incremental game

In an incremental game, players perform simple actions – usually clicking a button or object – which rewards the player with currency. The player may spend the currency to purchase items or abilities that allow the player to earn the currency faster or automatically, without needing to perform the initial action.{{cite web |last1=Sankin |first1=Aaron |date=12 February 2014 |title=The most addictive new game on the Internet is actually a joke |url=http://www.dailydot.com/gaming/cookie-clicker-julien-thiennot-incremental-games/ |url-status=live |archive-url=https://web.archive.org/web/20200718014145/https://www.dailydot.com/parsec/cookie-clicker-julien-thiennot-incremental-games/ |archive-date=18 July 2020 |access-date=17 June 2014 |publisher=The Daily Dot}}{{cite web|date=22 May 2015|last1=King|first1=Alexander|title=Numbers Getting Bigger: What Are Incremental Games, and Why Are They Fun?|url=http://gamedevelopment.tutsplus.com/articles/numbers-getting-bigger-what-are-incremental-games-and-why-are-they-fun--cms-23925|publisher=Tutsplus|access-date=8 June 2015}} A common theme is offering the player sources of income displayed as buildings such as factories or farms. These sources increase the currency production rate, but higher tier sources usually have an exponentially higher cost, so upgrading between tiers takes usually about the same time or even increasingly longer.

This mechanism offers a low-pressure experience (one does not have to be constantly playing), no loss condition, and constant growth and feedback, which is ideal for social or mobile play patterns, and often result in a very high player retention. It often relies on exponential growth (or perhaps high-degree polynomial growth), which is countered by diminishing returns.

Incremental games typically feature rapidly growing costs and rewards. These provide a constant sense of progress with the aim to keep players satisfied. They often allow players to earn a very large amount of currency. Such numbers are often displayed using scientific notation (1x10³⁴/10E 34), shorthands (1M, 1T, etc.), or special naming schemes for very large numbers (e.g. "duoquadragintillion"). The numbers used can get so large that special measures need to be taken to properly store or communicate them.

The resulting gameplay loop is simply to occasionally check in on the game and spend the currency you've gathered in the meantime. This is similar to (or even derived from) the "energy currency" concept in social games, where a player regains energy at a set rate even when not playing. What sets incremental games apart is that this mechanic emerges as a natural consequence of the gameplay itself, whereas in social games it is an artificial factor used to constrain when the player can interact with the game.

This mechanic may be more palatable to core gamers who dislike social games. It resonates with real world dialog (e.g., "I'm out of cash; I need to come back when I have more.") and gives players more control over when and how to engage with the game.

This mechanic aims to keep players engaged by spreading small rewards throughout the gameplay. They can also provide a more tangible sense of direction for players to optimize towards, giving their choices more meaning.

Some incremental games feature a system where one can reset their progress to gain some advantage on their next playthrough. This is similar to the "New Game Plus" feature of games in other genres, with the difference being that incremental games typically provide special "prestige" rewards that do not disappear, even after subsequent resets. This creates an entirely new gameplay loop: once the game slows down, players can reset their game to make their next playthroughs more efficient. This allows strategic decisions as to when and how to reset the game to advance further even faster. After a reset, players quickly progress through the stages of the game that were much slower before, providing a renewed sense of progress and empowerment. Tap Titans (2014, by Game Hive) is a pioneer of the prestige mechanics in mobile games.

Some games include multiple layers of prestiging, thereby making new content, meta-currencies or gameplay available. Realm Grinder by Divine Games (2015), introduced abdicating, reincarnating, and ascending.{{Citation needed|date=February 2021}}

Incremental games vary as to whether they have a victory condition: games like Cookie Clicker allow the players to play indefinitely, while games like Candy Box! or Universal Paperclips feature endings that can be reached after a certain amount of progress is made.{{Citation needed|date=February 2021}}

{{main|Microtransaction|Monetization}}

Pioneered by AdVenture Capitalist, developers may sell premium boost such as instant currency infusion (usually a percentage of current rate of income) or sometimes wrapped as a "time-warp" (instantly gain x-hours of future income), permanent boost multiplier that persist after each prestiging, instant prestige (claiming prestige without starting over), protection against negative events, gacha system (random draws of a character or a permanent bonus), and event currencies.

