e-hon
{{Short description|Japanese term for picture books}}
{{Italic title}}
File:"A Country Genji by a Fake Murasaki" - Nise Murasaki inaka Genji.ehon.series.volume..cover.testscan.02.jpg by an Imitation Murasaki||Nise Murasaki inaka Genji}}]]
{{nihongo||絵本|E-hon|extra=or {{transliteration|ja|ehon}}}} is the Japanese term for picture books. It may be applied in the general sense, or may refer specifically to a type of woodblock printed illustrated volume published in the Edo period (1603–1867).
The first {{transliteration|ja|e-hon}} were religious items with images by Buddhist painters.{{cite book|title=Ehon: The Artist and the Book in Japan|first=Roger S. |last=Keyes|publisher=New York Public Library|year= 2006}} Those from the Muromachi period are typically known as {{transliteration|ja|nara-ehon}}.{{Cite web|url=http://www.aisf.or.jp/~jaanus/deta/n/naraehon.htm|title = JAANUS / Nara-ehon 奈良絵本}} In the early modern period (1600–1868) illustrated books exploded in popularity. They covered a diverse range of subjects with experimentation in production techniques.
{{transliteration|ja|E-hon}} production was a significant part of the Japanese publishing industry (particularly) during the 19th century; most Japanese woodblock print artists of the period produced {{transliteration|ja|e-hon}} designs (often in large quantities), as commercial work.{{cite web|url=http://digitalgallery.nypl.org/nypldigital/explore/dgexplore.cfm |title=NYPL Digital Gallery | Explore All Collections |publisher=Digitalgallery.nypl.org |access-date=2010-10-06}}
Toward the end of the 19th century, {{transliteration|ja|e-hon}} chapter-books were eclipsed in popularity by the new "Western" concept of literary magazines. These were larger books which contained more, and a wider range of material per-issue, but usually fewer pictures (measured on a text-to-images ratio). They often used more modern printing methods; the increase in production costs was offset by increased efficiency, larger-scale printing and distribution, and the introduction of advertising. Typically, a magazine would include one large folded, polychrome illustration referencing some "feature" story in the volume, as a frontispiece. Such pictures, woodblock-printed in colour, are known as {{transliteration|ja|kuchi-e}}. The new format also absorbed most of the remaining talent and market for ukiyo-e style prints.
Notable {{transliteration|ja|e-hon}}
File:MET LC-JIB 161 006.jpg's {{transliteration|ja|Ehon tekagami}}, 1720]]
Artist manuals or model books ({{transliteration|ja|edehon}}){{Cite web|url=http://www.aisf.or.jp/~jaanus/deta/e/edehon.htm|title = JAANUS / Edehon 絵手本}} were treasured by art schools and became popular with the public. Ōoka Shunboku's {{transliteration|ja|Ehon tekagami}} ('Hand mirror') of 1720 demonstrated characteristic styles of different artists. Illustrations which were either handpainted or stenciled appear in his {{transliteration|ja|Minchō shiken}} of 1746, based on the successful Chinese Manual of the Mustard Seed Garden of 1679 which was released as a Japanese version, {{transliteration|ja|Kaishien gaden}}, in 1748.
In 1765 polychrome woodblock printing was developed in Edo. The prints were called {{transliteration|ja|nishiki-e}}, 'brocade pictures', because of their similarity to color silk brocades ({{transliteration|ja|nishiki}}). The first large-scale commercial book with full-color printing was {{transliteration|ja|Ehon butai ōgi}} in 1770, with artwork by ukiyo-e artists Katsukawa Shunshō and Ippitsusai Bunchō. The book featured realistic depictions of kabuki actors ({{transliteration|ja|nigao-e}}) and was popular with theatergoers.{{cite web|url=https://pulverer.si.edu/node/1186|first=Suzuki|last=Jun|title=The Pulverer Collection and the World of Color-Printed Illustrated Books: An Introduction to Edo-Period Masterworks|publisher=Smithsonian}} The same year saw the publication of Tachibana Minkō's {{transliteration|ja|Shokunin burui}} which was colored with a stenciling technique known as {{transliteration|ja|kappazuri}}. It depicted craftsmen at work at was immediately successful. Also published in 1770 was {{transliteration|ja|Ehon seirō bijin awase}} by Suzuki Harunobu which combined {{transliteration|ja|hokku}} poetry with images of courtesans from the Yoshiwara brothel district.
