heyoka

{{Short description|Type of sacred clown in the culture of the Sioux peoples}}

File:Blackhawk-spiritbeing.jpgwork by Lakota artist Black Hawk representing a dream of a thunder being. {{circa|1880}}]]{{This article is about|the Lakota social role|a broader overview of Contraries in Native American cultures|Contrary (social role)}}

The heyoka ({{lang|lkt|heyókȟa}}, also spelled "haokah," "heyokha") is a type of sacred clown shaman in the culture of the Sioux (Lakota and Dakota people) of the Great Plains of North America. The heyoka is a contrarian, jester, and satirist, who speaks, moves and reacts in an opposite fashion to the people around them.

Only those having visions of the thunder beings of the west, the {{lang|lkt|Wakíŋyaŋ}}, and who are recognized as such by the community, can take on the ceremonial role of the heyoka.

Social role

The {{lang|lkt|Heyókȟa}} is thought of as being in charge of above and below, or are more in charge of the dead, instead of the living. This manifests by their not always doing everything like the others. For example, if food is scarce, a {{lang|lkt|heyókȟa}} may sit around and complain about how full he is; during a baking hot heat wave, a {{lang|lkt|heyókȟa}} might shiver with cold and put on gloves and cover himself with a thick blanket. Similarly, when it is freezing he might wander around naked, complaining that it is too hot. A unique example is the famous {{lang|lkt|heyókȟa}} sacred clown called "the Straighten-Outer":

{{Quote|He was always running around with a hammer trying to flatten round and curvy things (soup bowls, eggs, wagon wheels, etc.), thus making them straight. | John Fire Lame Deer{{cite book|last1=Lame Deer|first1=John (Fire)|author-link1=John Fire Lame Deer|first2=Richard|last2=Erdoes|author-link2=Richard Erdoes|title=Lame Deer, Seeker of Visions|publisher=Simon and Schuster|location=New York, New York|date=1972|isbn=0-671-55392-5|pages=250}}}}

The {{lang|lkt|heyókȟa}} symbolizes and portrays many aspects of the sacred beings, the {{lang|lkt|Wakíŋyaŋ}}.{{cite news|url=https://www.nativetimes.com/index.php/life/commentary/5149-heyoka-a-man-taller-than-his-shadow|title=Heyoka: A Man Taller than his Shadow|first=Wambli Sina|last=Win|work=Native American Times|date=3 April 2011|access-date=22 September 2021}}

His satire presents important questions by fooling around. They ask difficult questions, and say things others are too afraid to say. Their behavior poses questions, as do Zen koans. By reading between the lines, the audience is able to think about things not usually thought about, or to look at things differently.

Principally, the {{lang|lkt|heyókȟa}} functions as a mirror and a teacher, using extreme behaviors to mirror others, and forcing them to examine their own doubts, fears, hatreds, and weaknesses. {{lang|lkt|Heyókȟa}} have the power to heal emotional pain; such power comes from the experience of shame—they sing of shameful events in their lives, beg for food, and live as clowns. They provoke laughter in distressing situations of despair, and provoke fear and chaos when people feel complacent and overly secure, to keep them from taking themselves too seriously or believing they are more powerful than they are.{{cite book|last1=Nelson|first1=Elizabeth Hoffman|title=Fools and Jesters in Literature, Art, and History: A Bio-bibliographical Sourcebook|date=1998|publisher=Greenwood Press|location=Westport, Connecticut|isbn=0-313-29785-1|pages=246–248|edition=1st|chapter-url=https://books.google.com/books?id=yLtoRB9Wy-sC&dq=heyoka%20laughter&pg=PA247|chapter=The Heyoka of the Sioux}}

In addition, sacred clowns serve an important role in shaping tribal codes. Unbound by societal constraints, {{lang|lkt|heyókȟa}} are able to violate cultural taboos freely and thus critique established customs.{{cite book|last1=Swann|first1=Brian|title=Coming to Light: Contemporary Translations of the Native Literatures of North America|date=1996|publisher=Vintage Books|location=New York|isbn=0-679-74358-8|page=433|edition=1st|url=https://books.google.com/books?id=eh2cL7XMFkkC&dq=heyoka%20taboos&pg=PA433}}

By questioning these norms and taboos, they help to define the accepted boundaries, rules, and societal guidelines for ethical and moral behavior. They are the only ones who can ask "Why?" about sensitive topics; they use satire to question the specialists and carriers of sacred knowledge or those in positions of power and authority.

{{Quote|For people who are as poor as us, who have lost everything, who had to endure so much death and sadness, laughter is a precious gift. When we were dying like flies from white man's disease, when we were driven into reservations, when the government rations did not arrive and we were starving, watching the pranks and capers of Heyókȟa were a blessing.|John Fire Lame Deer}}

File:Black Elk.jpg (left), an Oglala heyoka.]]

Individual examples

The Lakota medicine man Black Elk described himself as a heyoka, saying he had been visited as a child by the thunder beings.{{cite book |author=John Gneisenau Neihardt |url=https://books.google.com/books?id=bXElCJTANaoC&pg=PA3 |title=The Sixth Grandfather: Black Elk's Teachings Given to John G. Neihardt |publisher=U of Nebraska Press |year=1985 |isbn=0-8032-6564-6 |pages=3–}} A survivor of the Wounded Knee Massacre, Black Elk toured with Buffalo Bill's Wild West in Europe and discussed his religious views, visions, and events in a series of interviews with poet John Neihardt, collected in 1932 book Black Elk Speaks.

Vision of thunder beings

{{Quote|Only those who have had visions of the thunder beings of the west can act as heyokas. They have sacred power and they share some of this with all the people, but they do it through funny actions. When a vision comes from the thunder beings of the West, it comes with terror like a thunder storm; but when the storm of vision has passed, the world is greener and happier; for wherever the truth of vision comes upon the world, it is like a rain. The world, you see, is happier after the terror of the storm.|Black Elk{{cite book|author1=Black Elk|author2=John G. Neihardt|title=Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux, the Premier Edition|url=https://books.google.com/books?id=7p9VqRLiKqcC&pg=PA149|date=16 October 2008|publisher=SUNY Press|isbn=978-1-4384-2540-5|pages=149}}}}

In Lakota mythology, {{lang|lkt|Heyókȟa}} is also a spirit of thunder and lightning. He is said to use the wind as sticks to beat the drum of thunder. His emotions are portrayed opposite the norm; he laughs when he is sad and cries when he is happy, cold makes him sweat and heat makes him shiver. In art, he is depicted as having two horns, which marks him as a hunting spirit.{{cite book|last=Borges|first=Jorge Luis|author-link=Jorge Luis Borges|date=1969|title=The Book Of Imaginary Beings}} In some visions, he also appeared as a snow bird, a swallow, a horse, a dog, a night hawk, a frog, or a dragonfly.{{cite book|last=Walker|first=James R.|date=1980|title=Lakota Belief and Ritual|pages= 101}}

See also

References

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Bibliography