tone contour

{{Short description|Phonetic feature of some languages}}

{{More citations needed|date=December 2009}}

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A tone contour or contour tone is a tone in a tonal language which shifts from one pitch to another over the course of the syllable or word. Tone contours are especially common in East Asia, Southeast Asia, West Africa, Nilo-Saharan languages, Khoisan languages, Oto-Manguean languages and some languages of South America.

Contours

File:Pinyin Tone Chart.svg illustrating the contours of the four tones of Standard Chinese]]

When the pitch descends, the contour is called a falling tone; when it ascends, a rising tone; when it descends and then returns, a dipping or falling-rising tone; and when it ascends and then returns, it is called a peaking or rising-falling tone. A tone in a contour-tone language which remains at approximately an even pitch is called a level tone. Tones which are too short to exhibit much of a contour, typically because of a final plosive consonant, may be called checked, abrupt, clipped, or stopped tones.

It has been theorized that the relative timing of a contour tone is not distinctive. That is, in some accents or languages a falling tone might fall at the end and in others it might fall at the beginning, but that such differences would not be distinctive. However, in Dinka it is reported that the phonemic falling tone falls late (impressionistically high level + fall, {{IPA|[˥˦˩]}}) while the falling allophone of the low tone starts early (impressionistically fall + low level, {{IPA|[˥˨˩]}}).{{cite journal|last1=Remijsen|first1=Bert|title=Tonal alignment is contrastive in falling contours in Dinka|journal=Language|date=2013|volume=89|issue=2|pages=297–327|doi=10.1353/lan.2013.0023|url=https://www.research.ed.ac.uk/portal/files/19691543/89.2.remijsen.pdf|hdl=20.500.11820/1a385cb5-78ab-44d7-adec-93744524bc3d|hdl-access=free}}

Lexical tones more complex than dipping (falling–rising) or peaking (rising–falling) are quite rare, perhaps nonexistent, though prosody may produce such effects. The Old Xiang dialect of Qiyang is reported to have two "double contour" lexical tones, high and low fall–rise–fall, or perhaps high falling – low falling and low falling – high falling: {{IPA|˦˨˧˨}} and {{IPA|˨˩˦˨}} (4232 and 2142). The report did not determine if the final fall was lexical or merely the declination typically seen at the ends of prosodic units, so these may actually be dipping tones.{{cite conference |url=https://www.isca-speech.org/archive/archive_papers/interspeech_2008/i08_1113.pdf |title=A Seven-Tone Dialect in Southern China with Falling-Rising-Falling Contour: A Linguistic Acoustic Analysis |first1=Xiaonong |last1=Zhu |first2=Caicai |last2=Zhang |date=September 2008 |conference=INTERSPEECH 2008 |conference-url=https://www.isca-speech.org/archive/interspeech_2008/ |publisher=International Speech Communication Association |location=Brisbane, Australia |pages=1113-1115}}

Transcription

  • Diacritics such as falling {{angbr IPA|â}}, rising {{angbr IPA|ǎ}}, dipping {{angbr IPA|a᷉}}, peaking {{angbr IPA|a᷈}}, high falling {{angbr IPA|a᷇}}, low falling {{angbr IPA|a᷆}}, high rising {{angbr IPA|a᷄}} and low rising {{angbr IPA|a᷅}}. Or the simpler register tones, where diacritics such as high {{angbr|á}}, mid {{angbr|ā}}, and low {{angbr|à}} are usually sufficient for transcription. (These are also used for high, mid, and low level contour tones.)
  • Tone letters such as mid level {{angbr IPA|˧}}, high falling {{angbr IPA|˥˩}}, low falling {{angbr IPA|˨˩}}, mid rising {{angbr IPA|˧˥}}, low rising {{angbr IPA|˩˧}}, dipping {{angbr IPA|˨˩˦}}, and peaking {{angbr IPA|˧˦˩}}.
  • Numerical substitutions for tone letters. The seven tones above would be written {{angbr|33}}, {{angbr|51}}, {{angbr|21}}, {{angbr|35}}, {{angbr|13}}, {{angbr|214}}, {{angbr|341}}, for an Asian language, or {{angbr|3}}, {{angbr|15}}, {{angbr|45}}, {{angbr|31}}, {{angbr|53}}, {{angbr|452}}, {{angbr|325}}, for an African or American language. (The doubling of the numeral in {{angbr|33}} in the Asian example is used to disambiguate a mid level tone from a "tone 3" (3rd tone), which in general is not at pitch level 3.)
  • Different spelling for the same vowel with different tones in systems like Latinxua Sin Wenz, Gwoyeu Romatzyh, Modern Literal Taiwanese etc. Compare Gwoyeu Romatzyh with Hanyu Pinyin (in parentheses): bai (bāi), bair (bái), bae (bǎi), bay (bài).

See also

Notes

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{{Suprasegmentals}}

{{DEFAULTSORT:Tone Contour}}

Category:Phonology

Category:Tone (linguistics)

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