prospero

{{short description|Character in William Shakespeare's The Tempest}}

{{other uses}}

{{Use dmy dates|date=November 2020}}

{{Use British English|date=November 2012}}

{{Infobox character

| name = Prospero

| series = The Tempest

| image = Prospero and miranda.jpg

| caption = Prospero and Miranda by William Maw Egley

| creator = William Shakespeare

| based_on =

| portrayer =

| alias =

| affiliation =

| family = Miranda (daughter)

}}

Prospero ({{IPAc-en|ˈ|p|r|ɒ|s|p|ər|oʊ}} {{respell|PROS|pər-o}}) is a fictional character and the protagonist of William Shakespeare's The Tempest.

Character

Twelve years before the play begins, Prospero is usurped from his position as the rightful Duke of Milan by his brother Antonio, who puts Prospero and his three-year-old daughter Miranda to sea on a "rotten carcass" of a boat to die. Prospero and Miranda survived and found exile on a small island inhabited mostly by spirits. Prospero learned sorcery from books, and uses it to protect Miranda.

Before the play begins, Prospero freed the magical spirit Ariel from entrapment within "a cloven pine". Ariel is beholden to Prospero after he is freed from his imprisonment inside the pine tree. Prospero then takes Ariel as a slave. Prospero's sorcery is sufficiently powerful to control Ariel and other spirits, as well as to alter weather and even raise the dead: "Graves at my command have waked their sleepers, oped, and let 'em forth, by my so potent Art." - Act V, scene 1.

On the island, Prospero becomes master of the monster Caliban, the son of a malevolent witch named Sycorax, and forces Caliban into submission by punishing him with magic if he does not obey.

= Prospero's speech =

The Tempest is believed to be the last play Shakespeare wrote alone.{{cite book|last1=Shakespeare|first1=William|author2=Guthrie,Tyrone|editor1-last=Alexander|editor1-first=Peter|title=The Comedies|url=https://archive.org/details/comedies00shak|url-access=registration|date=1958|publisher=The Heritage Press|location=New York|page=[https://archive.org/details/comedies00shak/page/4 4]|language=en|chapter=The Tempest|quote=Shakespeare himself was at the end of his career, and it is hardly possible not to see,...in Prospero's resignation of his magic a reflection of Shakespeare's own farewell to his art.}} In this play there are two candidate soliloquies by Prospero which critics have taken to be Shakespeare's own "retirement speech".

One speech is the "Our revels now are ended" or "Cloud-capp'd towers..." speech:

Our revels now are ended: These our actors—,

As I foretold you—, were all spirits and

Are melted into air, into thin air;

And, like the baseless fabric of this vision,

The cloud-capp'd towers, the gorgeous palaces,

The solemn temples, the great globe itself,

Yea, all which it inherit, shall dissolve

And, like this insubstantial pageant faded,

Leave not a rack behind: we are such stuff

As dreams are made on, and our little life

Is rounded with a sleep. — The Tempest, Act 4, Scene 1

{{cite book|last1=Shakespeare|first1=William|editor1-last=Horne|editor1-first=David|title=The Tempest|date=1913|publisher=Yale University Press|location=New Haven|page=72|edition=Revised hardcover|language=en|chapter=Act 4, Scene 1|quote=...it was probably Shakespeare's last effort.}}{{cite web|last1=Jacobs|first1=M W|title=Shakespeare's Parting Words|url=https://www.huffingtonpost.com/mw-jacobs/shakespeares-parting-word_b_6969080.html|website=HuffPost|date=30 March 2015|access-date=16 June 2017}}

The final soliloquy and epilogue is the other candidate.

Now my charms are all o'erthrown,

And what strength I have's mine own,

Which is most faint: now, 'tis true,

I must be here confined by you,

Or sent to Naples. Let me not,

Since I have my dukedom got

And pardon'd the deceiver, dwell

In this bare island by your spell;

But release me from my bands

With the help of your good hands:

Gentle breath of yours my sails

Must fill, or else my project fails,

Which was to please. Now I want

Spirits to enforce, art to enchant,

And my ending is despair,

Unless I be relieved by prayer,

Which pierces so that it assaults

Mercy itself and frees all faults.

As you from crimes would pardon'd be,

Let your indulgence set me free.

Portrayals

= Stage =

Portrayals of Prospero in Royal Shakespeare Company productions include:

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Portrayals of Prospero at the Old Vic include:

Portrayals of Prospero for the New York Shakespeare Festival include:

Portrayals of Prospero for the Globe Theatre include:

Portrayals of Prospero for the Stratford Shakespeare Festival include:

Other stage portrayals of Prospero include:

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= Film and television =

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Prospero-esque characters have included:

  • Paul Mazursky's film Tempest (1982) starring John Cassavetes as "Philip Dimitrius", who is an exile of his own cynical discontent, ego and self-betrayal and who abandons America for a utopian "kingdom" on a secluded Greek isle.
  • The 1998 TV movie The Tempest, set in a Mississippi bayou during the American Civil War, based on Shakespeare's play and starring Peter Fonda as "Gideon Prosper", a Prospero-esque plantation owner who has learned voodoo from his slaves.

= Audio =

Audio portrayals of Prospero include:

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References

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