x-height

file:Typography Line Terms.svg

In typography, the x-height, or corpus size, is the distance between the baseline and the mean line of lowercase letters in a typeface. Typically, this is the height of the letter x in the font (the source of the term), as well as the letters v, w, and z. (Curved letters such as a, c, e, m, n, o, r, s, and u tend to exceed the x-height slightly, due to overshoot; i has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters.

File:Regular and caption fonts.png and EB Garamond. The caption styles both have increased x-heights to make the text clear even printed small. EB Garamond's is also very visibly bolder.]]

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Display typefaces intended to be used at large sizes, such as on signs and posters, vary in x-height. Many have high x-heights to be read clearly from a distance. This, though, is not universal: some display typefaces such as Cochin and Koch-Antiqua intended for publicity uses have low x-heights, to give them a more elegant, delicate appearance, a mannerism that was particularly common in the early twentieth century.{{cite web|title=Chaparral® Pro release notes|url=http://www.adobe.com/type/browser/pdfs/readmes/ChaparralProReadme.pdf|website=Adobe|access-date=5 November 2014}}{{cite book|last1=Tracy|first1=Walter|title=Letters of Credit|date=1986|pages=48–55|chapter=Proportion}} Many sans-serif designs that are intended for display text have high x-heights, such as Helvetica or, more extremely, Impact.

File:Thank You (13824254433).jpg

Design considerations

Medium x-heights are found on fonts intended for body text, allowing more balance and contrast between upper- and lowercase letters and a brighter page. They then increase again for optical sizes of fonts designed for small print, such as captions, so that they can be clearly read printed small.{{cite web|title=Optical Size|url=http://www.adobe.com/uk/type/topics/opticalsize.html|publisher=Adobe|access-date=7 November 2014}}{{cite web|last1=Frere-Jones|first1=Tobias|title=MicroPlus|url=https://frerejones.com/blog/introducing-microplus|publisher=Frere-Jones Type|access-date=1 December 2015}}

File:General x-height sample image.png

High x-heights on display typefaces were particularly common in designs in the 1960s and '70s, when International Typeface Corporation released popular variations of older designs with boosted x-heights; notable examples of this trend include Avant Garde Gothic and ITC Garamond.{{cite web|last1=Simonson|first1=Mark|author-link=Mark Simonson|title=Indiana Jones and the Fonts on the Maps|url=http://www.marksimonson.com/notebook/view/indiana-jones-and-the-fonts-on-the-maps|access-date=6 November 2014}}{{cite web|last1=Bierut|first1=Michael|title=I Hate ITC Garamond|url=http://designobserver.com/article.php?id=2577|website=Design Observer|access-date=6 November 2014}} More recently, some typefaces such as Mrs Eaves, Neutraface and Brandon Grotesque have been issued with distinctively low x-heights to try to create a more elegant appearance. While computers allow fonts to be printed at any size, professional font designers such as Adobe issue fonts in a range of optical sizes optimized to be printed at different sizes.{{cite web|last1=Slimbach & Brady |title=Adobe Garamond |url=http://www.adobe.com/type/browser/pdfs/AdobeGaramondPro.pdf |publisher=Adobe |access-date=6 November 2014 |url-status=dead |archive-url=https://web.archive.org/web/20150223200029/http://www.adobe.com/type/browser/pdfs/AdobeGaramondPro.pdf |archive-date=February 23, 2015 }} As an example of this, Mrs Eaves exists in two versions: an original style intended to give an elegant, bright appearance, and a less distinctive 'XL' design intended for body text.{{cite web |title=Introducing Mrs Eaves XL|url=http://www.typo1.com.ar/wp-content/uploads/2012/08/MrsEaves.pdf|website=Emigre|access-date=6 November 2014 |archive-url=https://web.archive.org/web/20141106092817/https://www.typo1.com.ar/wp-content/uploads/2012/08/MrsEaves.pdf |archive-date=6 November 2014}}

Some research has suggested that while higher x-heights may help with reading smaller text, a very high x-height may be counterproductive, possibly because it becomes harder to identify the shape of a word if every letter is nearly the same height. For the same reason, some sign manuals discourage all-capitals text.{{cite web|last1=Bertucci|first1=Andrew|title=Sign Legibility Rules of Thumb|url=http://www.usscfoundation.org/USSCSignLegiRulesThumb.pdf|publisher=United States Sign Council|access-date=22 June 2015}}{{cite web|last1=Herrman|first1=Ralph|title=Does a large x-height make fonts more legible?|date=9 April 2012 |url=http://typography.guru/journal/does-a-large-x-height-make-fonts-more-legible-r16/|access-date=22 June 2015}}{{cite web|last1=Hermann|first1=Ralph|title=Designing the ultimate wayfinding typeface|date=September 2009 |url=http://typography.guru/journal/designing-the-ultimate-wayfinding-typeface-r30/|access-date=22 June 2015}}

Use in web design

In computing one use of x-height is as a unit of measurement in web pages. In CSS and LaTeX the x-height is called an ex. The use of ex in dimensioning objects, however, is less stable than use of the em across browsers. Internet Explorer, for example, dimensions ex at exactly one half of em, whereas Mozilla Firefox dimensions ex closer to the actual x-height of the font, rounded relative to the font's current pixel height. Thus, the exact ratio of ex to em can vary by font size within a browser if the determined values are rounded to the nearest whole unit. For example, a browser calculating an x-height of 45% on a font 10 pixels tall may round ex to either 4 pixels or 5 pixels or leave it at 4.5 pixels.

Other important dimensions

Lowercase letters whose height is greater than the x-height either have descenders which extend below the baseline, such as y, g, q, and p, or have ascenders which extend above the x-height, such as l, k, b, and d. The ratio of the x-height to the body height is one of the major characteristics that defines the appearance of a typeface. The height of the capital letters is referred to as cap height. x-height is most important in regular designs, such as most serif and sans-serif designs; script typefaces that mimic irregular handwriting and calligraphy may not have a consistent x-height across all letters.

References

Notes

External links

[https://web.archive.org/web/20060614090249/http://typophile.com/wiki/X-height Definition of x-height at typophile.com]
[http://www.vcarrer.com/2013/10/in-search-of-ideal-line-height.html In the search of ideal line-height]

Category:Typography