pollice verso

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{{short description|Thumb gesture used in the context of gladiatorial combat}}

{{For|the painting|Pollice Verso (Gérôme){{!}}Pollice Verso (Gérôme)}}

File:Jean-Leon Gerome Pollice Verso.jpg, an 1872 painting by Jean-Léon Gérôme (Phoenix Art Museum), was the subject of great debate regarding its historical accuracy]]

File:Musee-romanite-medaillon-cavillargues (cropped).jpg ({{circa|AD 200}}) depicts the ēditor (games manager) showing a closed fist with wraparound thumb, meaning "spare him."]]

{{Lang|la|Pollice verso}} or {{Lang|la|verso pollice}} ({{IPA|la-x-classic|ˈpɔlʲːɪke ˈu̯ɛrs̠oː|lang|link=yes}}) is a Latin phrase, meaning "with a turned thumb", that is used in the context of gladiatorial combat. It refers to a hand gesture or thumb signal used by Ancient Roman crowds to pass judgment on a defeated gladiator following duels in colloseums.

The precise gesture described by the phrase pollice verso, and its meaning, are the subject of scholarly debate.

According to Anthony Corbeill, a classical studies professor who has extensively researched the practice, thumbs up signalled killing a gladiator, while "a closed fist with a wraparound thumb" meant sparing him.{{cite web |last1=Koerner |first1=Brendan |title=What does a "thumbs up" mean in Iraq? |url=https://slate.com/news-and-politics/2003/03/what-does-a-thumbs-up-mean-in-iraq.html |website=Slate Magazine |access-date=4 January 2020 |language=en |date=28 March 2003}}[https://time.com/4984728/thumbs-up-thumbs-down-history/ Where Does the 'Thumbs-Up' Gesture Really Come From?], Time

Zoologist Desmond Morris describes human gestures of this type to be culturally determined and transmitted.{{Cite web |title=Desmond Morris On Symbolic Gestures |url=https://www.forbes.com/2005/10/19/morris-desmond-gestures-culture-comm05-cx_lr_1024morris.html |access-date=2024-05-03 |website=Forbes |language=en}}

Meaning

The reason for the supremacy of the thumb over the other digits was debated even in ancient times. Roman provincial Macrobius observed that the name of the thumb ({{lang|la|pollex}}) was derived from the Latin word for power ({{lang|la|polleo}}). Another explanation is based on the thumb's unsuitability for the adornment of rings, thereby making it morally superior to the other fingers. Lactantius emphasized its utility and functionality, along with its strength and size.{{Cite web |title=Pollice Verso |url=https://penelope.uchicago.edu/encyclopaedia_romana/gladiators/polliceverso.html |access-date=2024-12-08 |website=penelope.uchicago.edu}} According to Fulgentius, the outstretched thumb paralleled other organs which were considered apatropaic, and like them it was seen as capable of warding off evil.

Ancient Rome

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The exact gesture described by the phrase {{Lang|la|pollice verso}} is unclear. From historical, archaeological, and literary records it is uncertain whether the thumb was turned up, turned down, held horizontally, or concealed inside the hand to indicate positive or negative opinions.[http://penelope.uchicago.edu/~grout/encyclopaedia_romana/gladiators/polliceverso.html James Grout: The Gladiator and the Thumb, part of the Encyclopædia Romana][http://bernd.wechner.info/Hitchhiking/Thumb Desmond Morris, Peter Collett, Peter Marsh, and Marie O'Shaughnessy, 1979 Webified by Bernd Wechner: Gestures: Their Origin and Meanings, The Thumb Up]{{cite web|url=http://www.news.ku.edu/1997/97N/SepNews/Sept29/thumbs.html|title=DID THE ROMANS TURN THUMBS DOWN ON GLADIATORS?|website=www.news.ku.edu}} Horace writes of a gesture using both thumbs to applaud a sporting event, though his exact meaning is unclear. According to Encyclopaedia Romana, Corbeill, who gave the most extensive discussion of the topic, translates Pliny's pollices premere as "pressing of the thumbs". According to his conclusion a merciful gesture consisted of the pressing of the thumb on the index finger of a closed fist, and a negative gesture signifying death, called infesto pollice by Quintilian, consists of an "erect thumb pointing upward". The definition of {{lang|la|pollex}} in the Latin dictionary of Lewis and Short follows Corbeill's conclusion.

Juvenal uses verso pollice in the Satires:

{{Lang|la|Quondam hi cornicines et municipalis harenae

perpetui comites notaeque per oppida buccae

munera nunc edunt et, verso pollice vulgus

cum iubet, occidunt populariter}} ...Juvenal, Satirae 3.34-37

|style="padding-left:2em;"|These men once were horn-blowers, who went the round of every provincial show,

and whose puffed-out cheeks were known in every village;

to-day they hold shows of their own, and win applause by slaying

whomsoever the crowd with a turn of the thumb bids them slay.Juvenal Satires, translated by George Gilbert Ramsay (1839–1921)

Prudentius mentions the thumb gesture (converso pollice), used by a Vestal virgin who delights in the carnage:

{{Lang|la|inde ad consessum caveae pudor almus et expers sanguinis it pietas hominum visura cruentos congressus mortesque et vulnera vendita pastu spectatura sacris oculis. sedet illa verendis vittarum insignis phaleris fruiturque lanistis. o tenerum mitemque animum! consurgit ad ictus et, quotiens victor ferrum iugulo inserit, illa delicias ait esse suas, pectusque iacentis

virgo modesta iubet converso pollice rumpi, ne lateat pars ulla animae vitalibus imis altius inpresso dum palpitat ense secutor.}}

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Then on to the gathering in the amphitheatre passes this figure of life-giving purity and bloodless piety [the Vestal], to see bloody battles and deaths of human beings and look on with holy eyes at wounds men suffer for the price of their keep. There she sits conspicuous with the awe-inspiring trappings of her head-bands and enjoys what the trainers have produced. What a soft, gentle heart! She rises at the blows, and every time a victor stabs his victim’s throat she calls him her pet; the modest virgin with a turn of her thumb bids him pierce the breast of his fallen foe so that no remnant of life shall stay lurking deep in his vitals while under a deeper thrust of the sword the fighter lies in the agony of death.Prudentius. Reply to Symmachus, Book II, in Prudentius Volume II, translated by H. J. Thomson, Loeb Classical Library 398, pp. 93-95.

References

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Further reading

  • Anthony Corbeill. "Thumbs in Ancient Rome: Pollex as Index" in Memoirs of the American Academy in Rome 42, 1997, pp. 61–81.
  • Anthony Corbeill. Nature Embodied: Gesture in Ancient Rome, Princeton University Press, 2004. 978-0-691-07494-8
  • Desmond Morris. Gestures: Their Origin and Distribution, 1979.