:Catherine Breillat

Breillat was born in Bressuire, Deux-Sèvres, but grew up in Niort. She decided to become a writer and director at the age of twelve after watching Ingmar Bergman's Sawdust and Tinsel, believing she had found her "fictional body" in Harriet Andersson's character, Anna.Archived at [https://ghostarchive.org/varchive/youtube/20211211/jpH-V6kkOwI Ghostarchive]{{cbignore}} and the [https://web.archive.org/web/20130729031201/http://www.youtube.com/watch?v=jpH-V6kkOwI Wayback Machine]{{cbignore}}: {{cite web|url=https://www.youtube.com/watch?v=jpH-V6kkOwI |title=Catherine Breillat on Intimacy - cine-fils.com |publisher=YouTube |date=1 February 2010 |access-date=15 July 2014}}{{cbignore}}

She started her career after studying acting at Yves Furet's "Studio d'Entraînement de l'Acteur" in Paris together with her sister, actress Marie-Hélène Breillat (born 2 June 1947) in 1967. Her novel, l'Homme facile (A Man for the Asking), was published when she was 17. The French government banned it for readers under 18. A film based on the novel was made shortly after the publication of the book, and received an R rating. The producer went bankrupt and the distributor Artedis blocked commercial release of the film for twenty years.{{cite web|url=http://www.liberation.fr/culture/0101278980-breillat-veut-racheter-son-film-pierre-richard-muller-d-artedis-en-possede-les-droits-une-vraie-jeune-fille-1976-de-catherine-breillat-avec-charlotte-alexandra-hiram-keller-bruno-balp-rita-meiden-geor |title=Breillat veut racheter son film. Pierre-Richard Muller d'Artédis en possède les droits. Une vraie jeune fille (1976) de Catherine Breillat, avec Charlotte Alexandra, Hiram Keller, Bruno Balp, Rita Meiden, Georges Gueret (musique de Mort Shuman sur des paroles de Catherine Breillat); 1h30. - Libération |publisher=Liberation.fr |date=28 April 1999 |access-date=15 July 2014}}

Breillat is known for films focusing on sexuality,Emma Wilson, "Deforming femininity: Catherine Breillat's Romance" France on Film: Reflections on Popular French Cinema ed. Lucy Mazdon. London: Wallflower (2001): 146. Romance "is part of a larger and sustained project in Breillat's art to consider, challenge and reinvent female sexuality." intimacy, gender conflict, and sibling rivalry. Breillat has been the subject of controversy for her explicit depictions of sexuality and violence. She cast the porn actor Rocco Siffredi in her films Romance (Romance X, 1999) and Anatomie de l'enfer (Anatomy of Hell, 2004). Her novels have been best-sellers.

Her work has been associated with the cinéma du corps/cinema of the body genre.Palmer, Tim, Brutal Intimacy: Analyzing Contemporary French Cinema, Wesleyan University Press, 2011. In an interview with Senses of Cinema, she described David Cronenberg as another filmmaker she considers to have a similar approach to sexuality in film.{{cite web|last=Murphy|first=Kevin|title=Hell's Angels: An Interview with Catherine Breillat on Anatomy of Hell

|url=http://sensesofcinema.com/2005/on-recent-films-34/breillat_interview/|website=Senses of Cinema|access-date=6 July 2018|date=February 2005}}

Though Breillat spends most of her time behind the camera, she has acted in a handful of movies. She made her film debut in Bernardo Bertolucci's Last Tango in Paris (1972) as Mouchette, a dressmaker, alongside her sister Marie-Hélène Breillat.

In 2004, Breillat suffered a intracerebral hemorrhage, causing a stroke that paralyzed her left side."Quand Christophe Rocancourt et Catherine Breillat se dechirent" Le Parisien; Thursday 9 July 2009, p. 13 After five months of hospitalization and a slow rehabilitation, she gradually returned to work, producing Une vieille maîtresse (The Last Mistress) in 2007. This film was one of three French films officially selected for the Cannes Film Festival of that year.

