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rock art

{{Short description|Human-made markings on natural stone}}

{{Distinguish|Art rock|text=cave painting, a type of rock art placed on the walls and ceilings of caves; or art rock, a sub-genre of rock music}}

{{About||the album by Magnum|Rock Art (album)}}

File:petroglyph jqjacobs.jpg, attributed to Classic Vernal Style, Fremont archaeological culture, eastern Utah, United States]]

File:Polonnaruwa.JPG, Sri Lanka, where the remains of two columns to support the structure that originally enclosed it is visible]]

File:Nanabozho pictograph, Mazinaw Rock.jpg pictograph, Mazinaw Rock, Bon Echo Provincial Park, Ontario, Canada]]

In archaeology, rock arts are human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:

The oldest known rock art dates from the Upper Palaeolithic period, having been found in Europe, Australia, Asia, and Africa. Anthropologists studying these artworks believe that they likely had magico-religious significance.

The archaeological sub-discipline of rock art studies first developed in the late-19th century among Francophone scholars studying the rock art of the Upper Palaeolithic found in the cave systems of parts of Western Europe. Rock art continues to be of importance to indigenous peoples in various parts of the world, who view them as both sacred items and significant components of their cultural heritage. Such archaeological sites may become significant sources of cultural tourism and have been used in popular culture for their aesthetic qualities.Whitley 2005, pp. 1–2.

File:Buddhas at ili.jpg stone carvings at Ili River, Kazakhstan]]

Etymology

The term rock art appears in the published literature as early as the 1940s.E. Goodall, Proceedings and Transactions of the Rhodesian Scientific Association 41:57-62, 1946: "Domestic Animals in rock art"E. Goodall, Proceedings and Transactions of the Rhodesian Scientific Association 42:69-74, 1949: "Notes on certain human representations in Rhodesian rock art" It has also been described as "rock carvings",H. M. Chadwick, Origin Eng. Nation xii. 306, 1907: "The rock-carvings at Tegneby" "rock drawings",H. A. Winkler, Rock-Drawings of Southern Upper Egypt I. 26, 1938: "The discovery of rock-drawings showing boats of a type foreign to Egypt." "rock engravings",H. G. Wells, Outl. Hist. I. xvii. 126/1, 1920: From rock engravings we may deduce the theory that the desert was crossed from oasis to oasis. "rock inscriptions",Deutsch, Rem. 177, 1874: "The long rock-inscription of Hamamât." "rock paintings",Encycl. Relig. & Ethics I. 822/2, 1908: "The rock-paintings are either stenciled or painted in outline." "rock pictures",Man No. 119. 178/2, 1939: "On one of the stalactite pillars was found a big round stone with traces of red paint on its surface, as used in the rock-pictures" "rock records",G. Moore, The Lost Tribes and the Saxons of the East, 1861, Title page: "with translations of Rock-Records in India." and "rock sculptures".Tylor, Early Hist. Man. v. 88, 1865, "and bush art or bushmen art."Trust For African Rock Art, East Africa, common terminology, "Rock-sculptures may often be symbolic boundary marks."

Background

Parietal art is a term for art in caves; this definition usually extended to art in rock shelters under cliff overhangs. Popularly, it is called "cave art", and is a subset of the wider term, rock art. It is mostly on rock walls, but may be on ceilings and floors. A wide variety of techniques have been used in its creation. The term usually is applied only to prehistoric art, but it may be used for art of any date.Bahn, 99-101 Sheltered parietal art has had a far better chance of surviving for very long periods, and what now survives may represent only a very small proportion of what was created.Bahn, 101

Both parietal and cave art refer to cave paintings, drawings, etchings, carvings, and pecked artwork on the interior of caves and rock shelters. Generally, these either are engraved (essentially meaning scratched) or painted, or, they are created using a combination of the two techniques.Bahn, 101-105 Parietal art is found very widely throughout the world, and in many places new examples are being discovered.

The defining characteristic of rock art is that it is placed on natural rock surfaces; in this way, it is distinct from artworks placed on constructed walls or free-standing sculpture. As such, rock art is a form of landscape art, and includes designs that have been placed on boulder and cliff faces, cave walls, and ceilings, and on the ground surface.Whitley 2005, p. 3. Rock art is a global phenomenon, being found in many different regions of the world.Whitley 2005, p. 1. There are various forms of rock art. Some archaeologists also consider pits and grooves in the rock known as cupules, or cups or rings, as a form of rock art.

Although there are exceptions, the majority of rock art whose creation was recorded by ethnographers had been produced during rituals. As such, the study of rock art is a component of the archaeology of religion.Whitley 2005. pp. 3–4.

Rock art serves multiple purposes in the contemporary world. In several regions, it remains spiritually important to indigenous peoples, who view it as a significant component of their cultural heritage. It also serves as an important source of cultural tourism, and hence as economic revenue in certain parts of the world. As such, images taken from cave art have appeared on memorabilia and other artifacts sold as a part of the tourist industry.

Types

Image:Anbangbang gallery Mimi rock art cropped.jpg of Mimi spirits in the Anbangbang gallery at Nourlangie Rock in Kakadu National Park.]]

=Paintings=

{{main|Cave painting}}

In most climates, only paintings in sheltered sites, in particular caves, have survived for any length of time. Therefore, these are usually called "cave paintings", although many do survive in "rock-shelters" or cliff-faces under an overhang. In prehistoric times, these were often popular places for various human purposes, providing some shelter from the weather, as well as light. There may have been many more paintings in more exposed sites, that are now lost. Pictographs are paintings or drawings that have been placed onto the rock face. Such artworks have typically been made with mineral earths and other natural compounds found across much of the world. The predominantly used colours are red, black and white. Red paint is usually attained through the use of ground ochre, while black paint is typically composed of charcoal, or sometimes from minerals such as manganese. White paint is usually created from natural chalk, kaolinite clay or diatomaceous earth.Whitley 2005, p. 4. Once the pigments had been obtained, they would be ground and mixed with a liquid, such as water, blood, urine, or egg yolk, and then applied to the stone as paint using a brush, fingers, or a stamp. Alternately, the pigment could have been applied on dry, such as with a stick of charcoal.Whitley 2005, pp. 4–5. In some societies, the paint itself has symbolic and religious meaning; for instance, among hunter-gatherer groups in California, paint was only allowed to be traded by the group shamans, while in other parts of North America, the word for "paint" was the same as the word for "supernatural spirit".Whitley 2005, p. 9.

One common form of pictograph, found in many, although not all rock-art producing cultures, is the hand print. There are three forms of this; the first involves covering the hand in wet paint and then applying it to the rock. The second involves a design being painted onto the hand, which is then in turn added to the surface. The third involves the hand first being placed against the panel, with dry paint then being blown onto it through a tube, in a process that is akin to air-brush or spray-painting. The resulting image is a negative print of the hand, and is sometimes described as a "stencil" in Australian archaeology.Whitley 2005, pp. 7–9. Miniature stencilled art has been found at two locations in Australia and one in Indonesia.

