:Katia Tiutiunnik

Katia Tiutiunnik's high school education was completed at Our Lady of Mercy College, Parramatta and North Sydney Girls High School.

She earned her Bachelor of Music degree from the Sydney Conservatorium of Music, the University of Sydney, where she won the John Antill Composition Scholarship, the Don Banks Memorial Scholarship, and the Alfred Hill Prize upon graduation.{{cite web|url=https://exhibits.library.umkc.edu/s/shining-a-light/item/1027|title=Shining a Light on 21st Century Music|publisher=umkc.edu|access-date=14 May 2021|archive-date=14 May 2021|archive-url=https://web.archive.org/web/20210514122012/https://exhibits.library.umkc.edu/s/shining-a-light/item/1027|url-status=live}} She gained her PhD from the Australian National University, where she also completed advanced studies in Arabic.{{cite web |url=http://info.anu.edu.au/mac/Newsletters_and_Journals/ANU_Reporter/_pdf/vol_30_no_04/anustrengthens.html |title=ANU Strengthens Middle Eastern Ties. ANU Reporter |publisher=Info.anu.edu.au |access-date=16 January 2012 |archive-date=24 February 2012 |archive-url=https://web.archive.org/web/20120224184050/http://info.anu.edu.au/mac/Newsletters_and_Journals/ANU_Reporter/_pdf/vol_30_no_04/anustrengthens.html |url-status=live }} She also earned the highest Italian postgraduate title available in composition, the Diploma di Studi Superiori di Perfezionamento, from the Accademia Nazionale di Santa Cecilia, Rome, where she studied with Franco Donatoni for two years.{{cite web |url=https://www.taukay.it/data1/index.php?option=com_content&view=article&id=685:katia-tiutiunnik&catid=87&lang=en&Itemid=59 |title=TauKay Edizioni Musicali Biography of Katia Tiutiunik |publisher=Taukay.it |access-date=14 May 2021 |archive-date=14 May 2021 |archive-url=https://web.archive.org/web/20210514154427/https://www.taukay.it/data1/index.php?option=com_content&view=article&id=685:katia-tiutiunnik&catid=87&lang=en&Itemid=59 |url-status=live }}

Tiutiunnik has guest lectured internationally and has received a number of awards, commissions, national and international travel grants and other sponsorship, from both the government and private sectors.{{cite web |url=http://www.batemansbaypost.com.au/news/local/news/general/musician-moved-by-bays-beat/397274.aspx |title=Musician Moved By Bay's Beat. Bay Post |publisher=Batemansbaypost.com.au |date=21 July 2006 |access-date=16 January 2012 |archive-date=20 March 2012 |archive-url=https://web.archive.org/web/20120320233448/http://www.batemansbaypost.com.au/news/local/news/general/musician-moved-by-bays-beat/397274.aspx |url-status=live }}{{cite web |url=http://info.anu.edu.au/mac/Newsletters_and_Journals/ANU_Reporter/_pdf/vol_30_no_17.pdf |title=Deane Terrell, "Singing the ANU's Praises", ANU Reporter, 17 November 1999, p2 |access-date=16 January 2012 |archive-date=24 February 2012 |archive-url=https://web.archive.org/web/20120224184057/http://info.anu.edu.au/mac/Newsletters_and_Journals/ANU_Reporter/_pdf/vol_30_no_17.pdf |url-status=live }} She was an Honorary Research Associate at the Sydney Conservatorium of Music from 2010 to 2016 and was a Senior Lecturer at the Faculty of Music, Universiti Teknologi MARA, in Shah Alam, Selangor, Malaysia, from March 2012 until April 2016.{{cite web|url=https://makingwavesnewmusic.com/composers/katia-tiutiunnik/|title=Katia Tiutiunnik - Making Waves|date=19 December 2019|access-date=4 January 2020|archive-date=25 September 2020|archive-url=https://web.archive.org/web/20200925094327/https://makingwavesnewmusic.com/composers/katia-tiutiunnik/|url-status=live}}

In August 2016 Tiutiunnik was appointed as Professor of Music at SIAS International University in Xinzheng, Henan Province, People's Republic of China.

Tiutiunnik played the viola with the Sydney Youth Orchestra from 1990 to 1993.

She has also performed and recorded a number of her own works, as well as the works of other composers

She was the first Australian composer to be appointed visiting scholar at Columbia University, New York City, where she gave a presentation on symbolic references to Islamic mysticism and Middle Eastern affairs, in her music.

