sirin

{{Short description|Mythological bird}}

{{Other uses}}

File:Сирин_Лубочная_картинка_XVIII.jpg print, 18th century]]

Sirin ({{langx|ru|Сирин}}) is a mythological creature of Russian legends, with the head of a beautiful woman and the body of a bird (usually an owl), borrowed from the siren of the Greek mythology.{{sfn|Dixon-Kennedy|1998|p=258}} According to myth, the Sirin lived in Iriy or around the Euphrates River.{{cite web|url=http://bestiary.us/sirin.php|script-title=ru:Сирин|website=Bestiary|language=ru|access-date=2009-04-16}}{{cite web|url=http://www.newacropol.ru/activity/volonter/ecology/birds/stbirds/|script-title=ru:Священные птицы|website=New Acropol|language=ru |access-date=2009-04-16}}

History

The legend of Sirin might have been introduced to the Rus' by Persian merchants in the 8th–9th centuries. In the cities of Chersonesos and Kiev she is often found on pottery, golden pendants, even on the borders of Gospel books of the 10th–12th centuries. Due to this history, Russian culture has experienced a very strong correlation with the Byzantine Empire through its steppes, the Volga River and Dnieper River.{{Cite book|title=Seas and waterways of the world: an encyclopedia of history, uses, and issues.|author1=John Zumerchik|author2=Steven L. Danver|author-link2=Steven L. Danver|date=2010|publisher=ABC-CLIO|pages=236–237|oclc=1054962639}}{{Cite web|url=https://www.thebyzantinelegacy.com/kiev|title=Kiev and the Byzantine Legacy of Russia|website=byzantine-legacy|language=en|access-date=2019-07-23}}{{Cite book|chapter-url=https://www.cambridge.org/core/books/empires-and-exchanges-in-eurasian-late-antiquity/how-the-steppes-became-byzantine/DA2DE636796F3EF1134718CB89FF50D4|chapter=How the Steppes Became Byzantine|title=Empires and Exchanges in Eurasian Late Antiquity: Rome, China, Iran, and the Steppe, ca. 250–750|year=2018|doi=10.1017/9781316146040.004|language=en|access-date=2019-07-23|last1=Maas|first1=Michael |pages=19–34|isbn=9781316146040}}{{relevance|date=April 2024}} Pomors often depicted Sirin on the illustrations in the Book of Genesis as birds sitting in paradise trees.

Later, in the 17th–18th centuries, the image of Sirin changed and she started to symbolize world harmony (as she lives near paradise). People in those times believed only happy people could hear a Sirin, while only very few could see one because she is as fast and difficult to catch as human happiness. She symbolizes eternal joy and heavenly happiness.{{cite web|url=http://slavonian.ru/superstition/index14.php|script-title=ru:Славянские суеверия|language=ru|access-date=2009-04-16|url-status=dead|archive-url=https://web.archive.org/web/20090212071520/http://slavonian.ru/superstition/index14.php|archive-date=2009-02-12}}

Folklore

This half-woman half-bird is directly based on the later folklore about sirens.{{cite web|url=http://tars.rollins.edu/Foreign_Lang/Russian/Lubok/lubrelig.html|archive-url=https://web.archive.org/web/20090802153917/http://tars.rollins.edu/Foreign_Lang/Russian/Lubok/lubrelig.html|url-status=dead|archive-date=2009-08-02|title=RELIGIOUS LUBOK|last=Boguslawski|first=Alexander|year=1999|access-date=2009-04-16}}{{cite web|url=http://dreamworlds.ru/intersnosti/3431-personazhi-slavjanskojj-mifologii.html|script-title=ru:Персонажи славянской мифологии|language=ru|access-date=2009-04-16}} She was usually portrayed wearing a crown or with a nimbus.{{cite book|last=Hilton|first=Alison|title=Russian folk art |publisher=Indiana University Press|year=1995|pages=[https://archive.org/details/russianfolkart00hilt/page/144 144]|isbn=978-0-253-32753-6|url=https://archive.org/details/russianfolkart00hilt|url-access=registration|quote=Sirin bird of paradise.}} Sirin sang beautiful songs to the saints, foretelling future blisses. The bird was dangerous. Men who heard her would forget everything on earth, follow her, and ultimately die. People would attempt to save themselves from Sirin by shooting cannons, ringing bells and making other loud noises to scare the bird off.

According to folk tales, at the morning of the Apple Feast of the Saviour day, Sirin flies into the apple orchard and cries sadly. In the afternoon, the Alkonost flies to this place, beginning to rejoice and laugh. Alkonost brushes dew from her wings, granting healing powers to all fruits on the tree she is sitting on.{{cite book|last= Bobrov A. A.|title=Русский месяцеслов на все времена. Памятные даты, праздники, обряды, именины|trans-title=Russian months for all time. Memorable dates, holidays, ceremonies, name days|date=2004|publisher=Veche|location=M.|isbn=5-7838-1304-4|language=ru}}

Sometimes Sirin is seen as a metaphor for God's word going into the soul of a man. Sometimes she is seen as a metaphor of heretics tempting the weak. Sometimes Sirin was considered equivalent to the Wila. In Russian folklore, Sirin was mixed with the revered religious writer Saint Ephrem the Syrian. Thus, peasant lyrists such as Nikolay Klyuev often used Sirin as a synonym for poet.

Gallery

{{gallery|mode=packed

|File:Grebnev sirin postcard.JPG|Sirin (postcard) (1908)

|File:Sirin lubok.jpg|Sirin Russian lubok print, 19th century

|File:Sirin lubok1.jpg|Sirin Russian lubok print, 19th century

|File:Vasnetsov Sirin Alkonost.jpg|Viktor Vasnetsov. Sirin (left) and Alkonost (right) Birds of Joy and Sorrow (1896)

}}

See also

References

{{reflist}}

Sources

  • {{cite book |last1=Dixon-Kennedy |first1=Mike |title=Encyclopedia of Russian and Slavic Myth and Legend |date=8 December 1998 |publisher=Bloomsbury Publishing USA |isbn=978-1-57607-487-9 |url=https://www.google.com/books/edition/Encyclopedia_of_Russian_and_Slavic_Myth/S73OEAAAQBAJ |language=en |chapter=Sirin |page=258}}