=Petroglyphs=

{{Main|Petroglyph}}

File:Site archéologique de Bidzar4.jpg

Petroglyphs are engravings or carvings into rock which is left in situ. They can be created with a range of scratching, engraving or carving techniques, often with the use of a hard hammerstone, which is battered against the stone surface. In certain societies, the choice of hammerstone itself has religious significance.Whitley 2005, p. 11. In other instances, the rock art is pecked out through indirect percussion, as a second rock is used like a chisel between the hammerstone and the panel. A third, rarer form of engraving rock art was through incision, or scratching, into the surface of the stone with a lithic flake or metal blade. The motifs produced using this technique are fine-lined and often difficult to see.Whitley 2005, p. 13.

=Rock reliefs=

{{main|Rock relief}}

Normally found in literate cultures, a rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found in conjunction with rock-cut architecture.Harmanşah (2014), 5–6 However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs. Rock reliefs have been made in many cultures, and were especially important in the art of the Ancient Near East.Harmanşah (2014), 5–6; Canepa, 53 Rock reliefs are generally fairly large, as they need to be to make an impact in the open air. Most have figures that are over life-size, and in many the figures are multiples of life-size.

Stylistically they normally relate to other types of sculpture from the culture and period concerned, and except for Hittite and Persian examples they are generally discussed as part of that wider subject.for example by Rawson and Sickman & Soper The vertical relief is most common, but reliefs on essentially horizontal surfaces are also found. The term typically excludes relief carvings inside caves, whether natural or themselves man-made, which are especially found in India. Natural rock formations made into statues or other sculpture in the round, most famously at the Great Sphinx of Giza, are also usually excluded. Reliefs on large boulders left in their natural location, like the Hittite İmamkullu relief, are likely to be included, but smaller boulders may be called stelae or carved orthostats.

=Earth figures=

{{further|Geoglyphs}}

{{see also|Land art}}

Earth figures are large designs and motifs that are created on the stone ground surface. They can be classified through their method of manufacture.Whitley 2005, p. 14. Intaglios are created by scraping away the desert pavements (pebbles covering the ground) to reveal a negative image on the bedrock below. The best known example of such intaglio rock art is the Nazca Lines of Peru. In contrast, geoglyphs are positive images, which are created by piling up rocks on the ground surface to resulting in a visible motif or design.

Motifs and panels

Traditionally, individual markings are called motifs and groups of motifs are known as panels. Sequences of panels are treated as archaeological sites. This method of classifying rock art however has become less popular as the structure imposed is unlikely to have had any relevance to the art's creators. Even the word 'art' carries with it many modern prejudices about the purpose of the features.{{Citation needed|date=October 2012}}

Rock art can be found across a wide geographical and temporal spread of cultures perhaps to mark territory, to record historical events or stories or to help enact rituals. Some art seems to depict real events whilst many other examples are apparently entirely abstract.{{Citation needed|date=October 2012}}

Prehistoric rock depictions were not purely descriptive. Each motif and design had a "deep significance" that is not always understandable to modern scholars.Arca 2004, p. 319.

Interpretation and use

= Religious interpretations =

In many instances, the creation of rock art was itself a ritual act.

Regional variations

=Europe=

{{Main|Rock art of Europe}}

In the Upper Palaeolithic of Europe, rock art was produced inside cave systems by the hunter-gatherer peoples who inhabited the continent. The oldest known example is the Chauvet Cave in France, although others have been located, including Lascaux in France, Alta Mira in Spain and Creswell Crags in Britain and Grotta del Genovese in Sicily.

File:Balma dei Cervi rock paintings.jpg

The late prehistoric rock art of Europe has been divided into three regions by archaeologists. In Atlantic Europe, the coastal seaboard on the west of the continent, which stretches from Iberia up through France and encompasses the British Isles, a variety of different rock arts were produced from the Neolithic through to the Late Bronze Age. A second area of the continent to contain a significant rock art tradition was that of Alpine Europe, with the majority of artworks being clustered in the southern slopes of the mountainous region, in what is now south-eastern France and northern Italy.

File:Laukaa - rock painting2.jpg in Laukaa, Finland]]

=Africa=

File:Femme-gravure.jpg mountain range]]

File:Laas Geel.jpg complex]]

File:Southafrica468bushman.jpg]]

File:Chongoni Rock-Art Area-110134.jpg, Malawi]]

==North Africa==

  • South Oran in Algeria.
  • Saharan rock art
  • Tadrart Acacus in Libya – World Heritage Site.
  • Tassili n'Ajjer in Algeria – national park and World Heritage Site, known for its 10,000-year-old paintings.
  • Cave of Swimmers is a cave in southwest Egypt, near the border with Libya, along the western edge of the Gilf Kebir plateau in the central Libyan Desert (Eastern Sahara). It was discovered in October 1933 by the Hungarian explorer László Almásy. The site contains rock paintings of human figures who appear to be swimming, which have been estimated to have been created at least 6,000 to 7000 years ago. The Cave of Beasts 10 km westwards was discovered in 2002.
  • Jebel Uweinat, a large granite and sandstone mountain, as well as the adjacent smaller massifs of Jebel Arkenu and Jebel Kissu at the converging triple borders of Libya, Egypt and Sudan, harbors one of the richest concentrations of prehistoric rock art in the entire Sahara. The rock art here mainly consists of the Neolithic cattle pastoralist cultures, but also a number of older paintings from hunter-gatherer societies.
  • Sabu-Jaddi rock art site in Northern Sudan.
  • North Sİnai Archaeological Sites Zone − tentative World Heritage Site.{{Cite web|title=North Sinai archaeological Sites Zone|url=https://whc.unesco.org/en/tentativelists/189/|access-date=2020-09-09|website=UNESCO World Heritage Centre|language=en}} Limestone cave decorated with scenes of animals such as donkeys, camels, deer, mule and mountain goats was uncovered in the site in 2020. Rock art cave is 15 meters deep and 20 meters high.{{Cite web|title=Ancient cave with distinguished engravings depicting scenes of animals discovered in Sinai - Ancient Egypt - Heritage|url=http://english.ahram.org.eg/NewsContent/9/40/368014/Heritage/Ancient-Egypt/Ancient-cave-with-distinguished-engravings-depicti.aspx|access-date=2020-09-09|website=Ahram Online|language=en}}
  • Wadi Abu Dom

==Western Africa==

==East Africa==

File:Kohaito, grotta di adi alauti con pitture rupestri databili al 2500 ac ca. 14 bestiame.JPG]]

  • Qohaito in Eritrea – 7,000 years old rock art near the ancient city Qohaito.
  • Dorra and Balho in Djibouti – Rock art sites with figures of what appear to be antelopes and a giraffe.
  • Kundudo in Ethiopia – Flat top mountain complex with rock art in a cave.
  • Laas Geel in Somalia – A number of cave paintings and petroglyphs can be found at various sites across the country. Among the most prominent examples of this is the rock art in Laas Geel, Dhambalin, Gaanlibah and Karinhegane.
  • Nyero Rockpaintings, Uganda - World Heritage Site, pre-historic paintings was noticed before 1250 AD{{Cite web|url=http://africanrockart.org/wp-content/uploads/2013/12/Nyero-booklet.pdf|title=NYERO & OTHER ROCK ARTSITES IN EASTERN UGANDA}}
  • Swaga Swaga Game Reserve in Tanzania – Archaeologists announced the discovery of ancient rock art with anthropomorphic figures in a good condition at the Amak’hee 4 rockshelter site. Paintings made with a reddish dye also contained buffalo heads, giraffe's head and neck, domesticated cattle dated back to about several hundred years ago.{{Cite web|title=Tanzanian Rock Art Depicts Trios of Bizarre Anthropomorphic Figures {{!}} Archaeology {{!}} Sci-News.com|url=http://www.sci-news.com/archaeology/tanzanian-rock-art-09332.html|access-date=2021-02-16|website=Breaking Science News {{!}} Sci-News.com|language=en-US}}{{Cite web|title=Mysterious and bizarre: scientists discovered ancient rock art that dates back to several hundred years ago|url=https://www.msn.com/en-ca/news/canada/mysterious-and-bizarre-scientists-discovered-ancient-rock-art-that-dates-back-to-several-hundred-years-ago/ar-BB1dDyzY|access-date=2021-02-16|website=www.msn.com}}
  • Bahi rock paintings
  • Chabbé
  • Dhaymoole
  • Handoga
  • Kondoa Rock-Art Sites
  • Mfangano Island
  • Rock art of Uganda