She was also a visiting fellow at the Australian National University,{{cite web|url=https://music.cass.anu.edu.au/about-us/vision-mission|title=Vision and Mission Statement of the ANU School of Music|access-date=14 May 2021|archive-date=14 May 2021|archive-url=https://web.archive.org/web/20210514151218/https://music.cass.anu.edu.au/about-us/vision-mission|url-status=live}} artist-in-residence and guest composer at Canberra Girls' Grammar School and Canberra Grammar SchoolHelen Musa, "Rising to the Occasion", Canberra Times. 16 September 2004 and composer-in-residence at the celebrated electronic studio, Charles Morrow Productions, New York City.{{cite web|url=https://morrowsound.com/soundscapes.html#dumuzi|title=Dumuzi, Priest and King by Katia Tiutiunnik, at Charles Morrow Soundscapes|publisher=morrowsound.com|access-date=14 May 2021|archive-date=18 April 2021|archive-url=https://web.archive.org/web/20210418054929/https://morrowsound.com/soundscapes.html#dumuzi|url-status=live}} During her sojourn in New York City, Tiutiunnik was a resident and an alumna of International House of New York.{{cite web |url=http://www.ihouse-nyc.org/s/707/alum_index.aspx?sid=707&gid=1&pgid=932&cid=1937&ecid=1937&crid=0&calpgid=15&calcid=1181 |archive-url=https://archive.today/20120918083420/http://www.ihouse-nyc.org/s/707/alum_index.aspx?sid=707&gid=1&pgid=932&cid=1937&ecid=1937&crid=0&calpgid=15&calcid=1181 |url-status=dead |archive-date=18 September 2012 |title=International House-I Love New York |publisher=Ihouse-nyc.org |access-date=16 January 2012 }}

Tiutiunnik's compositions have been published in Australia, Italy and the United States and are held in several international libraries, including the Bodleian Library at Oxford University (which also holds a copy of her doctoral thesis, The Symbolic Dimension: An Exploration of the Compositional Process),{{cite web |url=http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?dscnt=0&vl(103770091UI1)=all_items&scp.scps=scope%3A%28NET%29%2Cscope%3A%28OX%29&frbg=&tab=local&dstmp=1326332190144&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(1UIStartWith0)=contains&vl(freeText0)=Katia+Tiutiunnik&fn=search&vl(169119528UI0)=any&vid=OXVU1 |title=Bodleian Library Holdings for Katia Tiutiunnik |publisher=Solo.bodleian.ox.ac.uk |date=6 November 1994 |access-date=16 January 2012 |archive-date=9 June 2020 |archive-url=https://web.archive.org/web/20200609212725/http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?dscnt=0&vl(103770091UI1)=all_items&scp.scps=scope:(NET),scope:(OX)&frbg=&tab=local&dstmp=1326332190144&srt=rank&ct=search&mode=Basic&dum=true&tb=t&indx=1&vl(1UIStartWith0)=contains&vl(freeText0)=Katia+Tiutiunnik&fn=search&vl(169119528UI0)=any&vid=OXVU1 |url-status=dead }} Harvard College Library,{{cite web |url=https://hollis.harvard.edu/primo-explore/search?query=any,contains,Katia%20Tiutiunnik&tab=everything&search_scope=everything&vid=HVD2&lang=en_US&offset=0/m/aleph%7c012259627 |title=Harvard College Library Listing for Katia Tiutiunnik |publisher=Hollis.harvard.edu |access-date=14 May 2021 |archive-date=14 May 2021 |archive-url=https://web.archive.org/web/20210514143955/https://hollis.harvard.edu/primo-explore/search?query=any,contains,Katia%20Tiutiunnik&tab=everything&search_scope=everything&vid=HVD2&lang=en_US&offset=0/m/aleph%7C012259627 |url-status=live }} the National Library of Australia and the Wiener Music Library at Columbia University.{{Cite web |url=https://clio.columbia.edu/?q=Katia+Tiutiunnik&datasource=quicksearch&search_field=all_fields&search=true |title=Columbia University Library's Holdings of Katia Tiutiunnik's Works |access-date=14 May 2021 |archive-date=14 May 2021 |archive-url=https://web.archive.org/web/20210514145207/https://clio.columbia.edu/?q=Katia+Tiutiunnik&datasource=quicksearch&search_field=all_fields&search=true |url-status=live }} On 11 December 2009, a revised version of Tiutiunnik's doctoral dissertation was published as a book and released internationally.{{Cite book|title=The Symbolic Dimension: An Exploration of the Compositional Process, by Katia Tiutiunnik, Lambert Academic Publishing |isbn = 978-3838308661|last1 = Tiutiunnik|first1 = Katia|year = 2009}}Pamela Frost, "Katia adds another string to her bow", Baypost/Moruya Examiner. 10 February 2010 Tiutiunnik's published dissertation received an extensive, scholarly review by Australian musicologist, Dr. Sally Macarthur, in the prestigious, peer reviewed journal, Musicology Australia, in July 2011.{{cite journal|title=Sally Macarthur,"Composing the 'Woman' Composer" |date=29 June 2011 |doi=10.1080/08145857.2011.585513 |volume=33 |journal=Musicology Australia |pages=129–138|last1=MacArthur |first1=Sally |s2cid=194102194 }}

The symbolic dimensions of a number of Tiutiunnik's compositions have been associated with the motif of the journey through darkness to illumination.Pamela Youngdale Dees. Piano Music by Women Composers, Volume II: Composers born after 1900. Greenwood Press, 2004. p241 Also, several of Tiutiunnik's works have been inspired by Islamic mysticism and related traditions—the musical symbols therein often manifesting themselves in the form of compositional processes emanating from her interpretations of Near Eastern traditions of numerology.Epishin, Alexander. "Belyaev Fridays...and Music From Australia." Klassika: St. Petersburg Journal of Culture and Art. (May 2002): pp40-41 Other important influences on the symbolic dimensions of Tiutiunnik's compositions include the landscapes, flora and fauna of Australia;Ibid. historical and current events pertaining to the Middle East, in addition to the religion and mythology of Ancient Mesopotamia.Katia Tiutiunnik. The Symbolic Dimension: An Exploration of the Compositional Process. Australian National University, 2002.