On the other side, they may also deliver advertisements for players to receive minor rewards, such as short burst of cash, doubling offline earnings, small amount of premium currency, brief powerful boost/medium-length small boost, extra prestige points upon prestiging, relief of a negative status, etc.

File:Début de Candy Box.png, a predecessor of Cookie Clicker]]

According to Anthony Pecorella in his GDC summit talks,{{cite AV media

| people = Anthony Pecorella

| title = Idle Games: The Mechanics and Monetization of Self-Playing Games

| medium = Recorded presentation with slides.

| publisher = Game Developer Conference (GDC) 2015

| location =

| date = February 2015

| url = https://www.gdcvault.com/play/1022065/Idle-Games-The-Mechanics-and }} the creation of the genre was attributed to Progress Quest (2002) by Eric Fredriksen, which is a parody of the stat and auto-attack systems in MMORPGs. He argued that the gaming website Kongregate was an early breeding ground for the genre, as some people just wanted to use the chat feature rather than actively play a game. The first game of the genre on Kongregate was aptly titled Kongregate Chat (July 24, 2007, by John Cooney),{{cite web

| url =https://www.kongregate.com/idle-games?sort=oldest

| title =Earliest idle games on Kongregate

| last =

| first =

| date =

| website =Kongregate

| publisher =

| access-date =2021-02-16

| quote = }}

where the game ran by itself, and the players could just talk in the chat section of the game. One of the first visual idle games ("rudimentary RPGs" according to Pecorella) was Ayumilove's HackerStory v1 (2008, by Ayumilove),{{citation needed|date=August 2021}} which was a parody of bot grinding in a Maple Story game, a famous MMORPG from Korea at that time.

The early pioneers of idle games also saw some games parodying the genre, such as Anti-Idle (2009, by tukkun) which has elements of both active and idle games. The game was extremely complicated, content-rich, and constantly updated, and it helped popularize the genre.{{citation needed|date=February 2024}} An idle game in Facebook platform, called Cow Clicker (2010, by Ian Bogost), which according to the author is, "a satire and playable theory of social games circa that era, ... Facebook games distilled to their essence.", was the first to receive mainstream media attention.{{cite web

| url =http://cowclicker.com/

| title =Cow Clicker

| last =Bogost

| first =Ian

| date =2017

| website =Official website

| publisher =

| access-date =2021-02-16

| quote = }}

Another parody of idle games (and parody of capitalism) called AdVenture Capitalist (2015, by Cody Vigue / Hyper Hippo Games) also saw success as a browser game and was subsequently made available in many platforms. It was one of the first games to implement monetization, as well as offline earning which calculates the progress of a player during the time they are offline, unlike previous browser-based idle games which only run when open in a browser window.

Some idle games did not follow the infinite ending, and instead opt for finite ending, more like puzzle-like and exploration based, for example A Dark Room (2013, by Doublespeak Games), and Candy Box! (2013, by aniwey).{{citation needed|date=August 2021}}

Incremental games gained popularity in 2013 after the success of Cookie Clicker, although earlier games such as Cow Clicker and Candy Box! were based on the same principles. Make It Rain (2014, by Space Inch) was the first major mobile idle game success, although the idle elements in the game were heavily limited, requiring check-ins to progress. In 2015, the gaming press observed such games proliferating on the Steam distribution platform with titles such as Clicker Heroes (2014, by Playsaurus).{{cite news|url=http://steamed.kotaku.com/clicker-heroes-is-super-popular-on-steam-for-some-re-1705380774|title=Clicker Heroes Is Super Popular On Steam... For Some Reason|last1=Grayson|first1=Nathan|date=18 May 2015|work=Kotaku|access-date=31 July 2015|archive-date=12 September 2017|archive-url=https://web.archive.org/web/20170912234219/https://steamed.kotaku.com/clicker-heroes-is-super-popular-on-steam-for-some-re-1705380774|url-status=dead}}