File:富岳百景-Fugaku Hyakkei MET LC-JIB109 005.jpg's celebrated 100 Views of Mount Fuji]]
In 1790 the Tokugawa shogunate introduced severe censorship laws for publishers. They targeted "luxurious" works and for a while publishers ceased production of color woodblock-printed books.
The famous ukiyo-e artist Hokusai worked on dozens of {{transliteration|ja|e-hon}} early in his career. In 1814 the first volume of his {{transliteration|ja|Hokusai manga}} was published which featured hundreds of drawings colored with gray and rose pink tones. Its popularity with multiple subsequent volumes appears to have influenced other publishers to use a simplified palette of subdued color. One of the finest ehon works is his 100 Views of Mount Fuji released in 1834–1835 in two volumes by Nishimuraya Yohachi with extremely fine carving by the workshop of Egawa Tomekichi and exquisite grey gradations ({{transliteration|ja|bokashi}}). It is seen as the pinnacle of monochrome printing.{{cite book|first=Jack|last=Hillier|author-link=Jack Hillier (art historian)|title=The Art of Hokusai in Book Illustration|year=1980}}{{cite book|last=Calza|first=Gian Carlo|title=Hokusai|publisher=Phaidon|year=2003}}
{{transliteration|ja|Nara-ehon}}
Nara picture books, or {{transliteration|ja|Nara-ehon}}, are lavishly handmade illustrated manuscripts which date from the mid-16th century to the late 17th-century. The contents of these manuscripts consists mostly of {{transliteration|ja|otogi-zōshi}} which are short narratives concerning war epics, folklore or Shinto and Buddhist legends. {{transliteration|ja|Nara-ehon}} loosely refers to manuscripts that are either in book or scroll formats. The term is believed to emanate from illustrators who came from major Buddhist temples in and around the Nara region, such as Tōdai-ji and Kōfuku-ji or the Kasuga-taisha.{{Cite web |last=Todd |first=Hamish |date=19 November 2015 |title=Japanese Nara ehon manuscripts digitised |url=https://blogs.bl.uk/asian-and-african/2015/11/japanese-nara-ehon-manuscripts-digitised.html |access-date=2022-12-29 |website=British Library |language=en}}{{Cite web |title=The golden age of Nara ehon |url=https://www.futurelearn.com/info/blog |access-date=2022-12-29 |website=FutureLearn |language=en-US}} The manuscripts are decorated with ink, colour pigments, gold, as well as silver-decorated endleaves.{{Cite web |title=Japanese picture books conservation project |url=https://www.bodleian.ox.ac.uk/about/libraries/our-work/japanese-books-conservation |access-date=2022-12-29 |website=www.bodleian.ox.ac.uk |language=en}} When the amount of commissions from the nobility at these temples declined, the artists left for Kyoto to set up studios and took orders for work, similar to local painters.{{Cite web |title=JAANUS / nara-ehon 奈良絵本 |url=https://www.aisf.or.jp/~jaanus/deta/n/naraehon.htm |access-date=2022-12-29 |website=www.aisf.or.jp}}
Manufacture
Most {{transliteration|ja|e-hon}} of the Edo period were made with side-stitched binding. They used highly durable washi paper. A page is made from a single sheet printed on one side which is folded printed side out. These folded sheets are bound at their open ends with cords of twisted paper which go through two holes made in the stack of sheets. The bookcover is glued to blank outer pages and attached to the stack of pages with a hemp cord stitched through four holes which penetrate the covers and book block. This method of binding is called {{transliteration|ja|fukurotoji}}.{{cite web|url=https://pulverer.si.edu/node/171|first=Ellis|last=Tinios|title= The Physical Properties of Hokusai's Books|publisher=Smithsonian}}
See also
- Japanese books
- {{transliteration|ja|Kuchi-e}}
References
{{reflist}}
External links
{{Commonscat-inline|E-hon}}
- [https://pulverer.si.edu/search_landing The World of the Japanese Illustrated Book] The Gerhard Pulverer Collection
- [https://digitalcollections.nypl.org/collections/ehon-the-artist-and-the-book-in-japan Ehon: the artist and the book in Japan] New York Public Library
{{Ukiyo-e}}
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