Tiutiunnik's works have been performed and broadcast in Australia, Brazil, Bulgaria, Canada, China, Germany, Greece, Italy, Jordan, Malaysia, Mexico, the Netherlands, Norway, Panama, Poland, Russia, San Marino, Serbia, Singapore, Thailand, the United Kingdom and the United States.

Festivals and conferences which have featured Tiutiunnik's compositions include the Fairbanks Summer Arts Festival, Alaska; Festivale Internazionale di Musica Contemporanea, Nuove Sincronie, Milan; Suoni e Voci del Lago, Lake Garda, Italy;{{cite web|url=https://www.musicinaustralia.org.au/australian-classical-musicians-successful-abroad-at-a-high-level/|title=Australian Classical Musicians Successful Abroad at a High Level|work=Music In Australia Knowledge Base |date=April 2015|access-date=14 May 2021|archive-date=14 May 2021|archive-url=https://web.archive.org/web/20210514142414/https://www.musicinaustralia.org.au/australian-classical-musicians-successful-abroad-at-a-high-level/|url-status=usurped |last1=Letts |first1=Richard }} Sydney Spring Festival;{{Cite web | url=http://www.rogerwoodward.com/images/PDF/8%20Spring%20prog2.pdf | title=Artistic Director's Report | archive-url=https://web.archive.org/web/20160303213723/http://www.rogerwoodward.com/images/PDF/8%20Spring%20prog2.pdf | archive-date=3 March 2016 }} the 28th General Assembly of the International Music Council, Petra, Jordan, 1999 (which featured the world premiere of her symphonic poem, Noor, dedicated to Queen Noor of Jordan);{{cite web|url=http://www.aliabdulameer.com/inp/view.asp?ID=216&fbclid=IwAR0x4hDluc9xOC7gM0MwOaPlw-9_2FHcvvl9TAgeZQ5leQzCi3GaYZIYA8E/|title=ليل البتراء وشموع النغم الرفيع Petra by Night and the Candles of High Melody|access-date=9 February 2022|archive-date=9 February 2022|archive-url=https://web.archive.org/web/20220209150931/http://www.aliabdulameer.com/inp/view.asp?ID=216&fbclid=IwAR0x4hDluc9xOC7gM0MwOaPlw-9_2FHcvvl9TAgeZQ5leQzCi3GaYZIYA8E/|url-status=live}} Musica Nova, Sofia, Bulgaria (International Society of Contemporary Music, Bulgarian Section);{{cite web |url=https://www.angelfire.com/bc2/musicanova/ |title=Musica Nova-Sofia |publisher=Angelfire.com |access-date=16 January 2012 |archive-date=13 January 2012 |archive-url=https://web.archive.org/web/20120113090902/http://www.angelfire.com/bc2/musicanova/ |url-status=live }} Festivale Internazionale della Chitarra: Nicolo' Paganini, Parma, Italy; Compositrici: nuove strategie per una migliore valorizzazione, Teramo, Italy (Fondazione Adkins Chiti), 2001;Annalaura Fumo,"Donne Protagoniste dell'Arte", Il Tempo, Teramo. 22 May 2002 the International Congress for Women in Music, Beijing, 2008;{{cite web |url=http://www.australianmusiccentre.com.au/article/composer-notes-november-2007 |title=Australian Music Centre Composer Notes: Australian Music Overseas |publisher=Australianmusiccentre.com.au |access-date=16 January 2012 |archive-date=30 June 2009 |archive-url=https://web.archive.org/web/20090630022638/http://www.australianmusiccentre.com.au/article/composer-notes-november-2007 |url-status=live }} Cinque Giornate per La Nuova Musica e La Musica Sperimentale, Milan;{{Cite web | url=http://www.arcipelagomusica.it/pdf/festival5giornate.pdf | title=Festival 5 Giornate | website=www.arcipelagomusica.it | archive-url=https://web.archive.org/web/20160303193410/http://www.arcipelagomusica.it/pdf/festival5giornate.pdf | archive-date=3 March 2016 }} Soundstream Festival, Adelaide, South Australia{{cite web|last=Silsbury |first=Elizabeth |url=http://www.adelaidenow.com.au/entertainment/arts/music-a-jolly-good-time-for-all/story-fn503imo-1225912012745 |title=Elizabeth Silsbery,"A Jolly Good Time For All", The Advertiser, 30 August 2010 |publisher=The Advertiser|date=30 August 2010 |access-date=16 January 2012}} and others.