==Southern Africa==

Cave paintings are found in most parts of Southern Africa that have rock overhangs with smooth surfaces. Among these sites are the cave sandstone of Natal, Orange Free State and North-Eastern Cape, the granite and Waterberg sandstone of the Northern Transvaal, and the Table Mountain sandstone of the Southern and Western Cape.Standard Encyclopaedia of Southern Africa (1973)

  • UKhahlamba Drakensberg Park in South Africa – The site has paintings dated to around 3,000 years old and which are thought to have been drawn by the San people and Khoisan people, who settled in the area some 8,000 years ago. The rock art depicts animals and humans and is thought to represent religious beliefs.
  • Tsodilo Hills in Botswana – A World Heritage Site with rock art
  • Brandberg Mountain (Daureb) in Namibia – It is one of the most important rock art localities on the African continent. Most visitors only see "The White Lady" shelter (which is neither white, nor a lady, the famous scene probably depicts a young boy in an initiation ceremony), however the upper reaches of the mountain is full of sites with prehistoric paintings, some of which rank among the finest artistic achievements of prehistory.
  • Bambata Cave, Zimbabwe- Animal paintings and human drawings are supposed to be age from 2.000 to 20.000 years old{{Cite news|url=https://www.britannica.com/event/Stone-Age/Africa|title=Stone Age - Africa|work=Encyclopedia Britannica|access-date=2018-10-20|language=en}}{{Cite web|url=https://www.bigcavematopos.com/famous-rock-art-galleries.html|title=Big Cave Camp {{!}} Famous Rock Art Galleries - visits to Nswatugi cave, Bambata, Silozwane cave, Inanke cave and Maholoholo cave|website=Big Cave|language=en|access-date=2018-10-20}}{{Cite news|url=https://global-geography.org/af/Geography/Africa/Zimbabwe/Pictures/Matobo_Hills/Rock_Paintings_Bambata_Cave_1|title=Rock Paintings Bambata Cave (1)|work=Global-Geography|access-date=2018-10-20|language=en}}
  • Mwela and Adjacent Areas Rock Art Site, Zambia
  • Chongoni Rock Art Area
  • Driekops Eiland
  • Modderpoort Sacred Sites
  • Nooitgedacht Glacial Pavements
  • Nyambwezi Falls
  • San rock art
  • Twyfelfontein
  • Wildebeest Kuil Rock Art Centre

=Americas=

Image:Native rock painting wy usa.jpg rock painting close to Douglas, Wyoming, USA. One possible interpretation of this painting is: On the left side a group of United States Army soldiers with different insignia and on the right side Native Americans are shown]]

The oldest reliably dated rock art in the Americas is known as the "Horny Little Man". It is petroglyph depicting a stick figure with an oversized phallus and carved in Lapa do Santo, a cave in central-eastern Brazil.Choi, Charles. [https://www.nbcnews.com/id/wbna46488427 "Call this ancient rock carving 'little horny man'."] Science on NBC News. 22 Feb 2012. Retrieved 9 April 2012. The most important site is Serra da Capivara National Park at Piauí state. It is a UNESCO World Heritage Site with the largest collection in the American continent and one of the most studied.

A site including eight miles of paintings or pictographs that is under study in Colombia, South America at Serranía de la Lindosa was revealed in November 2020.Alberge, Dalya, [https://www.theguardian.com/science/2020/nov/29/sistine-chapel-of-the-ancients-rock-art-discovered-in-remote-amazon-forest 'Sistine Chapel of the ancients' rock art discovered in remote Amazon forest], The Guardian, Sunday, November 29, 2020 Their age is suggested as being 12,500 years old (c. 10,480 B.C.) by the anthropologists working on the site because of extinct fauna depicted.

Rock paintings or pictographs are located in many areas across Canada. There are over 400 sites attributed to the Ojibway from northern Saskatchewan to the Ottawa River.Grace Rajnovich. (1994) Reading rock art: interpreting the Indian rock paintings of the Canadian Shield. Toronto:Natural Heritage/Natural History Inc.

However, cave art is not the only type of rock art. While cave art provides the two-dimensional view on a rocky surface, figurines made of a rock material can provide a three-dimensional view that gives insight on indigenous views towards their visual arts. Many sites along and off the California coastline, such as the Channel Islands and Malibu, have both realistic and abstract styles of zoomorphic effigy figurines.{{cite journal |last=HOOVER |first=ROBERT L. |date=1974 |title=Some Observations on Chumash Prehistoric Stone Effigies |url=https://www.jstor.org/stable/25748312 |journal=The Journal of California Anthropology |volume=1 |issue=1 |pages=33–40 |jstor=25748312 |issn=0361-7181}} From archaeological studies at these sites, archaeologists and other researchers discovered many of these figurines and performed a composition analysis, which most of these figurines are made of steatite but there are still made of other materials.{{cite journal |last1=Fitzgerald |first1=Richard |last2=Corey |first2=Christopher |date=December 2009 |title=The Antiquity and Significance of Effigies and Representational Art in Southern California Prehistory |url=http://www.tandfonline.com/doi/full/10.1179/cal.2009.1.2.183 |journal=California Archaeology |language=en |volume=1 |issue=2 |pages=183–203 |doi=10.1179/cal.2009.1.2.183 |s2cid=96471264 |issn=1947-461X|url-access=subscription }}{{cite journal |last=Cameron |first=Constance |date=2000 |title=Animal Effigies from Coastal Southern California |url=https://www.pcas.org/Vol36N2/12Cameron.pdf |journal=Pacific Coast Archaeological Society Quarterly |volume=36 |issue=2 |pages=30–52}}

As a result from these archaeological studies, these figures provided context about spheres of interaction between tribal groups, demonstrate economical significance, and possibly hold a ritual function as well. Under one study by archaeologists Richard T Fitzgerald and Christopher Corey, they dated the earliest figurines to be around the Middle Holocene, suggesting two socioeconomic interactive spheres (one in the northern and one in the southern Channel Islands) and linguistic similarities between Takic-speaking Gabrileno and Chumash neighbors. These figurines share similar styles between these tribes, providing a history of interactive contact.

