:Charulata

In Calcutta in 1879, at the height of the Bengali Renaissance under British rule, Charulata is the intelligent and artistic wife of Bhupati, an upper-class Bengali intellectual who edits and publishes a small political newspaper. Despite his love for Charu, Bhupati is preoccupied with politics and the freedom movement, leaving her isolated in their well-serviced home.

Bhupati tells Charu that he has invited her brother Umapada, a failed lawyer, to come manage the newspaper's finances. When he notices Charu's boredom with embroidering handkerchiefs and slippers and watching the world go by out her window, Bhupati also invites Umapada's wife, Manda, to live with them and keep Charu company. However, Manda is more domestic and traditional than Charu and offers her little intellectual stimulation.

When Amal, Bhupati's younger cousin, comes to visit after finishing college, he just wants to relax and write, but Bhupati enlists him to help proofread the newspaper, as well as investigate and nurture Charu's literary talents. Amal and Charu bond over conversations and debates about literature and poetry, and their relationship evolves into an intimate, teasing friendship. Charu makes Amal a beautiful notebook, but tells him that whatever he writes in it is only for their eyes, and not to be published.

A good offer of marriage arrives for Amal from a wealthy family in Bardhaman, and Bhupati encourages him to take it, especially since the bride's father has offered to send Amal to study law in England. Amal is momentarily tempted by the idea of seeing Europe, but then tells Bhupati that he does not want to leave India, and to ask the father to give him a month to consider the proposal. Bhupati is confused by Amal's reticence, but Charu tells him that she is sure Amal will ultimately accept.

An essay that Amal wrote in his notebook gets accepted by a magazine, and Charu responds by secretly writing something of her own and getting it published by an even more selective periodical. She shows Amal the magazine with her story in it, and, while he is reading, tells Manda that she will take over making Amal's paan and gets a pair of beautiful slippers that she has made for Amal. He is very impressed by Charu's writing and urges her to continue, but she responds by crying on his shoulder and saying she will never write again, before composing herself and leaving the room.

During a party that Bhupati throws to celebrate the victory of the Liberals in the English parliamentary elections, Umapada sneaks away. He takes money from Bhupati's safe and, telling Charu that Manda's father is sick, he and Manda flee. As the party is breaking up, Bhupati's friend Nishikanta makes an announcement to celebrate the publication of Charu's story, embarrassing and confusing Bhupati, as Charu never mentioned it to him.

The company from which Bhupati gets his paper contacts him about an overdue payment that Umapada said he made months ago, and, after being shown documentation, Bhupati realizes Umapada stole from him. Shattered, he tells Amal that he plans to shut down the newspaper, not for financial reasons, but because he has lost faith in mankind. Guilty over his growing feelings for Charu, Amal packs his things and departs, leaving behind the slippers Charu made him and a note, in which he says he has heard of a job opportunity and encourages Charu to keep writing.

Charu and Bhupati take a trip to the seashore, where she suggests he continue publishing his paper, but broaden its scope, with him and Nishikanta handling politics, and her handling cultural topics. Excited, they rush home, where they find a letter from Amal, who has been staying with a friend in Madras and says he will accept the proposal. Bhupati leaves to talk to Nishikanta, but the weather changes when he is barely out the door, so he turns back. He is shocked to find Charu tearfully crying out Amal's name and he sneaks away, but Charu hears his footsteps. After wandering aimlessly in his carriage, Bhupati returns home, and Charu invites him in. They tentatively reach out to each other, but the image freezes mid-gesture, leaving their reconciliation unresolved.