On 19 March 2007 (Tiutiunnik's fortieth birthday), a concert of her solo and chamber works was held at the Dom Kompozitorov, Saint Petersburg, Russia, as part of festivities celebrating two hundred years of business relations between Australia and Russia. This third concert of Tiutiunnik's compositions in St Petersburg{{cite web |url=http://www.anu.edu.au/mac/images/uploads/_AnnRpt2001.pdf |title=Annual Report of the Australian National University 2001 p12 |access-date=16 January 2012 |archive-date=19 January 2012 |archive-url=https://web.archive.org/web/20120119205938/http://www.anu.edu.au/mac/images/uploads/_AnnRpt2001.pdf |url-status=dead }} featured eminent performers such as the Rimsky-Korsakov Quartet of Saint Petersburg and pianist Anna Sbagina. On the same day, Tiutiunnik gave a lecture/recital for the composition students of Boris Tishchenko, at the Saint Petersburg Conservatory and was also interviewed by Radio Maria, Saint Petersburg. The event was organized by Dr. Elena Kostyuchenko (who also organized her 2001 and 2006 St Petersburg concerts)Helen Musa, "Russian Visit a Triumph", Canberra Times. 11 January 2002 and its sponsors included the Embassy of Australia in Moscow, Lis Faenza of Batemans Bay (who personally funded all of Tiutiunnik's international travel for the event) and Sebastian Fitzlyon-Zinovieff, Honorary Australian Consul in Saint Petersburg.{{cite web|url=http://www.taukay.it/en/composers/tiutiunnik.html |title=Katia Tiutiunnik is a composer, scholar, teacher and violist |access-date=2010-05-19 |url-status=dead |archive-url=https://web.archive.org/web/20110716225943/http://www.taukay.it/en/composers/tiutiunnik.html |archive-date=16 July 2011 }}

Presentations on the role of Tiutiunnik's work in global conflict resolution have been given by Dr. James Michael Bicigo of Borealis Brass of the University of Alaska Fairbanks (whose performances of Tiutiunnik's works have been broadcast internationally){{cite web |url=http://www.uaf.edu/music/faculty/bicigo/ |title=University of Alaska Fairbanks, Faculty of Music: Dr.James Michael Bicigo |publisher=Uaf.edu |access-date=16 January 2012 |archive-date=1 March 2012 |archive-url=https://web.archive.org/web/20120301195455/http://www.uaf.edu/music/faculty/bicigo/ |url-status=live }} at Bard College, Union Theological Seminary, in New York and at the University of Hawaii.{{Cite web | url=http://www.danielpearlmusicdays.org/artist_detail.php?id=2406 | title=Daniel Pearl Music Days | access-date=20 June 2010 | archive-date=9 June 2020 | archive-url=https://web.archive.org/web/20200609212654/http://www.danielpearlmusicdays.org/artist_detail.php?id=2406 | url-status=live }} Tiutiunnik's music has also been used for theatrical productions at the Edinburgh Fringe Festival, as well as in London, Melbourne, New York and Sydney. Her compositions have also been showcased as part of the Daniel Pearl World Music Days of the Daniel Pearl Foundation.{{cite web |url=http://www.danielpearlmusicdays.org/artist_detail.php?id=2406 |title=Dr. Katia Tiutiunnik-Daniel Pearl World Music Days' Artist |publisher=Danielpearlmusicdays.org |access-date=16 January 2012 |archive-date=9 June 2020 |archive-url=https://web.archive.org/web/20200609212654/http://www.danielpearlmusicdays.org/artist_detail.php?id=2406 |url-status=live }}