== California ==

Little Lake is a complex of rock art located in a specific point in time and space (in Rose Valley, Inyo County). Rose Valley is located in the boundaries of the cultural Great Basin and the territory of the Timbisha Shoshone. This site is important to understanding the symbolism and value of North American rock art because it is one of the largest collections of rock art unrelated to the Coso (an indigenous tribe/people of the Mojave Desert). Its importance to territorial and anthropological studies helps many understand the in-depth descriptions and stylistic analyses of large rock art concentrations, which are valued by archaeologists, anthropologists, ethnographers, and even art enthusiasts. Referring back to these sites help social scientists understand and record the values that were important to the creators; it shows economic values or settlement patterns that were once a daily part of life. As a result, it is crucial to focus on the variable resources to understand how cultures were abiding with their environment. However, the rock art related sites at Little Rock can't be directly dated or analyzed.

=Asia=

File:Bhimbetka Cave Paintings.jpg rock painting of India, World Heritage Site.]]

File:Wenshan Malipo Dawang Yanya Neolithic Painting.jpg in Wenshan Prefecture, Yunnan Province, China. Thought to be over 4000 years old.]]

File:Ancient Azerbaijan 4.jpg, dating back to 10,000 BC.]]

File:Ancient rock art in Balichakra near Yadgir town.jpg

==Central Asia==

==East Asia==

{{see|Gongshi|Suseok|Suiseki}}

  • Bangudae Petroglyphs, in South Korea
  • Cheonjeon-ri in South Korea
  • Daegok-ri in South Korea
  • Fugoppe Cave petroglyphs on Hokkaido, Japan
  • Helankou in Yinchuan, China{{cite encyclopedia|last=O'Sullivan|first=Rebecca|title=East Asia: Rock Art |encyclopedia=Encyclopedia of Global Archaeology |edition=2|year=2018|publisher=Springer|doi=10.1007/978-3-319-51726-1_3131-1|pages=1–11|isbn=978-3-319-51726-1}}
  • Kangjia shimenzi in Xinjiang, China
  • Oponoho (Wanshan) petroglyphs in Taiwan
  • Temiya Cave on Hokkaido, Japan
  • Yinshan petroglyphs in the Yin Mountains, China
  • Zuo River Huashan rock art in Guangxi, China
  • Chifeng Petroglyphs in Inner Mongolia
  • Above 4000 meters above sea level high Tibetan plateau: possibly the oldest rock art, likely dating back to ~169–226,000 years ago, much older than what was previously thought to be the earliest known drawing, made ~73,000{{cite journal |last1=Henshilwood |first1=Christopher S. |last2=d’Errico |first2=Francesco |last3=van Niekerk |first3=Karen L. |last4=Dayet |first4=Laure |last5=Queffelec |first5=Alain |last6=Pollarolo |first6=Luca |title=An abstract drawing from the 73,000-year-old levels at Blombos Cave, South Africa |journal=Nature |date=October 2018 |volume=562 |issue=7725 |pages=115–118 |doi=10.1038/s41586-018-0514-3 |pmid=30209394 |bibcode=2018Natur.562..115H |s2cid=52197496 |language=en |issn=1476-4687|url=https://hal.archives-ouvertes.fr/hal-01976973/file/Henshilwood-etal_2018.pdf }} years ago. According to the study, children likely intentionally placed a series of hands and feet in mud. The findings could also be the earliest evidence of Hominins on the high Tibetan plateau.{{cite news |last1=Lanese |first1=Nicoletta |title=Kids' Fossilized Handprints May Be Some of the World's Oldest Art |url=https://www.scientificamerican.com/article/kids-fossilized-handprints-may-be-some-of-the-worlds-oldest-art/ |access-date=17 October 2021 |work=Scientific American |language=en}}{{cite news |last2=Davis-Marks |first2=Isis |title=These 200,000-Year-Old Hand and Footprints Could Be the World's Earliest Cave Art |url=https://www.smithsonianmag.com/smart-news/these-200000-year-old-hand-and-footprints-could-be-the-worlds-oldest-cave-art-180978702/ |first1=Isis |last1=Davis-Marks| access-date=17 October 2021 |work=Smithsonian Magazine |language=en}}{{cite journal |last1=Zhang |first1=David D. |last2=Bennett |first2=Matthew R. |last3=Cheng |first3=Hai |last4=Wang |first4=Leibin |last5=Zhang |first5=Haiwei |last6=Reynolds |first6=Sally C. |last7=Zhang |first7=Shengda |last8=Wang |first8=Xiaoqing |last9=Li |first9=Teng |last10=Urban |first10=Tommy |last11=Pei |first11=Qing |last12=Wu |first12=Zhifeng |last13=Zhang |first13=Pu |last14=Liu |first14=Chunru |last15=Wang |first15=Yafeng |last16=Wang |first16=Cong |last17=Zhang |first17=Dongju |last18=Lawrence Edwards |first18=R. |title=Earliest parietal art: Hominin hand and foot traces from the middle Pleistocene of Tibet |journal=Science Bulletin |date=10 September 2021 |volume=66 |issue=24 |pages=2506–2515 |doi=10.1016/j.scib.2021.09.001 |pmid=36654210 |bibcode=2021SciBu..66.2506Z |s2cid=239102132 |language=en |issn=2095-9273|doi-access=free }}

==Southeast Asia==

{{further|Austronesian peoples#Rock art}}

==South Asia==

  • Bhimbetka rock shelters (World Heritage Site), Madhya Pradesh, India with rock art ranging from the Mesolithic (c.8,000 BC) to historical times{{cite web |url=https://whc.unesco.org/pg.cfm?cid=31&id_site=925 |title=Rock Shelters of Bhimbetka |publisher=World Heritage Site|access-date=2007-02-15}}{{cite book |last1=Mathpal |first1=Yashodhar |title=Prehistoric Painting Of Bhimbetka |date=1984 |publisher=Abhinav Publications |isbn=9788170171935 |page=220 |url=https://books.google.com/books?id=GG7-CpvlU30C&pg=PA220 |language=en}}{{cite book |last1=Tiwari |first1=Shiv Kumar |title=Riddles of Indian Rockshelter Paintings |date=2000 |publisher=Sarup & Sons |isbn=9788176250863 |page=189 |url=https://books.google.com/books?id=-jO0fvT4r9gC&pg=PA189 |language=en}}{{cite book |title=Rock Shelters of Bhimbetka |date=2003 |publisher=UNESCO |page=16 |url=https://whc.unesco.org/uploads/nominations/925.pdf}}{{cite book |last1=Mithen |first1=Steven |title=After the Ice: A Global Human History, 20,000 - 5000 BC |date=2011 |publisher=Orion |isbn=9781780222592 |page=524 |url=https://books.google.com/books?id=Uaxg_QDSsrQC&pg=PT524 |language=en}}{{cite book |last1=Javid |first1=Ali |last2=Jāvīd |first2=ʻAlī |last3=Javeed |first3=Tabassum |title=World Heritage Monuments and Related Edifices in India |date=2008 |publisher=Algora Publishing |isbn=9780875864846 |page=19 |url=https://books.google.com/books?id=54XBlIF9LFgC&pg=PA19 |language=en}}
  • Edakkal Caves, Kerala India
  • Gavali, Udupi
  • Hire Benakal, Karnataka
  • Balichakra, Yadgir town in Karnataka, India
  • Rock paintings of Tamil Nadu, in India (several sites){{cite web|url=http://shodhganga.inflibnet.ac.in/bitstream/10603/20775/8/08_chapter%201.pdf|title=Chapter -1 Introduction to Rock Art in India}} {{dead link|date=November 2018|bot=medic}}{{cbignore|bot=medic}}
  • Kaimur district, Bihar, India (several sites)
  • Rock paintings of Andhra Pradesh, in India (several sites)
  • Sonda, Karnataka

