russian avant-garde

{{Short description|~1890–1930 Russian and Soviet art movement}}

File:Untitled_(First_Abstract_Watercolor)_by_Wassily_Kandinsky.jpg. Vasily Kandinsky, Kandinsky's first abstract watercolor (Study for Composition VII, Première abstraction), painted in 1913[https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-ac391e34b5ca3fb55646b7e696bed5df¶m.idSource=FR_O-162e838c106098751a76bce0ec7d80a2 Wassily Kandinsky, Untitled (study for Composition VII, Première abstraction), watercolor, 1913], MNAM, Centre Pompidou]]

File:Cyclist (Goncharova, 1913).jpg. Natalia Goncharova, Cyclist, 1913]]

File:Glass (Larionov, 1912).jpg. Mikhail Larionov, The Glass, 1912]]

File:Kazimir Malevich, 1915, Black Suprematic Square, oil on linen canvas, 79.5 x 79.5 cm, Tretyakov Gallery, Moscow.jpg. Kazimir Malevich, Black Square, 1915]]

File:Klinom Krasnym Bej Belych.JPG. El Lissitzky, Beat the Whites with the Red Wedge, 1919]]

File:Tatlin's Tower maket 1919 year.jpg. Vladimir Tatlin, Monument to the Third International, 1919]]

File:Alexandr rodchenko, scacchi da dopolavoro, progettaz. 1925, ricostruito nel 2007, 01.jpg. Alexander Rodchenko, chess table design, 1925]]

File:Zuev.jpg. Ilya Golosov, Zuev Club, 1926]]

The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism.{{Cite news|url=https://www.theguardian.com/artanddesign/2011/nov/04/russian-avant-garde-constructivists|title=The constructivists and the Russian revolution in art and achitecture|last=Hatherley|first=Owen|date=2011-11-04|work=The Guardian|access-date=2019-12-13|language=en-GB|issn=0261-3077}}{{Cite web|url=https://www.britannica.com/topic/Cubo-Futurism|title=Cubo-Futurism {{!}} art movement|website=Encyclopedia Britannica|language=en|access-date=2019-12-13}}{{Cite journal|last=Douglas|first=Charlotte|date=1975|title=The New Russian Art and Italian Futurism|journal=Art Journal|volume=34|issue=3|pages=229–239|doi=10.2307/775994|jstor=775994|issn=0004-3249}}{{Cite web|url=https://www.moma.org/calendar/exhibitions/1668|title=A Revolutionary Impulse: The Rise of the Russian Avant-Garde|website=The Museum of Modern Art|language=en|access-date=2019-12-13}} In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde.{{cite web |date=26 January 2017 |title=Ukrainian Avant Garde |url=http://en.uartlib.org/ukrainian-avant-garde/ |website=Ukrainian Art Library}}

The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism.{{Citation|last=Groys|first=Boris|title=3. The Birth of Socialist Realism from the Spirit of the Russian Avant-Garde|date=2019-12-31|work=The Russian Avant-Garde and Radical Modernism|pages=250–276|publisher=Academic Studies Press|doi=10.1515/9781618111425-010|isbn=978-1-61811-142-5|s2cid=240605358 }}

Artists and designers

Journals

Filmmakers

Writers

Theatre directors

Architects

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Preserving Russian avant-garde architecture has become a real concern for historians, politicians and architects. In 2007, MoMA in New York City, devoted an exhibition to Soviet avant-garde architecture in the postrevolutionary period, featuring photographs by Richard Pare.{{cite web |title=Lost Vanguard: Soviet Modernist Architecture, 1922–32 |url=https://www.moma.org/calendar/exhibitions/47?locale=en |website=MoMA |access-date=1 August 2019 |date=2007}}

Composers

See also

References

{{Reflist}}

Further reading

  • [http://www.juliafriedman.net Friedman, Julia]. Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art, Northwestern University Press, 2010. {{ISBN|0-8101-2617-6}} (Trade Cloth)
  • Nakov, Andrei. Avant Garde Russe. England: Art Data. 1986.
  • Kovalenko, G.F. (ed.) The Russian Avant-Garde of 1910–1920 and Issues of Expressionism. Moscow: Nauka, 2003.
  • Rowell, M. and Zander Rudenstine A. Art of the Avant-Garde in Russia: Selections from the George Costakis Collection. New York: The Soloman R. Guggenheim Museum, 1981.
  • Shishanov V.A. Vitebsk Museum of Modern Art: a history of creation and a collection. 1918–1941. – Minsk: Medisont, 2007. – 144 p.[https://web.archive.org/web/20081030225608/http://vash2008.mylivepage.ru/file/1774/6236_MuzeyVitebskFragment3.pdf]
  • [http://www.artlover.com.ua/taxonomy/term/403 “Encyclopedia of Russian Avangard. Fine Art. Architecture Vol.1 A-K, Vol.2 L-Z Biography”; Rakitin V.I., Sarab’yanov A.D., Moscow, 2013]
  • Surviving Suprematism: Lazar Khidekel. Judah L. Magnes Museum, Berkeley CA, 2004
  • Lazar Khidekel and Suprematism. Prestel, 2014 (Regina Khidekel, with contributions by Constantin Boym, Magdalena Dabrowski, Charlotte Douglas, Tatyana Goryacheva, Irina Karasik, Boris Kirikov and Margarita Shtiglits, and Alla Rosenfeld)
  • Tedman, Gary. Soviet Avant Garde Aesthetics, chapter from Aesthetics & Alienation. pp 203–229. 2012. Zero Books. {{ISBN|978-1-78099-301-0}}