In early December 2009, the "Borealis in Australis" tour featured over ten performances of Tiutiunnik's works (including two world premieres and an Australian premiere) by Borealis Brass of the University of Alaska Fairbanks.{{cite web |url=http://www.batemansbaypost.com.au/news/opinion/letters/general/letters-to-the-editor-15110/1726128.aspx |title=Borealis Says Thanks |publisher=Batemansbaypost.com.au |date=15 January 2010 |access-date=16 January 2012 |archive-date=3 March 2012 |archive-url=https://web.archive.org/web/20120303125103/http://www.batemansbaypost.com.au/news/opinion/letters/general/letters-to-the-editor-15110/1726128.aspx |url-status=live }}{{cite web|url = http://perfex.org.au/fundraising.html|title = PerFex Fundraising: Borealis Brass Quintent|publisher = Perfex.org.au|access-date = 16 January 2012|archive-date = 20 September 2011|archive-url = https://web.archive.org/web/20110920063322/http://www.perfex.org.au/fundraising.html|url-status = dead}} These performances were in Batemans Bay, at Sydney's St. Andrew's Cathedral and on the Sunshine Coast.{{cite web |url=http://perfex.org.au/fundraising.html |title=Borealis Brass Quintet |publisher=Perfex.org.au |access-date=16 January 2012 |archive-date=20 September 2011 |archive-url=https://web.archive.org/web/20110920063322/http://www.perfex.org.au/fundraising.html |url-status=dead }}{{cite web|url=http://www.streetdirectory.com.au/sd_new/events.cgi?UrlSD=Australia/Queensland/SunshineCoast/MaroochyShire/Nambour/CommunityEvents/BorealisBrassConcert&EventID=1132&StateID=4&RegionID=23&CouncilID=366&SuburbID=7005&SearchType=Title&DateType=Anytime&YY2= |title=Borealis Brass on the Sunshine Coast |publisher=Streetdirectory.com.au |access-date=16 January 2012}} Highlights of this tour included a lecture/recital on the role of music in global conflict resolution—featuring Tiutiunnik's music and the music of other women composers from around the world—at the Batemans Bay campus of the University of Wollongong{{cite web |url=http://www.australianmusiccentre.com.au/event/lecture-recital-by-borealis-brass |title=Lecture Recital by Borealis Brass of the University of Alaska Fairbanks and Katia Tiutiunnik |publisher=Australianmusiccentre.com.au |date=3 December 2009 |access-date=16 January 2012 |archive-date=9 March 2012 |archive-url=https://web.archive.org/web/20120309030029/http://www.australianmusiccentre.com.au/event/lecture-recital-by-borealis-brass |url-status=live }} and a workshop for highschool students from the Eurobodalla Shire.{{cite web |url=http://perfex.org.au/fundraising.html |title=Borealis in Australis |publisher=Perfex.org.au |access-date=16 January 2012 |archive-date=20 September 2011 |archive-url=https://web.archive.org/web/20110920063322/http://www.perfex.org.au/fundraising.html |url-status=dead }} Another important event in this tour was the VIP reception featuring live Koori music (supervised by local Koori elder, Loretta Parsley), the world premiere of Tiutiunnik's trumpet duo L'Imperatore Amato (dedicated to International House of New York) and speeches by various dignitaries, in Catalina, New South Wales. Two of Tiutiunnik's compositions, featured in the "Borealis in Australis" tour, received repeat performances at the University of Alaska Fairbanks New Music Festival, on 5 February 2010.{{cite web |url=http://www.newsminer.com/printer_friendly/5703464 |archive-url=https://archive.today/20120914173012/http://www.newsminer.com/printer_friendly/5703464 |url-status=dead |archive-date=14 September 2012 |title=Nothing to Fear at New Music Festival |publisher=Newsminer.com |access-date=16 January 2012 }}

In April 2010 Tiutiunnik guest lectured and attended an Australian premiere of her music at the University of Melbourne.{{cite web |url=http://www.newmusicnetwork.com.au/Calendar/cal0410.html#vic |title=Concert at Gryphon Gallery, University of Melbourne |publisher=Newmusicnetwork.com.au |access-date=16 January 2012 |archive-date=25 February 2012 |archive-url=https://web.archive.org/web/20120225002125/http://www.newmusicnetwork.com.au/Calendar/cal0410.html#vic |url-status=live }}

Tiutiunnik's setting of the poem To the Enemy, by Eva Salzman, for soprano and percussion ensemble, received its world premier performance on 26 August 2010, at the opening, "Visionaries" concert of the Soundstream Festival, Adelaide, South Australia.{{cite web |url=http://www.australianstage.com.au/201008273804/reviews/adelaide/the-visionaries-%7C-soundstream-adelaide-new-music-festival.html |title=The Visionaries, Soundstream Festival, Adelaide |publisher=Australianstage.com.au |date=28 August 2010 |access-date=16 January 2012 |archive-date=17 March 2012 |archive-url=https://web.archive.org/web/20120317165233/http://www.australianstage.com.au/201008273804/reviews/adelaide/the-visionaries-%7C-soundstream-adelaide-new-music-festival.html |url-status=live }} This world premiere was broadcast live by ABC Classic FM.{{cite web |url=http://www.abc.net.au/classic/australianmusic/stories/s2965344.htm |title=Australian Music Broadcast Highlights Soundstream 1 |publisher=ABC |location=Australia |access-date=16 January 2012 |archive-date=29 August 2010 |archive-url=https://web.archive.org/web/20100829215155/http://www.abc.net.au/classic/australianmusic/stories/s2965344.htm |url-status=live }}{{cite web |url=http://www.realtimearts.net/article/99/10048 |title=Chris Reid, "The Music is in the Timbre: Soundstream Festival 2010", Realtime Arts Magazine Issue 99 |publisher=Realtimearts.net |access-date=16 January 2012 |archive-date=23 October 2010 |archive-url=https://web.archive.org/web/20101023122714/http://www.realtimearts.net/article/99/10048 |url-status=live }}