==Western Asia==

  • Rock Art in the Ha'il Region in Saudi Arabia
  • Iranian rock art sites are mostly found in the Zagros Mountain range. But there are many other sites in Central Iran, Sistan and Baluchistan, and Azarbaijan. Most of these rock arts date back to the late prehistory and historic period. Among which the well-known sites of Houmian at Kuhdasht,{{cite journal |last1=Bewley |first1=R. H. |title=The Cambridge University Archaeological Expedition To Iran 1969. Excavations in Zagros Mountains : Homian, Mir Malas, Barde Spid |journal=Iran |date=1984 |volume=22 |page=1 |doi=10.2307/4299734 |jstor=4299734 }} Khomein, and Teimareh{{cite book |last1=Farhadi |first1=M |title=Museums in wind |date=1999 |publisher=Allameh Tabataba’i University Press |location=Tehran}} in Central Iran are outstanding.
  • Large carvings of camels that were discovered in 2018 in Saudi Arabia are estimated to be 7,000 to 8,000 years old.[https://www.bbc.com/news/world-middle-east-58570259 Saudi Arabia camel carvings dated to prehistoric era], BBC, September 15, 2021 This Neolithic dating would make the carvings significantly older than Stonehenge (5,000 years old) and the Egyptian pyramids at Giza (4,500 years old).

= Australasia =

==Australia==

{{further|Indigenous Australian art#Rock art}}

Australian Indigenous art represents the oldest unbroken tradition of art in the world. There are more than 100,000 recorded rock art sites in Australia.{{cite book |title =Deep Time Dreaming: Uncovering Ancient Australia |first =Billy |last =Griffiths |date =2018 |publisher =Black Inc |page=176}}

The oldest firmly dated rock-art painting in Australia is a charcoal drawing on a rock fragment found during the excavation of the Nawarla Gabarnmang rock shelter in south western Arnhem Land in the Northern Territory. Dated at 28,000 years, it is one of the oldest known pieces of rock art on Earth with a confirmed date. Nawarla Gabarnmang has one of the most extensive collections of rock art in the world and predates both Lascaux and Chauvet cave art - the earliest known art in Europe - by at least 10,000 years.{{cite news|last= Barker|first= Bryce|title= Australia's oldest rock art discovered by USQ researcher|url= http://www.usq.edu.au/news-events/News/2012/06/oldestart|access-date= 20 January 2014|newspaper= University of Southern Queensland|date= 18 June 2012|url-status= dead|archive-url= https://web.archive.org/web/20140201180016/http://www.usq.edu.au/news-events/News/2012/06/oldestart|archive-date= 1 February 2014}}{{cite news|last= Collis|first= Clarisa|title= Ancient artists of rock and soul|url= http://www.monash.edu.au/monashmag/articles/ancient-artists-of-rock-and-soul.html#.Utz4Op0bptQ|access-date= 20 January 2014|newspaper= Monash University|date= June 2012}}

In 2008 rock art depicting what is thought to be a Thylacoleo was discovered{{by whom|date=March 2018}} on the north-western coast of the Kimberley.{{cite web | last1 = Akerman | first1 = Kim | last2 = Willing | first2 = Tim | date = March 2009 | title = An ancient rock painting of a marsupial lion, Thylacoleo carnifex, from the Kimberley, Western Australia | work = Antiquity | url = http://www.antiquity.ac.uk/projgall/akerman319/ | access-date = 11 December 2012 }} As the Thylacoleo is believed to have become extinct 45000–46000 years ago (Roberts et al. 2001) (Gillespie 2004), this suggests a similar age for the associated Gwion Gwion rock paintings. Archaeologist Kim Akerman however believes that the megafauna may have persisted later in refugia (wetter areas of the continent) as suggested by Wells (1985: 228) and has suggested a much younger age for the paintings. Pigments from the Gwion Gwion of the Kimberley are so old they have become part of the rock itself, making carbon dating impossible. Some experts suggest that these paintings are in the vicinity of 50,000 years old and may even pre-date Aboriginal settlement.{{cite web|url= http://tls.timesonline.co.uk/article/0,,25338-2286453,00.html|archive-url= https://web.archive.org/web/20060929210802/http://tls.timesonline.co.uk/article/0,,25338-2286453,00.html|url-status= dead|archive-date= September 29, 2006|title= The Times Literary Supplement – TLS|work= The Times}}{{cite web|url= http://www.bradshawfoundation.com/bradshaws/|title= The Bradshaw Paintings – Australian Rock Art Archive|author= Bradshaw Foundation|work= Bradshaw Foundation}}

File:Bradshaw rock paintings.jpg]]

Miniature rock art of the stencilled variety at a rock shelter known as Yilbilinji, in the Limmen National Park in the Northern Territory, is one of only three known examples of such art. Usually stencilled art is life-size, using body parts as the stencil, but the 17 images of designs of human figures, boomerangs, animals such as crabs and long-necked turtles, wavy lines and geometric shapes are very rare. Found in 2017 by archaeologists, the only other recorded examples are at Nielson's Creek in New South Wales and at Kisar Island in Indonesia. It is thought that the designs may have been created by stencils fashioned out of beeswax.{{cite web | title=Indigenous rock art found in the NT one of just three such examples worldwide|first=Henry|last=Zwartz | website=ABC News (Australian Broadcasting Corporation) | date=27 May 2020 | url=https://www.abc.net.au/news/2020-05-27/rare-rock-art-found-in-nt-park/12287914 | access-date=28 May 2020}}{{cite web | author=Flinders University | title=Miniature rock art expands horizons | website=Phys.org | date=26 May 2020 | url=https://phys.org/news/2020-05-miniature-art-horizons.html | access-date=28 May 2020}}{{cite web | title=Archaeologists reveal rock art's big little secret | website=Flinders University (News) | date=27 May 2020 | url=https://news.flinders.edu.au/blog/2020/05/27/archaeologists-reveal-rock-arts-big-little-secret/ | access-date=28 May 2020}}

