strata-cut animation

Strata-cut animation, also spelled stratcut or straticut, is a form of clay animation, itself one of many forms of stop motion animation.

Strata-cut animation is most commonly a form of clay animation in which a long bread-like "loaf" of clay, internally packed tight and loaded with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf for each cut, eventually revealing the movement of the internal images within.{{Cite book |last=Furniss |first=Maureen |url=http://worldcat.org/oclc/1082875614 |title=Art in Motion: Animation Aesthetics |date=1998 |publisher=Indiana University Press |isbn=1-86462-039-0 |pages=52–54 |language=en |oclc=1082875614}}{{Cite web |last=Tafelski |first=Tanner |date=2016-09-08 |title=The Crude and Chaotic Art of "Strata-Cut" Claymation |url=http://hyperallergic.com/321476/the-crude-and-chaotic-art-of-strata-cut-claymation/ |access-date=2023-03-28 |website=Hyperallergic |language=en-US}} Wax may be used instead of clay for the loaf, but this can be more difficult to use because it is less malleable.

Technique

Designing the interior contents of a clay block is complex in and of itself. Abstract images and patterns are easier to create than recognizable images or character-driven moving images. Both the pace and forms of the movements of the internal imagery have to be considered when building the block (or loaf). A kind of non-high-tech "underground" quality of the all-moving imagery is usually the result.

Interesting abstract images can be created by folding strips of different-colored clay together, flattening them out, and then folding them again, repeating this process until the final result is a relatively tight mosaic of "woven" patterns. Eventually, a series of blocks of these mosaics can be combined into single blocks (loafs) and also combined with non-abstract imagery.

History

Experimentally toyed with in both clay and blocks of wax by German animator Oskar Fischinger and his associate Walter Rutmann during the 1920s and 1930s, a crude form is specifically found in the Lotte Reiniger film "Prince Achmed". The technique was revived, named and highly refined with precision and control in the mid-1980s by California-Oregon animator David Daniels, a past associate of Will Vinton, in his 16-minute short film Buzz Box.{{Cite web |title=David Daniels Strata Cuts New York – Animation Scoop |url=https://www.animationscoop.com/david-daniels-strata-cuts-new-york/ |access-date=2023-03-28 |website=www.animationscoop.com}}{{Cite web |last=Robinson |first=Chris |date=2017-09-25 |title=What are all those paint men digging? - 'Buzz Box' |url=https://www.awn.com/animationworld/what-are-all-those-paint-men-digging-buzz-box |access-date=2023-03-28 |website=Animation World Network |language=en}}

References

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