fontomfrom

{{Short description|Hourglass-shaped drum from Western Africa}}

{{Infobox instrument

| name = Fontomfrom

| image = Fontomfrom-Orchester EthnM Berlin.jpg

| background =

| names =

| classification = Hourglass-Shaped Drum

| inventors = Bono people

| related =

| musicians =

| builders = Bono people

| developed =

| range =

| articles =

| image_capt = Fontomfrom ensemble; Department of Music Ethnology, Ethnological Museum of Berlin in Berlin of Germany.

| hornbostel_sachs =

| hornbostel_sachs_desc =

}}

Fontomfrom is a Bono type of hourglass-shaped drum mostly used in a royal music ensemble of Bono people in order to relay Bono monarchy messages within a Bono people ethnic group setting. The Fontomfrom ensemble provides music for ceremonies honoring Bono chiefs and Bono monarchy royal processions. The Fontomfrom is also used to recite proverbs or replicate patterns of speech at most Bono monarchy royal gatherings or a Bono monarchy royal durbar.{{cite web |title=ASHANTI FONTOMFROM DRUM ENSEMBLE SET |url=http://www.djembedirect.com/item/ghana_peg_drums/ashanti_fontomfrom_ghana |accessdate=19 March 2015 |website=djembedirect.com/ |publisher=Djembe Direct |archive-date=4 March 2016 |archive-url=https://web.archive.org/web/20160304101806/http://www.djembedirect.com/item/ghana_peg_drums/ashanti_fontomfrom_ghana |url-status=dead }}

The Fontomfrom evolved from the popular hourglass-shaped drum (talking drum) of the 7th century. Shortly after the evolution, a few more non-hourglass shapes such as the Dunan, Sangban, Kenkeni and Ngoma drums were produced.{{Cite book|url=https://books.google.com/books?id=ExJPAQAAMAAJ&q=loved+music|title=The Akan of Ghana: Their Ancient Beliefs|date=1958|publisher=Faber & Faber|language=en}}{{cite web|title=The History of the Drum – Early History|url=http://makedrums.com/the-history-of-the-drum-early-history|website=makedrums.com/|date=18 October 2011 |publisher=Make drums|accessdate=19 March 2015}}

Prior to the Fontomfrom becoming part of the Bono royal music ensemble as it is today, it was first introduced into Bonoman by Bonohene Akumfi Ameyaw I and Bonohemaa Owusuaa Abrafi circa 1320s, from North Africa. As they love dancing and music, the Bono people introduced this drum to entertain themselves. Since its inception and use, the single, large Fontomfrom drum has grown to become an ensemble of several drums, and given its formidable size (up to 2 meters in height or more), its image can be used to symbolise the grandeur of traditional African cultures.{{Cite journal|last=Kaminski|first=Joseph S.|date=2014-12-01|title=Sound Barrage: Threshold to Asante Sacred Experience through Music|url=https://umaryland.on.worldcat.org/oclc/5828080112|journal=International Review of the Aesthetics and Sociology of Music|publication-date=27 October 2014|volume=45|issue=2|pages=345–371|issn=0351-5796|accessdate=27 September 2017|via=International Review of the Aesthetics and Sociology of Music, JSTOR Arts & Sciences III Collection}}