  • Kakadu National Park in the Northern Territory has a large collection of ochre paintings. Ochre is a not an organic material, so carbon dating of these pictures is impossible. Sometimes the approximate date, or at least an epoch, can be guessed from the content.
  • The Sydney region has important rock engravings.
  • Mount Grenfell Historic Site near Cobar, western New South Wales has important ancient rock-drawings.
  • The Murujuga (Burrup Peninsula) area of Western Australia near Karratha is estimated{{by whom|date=March 2018}} to be home to between 500,000 and 1 million individual engravings.
  • Kimberley region of Western Australia. Amateur archaeologist Grahame Walsh, who researched Gwion Gwion rock paintings in the region from 1977 until his death in 2007, produced a photographic database of 1.5 million Gwion Gwion rock paintings.{{cite web | date = 15 October 2002 | title = Rock Heart – Australian Story | url = http://www.abc.net.au/austory/transcripts/s696261.htm | archive-url = https://archive.today/20121231064904/http://www.abc.net.au/austory/transcripts/s696261.htm | url-status = dead | archive-date = December 31, 2012 |website= abc.net.au}} Many of the Gwion rock paintings maintain vivid colours because they have been colonised by bacteria and fungi, such as the black fungus, Chaetothyriales. The pigments originally applied may have initiated an ongoing, symbiotic relationship between black fungi and red bacteria.{{cite web | date = 27 December 2010 | title = Ancient rock art's colours come from microbes | work = BBC News | url = https://www.bbc.co.uk/news/science-environment-12039203}}
  • The Grampians-Gariwerd region is Victoria is one of the richest Aboriginal rock art sites in south-eastern Australia.{{cite web|url=http://www.environment.gov.au/heritage/places/national/grampians|title=National Heritage Places - Grampians National Park (Gariwerd)|website=Department of Agriculture, Water and the Environment|publisher=Australian Government|access-date=8 July 2020}} Some of the more well-known and easily accessible sites are the Ngamadjidj Shelter (Cave of Ghosts), Gulgurn Manja (Flat Rock), Billimina (Glenisla Shelter) and Manja (Cave of Hands);{{cite web|url=http://www.brambuk.com.au/assets/pdf/grampiansnationalparkrockartshelters.pdf|title=Aboriginal Rock Art Sites|website=Brambuk|access-date=8 July 2020}} one of the most significant sites in south-eastern Australia is Bunjil's Shelter, near Stawell,{{cite web | title=Aboriginal Victoria, Grampians, Victoria, Australia | website=Visit Victoria | date=5 October 2016 | url=https://www.visitmelbourne.com/Regions/Grampians/Things-to-do/Aboriginal-Victoria | access-date=8 July 2020}} which is the only known rock art depiction of Bunjil, the creator-being in Aboriginal Australian mythology.{{cite web | title=Bunjil Shelter - Stawell, Attraction, Grampians, Victoria, Australia | website=Visit Victoria | date=30 March 2020 | url=https://www.visitmelbourne.com/regions/Grampians/Things-to-do/Outdoor-activities/Walking-and-hiking/Bunjil-Shelter-Stawell | access-date=8 July 2020}}
  • The Maliwawa Figures in Arnhem Land, a series of 571 paintings and a drawing, created between 6,000 and 9,400 years ago, show a style nor recognised by researchers in the field before new research was done in 2016–2018 and published in September 2020 by Paul Taçon and his team.{{cite journal | last1=Taçon | first1=Paul S. C. | last2=May | first2=Sally K. | last3=Lamilami | first3=Ronald | last4=McKeague | first4=Fiona | last5=Johnston | first5=Iain G. | last6=Jalandoni | first6=Andrea | last7=Wesley | first7=Daryl | last8=Sanz | first8=Ines Domingo | last9=Brady | first9=Liam M. | last10=Wright | first10=Duncan | last11=Goldhahn | first11=Joakim|display-authors=2 | title=Maliwawa figures—a previously undescribed Arnhem L and rock art style | journal=Australian Archaeology | publisher=Informa UK Limited|via=Taylor & Francis Online | date=30 September 2020 | volume=86 | issue=3 | issn=0312-2417 | doi=10.1080/03122417.2020.1818361 | pages=208–225| s2cid=224849841 | doi-access= }}{{cite web | last=Weule | first=Genelle | title='Bilbies', thylacines and dugongs among stunning Maliwawa rock art documented in Arnhem Land| website=ABC News|series=ABC Science|publisher=Australian Broadcasting Corporation | date=1 October 2020 | url=https://www.abc.net.au/news/science/2020-10-01/bilbies,-thylacines,-dugongs-in-arnhem-land-maliwawa-rock-art/12714194 | access-date=3 October 2020}}
  • The Turramurra site in western Queensland is opening in 2020. Cliffs on the property, for some time known as Grace Vale Station, are covered with ancient rock art, including paintings and etchings of megafauna, emu symbols and the traditional songline of the Seven Sisters. Planning for an educational centre created from local rock is under way.{{cite web | last=Larkins | first=Damien | title=Indigenous story wall restored, open to visitors in outback Queensland | website=ABC News|publisher=Australian Broadcasting Corporation | date=17 October 2020 | url=https://www.abc.net.au/news/2020-10-18/turraburra-gracevale-indigenous-art-site-opens-queensland/12776038 | access-date=21 October 2020}}

File:Westall Chasm Island art.jpg

The first European discovery of aboriginal rock paintings took place on 14 January 1803.{{cite book |last1=McCarthy |first1=Frederick D. |title=The cave paintings of Groote, Eylandt and Chasm Island |last2=Australian Museum |publisher=Australian Museum |year=1960 |location=Sydney, N.S.W. |language=EN |oclc=271765347}} While on a surveying expedition along the shores and islands of the Gulf of Carpentaria, British navigator and explorer Matthew Flinders made landfall on rugged Chasm Island off Groote Eylandt.

Within the island's rock shelters, Flinders discovered an array of painted and stenciled patterns. To record these images, he enlisted the ship's artist, William Westall.{{Cite journal |last=Findlay |first=E. |date=1998 |title=Arcadian quest [The works of William Westall] |journal=National Library of Australia News |volume=9 |issue=1 |pages=3–7 |url=https://search.informit.org/doi/abs/10.3316/ielapa.990303180 }} Westall's two watercolour sketches are the earliest known documentation of Australian rock art. In his journal, Flinders not only detailed the location and the artworks but also authored the inaugural site report:

In the deep sides of the chasms were deep holes or caverns undermining the cliffs; upon the walls of which I found rude drawings, made with charcoal and something like red paint upon the white ground of the rock. These drawings represented porpoises, turtle, kanguroos [sic], and a human hand; and Mr. Westall, who went afterwards to see them, found the representation of a kanguroo [sic], with a file of thirty-two persons following after it. The third person of the band was twice the height of the others, and held in his hand something resembling the whaddie, or wooden sword of the natives of Port Jackson; and was probably intended to represent a chief. They could not, as with us, indicate superiority by clothing or ornament, since they wore none of any kind; and therefore, with the addition of a weapon, similar to the ancients, they seem to have made superiority of person the principal emblem of superior power, of which, indeed, power is usually a consequence in the very early stages of society.

==New Zealand==

In New Zealand, North Otago and South Canterbury have a rich range of early Māori rock art.

{{cite book

| last1 = Barrow

| first1 = Terence

| title = Maori art of New Zealand

| url = https://books.google.com/books?id=0oUOAQAAMAAJ

| edition = reprint

| publisher = Unesco Press

| date = 1978

| page = 70

| isbn = 9789231013195

| access-date = 2018-03-06

| quote = The North Otago and South Canterbury districts of the South Island present a rich range of rock art in red and black pigments. The motifs used are mainly humans, monsters, birds, and fish, and are styles which pre-date Classic Maori traditional art.

}}

{{Cite book |last=Brown |first=Deidre |url=https://www.wikidata.org/wiki/Q133853261 |title=Toi Te Mana: An Indigenous History of Māori Art |last2=Ellis |first2=Ngarino |last3=Mane-Wheoki |first3=Jonathan |date=2024-01-01 |publisher=University of Auckland |pages=131 |language=English}}

  • The Takiroa Rock Art Shelter near Duntroon contains Māori artwork made from ochre and charcoal.{{cite web |url = https://teara.govt.nz/en/photograph/22741/maori-rock-art | last = McKinnon | first = Malcolm | title = Otago places - North Otago | date = 29 July 2015 | website = Te Ara - the Encyclopedia of New Zealand | access-date = 30 May 2019}}

Studies

The archaeological sub-discipline devoted to the investigation of rock art is known as "rock art studies". Rock art specialist David S. Whitley noted that research in this area required an "integrated effort" that brings together archaeological theory, method, fieldwork, analytical techniques and interpretation.Whitley 2005, p. xi.

