Ada Swanwick

Ada Elizabeth Edith Swanwick was born in Forest Hill in London in 1915. Her father, Henry Gerard Swanwick, who was in the naval reserve, painted marine watercolours. She was inspired by her father, and her mother, Ethel Priscilla (née Bacon), gave her pencils which she had retrieved from shipwrecks on the Scilly Isles.

Swanwick enrolled at Goldsmiths College at the age of fifteen and by 1934 she was simultaneously attending classes at Goldsmith's, the Royal College of Art and the Central School of Arts and Crafts. She was a student of Edward Bawden. This academic activity continued until 1936.

Swanwick started to create work for London Transport in 1936 and she continued to create posters for them until 1954.[http://www.ltmcollection.org/posters/artist/artist.html?IXartist=Betty+Swanwick Betty Swanwick], London Transport Museum, Retrieved 5 October 2016{{cite book|author=David Bownes|publisher=london transport museum|year=2018|title=Poster Girls |isbn=978-1-871829-28-0}}

In 1945 she published the first of her novels The Cross Purposes in 1945.[http://www.oxforddnb.com/view/article/64536 Ada Sanwick], ODNB, Retrieved 6 October 2016 She published, Hoodwinked which featured pencil illustrations.[http://www.racollection.org.uk/ixbin/indexplus?record=O12806 Art and artists], Royal Academy Collection, Retrieved 5 October 2016 She appears as 'Bertha Swan' in a short story, "The Party", written by her fellow Goldsmiths student Denton Welch (in his posthumous collection A Last Sheaf (1951)).

In 1951 the Regatta and the Rocket restaurants at the Festival of Britain included murals by Ben Nicholson[https://www.theguardian.com/theobserver/2001/apr/15/features.magazine57 Pleasure Dome], The Guardian, Retrieved 6 October 2016 and Swanwick. She would later create another mural for Evelina Children's Hospital in 1960.

A painting by Swanwick titled The Dream was used on the cover of the 1973 Genesis album Selling England by the Pound.{{sfn|Bowler|Dray|1992|p=81}} The original painting did not include a lawn mower; the band had Swanwick add it later as an allusion to the track "I Know What I Like", because Swanwick told them she did not have enough time to paint a new picture for the cover.{{sfn|Bowler|Dray|1992|p=81}} Her drawings could take 200 hours to create and she had strong views. She was appalled to find that her students did not have to attend life drawing classes.

Swanwick died in 1989. Her life and the intriguing paintings that she made after 1965 are included in the book by her friend Paddy Rossmore.{{cite book|author1=Paddy Rossmore|author2=Barry Viney|title=Betty Swanwick: Artist & Visionary|url=https://books.google.com/books?id=n94UPQAACAAJ|year=2008|publisher=Chris Beetles Gallery|isbn=978-1-905738-03-8}}

• The Cross Purposes (1945)
• Hoodwinked (1957)
• Beauty and the Burglar (1958)

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• {{Cite book|last1=Bowler|first1=Dave|last2=Dray|first2=Bryan|title=Genesis: A Biography|year=1992|isbn=978-0-283-06132-5|publisher=Sidgwick & Jackson Ltd|url-access=registration|url=https://archive.org/details/genesisbiography0000bowl_h5d4}}

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Category:1915 births

Category:1989 deaths

Category:20th-century English women artists

Category:20th-century English women writers

Category:Alumni of the Central School of Art and Design

Category:Alumni of Goldsmiths, University of London

Category:Alumni of the Royal College of Art

Category:Artists from London

Category:Royal Academicians