of Gaza, first published in his 1586 work זמירות ישראל "Songs of Israel".{{Cite web |title=HebrewBooks.org Sefer Detail: זמירות ישראל -- נג'רה, ישראל בן משה |url=https://hebrewbooks.org/21788 |access-date=2022-04-15 |website=hebrewbooks.org}} Ashkenazi Jews traditionally sing it at table after the Friday night meal and Sephardi Jews sing it (sometimes in Ladino) among the Baqashot.{{Cite book |chapter-url=https://www.degruyter.com/document/doi/10.1515/9780804781770-006/html |chapter=English Translation |date=2012-01-11 |publisher=Stanford University Press |isbn=978-0-8047-8177-0 |language=en |doi=10.1515/9780804781770-006|title=A Jewish Voice from Ottoman Salonica |pages=3–148 }} The piyyut, originally sung to an Arab melody,{{Cite journal |last=Jacobson |first=Joshua R. |title=Jewish Music: What is that? |journal=Studies in Jewish Civilization |volume=9 |pages=1–9}} has been set to dozens of tunes, both ancient and modern.{{Cite journal |last=Friedland |first=Eric |date=1985-01-01 |title=Mystical Influences in Jewish Liturgical Renewal |url=https://ecommons.udayton.edu/ml_studies/vol17/iss1/47 |journal=Marian Library Studies |volume=17 |issue=1 |pages=684–697 |issn=0076-4434}} "The 21st century Shabbat table", says one modern writer, "is incomplete without the singing of the universal Yah Ribon."{{Cite web |first= |title=Love poetry shouldn't be on the forbidden list |url=https://www.thejc.com/judaism/all/love-poetry-shouldnt-be-on-the-forbidden-list-1.67307 |access-date=2022-04-15 |website=www.thejc.com}}
Form and content
Najara's best-known work, this piyyut was written in Aramaic, and the first letters of the verses form the author's name ISRAEL by acrostic. An example of the strophic model known in Arabic as muwashshah, the piyyut is composed of equal metrical units and the refrain "Yah, lord for ever and ever/O King, you are king of kings" is repeated after every verse.{{Cite book |last=Kligman |first=Mark |title=Sephardic and Mizrahi Jewry |chapter-url=https://www.degruyter.com/document/doi/10.18574/nyu/9780814797419.003.0016/html |chapter=Chapter 13 Diversity and Uniqueness An Introduction to Sephardic Liturgical Music |year=2005 |pages=259–284 |publisher=New York University Press |isbn=978-0-8147-9741-9 |language=en |doi=10.18574/nyu/9780814797419.003.0016 }} The piyyut is largely formed from the language of Daniel and incorporates quotes from the Zohar.{{Cite web|title=Yah Ribon: The Mystical Prayer that Isn't|url=https://www.sophiastreet.com/2017/11/20/yah-ribon-mystical-prayer/|access-date=2022-02-09|language=en-CA}} Unusually for a Sabbath table song, it makes no mention of the Sabbath or its rituals, because it was not originally intended for the Sabbath. Apparently it entered the Sabbath repertoire because of similarity in language to the Sabbath zemirot of Isaac Luria.{{Cite journal |last=Beeri |first=Tova |date=2019 |title=Israel Najara: A Beloved and Popular Poet |url=https://www.academia.edu/44464141 |journal=The Poet and the World: Festschrift for Wout van Bekkum on the Occasion of His Sixty-fifth Birthday |publisher=De Gruyter |pages=59–76}} Max D. Klein's Seder Avodah prayerbook substitutes "who served Thee, Lord, in every age" for the literal "whom Thou chosest from all nations" in what Theodor Gaster understood as a "romantic idealization of the past.{{Cite web |last=Gaster |first=Theodor |date=1954-04-01 |title=Modernizing the Jewish Prayerbook:Revisions That Sacrifice the Spirit |url=https://www.commentary.org/articles/theodor-gaster/modernizing-the-jewish-prayerbookrevisions-that-sacrifice-the-spirit/ |access-date=2022-04-15 |website=Commentary Magazine |language=en-US}}
Words
| class="wikitable" border="1" align=""
|Translation |
| יָהּ רִבּון עַלַּם וְעַלְמַיָּא // אַנְתְּה מַלְכָּא מֶלֶךְ מַלְכַיָּא{{Efn|cf. Dan. 2:37; here as there the pronoun is pronounced ʾant.}}
עוֹבָדֵי גִיבַרְתָּךְ וְתִמְהַיָּא // שְׁפַר קָדָמַי לְהַחֲוָיָּא{{Efn|cf. Dan. 3:32}} |Yah, lord for ever and ever // O King, you are king of kings. Your mighty deeds and wonders // are pleasant for me to relate. |
| שְׁבָחִין אֲסַדֵּר צַפְרָא וְרַמְשָׁא // לָךְ אֱלָהּ קַדִּישָׁא בָּרֵא כָּל נַפְשָׁא
עִירִין קַדִּישִׁין וּבְנֵי נַשָׁא // חֵיוַת בָּרָא וְעוֹף שְׁמַיָּא{{Efn|cf. Dan. 2:38}} |I will order praises to you day and night // To you, holy God, Creator of all life -- The holy angels and the humans // The beasts of the field and the fowl of the heavens. |
| רַבְרְבִין עוֹבָדָךְ וְתַקִּיפִין{{Efn|cf. Dan. 3:33}} // מַכִּיךְ רַמַיָּא זְקִיף כְּפִיפִין
לוּ יְיחֵי גְבַר שְׁנִין אַלְפִין // לָא יֵעוּל גִיבַרְתָּךְ בְּחוּשְׁבְּנַיָּא |Many are your deeds and powerful // Humbling the lofty, straightening the bent. Were a man to live a thousand years // He could not envision your might. |
| אֱלָהָא דִילֵהּ {{Efn|cf. Dan. 5:18}}יְקַר וּרְבוּתָא // פְּרוֹק יַת עָנָךְ {{Efn|cf. Dan. 6:23}} מִפּוּם אַרְיְוָתָא
וְאַפֵּיק עַמָּךְ מִגּוֹ גָּלוּתָא // עַמָּא דִי בְחַרְתָּ מִכָּל אוּמַיָּא |O God who has greatness and glory // Rescue your flock from the mouth of the lion! And free your people from exile // The people whom you selected above all the nations. |
| לְמַקְדְּשָׁךְ תּוּב וּלְקֹדֶשׁ קוּדְשִׁין // אֲתַר דִּי בֵּיהּ יִיחְדוּן רוּחִין וְנַפְשִׁין
יְזַמְּרוּן לָךְ שִׁירִין וְרַחֲשִׁין // בִּירוּשְׁלֵם קַרְתָּא דְשׁוּפְרַיָּא |Return to your sanctum, and your Holy of Holies // The place where spirits and souls rejoice. They will sing you songs and hymns // In Jerusalem, the city of beauties. |
References
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