{{Castlist|

• Soumitra Chatterjee as Amal Chandra Basu, Bhupati's cousin
• Madhabi Mukherjee as Charulata, Bhupati's wife
• Shailen Mukherjee as Bhupati Dutta, Charulata's husband
• Shyamal Ghoshal as Umapada, Charulata's brother
• Gitali Roy as Manda (nicknamed "Mandakini"), Umapada's wife
• Subrata Sensharma as Motilal
• Bankim Ghosh as Jagannath, the paper merchant
• Dilip Bose as Shashanka, a guest at the party
• Nilotpal Dey as Joydeb, the singer at the party
• Bholanath Koyal as Braja, the servant
• Kamu Mukherjee as a guest at the party
• Suku Mukherjee as Nishikanta, Bhupati's friend

}}

Charulata is based on the 1901 novella Nastanirh (The Broken Nest) by Bengali author Rabindranath Tagore.Robinson, Arthur. Satyajit Ray: The Inner Eye. Los Angeles: University of California Press. 1989. {{ISBN|0-520-06905-6}}. pp. 159. Ray later said that he liked the novella because "it has a western quality to it and the film obviously shares that quality. That's why I can speak of Mozart in connection with Charulata quite validly."Robinson. pp. 160.

On the occasion of the birth centenary of Ray, senior journalist B.M. Hanif of Prajavani newspaper reported that speculations were rife at the time of the film's release that the story was based on the lives of Rabindranath Tagore, his brother Jyotirindranath Tagore (who was 12 years older than Rabindranath), and his sister-in-law Kadambari Devi (who was two years older than Rabindranath), considering the fact that the story takes place in 1879–1880 (when Rabindranath was 19 years old), and that Devi committed suicide in April 1884, four months after Rabindranath was married (at the age of 23) to the 9- or 11-year-old Mrinalini Devi.{{cite web |author=Prajavani |url=http://epaper.prajavani.net/ |title=Prajavani e-Paper - Read Kannada Newspaper Online by Prajavani ಪ್ರಜಾವಾಣಿ ePaper - ಕನ್ನಡ ePaper ಅನ್ನು ಪ್ರಜಾವಾಣಿಯಲ್ಲಿ ಓದಿರಿ |publisher=Epaper.prajavani.net |date=2018-12-17 |access-date=2021-05-18 |archive-date=25 May 2020 |archive-url=https://web.archive.org/web/20200525054745/http://epaper.prajavani.net/ |url-status=live }}

Ray spent many months researching the film's historical setting, working for the first time in his career without a deadline for either pre-production or the shoot.Robinson. pp. 161. None of the film's interior scenes were shot on location, and Ray worked closely with art director Bansi Chandragupta to build or remodel all of the sets to accurately portray India in the 1880s. Ray once called Charulata his favourite of his films.Robinson. pp. 157.

The Rabindra Sangeet "Aami Chini Go Chini Tomarey" was sung for the film by Kishore Kumar, this being the first Rabindra Sangeet sung by him. The recording was done in Bombay, rather than in Calcutta. Kumar did not charge any money for his work on Charulata, nor did he for his work on Ray's 1984 film Ghare Baire.{{Citation needed|date=February 2025}}

On the review aggregator website Rotten Tomatoes, 93% of 29 critics' reviews of the film are positive, with an average rating of 9.2/10.{{cite web |title=Charulata (1964) |url=https://www.rottentomatoes.com/m/charulata |website=Rotten Tomatoes |language=en |access-date=14 February 2025 |archive-date=28 November 2017 |archive-url=https://web.archive.org/web/20171128013404/https://www.rottentomatoes.com/m/charulata |url-status=live }} It has been widely regarded as one of the great films of Indian cinema, both domestically and internationally.

Penelope Houston of Sight and Sound praised the film, stating that "the interplay of sophistication and simplicity is extraordinary".Robinson. pp. 156. A review in The New York Times stated the film "moved like a majestic snail, as do all Ray films". In 1965, The Times remarked that the film's depiction of values seemed influenced by the English, stating that "this stratum of Indian life was more English than England". Peter Bradshaw of The Guardian called the film "extraordinarily vivid and fresh."{{cite web|last1=Bradshaw|first1=Peter|title=Charulata review-a vitamin boost for the mind and heart|url=https://www.theguardian.com/film/2014/aug/21/charulata-review|website=The Guardian|date=21 August 2014|access-date=15 July 2021|archive-date=12 November 2020|archive-url=https://web.archive.org/web/20201112214051/https://www.theguardian.com/film/2014/aug/21/charulata-review|url-status=live}}