In 2007, Breillat met notorious con man Christophe Rocancourt, and offered him a leading role in a movie that she was planning to make, based on her own novel Bad Love, and starring Naomi Campbell.{{cite news|last=Secher|first=Benjamin|title=Catherine Breillat: 'All true artists are hated'|url=https://www.telegraph.co.uk/culture/film/starsandstories/3672302/Catherine-BreillatAll-true-artists-are-hated.html|access-date=15 January 2013|newspaper=The Telegraph|date=5 April 2008}} Soon after, she gave him €25,000 to write a screenplay titled La vie amoureuse de Christophe Rocancourt (The Love Life of Christophe Rocancourt), and over the next year and a half, gave him loans totalling an additional €678,000.{{cite news|last=de Mallevoüe|first=Delphine|title=Christophe Raconcourt sort de prison et prépare un livre|url=http://www.lefigaro.fr/actualite-france/2012/02/17/01016-20120217ARTFIG00667-huit-mois-de-prison-ferme-pour-rocancourt.php|access-date=15 January 2013|newspaper=Le Figaro|date=18 February 2012|language=fr}} In 2009, a book written by Breillat was published, in which she alleged that Rocancourt had taken advantage of her diminished mental capacity, as she was still recovering from her stroke.{{cite web|last=Groves|first=Don|title=Breillat's new twist on Sleeping Beauty|url=http://www.sbs.com.au/films/blog-articles/120022/breillat-s-new-twist-on-sleeping-beauty|website=SBS|access-date=15 January 2013|date=9 August 2010|archive-date=19 April 2013|archive-url=https://web.archive.org/web/20130419195417/http://www.sbs.com.au/films/blog-articles/120022/breillat-s-new-twist-on-sleeping-beauty|url-status=dead}} The book is titled Abus de faiblesse, a French legal term usually translated as "abuse of weakness".{{cite web|last=Roxo|first=Alexandra|title=A Conversation with Catherine Breillat (THE SLEEPING BEAUTY)|url=http://www.hammertonail.com/interviews/a-conversation-with-catherine-breillat-the-sleeping-beauty/|website=Hammer to Nail|access-date=15 January 2013|date=7 July 2011}} In 2012, Rocancourt was convicted of abus de faiblesse for taking Breillat's money, and sentenced to prison.

In September 2010, Breillat's second fairy-tale based film, La belle endormie (Sleeping Beauty), opened in the Orizzonti sidebar in the 67th Venice Film Festival.Lyman, Eric J., "'La Belle endormie' to premiere at Venice fest", "The Hollywood Reporter", 19 July 2010 [https://www.hollywoodreporter.com/hr/content_display/world/news/e3ied526ffc296810ce8b90979fc1796c33] Access date: Thursday 19 August 2010.

{{As of|2011}}, although Breillat had moved on to other projects, she still hoped to film Bad Love, but had not yet been able to find financing to do so.{{cite web|last=Kohn|first=Eric|title='Sleeping Beauty' Director Catherine Breillat: 'To Be An Artist is To Be Alone.'|url=https://www.indiewire.com/article/interview_sleeping_beauty_director_catherine_breillat_to_be_an_artist_is_to|website=Indiewire|publisher=SnagFilms|access-date=15 January 2013|date=6 July 2011}} However, a film adaptation of her book Abus de faiblesse, directed by Breillat and starring Isabelle Huppert, began production in 2012, and was screened at the 2013 Toronto International Film Festival.{{cite news|last=Keslassy|first=Elsa|title=Breillat to helm 'Abus de faiblesse'|url=https://variety.com/2012/film/news/breillat-to-helm-abus-de-faiblesse-1118048516/|access-date=15 January 2013|newspaper=Variety|date=12 January 2012}}{{cite web|last=Kolesnikov-Jessop|first=Sonia|title=Isabelle Huppert Hopes to Work With More Asian Film Directors|url=http://encn.blouinartinfo.com/news/story/847645/isabelle-huppert-hopes-to-work-with-more-asian-film-directors|website=ARTINFO|publisher=Louise Blouin Media|access-date=15 January 2013|date=12 December 2012}}

It has been noted that "Breillat remains committed to the long take, particularly during scenes of sexual negotiation, a technique that showcases her performers' virtuosity as well as emphasizes the political and philosophical elements of sex. In both Fat Girl and Romance, for example, key sex scenes possess shots lasting over seven minutes."{{cite book|last=Conway|first=Kelley|title=Sexually Explicit French Cinema: Genre, Gender, and Sex|date=27 January 2015|publisher= John Wiley & Sons|pages=461–480|isbn=9781444338997}}

In 2018, Breillat made controversial remarks on Asia Argento, who starred in 2007's The Last Mistress, calling Argento a "traitor" for accusing Harvey Weinstein of sexual assault.{{cite web|url=https://deadline.com/2018/03/asia-argento-catherine-breillat-heated-exchange-1202356005/|title=Actress Asia Argento, Director Catherine Breillat Trade Barbs In Heated Exchange|first=Andreas|last=Wiseman|date=30 March 2018}}

Through film, Breillat attempts to redefine the female narrative in cinema by showing female characters who undergo similar experiences as their male counterparts. Many of Breillat's films explore the transition between girlhood and adulthood. The females of her films attempt to escape their adolescence by seeking individuality.Garcia and Breillat, "Rewriting Fairy Tales, Revisiting Female Identity." There is an unsaid silence in society for girls to hide their sexuality and desires unless directly confronted about them. Breillat offers a platform to discuss female pleasure and sexual responsibility by exposing social and sexual conflicts in her films' themes.Constable, "Unbecoming Sexual Desires for Women Becoming Sexual Subjects."

