user:Namelessposter
{{GA user topicon
| article_name = Twin Peaks: Fire Walk with Me
| date = 20 April 2025
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{{DYK user topicon
| article_name = François Guiter
| date = 6 March 2025
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{{DYK user topicon
| article_name = John Hogan (motorsport executive)
| date = 10 March 2025
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{{DYK user topicon
| article_name = Luka Dončić–Anthony Davis trade
| date = 11 April 2025
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{{DYK user topicon
| article_name = Twin Peaks: Fire Walk with Me
| date = 20 May 2025
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}}
I like editing Formula One pages, although I often find myself editing pages about movies. Some contributions are listed below.
{{Userboxtop|About Me
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{{User Featured Article Candidate|Mario Andretti}}
{{User Good Article|Twin Peaks: Fire Walk with Me}}
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{{User WP:F1}}
{{Userbox Russell}}
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| info-lh = 1.2em
| info-op =
| id = RB
| info = This user enjoys the films of Robert Bresson, including the color ones.
}}
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What I'm working on
Formula One
= Created =
= Substantially rewrote =
- Prost–Senna rivalry
- Senna (miniseries)
- George Russell
- Nicholas Latifi
- 21x21px Mario Andretti—saved from being added to WP:GAR on January 30, 2025 ([https://en.wikipedia.org/w/index.php?title=Talk%3AMario_Andretti&diff=1272897821&oldid=1272896861 diff])
- Team Enstone
- Toleman
- Jaguar Racing—F1 section
= Edited =
- Ayrton Senna—personal life, racing legacy, cultural legacy, career summary post-1989
- Cadillac in Formula One—genesis and ownership
- Flavio Briatore—Formula One
- Grand Prix Drivers' Association—improved referencing overall, general fixes
- Formula One drivers from the United States—table of frequent participants, explanation of Indy 500
Films
I think film plot summaries should cover key themes and character arcs, not just details. My rule of thumb is that if a fact is implied, it goes in the synopsis, like Diary of a Country Priest; a minimalist like Robert Bresson is nearly incomprehensible unless you affirmatively make certain connections. If it's subtext or allusive, it goes in the analysis/themes section, like Pickpocket or Megalopolis. Obviously, this is a grey area and reasonable people can disagree. I find that using efn footnotes helps bridge the gap.
= Major contributions =
- Diary of a Country Priest (1951)—synopsis, screenplay, themes, awards, reception
- Four Nights of a Dreamer (1971)—synopsis, production, reception, distribution
- Amadeus (1984)—synopsis, historicity, director's cut
- 21x21px21x21px Twin Peaks: Fire Walk with Me (1992)—synopsis, production, themes, reception, reappraisal, Twin Peaks: The Missing Pieces
- Uncut Gems (2019)—synopsis, production, reception
- Megalopolis (2024)—synopsis, themes
= Multiple contributions =
- Pickpocket (1959)—synopsis, themes
- Mirror (1975)—synopsis, editing style, release, reception
- Anora (2024)—synopsis, production
- Conclave (2024)—synopsis, reception
- Oh, Canada (2024)—synopsis, production
- The Phoenician Scheme (2025)—synopsis, production
= Wrote or revised synopses =
{{colbegin}}
- It Happened One Night (1934)
- Brief Encounter (1945)
- Black Narcissus (1947)
- The Red Shoes (1948)
- L'Avventura (1960)
- Lawrence of Arabia (1962)
- Il Sorpasso (1962)
- Woman in the Dunes (1964)
- The Long Goodbye (1973)
- Days of Heaven (1978)
- The Marriage of Maria Braun (1979)
- Stalker (1979)
- The Elephant Man (1980)
- The Age of Innocence (1993)
- River of Grass (1994)
- The Straight Story (1999)
- Hannibal (2001)
- Goodbye, Dragon Inn (2003)
- Inland Empire (2006)
- The Tree of Life (2011)
- Moneyball (2011)
- Lady Bird (2017)
- Dìdi (2024)
- Juror No. 2 (2024)
- Gladiator II (2024)
- Nickel Boys (2024)
- Presence (2024)
- Sinners (2025)
{{colend}}