In the 1992 Sight & Sound critics' poll of the greatest films of all time, Charulata received 4 votes.{{cite web|author=Aaron and Mark Caldwell|title=Sight and Sound|publisher=Top 100 Movie Lists|year=2004|url=http://www.geocities.com/aaronbcaldwell/dimsscri.html|access-date=19 April 2009|archive-url=https://web.archive.org/web/20090729180509/http://geocities.com/aaronbcaldwell/dimsscri.html|archive-date=29 July 2009}} In 2002, the film ranked 6th in the British Film Institute's critics' poll,{{cite web |title=Top 10 Indian Films |publisher=British Film Institute |year=2002 |url=http://www.bfi.org.uk/features/imagineasia/guide/poll/india |access-date=14 March 2009 |archive-url=https://web.archive.org/web/20110515101729/http://www.bfi.org.uk/features/imagineasia/guide/poll/india/ |archive-date=15 May 2011}} and 7th in its user poll,{{cite web |url=http://www.bfi.org.uk/features/imagineasia/guide/poll/userpoll/india.html |title=User Poll: Indian Top 10 |date=2002 |publisher=British Film Institute|archive-url=https://web.archive.org/web/20080530205427/http://www.bfi.org.uk/features/imagineasia/guide/poll/userpoll/india.html|archive-date=30 May 2008}} of the "Top 10 Indian Films" of all time.

Charulata was awarded the Silver Bear for Best Director at the 15th Berlin International Film Festival,{{Cite news|title=Charulata|last=Malcolm|first=Derek|date=22 August 2014|work=London Evening Standard|page=43}} but, much to Ray's dismay, it was rejected by the Cannes Film Festival, a move protested by the likes of David Lean and Ingmar Bergman;{{cite web | last=Gupta | first=Ranjan Das | title=Ray at Cannes | website=The Hindu | date=2011-04-30 | url=https://www.thehindu.com/features/cinema/Ray-at-Cannes/article14906744.ece | access-date=2021-05-18 | archive-date=25 September 2020 | archive-url=https://web.archive.org/web/20200925040900/https://www.thehindu.com/features/cinema/Ray-at-Cannes/article14906744.ece | url-status=live }} reportedly, the film was also an all-time favourite of Jean-Luc Godard. However, it was later shown as part of the Cannes Classics section of the 2013 Cannes Film Festival.{{cite web|url=http://www.screendaily.com/news/cannes-classics-2013-line-up/5054402.article?blocktitle=Latest-News&contentID=1846|title=Cannes Classics 2013 line-up unveiled|work=Screen Daily|access-date=2013-04-30|archive-date=7 October 2020|archive-url=https://web.archive.org/web/20201007213722/https://www.screendaily.com/news/cannes-classics-2013-line-up/5054402.article?blocktitle=Latest-News&contentID=1846|url-status=live}}

The Academy Film Archive preserved Charulata in 1996.{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=satyajit+ray&category=All&collection=All|website=Academy Film Archive|access-date=11 August 2016|archive-date=15 August 2016|archive-url=https://web.archive.org/web/20160815062125/http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=Satyajit+Ray&category=All&collection=All|url-status=live}}

In 2013, The Criterion Collection released a restored high-definition digital transfer of the film with new subtitle translations on DVD and Blu-ray.{{cite web|url=http://www.criterion.com/current/posts/2872-charulata-calm-without-fire-within|title=Charulata: "Calm Without, Fire Within" – From the Current – The Criterion Collection|access-date=2015-03-19|archive-date=17 March 2015|archive-url=https://web.archive.org/web/20150317044952/http://www.criterion.com/current/posts/2872-charulata-calm-without-fire-within|url-status=live}}

In the United Kingdom, Charulata was 2013's ninth most-watched foreign-language film on television, with 113,600 viewers on Channel 4.{{Cite report |url=https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-statistical-yearbook-2014.pdf |title=Statistical Yearbook 2014 |date=2014 |publisher=British Film Institute (BFI) |pages=141 |access-date=25 April 2022 |archive-date=1 May 2022 |archive-url=https://web.archive.org/web/20220501005443/https://www2.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-statistical-yearbook-2014.pdf |url-status=live }}