In August 2024 the actress Caroline Ducey, in an interview with the Nouvel Obs newsmagazine, accused Breillat of directing male actors to perform unsimulated sex acts upon her against her will during the filming of Romance.{{cite web|url=https://www.nouvelobs.com/culture/20240828.OBS92876/si-je-t-avais-dit-qu-il-y-avait-rocco-tu-l-aurais-fait-ce-film-romance-quand-un-tournage-vire-au-cauchemar.html|title=Si je t'avais dit qu'il y avait Rocco, tu l'aurais fait ce film ? « Romance », quand un tournage vire au cauchemar|newspaper=Le Nouvel Obs|date=28 August 2024}} The allegations were described in more detail in Ducey's memoir, La Prédation (nom féminin) ["Predation: Feminine Noun"].{{cite web|url= https://www.albin-michel.fr/la-predation-nom-feminin-9782226493071|title=Éditions Albin Michel webpage|date=28 August 2024}} According to Ducey, Breillat demanded that her coactor, François Berléand, with his fingers penetrate her on camera; Ducey and Berléand worked together successfully to simulate the scene without Breillat's knowledge. Ducey stated that actor Reza Habouhossein later orally penetrated her in a cunnilingus scene at Breillat's command, despite her plea to the director "not to force me to do things I didn't want to." Ducey at the time did not know what "cunnilingus" meant or that there were sexual practices like it.{{cite web|url= https://www.closermag.fr/people/reza-ma-fait-un-cunilingus-caroline-ducey-victime-dun-viol-en-plein-tournage-francois-berleand-la-soutient-3470660|title= "Reza m'a fait un cunnilingus" : Caroline Ducey victime d'un viol en plein tournage ? François Berléand la soutient|date= 28 August 2024}} In an earlier investigation by IndieWire Ducey had told the journalist that she was able to prevent the actor from penetrating her.{{cite web|url= https://www.indiewire.com/features/general/catherine-breillat-romance-caroline-ducey-1234698898/|title= Catherine Breillat Says 'Actors Are Prostitutes' as Her 'Romance' Star Confronts the Scene That Went Too Far|date= 14 February 2022}} Breillat, on the other hand, speaking to the Indiewire journalist claims that she had planned the film to be shot with unsimmulated sex-scenes from the beginning and everyone who had read the extremely explicit script, including Ducey, knew what kind of film she was planning to make.

Breillat denied the allegations, accusing Ducey of being "delusional" and announcing her intention to file suit against the actress for defamation.{{cite web|url=https://www.francetvinfo.fr/societe/harcelement-sexuel/la-comedienne-caroline-ducey-affirme-avoir-ete-victime-d-un-viol-pendant-le-tournage-du-film-romance-de-catherine-breillat_6748348.html|title=La comédienne Caroline Ducey affirme avoir été victime d'un viol pendant le tournage du film "Romance" de Catherine Breillat|newspaper=France Info|date=28 August 2024}}

• Les Vêtements de mer

{{lacking ISBN|date=April 2015}}

• Abus de faiblesse
• Pornocratie
• Le Soupirail
• L'homme facile
• Tapage Nocturne

{{reflist}}

• Anne-Élisabeth Blateau, « Une vieille maîtresse sans Breillat » (A Last Mistress without Breillat), in Carré d'Art by Jean-Pierre Thiollet, Anagramme, Paris, 2008 (pp. 143–149).
• Douglas Keesey, Catherine Breillat, Manchester University Press, coll. « French film directors », 2009.

• [https://web.archive.org/web/20100822010916/http://www.egs.edu/faculty/catherine-breillat/biography/ Catherine Breillat Faculty Page] at European Graduate School (Biography, bibliography, lectures and videos)
• {{IMDb name|0106924|Catherine Breillat}}
• [http://www.lib.berkeley.edu/MRC/frenchbib.html#breillat Catherine Breillat bibliography] via UC Berkeley Media Resources Center
• [http://www.salon.com/ent/movies/int/1999/09/17/breillat/ A Salon interview with Catherine Breillat]
• [http://www.salon.com/ent/movies/review/1999/09/17/romance/print.html/A Salon review of "Romance"]
• [https://www.indiewire.com/people/int_Breillat_Catheri_2A616.html/A indiewire review of "Romance"]
• [https://web.archive.org/web/20110715053656/http://www.cineaste.com/articles/rewriting-fairy-tales-revisiting-female-identity-an-interview-with-catherine-breillat Rewriting Fairy Tales, Revisiting Female Identity: An Interview with Catherine Breillat], Maria Garcia, Cineaste, Summer 2011

{{Catherine Breillat}}

{{Authority control}}

{{DEFAULTSORT:Breillat, Catherine}}

Category:1948 births

Category:Commandeurs of the Ordre des Arts et des Lettres

Category:Feminist filmmakers

Category:French expatriates in Switzerland

Category:French film directors

Category:French-language film directors

Category:20th-century French screenwriters

Category:21st-century French screenwriters

Category:French women film directors

Category:French women novelists

Category:French women screenwriters

Category:Academic staff of European Graduate School

Category:Living people

Category:People from Bressuire