=History=

Although French archaeologists had undertaken much research into rock art, Anglophone archaeology had largely neglected the subject for decades.Whitley 2005. pp. viii, 1.

The discipline of rock art studies witnessed what Whitley called a "revolution" during the 1980s and 1990s, as increasing numbers of archaeologists in the Anglophone world and Latin America turned their attention to the subject.Whitley 2005, p. x. In doing so, they recognised that rock art could be used to understand symbolic and religious systems, gender relations, cultural boundaries, cultural change and the origins of art and belief. One of the most significant figures in this movement was the South African archaeologist David Lewis-Williams, who published his studies of San rock art from southern Africa, in which he combined ethnographic data to reveal the original purpose of the artworks. Lewis-Williams would come to be praised for elevating rock art studies to a "theoretically sophisticated research domain" by Whitley.Whitley 2005, p. viii. However, the study of rock art worldwide is marked by considerable differences of opinion with respect to the appropriateness of various methods and the most relevant and defensible theoretical framework.

=International databases and archives=

The UNESCO World Rock Art Archive Working Group met in 2011 to discuss the base model for a World Rock Art Archive.*{{cite web |last=UNESCO World Heritage Centre |title=World Rock Art Archives to meet in Tanum |year=2011|access-date=May 1, 2011|url=https://whc.unesco.org/en/events/858/}} While no official output has been generated to date, various projects around the world — such as The Global Rock Art Database — are looking at making rock art heritage information more accessible and more visible to assist with rock art awareness, conservation and preservation issues.{{cite web|url=http://www.rockartdatabase.com|title=Rock-Art Database|first=Haubt|last=R.|website=www.rockartdatabase.com}}{{cite journal |last1=Haubt |first1=R.A. |last2=Tacon |first2=P.S.C. |date=October 22, 2016 |title=A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform |journal=Journal of Archaeological Science: Reports |volume= 10|pages= 837–846|doi=10.1016/j.jasrep.2016.10.013 |bibcode=2016JArSR..10..837H }}

See also

Notes

{{reflist|35em}}

References

{{Refbegin}}

  • {{Cite news|title=The topographical engravings of Alpine rock-art: fields, settlements and agricultural landscapes |last1=Arca |first1=Andrea |year=2004 |journal=The Figured Landscapes of Rock-Art |publisher=Cambridge University Press |pages=318–349 |ref=Arc04}}
  • Bahn, Paul (ed), The Cambridge Illustrated History of Prehistoric Art, 1998, Cambridge University Press, {{ISBN|0521454735}}, 9780521454735, [https://books.google.com/books?id=xwm_D1u_UTsC&pg=PA99 google books]
  • {{cite web |first=Ekaterina |last=Devlet |title=Rock Art and the Material Culture of Siberian and Central Asian Shamanism |work= The Archaeology of Shamanism |year=2001 |pages=43–54 |access-date=April 1, 2007 |url=http://scandinavian.wisc.edu/dubois/Courses_folder/shamanism_readings/2_9_13/Devlet.pdf}}
  • Harmanşah, Ömür (ed) (2014), Of Rocks and Water: An Archaeology of Place, 2014, Oxbow Books, {{ISBN|1782976744}}, 9781782976745
  • {{cite journal |last1=Haubt |first1=R.A. |last2=Tacon |first2=P.S.C. |date=October 22, 2016 |title=A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform |journal=Journal of Archaeological Science: Reports |volume= 10|pages= 837–846|doi=10.1016/j.jasrep.2016.10.013|bibcode=2016JArSR..10..837H }}
  • Rawson, Jessica (ed). The British Museum Book of Chinese Art, 2007 (2nd edn), British Museum Press, {{ISBN|9780714124469}}
  • Schaafsma, Polly, 1980, Indian Rock Art of the Southwest, School of American Research, Santa Fe, University of New Mexico Press, Albuquerque NM, {{ISBN|0-8263-0913-5}}. Scholarly text with 349 references, 32 color plates, 283 black and white "figures", 11 maps, and 2 tables.
  • Sickman, Laurence, in: Sickman L., & Soper A., The Art and Architecture of China, Pelican History of Art, 3rd ed 1971, Penguin (now Yale History of Art), LOC 70-125675
  • {{cite web |last=UNESCO World Heritage Centre |title=World Rock Art Archives to meet in Tanum |year=2011|access-date=May 1, 2011|url=https://whc.unesco.org/en/events/858/}}
  • {{cite book |title=Introduction to Rock Art Research |last=Whitley |first=David S. |year=2005 |publisher=Left Coast Press |location=Walnut Creek, California |isbn= 978-1598740004 |ref=Whi05}}

{{Refend}}

Further reading

  • David, Bruno, Cave Art, 2017, Thames and Hudson, {{ISBN|9780500204351}}
  • Malotki, Ekkehart and Weaver, Donald E. Jr., 2002, Stone Chisel and Yucca Brush: Colorado Plateau Rock Art, Kiva Publishing Inc., Walnut, California, {{ISBN|1-885772-27-0}} (cloth). For the "general public"; this book has well over 200 color prints with commentary on each site where the photos were taken; the organization begins with the earliest art and goes to modern times.
  • {{cite book|author=B. B. Lal|title=Indian Rock Paintings: Their Chronology, Technique and Preservation|url=https://books.google.com/books?id=HTSPXwAACAAJ|year=1968}}
  • Rohn, Arthur H. and Ferguson, William M, 2006, Puebloan Ruins of the Southwest, University of New Mexico Press, Albuquerque NM, {{ISBN|0-8263-3970-0}} (pbk, : alk. paper). Adjunct to the primary discussion of the ruins, contains color prints of rock art at the sites, plus interpretations.
  • Zboray, András, 2005, Rock Art of the Libyan Desert, Fliegel Jezerniczky, Newbury, United Kingdom (1st Edition 2005, 2nd expanded edition 2009). An illustrated catalogue and bibliography of all known prehistoric rock art sites in the central Libyan Desert (Arkenu, Uweinat and the Gilf Kebir plateau). The second edition contains more than 20000 photographs documenting the sites. Published on DVD-ROM.