Other idle games that have become classic includes Sandcastle Builder (2013, by Eternal Density){{cite web

| url =https://www.ign.com/articles/2015/01/07/the-inside-story-of-the-most-incredible-video-game-no-one-has-played

| title =The Inside Story of the Most Incredible Video Game No One Has Played

| last =Davis

| first =Justin

| date =2015-01-08

| website =IGN.com

| publisher =

| access-date =2021-02-17

| quote = Sandcastle Builder is one of the most compelling, rewarding, and unique video games I’ve ever experienced. It is very close to earning a spot on my favorite games of all time short list.}}

which was based on the xkcd comic 1190: Time, Shark Game (2014, by Cirr),{{cite web

| url =http://cirri.al/sharks/

| title =Shark Game

| last =Cirr

| date =2016

| website =Cirri.al

| publisher =

| access-date =2021-02-17

| quote = }} Crank (by FaeDine),{{cite web

| url =https://faedine.com/games/crank/b39/

| title =Crank

| last =FaeDine

| date =2016

| website =faedine.com

| publisher =

| access-date =2021-02-17

| quote = }} Mr.Mine (2013, by Playsaurus),{{Cite web |date=2024-04-21 |title=The longest video games ever: From least to most hours |url=https://tynmagazine.com/the-longest-video-games-ever-from-least-to-most-hours/ |access-date=2025-04-11 |website=TyN Magazine |language=es}} and Kittens Game (2014, by Bloodrizer){{cite web

| url =http://www.bloodrizer.ru/games/kittens

| title =Kittens Game

| last =Bloodrizer

| date =2014

| website =bloodrizer.ru

| publisher =

| access-date =2021-02-17

| quote = }}

During the evolution of the genre, monetization (through ads or other venues), premium contents, and other game mechanics are slowly being added in.

Nathan Grayson of Kotaku attributed the popularity of idle games to their ability to provide unchallenging distractions that fit easily into a person's daily routine, while using themes and aesthetics of more sophisticated games so as to be appealing to a "core gamer" audience. Grayson also noted that the genre allowed for a wide variety of game mechanics and themes, such as fantasy, sci-fi and erotica, to provide sufficient perceived depth to avoid boring players.{{cite news|last1=Grayson|first1=Nathan|title=Clicker Games Are Suddenly Everywhere On Steam|url=http://steamed.kotaku.com/clicker-games-are-suddenly-everywhere-on-steam-1721131416|access-date=31 July 2015|work=Kotaku|date=30 July 2015|archive-date=31 July 2015|archive-url=https://web.archive.org/web/20150731210528/http://steamed.kotaku.com/clicker-games-are-suddenly-everywhere-on-steam-1721131416|url-status=dead}}

IGN's Justin Davis describes the genre as being tuned for a never-ending sense of escalation, as expensive upgrades and items rapidly become available, only to become trivial and replaced by more. This leads to the player feeling powerful and weak at the same time in pursuit of exponential progress.{{cite web|url=http://ign.com/articles/2013/10/10/inside-cookie-clicker-and-the-idle-game-movement |title=Inside Cookie Clicker and the Idle Game Move |last=Davis |first=Justin |publisher=IGN |date=10 October 2013 |access-date=2 April 2014}}

Julien "Orteil" Thiennot (creator of games such as Cookie Clicker) described his own works as "non-games".{{cite web|url=http://www.polygon.com/2013/9/30/4786780/the-cult-of-the-cookie-clicker-when-is-a-game-not-a-game|title=The cult of the cookie clicker: When is a game not a game?|last=Crecente|first=Brian|website=Polygon|date=30 September 2013|access-date=1 November 2013}} In early 2014, Orteil released an early version of Idle Game Maker, a tool allowing customized idle games to be made without coding knowledge.{{cite web|url=http://orteil.dashnet.org/experiments/idlegamemaker/help |title=Idle Game Maker Documentation |publisher=Orteil.dashnet.org |access-date=10 July 2014}}

Commenting on the parodic nature of the genre, Pecorella commented that "[idle games is] a genre that's almost doesn't want to exist; it's a joke, but despite itself, keeps being really successful", and on popular idle-games in general, "a lot of these are just glorified spreadsheet with some really neat mechanics in it."

