All I Really Want to Do

"All I Really Want to Do" was first released on Dylan's 1964 album Another Side of Bob Dylan. The song was also included on the Dylan compilations Bob Dylan's Greatest Hits Vol. II in 1971 and the 3-disc edition of Dylan in 2007.{{cite web|title=All I Really Want to Do album appearances |publisher=Bob Dylan Official Website |url=http://www.bobdylan.com/#/songs/all-i-really-want-do |access-date=2009-12-02 |archive-url=https://web.archive.org/web/20091201105001/http://www.bobdylan.com/ |archive-date=1 December 2009 |url-status=dead }} In addition, two live versions of the song have been released: one, recorded in 1978, on Bob Dylan at Budokan and the other, recorded in 1964, on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall.

Dylan wrote the song in 1964 and recorded it in one take on June 9, 1964.{{cite book|title=Revolution in the Air|author=Heylin, Clinton|pages=202–203|year=2009|publisher=Chicago Review Press|isbn=978-1-55652-843-9}} Like other songs on Another Side of Bob Dylan, "All I Really Want to Do" was inspired by Dylan's breakup with Suze Rotolo.{{cite book|title=Don't Think Twice, It's All Right|author=Gill, Andy|page=56|year=1998|publisher=Thunder Mouth's Press|isbn=1-56025-185-9}} "All I Really Want to Do" opens the album with a different attitude than Dylan's previous album, The Times They Are a-Changin'; a playful song about a relationship rather than a finger-pointing political song. Musically simple, though playful, "All I Really Want to Do" is essentially a list of things, physical and psychological, that Dylan does not want to do or be to the listener (perhaps a woman, but just as likely his audience as a whole).{{Citation needed|date=July 2009}} Dylan laughs at some of his own jokes in the song, as he parodies typical "boy meets girl" love songs.{{cite book|title=No Direction Home|author=Shelton, Robert|page=219|year=1997|publisher=Da Capo Press|isbn=0-306-80782-3}} One interpretation of the song is that it is a parody of male responses to early feminist conversations.{{cite book|title=Keys to the Rain|author=Trager, Oliver|pages=10–11|year=2004|publisher=Billboard Books|isbn=0-8230-7974-0}} Along with another Another Side of Bob Dylan song, "It Ain't Me, Babe", "All I Really Want to Do" questioned the usual assumptions of relationships between men and women, rejecting possessiveness and machismo.{{cite book|title=Song and Dance Man III: The Art of Bob Dylan|author=Gray, Michael|page=4|year=2000|publisher=Continuum|isbn=0-8264-5150-0}} The song's chorus features Dylan singing in a high, keening yodel, likely inspired by Hank Williams or Ramblin' Jack Elliott, while disingenuously claiming that all he wants to do is to be friends. "All I Really Want to Do" sees Dylan experimenting with the conventions of the romantic pop song by constructing rhymes within lines and also rhyming the end of every line with the end of the following line.

The first known live concert performance of "All I Really Want to Do" was at the Newport Folk Festival on July 26, 1964. It remained part of Dylan's concert set list for his all acoustic shows in 1965. It returned to Dylan's concert sets in 1978, when Dylan sang it at the end of most shows to the melody of Simon and Garfunkel's "The 59th Street Bridge Song (Feelin' Groovy)". For those shows, he often revised the lyrics, incorporating mischievous verses such as:

{{poemquote|I ain't lookin' to make you fry

See you fly or watch you die

And I don't want to drag you down

Chain you down or be your clown}}

{{Infobox song

| name = All I Really Want to Do

| cover = cher-all_i_really_want_to_do_s.jpg

| caption = West German picture sleeve

| alt =

| type = single

| artist = Cher

| album = All I Really Want to Do

| B-side = I'm Gonna Love You

| released = {{Start date|1965|05}}

| recorded =

| studio =

| genre = Folk rock{{cite book |last1=Einarson |first1=John |last2=Furay |first2=Richie |author1-link=John Einarson |author2-link=Richie Furay |title=For What It's Worth: The Story of Buffalo Springfield |date=2004 |publisher=Cooper Square Press |location=New York City |isbn=978-0-8154-1281-6 |edition=Updated |page=67}}{{cite book|last= Breihan|first= Tom|chapter= The Byrds - "Mr. Tambourine Man|date= November 15, 2022|title= The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music|publisher=Hachette Book Group|location= New York|pages= 77–78}}

| length = {{Duration|m=2|s=59}}

| label = Imperial

| writer = Bob Dylan

| producer = Sonny Bono

| prev_title = Ringo, I Love You

| prev_year = 1964

| next_title = Where Do You Go?

| next_year = 1965

| misc = {{Audio sample

| type = single

| file = Cher - All I Really Want To Do.ogg

| description = "All I Really Want to Do" (Cher version)

}}{{External music video|header=Audio|type=single|{{YouTube|dckC8rT_Nk8|"All I Really Want to Do - Cher"}}}}

}}

"All I Really Want to Do" is Cher's debut single. Released in May 1965, it reached number 15 on the Billboard Hot 100 chart and number 9 on Record Retailer magazine's singles chart.{{cite web |title=All I Really Want to Do – Cher |publisher=Billboard |url=http://www.billboard.com/song/cher/all-i-really-want-to-do/484858 |access-date=January 9, 2012}}{{cite book|author=Brown, Tony.|page=156|year=2000|title=The Complete Book of the British Charts|publisher=Omnibus Press|isbn=0-7119-7670-8}} Cher's recording of the song also charted in several other countries during 1965. Cher's version was involved in a chart battle with the Byrds' recording of "All I Really Want to Do" when both versions entered the Billboard Hot 100 during the same week.

