:Binodini Dasi

{{short description|Indian actress (1863–1941)}}

{{Use dmy dates|date=December 2020}}

{{EngvarB|date=April 2014}}

{{Infobox person

| name = Binodini

| image = Binodini dasi.jpg

| caption =

| birth_name =

| birth_date = {{Birth date text|1863}}

| birth_place =Calcutta, Bengal Presidency, British India

| death_date = 12 February, 1941

| death_place = Calcutta, Bengal Presidency, British India

| othername = Notee Binodini

| occupation = Drama actress

| years_active =

| spouse =

| domesticpartner =

| website =

}}

File:House of Binodini Dasi (Noti Binodini).jpg

Binodini Dasi (1863–1941), also known as Noti Binodini, was an Indian Bengali actress.{{cite book |last=Murshid |first=Ghulam |year=2012 |chapter=Dasi, Binodini |chapter-url=http://en.banglapedia.org/index.php?title=Dasi,_Binodini |editor1-last=Islam |editor1-first=Sirajul |editor1-link=Sirajul Islam |editor2-last=Jamal |editor2-first=Ahmed A. |title=Banglapedia: National Encyclopedia of Bangladesh |edition=Second |publisher=Asiatic Society of Bangladesh}} She started acting at the age of 12 and ended by the time she was 23, as she later recounted in her noted autobiography, Amar Katha (The Story of My Life) published in 1913.{{Cite book |last=Dasi |first=Binodini |title=My Story and My Life as an Actress |publisher=Kali for Women |year=1998 |location=New Delhi |pages=190 |language=English |translator-last=Bhattacharya |translator-first=Rimli}}{{cite news|url=http://sify.com/news/women-on-stage-still-suffer-bias-amal-allana-interview-news-national-kdlkOidjebg.html|archive-url=https://web.archive.org/web/20110811140725/http://www.sify.com/news/women-on-stage-still-suffer-bias-amal-allana-interview-news-national-kdlkOidjebg.html|url-status=dead|archive-date=11 August 2011|title=Women on stage still suffer bias: Amal Allana (Interview) |date=11 March 2010|website=Sify News|accessdate=2 April 2010}}

Biography

Binodini Dasi was born into a poor family and as a child she followed tawaif Ganga Bai learn music, accompany her for music sessions.She was nine when she first saw a play. Awe-struck by the stage, Binodini Dasi expressed her desire to act.{{cite web | url=https://www.thebetterindia.com/210439/binodini-dasi-theatre-actress-drama-aishwarya-rai-biopic-feminist-wave-india-gop94/ | title=Binodini Dasi, the Trailblazing 'Fallen Woman', Who Inspired a Bollywood Biopic| date=21 January 2020}} She started her career as a tawaif and at age twelve she played her first serious drama role in Calcutta's National Theatre in 1874, under the mentorship of its founder, Girish Chandra Ghosh.{{cite web | url=https://feminisminindia.com/2019/09/30/courtesan-contribution-hindustani-classical-music-histories/ | title=Courtesan Contribution To Hindustani Classical Music—Lesser Told Histories| date=29 September 2019}}[http://www.tribuneindia.com/2007/20071118/spectrum/main9.htm Bringing alive Binodini Dasi] The Tribune, Sunday, 18 November 2007. Her career coincided with the growth of the proscenium-inspired form of European theatre among the Bengali theatre going audience. During a career spanning twelve years she enacted over eighty roles, which included those of Pramila, Sita, Draupadi, Radha, Ayesha, Kaikeyi, Motibibi, and Kapalkundala, among others. She was one of the first South Asian actresses of the theatre to write her own autobiography. Her sudden retirement from the stage is insufficiently explained.

Her autobiography has a consistent thread of betrayal. She violates every canon of the feminine smritikatha and wrote down what amounted to her indictment of respectable society.

Ramakrishna, the great saint of 19th century Bengal, came to see her play in 1884.{{cite book |author=Christopher Pinney |author-link=Christopher Pinney |year=2004 |title=Photos of the Gods |url=https://books.google.com/books?id=8hhXq7hpzSwC&pg=PA42 |publisher=Reaktion Books |page=42 |isbn=1-86189-184-9}} She was a pioneering entrepreneur of the Bengali stage and introduced modern techniques of stage make-up through blending European and indigenous styles.

References

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= Sources =

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  • {{cite book |last=Spinazzola |first=Joe |year=1997 |chapter=Binodini Dasi |chapter-url=https://books.google.com/books?id=y91tJFn5ejkC&pg=PA167 |editor1-last=DeLamotte |editor1-first=Eugenia C. |editor2-last=Meeker |editor2-first=Natania |editor3-last=O'Barr |editor3-first=Jean F. |title=Women Imagine Change |publisher=Routledge |pages=167–170 |isbn=978-0-415-91531-1}}
  • {{cite book |chapter=Binodini Dasi |chapter-url=https://books.google.com/books?id=u297RJP9gvwC&pg=PA290 |editor1-last=Tharu |editor1-first=Susie J. |editor1-link=Susie Tharu |editor2-last=Lalita |editor2-first=Ke |year=1991 |title=Women Writing in India |volume=I |publisher=The Feminist Press |pages=290–296 |isbn=978-1-55861-027-9}}
  • {{cite book |last=Trivedi |first=Poonam |author2=Dennis Bartholomeusz |title=India's Shakespeare |publisher=University of Delaware Press |year=2005 |isbn=978-0-87413-881-8 |url=https://books.google.com/books?id=n5lKp1XE2OQC}}

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Further reading

  • Binodini Dasi: My Story and My Life as an Actress. Edited and translated by Rimli Bhattacharya. New Delhi: Kali for Women, 1998.
  • {{cite book |last=Forbes |first=Geraldine Hancock |author-link=Geraldine Forbes |year=1999 |title=Women in modern India |url=https://books.google.com/books?id=hjilIrVt9hUC&pg=PG183 |series=The New Cambridge History of India |volume=IV.2 |publisher=Cambridge University Press |page=183 |isbn=978-0-521-65377-0}}
  • {{cite book |last=Srinivasan |first=Doris M. |author-link=Doris Meth Srinivasan |chapter=Royalty's Courtesans and God's Mortal Wives |year=2006 |editor1-last=Feldman |editor1-first=Martha |editor2=Bonnie Gordon |title=The Courtesan's Arts: Cross-Cultural Perspectives |publisher=Oxford University Press |pages=173–175 |isbn=978-0-19-517029-0 |url=https://books.google.com/books?id=U-iuYBiOkRgC}}