Since 2012, Tiutiunnik's music has continued to be broadcast internationally and performed by numerous international artists, including Monica Moroni, Chiara Dolcini, Iwona Glinka, Bridges Collective, Elizabeth Reid, Roberto Fabbriciani, Vilma Campitelli, Beatrice Petrocchi, Arcko Symphonic Ensemble, Sideband, Luis Casal, Emille Blondel, Borealis Brass of the University of Alaska Fairbanks, Pemi Paull, Merietta Oviatt, Alice Bennett, Laila Engle, Peter Sheridan, Arya BastaninEzhad, Jane Bishop, Brad Gill, John Sharpley, Akiko Otao, Kalin Yong, Roger Vigulf, Laura Chislett, Stephanie McCallum, Nathan Meaney, Aleksandra Demowska-Madejska, Diana Weston, Jo Arnott, Eliza Shephard, Ross James Carey and others. Tiutiunnik also performed as a violist for over three years with the Sias University Symphony Orchestra, Xinzheng, Henan Province, China, at LASALLE College Singapore; Kuala Lumpur Performing Arts Centre, Universiti Pendidikan Sultan Idris, the Russian Centre for Science and Culture, Kuala Lumpur and elsewhere. As an erhu player, Tiutiunnik performed for three years with the SIAS University Chinese Traditional Orchestra and has also given solo recitals on the erhu at the Russian Centre for Science and Culture, Kuala Lumpur; China-ASEAN Music Festival, Nanning, Guangxi Province, China; Sias University, Xinzheng, Henan Province, China; Zhengzhou, Henan Province, China and elsewhere. On March 4, 2020, Katia Tiutiunnik's flute and piano duo, The Quickening, performed by noted Australian flautist, Laura Chislett, and renowned Australian pianist, Stephanie McCallum, was released on the Australian Broadcasting Corporation, ABC Classics album, Women of Note: A Century of Australian Composers Volume 2.{{cite web|url=https://www.abc.net.au/classic/shop/women-of-note-volume-2/13210540|title=Women of Note:A Century of Australian Composers Volume 2|website=Australian Broadcasting Corporation|date=4 March 2021|access-date=17 December 2021|archive-date=17 December 2021|archive-url=https://web.archive.org/web/20211217143645/https://www.abc.net.au/classic/shop/women-of-note-volume-2/13210540|url-status=live}}

From 2008 to early 2012, Tiutiunnik resided with her two sons in the Eurobodalla Shire of the South Coast of New South Wales, Australia.{{cite web |url=http://perfex.org.au/fundraising.html |title=PerFex Newsletter |publisher=Perfex.org.au |access-date=16 January 2012 |archive-date=20 September 2011 |archive-url=https://web.archive.org/web/20110920063322/http://www.perfex.org.au/fundraising.html |url-status=dead }} From March 2012 to September 2016, Tiutiunnik lived in Shah Alam in Selangor, Malaysia. From September 2016 to November 2019,Tiutiunnik resided in Xinzheng, Henan Province, People's Republic of China.

;Orchestral and concertante

• Nights in Arabia for viola and orchestra (1992, revised 1998)
• Noor for violin and orchestra (1998)
• An Orientalist in Palestine for orchestra (2000)
• Wonders of Babylon for trombone, wind orchestra and percussion (2001)
• Mikhail for cello and orchestra (2005)
• Redemption: Four reflections for viola and string orchestra (2016)
• 玫瑰 Méiguī : Roses for Chinese Traditional Orchestra (2017)
• 鲜花节 Xiānhuā jié : Festival of Flowers: Symphonic Jewels of the East No.I (2018)

;Chamber and instrumental

• Al'amut for piccolo, bass clarinet, harp and tubular bells (1993)
• Arcano for oboe, clarinet, violin and harp (1993)
• Sinan for oboe solo (1993)
• Adone for flute, oboe clarinet, bassoon, violin, viola, cello, piano and percussion (1994)
• Arà for flute, oboe, clarinet, bassoon, horn, violin, viola, cello, piano and percussion (1995)
• Hidayah for piccolo solo (1995)
• Erato for clarinet solo (1995)
• Apoteosi for piccolo, flute and alto flute (one player) (1995)
• Mahdoom for trombone solo (1998)
• Al-Kauthar for cello solo (1999)
• Danza delle fate arabe for guitar solo (1999)
• Lament of the Flutes for Dumuzi for flute and piano (1999)
• Night Journey for string quartet (2000)
• Al-Hisar for trombone, or viola, or cello solo (2001)
• Canto di Enheduanna for flute, cello and piano (2001)
• Tre Preghiere di Nabuccoduriussor for guitar solo (2001)
• Prayer for viola solo (2002)
• Rinascita for flute, trombone, mezzo-soprano, percussion and violin (2002)
• Via Trionfale: Verso Il Loto Benedetto for horn, trumpet and trombone (2002)
• Cities of the Gods, Cycle of 5 Works for cello solo (2004)

:# "Portal to Nibiru"

:# "Lament to Inanna"

:# "O Fair Daughter of Man!"

:# "Sacred Marriage in TILMUN"

:# "Ali Dorati dei Nefilim (Golden Wings of the Nefilim)"

• L'Imperatore Amato for 2 trumpets (2004)
• The Quickening: A Tribute to Jonathan Kramer for flute and piano (2005)
• Who Is Like God?, Cycle of 4 Works for cello solo (2006)

:# "Exiled in Babylon"

:# "Embracing Dumuzi"

:# "Temple of the Sun"

:# "White Night"