External links

  • [http://www.ifrao.com/ifrao/ IFRAO] International Federation of Rock Art Organizations, comprising 60 academic rock art organizations of the world. Some of these are:
  • [http://www.arara.org/ ARARA] American Rock Art Research Association.
  • [http://www.anisa.at/index-2.htm ANISA] Anisa, Verein für Alpine Forschung.
  • [http://www.ifrao.com/ AURA] Australian Rock Art Research Association, Inc.
  • [http://www.ifrao.com/cave-art-research-association-cara/ CARA] Cave Art Research Association.
  • [http://www.institutum-canarium.org/news_e.html IC] Institutum Canarium.
  • [https://cesmap.it/ CeSMAP] Centro Studi e Museo d'Arte Preistorica.
  • [http://www.ccsp.it/web/homebox.html CCSP] Centro Camuno do Studi Preistorici.
  • [http://www.rupestre.net/orme/ SCAO] Società Cooperativa Archeologica Le Orme dell'Uomo.
  • [https://aars.fr/aars_en.html AARS] Association des Amis de l'art Rupestre Saharien.
  • [http://siarb-bolivia.org/en/homei/ SIARB] Bolivian Rock Art Research Society.
  • [https://anar.org.ve/ ANAR] Archivo Nacional de Arte Rupestre (Venezuela).
  • [https://groups.google.com/g/apar_peru APAR] Asociación Peruana de Arte Rupestre.
  • [http://worldcat.org/identities/lccn-n96068498/ AAV] Asociación Arqueológica Viguesa.
  • [http://aearccochabamba.blogspot.com/ AEARC] Asociación de Estudios del Arte Rupestre de Cochabamba.
  • [https://rockartdatabase.com/gd_rec1/associacao-brasileira-de-arte-rupestre-abar/ ABAR] Associação Brasileira de Arte Rupestre.
  • [http://asercentrevar.fr/ ASER] Association de Sauvegarde, d'Etude et de Recherche pour le patrimoine naturel et culturel du Centre-Var.
  • [https://esrara.org/ ESRARA] Eastern States Rock Art Research Association.
  • [http://perso.numericable.fr/gersar/l'association%20du%20gersar.htm GERSAR] Groupe d'Études, de Recherches et de Sauvegarde de l'Art Rupestre.
  • [https://www.rupestreweb.info/grupocubanogciar.html GCIAR] Grupo Cubano de Investigaciones de Arte Rupestre.
  • [https://www.untrm.edu.pe/en/presentacion.html INAAK] Instituto de Investigación de Arqueología y Antropología 'Kuelap'.
  • [http://www.nmmz.co.zw/ NMMZ] National Museums and Monuments of Zimbabwe.
  • [https://www.nvrockart.org/index.html NRAF] Nevada Rock Art Foundation.
  • [https://museumsnc.co.za/new_site/northern-cape-rock-art-trust/ NCRAT] Northern Cape Rock Art Trust.
  • [https://www.sandiegorockart.org/ SDRAA] San Diego Rock Art Association.
  • [https://africanrockart.org/ TARA] The Trust for African Rock Art.
  • [http://www.bradshawfoundation.com Bradshaw Foundation] Extensive archive on rock art from all around the world.
  • [http://altarockart.no/map/mapEng.html Altarockart.no] A digital archive of the Rock Art of Alta, Norway
  • [http://www.rockartdatabase.com Global Rock Art Database (RADB)] rockartdatabase, Global Rock Art Database (RADB) search tool for international rock art archives
  • [https://web.archive.org/web/20140323140400/http://www.coppelleroccere.com/rockart Maira Valley, Piedmont, Italy] Rock Art in Maira Valley, Piedmont, Italy
  • [http://donsmaps.com/chauvetcave.html Chauvet Cave] Database of European Prehistoric Art
  • [http://archaeologydataservice.ac.uk/era England's Rock Art on the Web] Access to the ERA database containing over 1500 records of rock art panels with images and 3D models.
  • [http://www.tassili.net Tassili N'Ajjer], Rock Art of the central Tassili N'Ajjer (Tamrit, Sefar, Tin Tazarift, Jabbaren)
  • [http://www.fjexpeditions.com/frameset/rockart.htm Uweinat and the Gilf Kebir], Rock Art of Jebel Uweinat and the Gilf Kebir plateau ("Cave of Swimmers")
  • [http://www.upper-brandberg.com Upper Brandberg], The rock paintings of the Upper Brandberg, Namibia
  • [http://www.fjexpeditions.com/frameset/RA_CD.htm Libyan Desert], Rock Art of the Libyan Desert, and illustrated catalogue and bibliography of the prehistoric rock art of the central Libyan Desert
  • [http://www.rupestreweb.info Rupestreweb.info], Latin American rock art. Articles, Zones, News, Rock art researchers directory
  • [http://www.RockArtScandinavia.se/ Tanums Hällristningsmuseum] {{Webarchive|url=https://web.archive.org/web/20131025091441/http://www.rockartscandinavia.se/ |date=2013-10-25 }} Rock Art Research Centre and World Heritage Archive, situated in Tanum, Sweden.
  • [http://bancroft.berkeley.edu/collections/rockart.html Rock Art Studies (RAS)] – A Bibliographic database at the Bancroft Library containing over 18,000 citations to the world's rock art literature.
  • [https://www.bradshawfoundation.com/negev/index.php Bradshaw Foundation] – Rock Art archeology and research from the Negev Desert, Israel.
  • [http://culturalheritageimaging.org/What_We_Do/Fields/rock_art/index.html Rock Art Examples and Image Capture] – Examples from the Côa Valley in Portugal and Magdalenian Rock Art.
  • [http://www.rockart.org/ The Rock Art Foundation] – Native American Rock Art in the Lower Pecos region of Southwest Texas
  • [https://web.archive.org/web/20050628074128/http://rockart.ncl.ac.uk/ Beckensall Archive] Rock carvings made by Neolithic and Early Bronze Age people in Northumberland in the north east of England, between 6000 and 3500 years ago.
  • [https://web.archive.org/web/20060422083316/http://rockartuk.fotopic.net/ British Rock Art Collection] Over 16.000 photos of more than 1200 rock art sites in the UK with relevant information and links.
  • [http://www.brokenrockdesign.com/ Broken Rock] Gallery and Petroglyph Designs.
  • [http://www.rupestre.net/ Rupestre.net] A rock art site, mainly devoted to Valcamonica and Alpine Rock Art.
  • [http://www.europreart.net/ EuroPreArt] The database of European Prehistoric Art.
  • [http://www.creativespirits.info/australia/western-australia/karratha/murujuga-burrup-peninsula Rock Art of the Murujuga (Burrup Peninsula) Western Australia]
  • [https://web.archive.org/web/20050715232436/http://rockart.wits.ac.za/origins/ Rock Art in South Africa]
  • [https://whc.unesco.org/pg.cfm?cid=31&id_site=925 UNESCO World Heritage: Rock Shelters of Bhimbetka]
  • [http://www.bundelkhand.in/portal/photo-gallery/Bundelkhand-ROCK-PAINTINGS Bundelkhand Rock Paintings, India]
  • [http://SpiralZoom.com SpiralZoom.com], an educational website about the science of pattern formation, spirals in nature, spirals in the mythic imagination & spiral rock art
  • [https://web.archive.org/web/20130322191750/http://rockart.fotopic.net/ Worldwide Rock Art Selection]
  • [http://www.bradshawfoundation.com/middle_east/ Prehistoric Rock Art in Iran]
  • {{usurped|1=[https://web.archive.org/web/20111003151158/http://www.iranrockart.com/ Petroglyphs in Iran]}} (In Persian)
  • [http://sydneyrockart.info Sydney Rock Art]
  • [https://web.archive.org/web/20160527124827/http://www.oregonrockart.com/ Rock Art in Oregon]
  • [https://www.wits.ac.za/rockart/ Rock Art Research Institute], University of Witwatersrand, Johannesburg, South Africa.
  • [https://texasarchive.org/2020_01660 Rock Art of the Lower Pecos], Texas Archive of the Moving Image

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Category:Prehistoric art

Category:Visual arts media