File:Charulata1.jpg), sitting on her swing and looking at Amal]]

The film contains a famous scene in which Charu (Madhabi Mukherjee) sings Rabindranath Tagore's song "Fule Fule Dhole Dhole" on a swing while looking at Amal (Soumitra Chatterjee). The scene is referenced in the 2005 Bollywood film Parineeta during the "Soona Man Ka Aangan" song sequence. Indeed, Parineeta{{'}}s Lalita (Vidya Balan) is dressed to resemble Nastanirh/Charulata{{'}}s Charu. Furthermore, Parineeta is based upon the 1914 novel Parineeta by Sarat Chandra Chattopadhyay, a contemporary of Tagore who also wrote novels concerned with social reform.{{cite news|url=http://www.telegraphindia.com/1050611/asp/nation/story_4854277.asp |archive-url=https://web.archive.org/web/20050616031700/http://www.telegraphindia.com/1050611/asp/nation/story_4854277.asp |url-status=dead |archive-date=16 June 2005 |title=The Telegraph - Calcutta : Nation |publisher=Telegraphindia.com |date=2005-06-11 |access-date=2011-05-31 |location=Calcutta, India |first=Pratim D. |last=Gupta}}{{cite news|url=http://www.hindu.com/thehindu/mag/2005/08/07/stories/2005080700510500.htm |archive-url=https://web.archive.org/web/20060917133051/http://www.hindu.com/thehindu/mag/2005/08/07/stories/2005080700510500.htm |url-status=dead |archive-date=2006-09-17 |title=Magazine / Lifestyle : Something new, something old |date=2005-08-07 |access-date=2011-05-31 |work=The Hindu |location=Chennai, India}}

{{reflist}}

• Antani, Jay. "[http://www.slantmagazine.com/film/film_review.asp?ID=1080 Charulata review]." Slant Magazine, April 2004.
• Biswas, Moinak. "[https://web.archive.org/web/20060523005503/http://www.ipv.pt/forumedia/5/9.htm Writing on the Screen: Satyajit Ray’s Adaptation of Tagore]"
• Chaudhuri, Neel. "[http://www.sensesofcinema.com/2004/cteq/charulata/ Charulata: The Intimacies of a Broken Nest]"
• Cooper, Darius.The Cinema of Satyajit Ray:Between Tradition and Modernity Cambridge University Press, 2000.
• Nyce, Ben. Satyajit Ray : A Study of His Films. New York: Praeger, 1988
• Seely, Clinton B. "[http://www.parabaas.com/rabindranath/articles/pClinton1.html Translating Between Media: Rabindranath Tagore and Satyajit Ray]"
• Sen, Kaustav "[https://web.archive.org/web/20060526170949/http://www.indiastar.com/KaustuvSen.html Our Culture, Their Culture:Indian-ness in Satyajit Ray and Rabindranath Tagore explored through their works Charulata and Nashtanir]"

• [https://web.archive.org/web/20070629130207/http://www.satyajitray.org/films/charu.htm Official website]
• {{IMDb title|0057935}}
• [https://www.criterion.com/current/posts/2872-charulata-calm-without-fire-within Charulata: “Calm Without, Fire Within”] an essay by Philip Kemp at the Criterion Collection

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Category:1964 films

Category:Films directed by Satyajit Ray

Category:Bengali-language Indian films

Category:Films set in Kolkata

Category:Films based on works by Rabindranath Tagore

Category:Films based on Indian novels

Category:1964 drama films

Category:Indian black-and-white films

Category:Films about women in India

Category:Memorials to Rabindranath Tagore

Category:Best Feature Film National Film Award winners

Category:Films with screenplays by Satyajit Ray

Category:Films set in the 1870s

Category:Films about writers

Category:1960s Bengali-language films

Category:Films scored by Satyajit Ray