• White Night for viola solo (2006)
• White Nights of Dreams for viola, tubular bells and tam-tam (2007)
• La Passion de Jehanne for trombone and violin (2009)
• Out of the Depths for brass quintet (2009)
• Invocazione a Dumuzi for piano and violin (2011)
• L'Embargo for viola and percussion ensemble (2011)
• La Notte Bianca for violin (2011)
• Inno a Dumuzi for countertenor and piano (2012)
• Abbracciando Dumuzi for violoncello, vibraphone and togunggak ensemble (2012)
• Malam Putih for 2 violas and togunggak ensemble (2012)
• Elegia: Una Notte Bianca for trombone solo (2012)
• Al-Falaq for trumpet, trombone, togunggak ensemble, 2 gendang and gong aggung (2013)
• Ballando con la Vita for trombone and violin (2013)
• Le Vie del Vento Divino for flute/ney, 2 bass flutes, contrabass flute and percussion (2013)
• At-Taubah: A Meditation for 'Oud for 'oud solo (2013)
• A Requiem for bass flute and vibraphone (2014)
• Gioielli della Notte for contrabass flute solo (2014)
• Notti Bianche d'Amore for bass flute or contrabass flute and tubular bells (2014)
• Al-Laila: A Lamentation for 'Oud for 'oud solo (2014)
• Az-Zuhoor: An Elegy for 'Oud for 'oud solo (2014)
• Sacred Night for bass clarinet, violin and digital delay (2014)
• Una Notte Sacra for bass flute or contrabass flute solo (2015)
• Notti Sacre delle Nuvole Bianche for 2 flutes, alto flute, bass flute and tubular bells (2015)
• Daripada Kedalaman for piccolo, 4 flutes and bass flute (2015)
• Le Regine for violin, amplified gambus and gamelan ensemble (2015)
• Tarian Takdir for amplified gambus, togunggak ensemble, 2 gendang and gong aggung (2015)
• Ukiran Malam for viola, violoncello, tubular bells and digital delay (2015)
• Festival des Roses for trumpet, trombone and gamelan ensemble (2015)
• Roses : Reflections for flute, bass flute, tubular bells/vibraphone and tam-tam (2017)
• 神圣的夜晚 Shénshèng de yèwǎn : A meditation for bass flute, viola, tubular bells/vibraphone and tam-tam (2017)
• Les Nuits Blanches des Rêves for oboe, tubular bells and tam-tam (2018)
• 拥抱重生 Yǒngbào chóngshēng for violin solo (2018)
• Dansant avec la vie for flute and bass flute or flute and contrabass flute (2018)
• 与生活共舞 Yǔ shēnghuó gòng wǔ for flute and violin (2018)
• 挽歌：神圣的白夜 Wǎngē: Shénshèng de Báiyè for alto saxophone solo (2018)
• Embrassant la Renaissance for oboe solo (2018)
• 拥抱重生 Yǒngbào chóngshēng : Embracing the Rebirth for erhu solo (2018)
• 禁运 Jìn yùn : The Embargo for oboe and percussion ensemble (2018)
• Le Notti Bianche dei Sogni : for flute, tubular bells and tam-tam for flute, tubular bells and tam-tam (2018)
• 祷告 Dǎogào : Prayer for gaohu solo (2018)
• 祷告 Dǎogào for erhu solo (2018)
• L'Abbraccio della Rinascita for bass flute and contrabass flute solo (2018)
• Dumuzi's Embrace for viola solo (2018)
• Una notte sacra for alto flute (2018)
• 玫瑰第三章节:白玫瑰献给死去的女王 Méiguī dì sān zhāngjié: Bái méiguī xiàn gěi sǐqù de nǚwáng for erhu and piano (2019)
• L'Abbraccio della Rinascita for flute and bass flute solo (2020)
• Una Notte Sacra per flauto in Do flute solo (2020)
• Iluminada: Três Reflexões sobre Fátima, for recorder and harpsichord (2022)

:# "Sombras dos Segredos" for tenor recorder and harpsichord

:# "Rainha Resplandecente" for descant recorder and harpsichord

:# "Dança Sagrada" for tenor recorder and harpsichord

;Piano

• Bhairawa for piano solo (1995)
• Agressi Sunt Mare Tenebrarum Quid in Eo Esset Exploraturi for piano (1996)

;Vocal

• Rinascita for mezzo-soprano, trombone, percussion, violin and violoncello (2002)
• Resurrection for massed choirs and two large percussion ensembles (2004)
• To the Enemy for soprano and percussion ensemble (2004); text by Eva Salzman
• Jehanne for soprano and viola (2007); text by Elisabetta Faenza
• De Profundis Clamavi for soprano solo and women's and/or children's choir (2009)

;Electroacoustic

• Dumuzi, Priest and King for 3 Dimensional Sound Cube and viola, Charles Morrow Productions (2005)
• Voices in the Night for multi channelled cello and voices (2006); text: Lucy Aponte; cello: David Pereira; voices: Anthony Michael Tiutiunnik and Katia Tiutiunnik

