crepidoma
{{More citations needed|date=December 2007}}
File:Crepidoma-stereobate-stylobate.svg
In classical Greek architecture, crepidoma ({{langx|grc|κρηπίδωμα}}) is the foundation of one or more steps on which the superstructure of a building is erected{{r|dogara}}{{r|ofda}}. Usually the crepidoma has three levels{{r|robertson|p=41}}{{r|dinsmoor|p=65,216}}, especially in Doric temples{{r|ofc}}. However, exceptions are common: For example, the Heraion at Olympia features only two steps{{r|dinsmoor|p=64}}, and the Olympeion at Agrigento, Sicily has four{{r|dinsmoor|p=90}}.
Each level of crepidoma typically decreases in size incrementally going upwards, forming a series of steps along all or some sides of the building{{citation needed|reason=Robertson does not mention this, though it's obvious from illustrations he uses.|date=November 2024}}. The crepidoma rests on the euthynteria ({{langx|grc|ἡ εὐθυντηρία}}) or foundation{{r|robertson|p=41}}, which historically was constructed of locally available stone for the sake of economy{{citation needed|reason=Robertson says nothing about the sourcing of material used.|date=November 2024}}.
File:Palmyra Tétrapylon 02.jpg at Palmyra, Syria]]
The topmost level of the crepidoma is called the stylobate ({{langx|grc|ὁ στῡλοβᾰ́της}}) and it is the platform for the columns ({{langx|grc|οἵ στῦλοι}} - {{Transliteration|grc|styloi}}){{r|ofda}}{{r|saflund_et_al|p=111}}{{r|dinsmoor|p=221}}. The lower levels of the crepidoma are called the stereobates{{r|dinsmoor|p=221}}. The step-like arrangement of the crepidoma may extend around all four sides of a structure like a temple, for example, on the Parthenon. On some temples, the steps extend only across the front façade, or they may wrap around the sides for a short distance, a detail that is called a return, as seen at the Sanctuary of Despoina at Lycosoura.
It is common for the hidden portions of each level of the stereobate to be of a lower grade of material than the exposed elements of the steps and the stylobate{{citation needed|reason=Obviously hidden parts would often be of lower grade, just like in two-skin ashlar walls would have it. But, it's not obvious for the general reader.|date=November 2024}}; each higher level of the crepidoma typically covers the clamps used to hold the stones of the lower level together{{citation needed|reason=Is it really so? Clamps were used, but not always, right?|date=November 2024}}. The lower margins of each level of the crepidoma blocks are often cut back in a series of two or three steps to create shadow lines; this decorative technique is termed a reveal{{citation needed|reason=Neither common knowledge nor obvious.|date=November 2024}}.
References
{{reflist|refs=
{{cite book
| first1 = William J.
| first2 = R. Phené
| first3 = William Bell
| last1 = Anderson
| last2 = Spiers
| last3 = Dinsmoor
| location = London
| publisher = B. T. Batsford Ltd.
| title = The Architecture of Ancient Greece
| year = 1927
}}
{{cite encyclopedia
| editor1-first = William
| editor1-last = Smith
| editor2-first = William
| editor2-last = Wayte
| editor3-first = G. D.
| editor3-last = Marindin
| encyclopedia = A Dictionary of Greek and Roman Antiquities
| location = Albemarie St.
| publisher = John Murray
| title = Columna (p 490)
| volume = 1
| year = 1890
}}
{{cite encyclopedia
| edition = 4th
| encyclopedia = The Oxford Classical Dictionary
| first1 = Simon
| first2 = Antony
| first3 = Esther
| last1 = Hornblower
| last2 = Spawforth
| last3 = Eidinow
| title = Temple (p 1438 - 1439)
| year = 2012
}}
{{cite encyclopedia
| access-date = 2014-11-15
| encyclopedia = The Oxford Dictionary of Architecture
| publisher = Oxford University Press
| title = crepido
| url = https://www.oxfordreference.com/view/10.1093/acref/9780191918742.001.0001/acref-9780191918742-e-1236
| year = 2021
}}
{{cite book
| first = D. S.
| last = Robertson
| location = Cambridge
| publisher = Cambridge University Press
| title = Handbook of Greek and Roman Architecture
| year = 1929
}}
{{cite book
| edition = Apollo
| first1 = Ernst
| first2 = Gösta
| last1 = Kjellberg
| last2 = Säflund
| location = New York
| publisher = Thomas Y. Crowell Company
| title = Greek and Roman Art 3000 B.C. to A.D. 550
| translator-first = Peter
| translator-last = Fraser
| year = 1970
}}
}}