The idle games genre has in many ways influenced other genres. Pecorella (2015) identified several genres that includes idle elements in their mechanics:

• Real-time social and strategy games: Hay Day, Mafia Wars, Game of War
• Chinese MMORPGs (skipping the early games through "AFK mode" and going straight to end-game): Mythborne using auto-path mode, Wartune, among others
• Launch games (tight-loop prestige/newgame+ mechanic, not the idling one per se): Curl Up and Fly, among others.

Shooting games, RPGs, and other genres also starts to introduce short prestige loop or mini idle games within, while some introduces offline progress to entice players to return, allowing for genre blends, from idle rhythm games to RPGs, to puzzle and dating sims.{{cite web

| url =https://blog.kongregate.com/idle-games/

| title = A Brief Look at the Idle Games Genre

| last =Pecorella

| first =Anthony

| date =2016-04-05

| website =Kongregate Blog

| publisher =Kongregate.com

| access-date =2021-02-17

| quote = }}

File:OPautoclicker.png software]]

An auto clicker is automation software or a macro that is generally used to automate the clicking (or tapping) process in idle games. A number of idle games employ clicking as a method to gain currency while active (to complement the idle element), and players may sometimes employ an auto clicker to automate this part, thus getting resources/currency much faster. Pecorella, in his 2016 GDC summit talk, argued that auto clickers are considered necessary by any "serious" idle game players, and that it's not cheating, but rather an exploration of an error in design.{{cite web

| url =https://blog.kongregate.com/idle-chatter-gdc-2016/

| title = Idle Chatter: GDC 2016

| last =Pecorella

| first =Anthony

| date =2016-03-18

| website =Kongregate Blog

| publisher =Kongregate.com

| access-date =2021-02-17

| pages = 87–88}}

{{Reflist}}

• {{Cite book |chapter-url= https://par.nsf.gov/servlets/purl/10061230 |date=April 2018 |title=Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems |first1=Sultan A. |last1=Alharthi |first2=Olaa |last2=Alsaedi |first3=Phoebe O. |last3=Toups Dugas |first4=Theresa Jean |last4=Tanenbaum |first5=Jessica |last5=Hammer |chapter=Playing to Wait: A Taxonomy of Idle Games |pages=1–15 |location=Montreal, Canada |publisher=Association for Computing Machinery |doi=10.1145/3173574.3174195 |isbn=978-1-4503-5620-6 |s2cid=5039415 |archive-url=https://web.archive.org/web/20181028001844/https://pixl.nmsu.edu/files/2018/02/2018-chi-idle.pdf |archive-date=October 28, 2018 |url-status=live}}
• {{Cite book |url=https://press.etc.cmu.edu/singles/pleasure-playing-less |date=January 2018 |title=The Pleasure of Playing Less: A Study of Incremental Games through the Lens of Kittens |first1=Sultan A. |last1=Alharthi |first2=Phoebe O. |last2= Toups Dugas |first3=Olaa |last3=Alsaedi |first4=Theresa Jean |last4=Tanenbaum |first5=Jessica |last5=Hammer |pages=13131694 Bytes |location=Pittsburgh |publisher=Carnegie Mellon University ETC Press|doi=10.1184/R1/6686957.v1 |archive-url=https://web.archive.org/web/20181028001844/http://press.etc.cmu.edu/index.php/product/the-pleasure-of-playing-less|archive-date=October 28, 2018 |url-status=live}}

{{Video game genre}}

Category:Video game genres