{{reflist}}

• [https://www.abc.net.au/classic/shop/women-of-note-volume-2/13210540 Women of Note Volume 2]
• [https://www.classicsdirect.com.au/women-of-note-a-century-of-australian-composers-vol-2/ Women of Note: A Century of Australian Composers Volume 2]
• [https://www.youtube.com/watch?v=VFUbn3luA2A&list=PL4YiRoxH15SZHhpjGRBLSprBag-FMI227&index=83&t=6s Children Helping Children: Fundraising Concert for the Children of Ukraine]
• [https://www.limelightmagazine.com.au/reviews/women-of-note-volume-2/ Limelight Magazine Review of Women of Note: A Century of Australian Composers Volume 2]
• [https://citynews.com.au/2022/inventive-music-based-on-bach/ Inventive Music Based on Bach]
• [https://exhibits.library.umkc.edu/s/shining-a-light/item/1027 Shining a Light on 21st Century Music]
• [https://www.taukay.it/data1/index.php?option=com_content&view=article&id=685:katia-tiutiunnik&catid=87&lang=en&Itemid=592 Katia Tiutiunnik at TauKay]
• [https://thebabelflute.com/tag/katia-tiutiunnik/ La magnificenza del flauto basso]
• [https://www.youtube.com/watch?v=A8qu75qZQTE&list=PL4YiRoxH15SZHhpjGRBLSprBag-FMI227&index=82&t=3525s Katia Tiutiunnik at the 2022 Panama Festival]
• [https://search.alexanderstreet.com/preview/work/bibliographic_entity%7Crecorded_cd%7C2459183 Katia Tiutiunnik at Alexander Street Press]
• [http://digital.library.adelaide.edu.au/dspace/handle/2440/69352 Artistic Director of 2010 Soundstream Contemporary Music Festival]
• [http://www.tandfonline.com/doi/abs/10.1080/08145857.2011.585513 Macarthur, Sally, Composing the 'Woman' Composer, Musicology Australia]
• [https://www.bentibbetts.net/interviews.html#18 Katia Tiutiunnik's Interview with Ben Tibbetts]
• [http://www.australianmusiccentre.com.au/artist/tiutiunnik-katia Katia Tiutiunnik—Represented Artist Profile, Australian Music Centre]
• [http://www.petermcnamara.com.au/sideband.html Katia Tiutiunnik at Sideband]
• [http://www.sideband.com.au/blog-sideband/sideband-the-in-between-review-by-greg-schiemer Sideband: The In-Between Review by Greg Schiemer]
• [https://www.cutcommonmag.com/album-review-the-in-between/ Review of the in-between, from CutCommon: The New Generation of Classical Music]
• [http://manhattanbrass.org/manhattanbrass/Composers.html Composers-Manhattan Brass Quintet]
• [http://www.aliabdulameer.com/inp/view.asp?ID=216&fbclid=IwAR0x4hDluc9xOC7gM0MwOaPlw-9_2FHcvvl9TAgeZQ5leQzCi3GaYZIYA8E ليل البتراء وشموع النغم الرفيع Petra by Night and the Candles of High Melody]
• [https://www.onepoint.fm/laurachislettjones/events/58889 Digital Release of Flute Vox on ABC, i-Tunes etc]
• [https://laurachislettflute.wixsite.com/laurachislett/flute-vox-press Reviews of Flute Vox from Fanfare, USA July/August 2016]
• [https://www.youtube.com/playlist?list=PL7PO5fyuz1-z4RYAiHQ9TIZ1zLWGnPE0w Solo Viola Music from Around the World, Dr. Molly Gebrian, Fred Fox School of Music, University of Arizona, March 2021]
• [https://music.apple.com/au/playlist/women-in-music/pl.b01dcec969e74571932365ba7bddc1ca Women in Music by ABC Classic on Apple]
• [https://www.youtube.com/playlist?list=PL4YiRoxH15SZHhpjGRBLSprBag-FMI227 Selected Videos of Concert Performances of Katia Tiutiunnik's Compositions]
• [https://soundcloud.com/katia-tiutiunnik Selected Recordings of Katia Tiutiunnik's Compositions]
• [https://makingwavesnewmusic.com/composers/katia-tiutiunnik/ Making Waves: Katia Tiutiunnik]
• [http://listeningtoladies.com/blog/2016/8/12/katia-tiutiunnik-le-vie-del-vento-divino Listening to Ladies: Katia Tiutiunnik]
• [https://ejournal.upsi.edu.my/index.php/MJM/article/view/623 An Introduction to the Symbolic Dimension of Music by Katia Tiutiunnik]
• [https://www.timesargus.com/features/vermont_arts/music-review-turnmusic-delivers-welcome-pandemic-relief/article_7b9aac51-99ee-5067-bc07-99e916cdafe2.html Music Review:TURNmusic delivers welcome pandemic relief]
• {{usurped|1=[https://web.archive.org/web/20200926084919/https://www.musicinaustralia.org.au/australian-classical-musicians-successful-abroad-at-a-high-level/ Australian Classical Musicians Successful Abroad at a High Level]}}

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{{DEFAULTSORT:Tiutiunnik, Katia}}

Category:1967 births

Category:Living people

Category:Australian women classical composers

Category:Australian people of Russian descent

Category:Australian people of Ukrainian descent

Category:Australian people of Irish descent

Category:21st-century Australian classical composers

Category:Australian classical violists

Category:Australian women violists

Category:Sydney Conservatorium of Music alumni

Category:Accademia Nazionale di Santa Cecilia alumni

Category:Australian National University alumni

Category:International House of New York alumni

Category:People educated at North Sydney Girls High School

Category:21st-century Australian women composers

Category:21st-century violists