The initial idea to cover the song came when Cher heard the Byrds perform it during their pre-fame residency at Ciro's nightclub on the Sunset Strip in March 1965.{{cite book|author=Hjort, Christopher.|pages=28–29|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965-1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}} This caused a minor controversy when it was alleged by the Byrds and their management that Cher and her husband, Sonny Bono, had taped one of the Byrds' appearances at Ciro's without permission, in order to utilize some of the band's material for their own releases. However, Cher's version is, in fact, quite different from the Byrds' recording and lacks the Beatlesque bridge that remained unique to their version. In her version, Cher imitates Sonny on alternating lines of the song, to make it sound like a Sonny and Cher song. Ultimately, Cher's cover was the more successful in the U.S., reaching the Billboard top 20, while the Byrds' single faltered at number 40. The reverse was true in the UK, where the Byrds' single reached number 4.

{{Infobox song

| name = All I Really Want to Do

| cover = TheByrdsAllIReallyWantToDo.jpg

| alt =

| caption = Norwegian picture sleeve

| type = single

| artist = the Byrds

| album = Mr. Tambourine Man

| B-side = I'll Feel a Whole Lot Better

| released = {{Start date|1965|06|14}}

| recorded = March 8 and April 14, 1965

| studio = Columbia, Hollywood, California

| genre = Folk rock

| length = {{Duration|m=2|s=02}}

| label = Columbia

| writer = Bob Dylan

| producer = Terry Melcher

| prev_title = Mr. Tambourine Man

| prev_year = 1965

| next_title = Turn! Turn! Turn!

| next_year = 1965

}}

"All I Really Want to Do" is the second single by the American folk rock band the Byrds, and was released on June 14, 1965, by Columbia Records.{{cite book|author=Rogan, Johnny.|pages=543–545|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}} The song was also included on the band's debut album, Mr. Tambourine Man, which was released on June 21, 1965. The version of the song released as a single is a different vocal take to the version found on the Mr. Tambourine Man album, as evidenced by the slight lyrical variations in the song's first verse and the different running times the two versions have; the single is 2:02 minutes in length while the album version is slightly longer at 2:04.{{cite book|author=Rogan, Johnny.|year=1996|title=Mr. Tambourine Man (1996 CD liner notes)}} The single reached #40 on the Billboard Hot 100 and #4 on the Record Retailer chart.{{cite book|author=Whitburn, Joel.|page=130|year=2008|title=Top Pop Singles 1955-2006|publisher=Record Research Inc|isbn=978-0-89820-172-7}}{{cite book|author=Brown, Tony.|page=130|year=2000|title=The Complete Book of the British Charts|publisher=Omnibus Press|isbn=0-7119-7670-8}}

The single was rush-released by the band's record label, Columbia Records, when it transpired that Cher was about to issue a rival cover version of the song on the Imperial label (see above).{{cite book|author=Rogan, Johnny.|pages=81–83, 182|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}} However, the Byrds and their management were largely unconcerned about Cher's imminent release, feeling that there was sufficient room in the charts for both versions. In fact, the Byrds were reluctant to release another Dylan-penned single at all, feeling that it was somewhat formulaic.{{cite book|author=Hjort, Christopher.|page=39|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965-1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}} However, Columbia was insistent, believing that in the wake of the Byrds' debut single, "Mr. Tambourine Man", another Dylan cover equaled an instant hit. A chart battle ensued, largely instigated by the music press and Columbia (who were determined to bury Cher's release), but ultimately the single stalled at #40 on the U.S. charts, while Cher's cover reached #15. The reverse was true in the UK, however, where the Byrds' version became the fastest selling single in CBS Records' history, finally reaching #4 while Cher's recording peaked at #9.{{cite book|author=Rogan, Johnny.|page=104|year=1998|title=The Byrds: Timeless Flight Revisited|edition=2nd|publisher=Rogan House|isbn=0-9529540-1-X}}{{cite book|author=Hjort, Christopher.|page=57|year=2008|title=So You Want To Be A Rock 'n' Roll Star: The Byrds Day-By-Day (1965-1973)|publisher=Jawbone Press|isbn=978-1-906002-15-2}}

{{Quote box |quote =What really got me most was Dylan coming up to me and saying, "They beat you man," and he lost faith in me. He was shattered. His material had been bastardized. There we were, the defenders and protectors of his music, and we'd let Sonny & Cher get away with it.|source = — Roger McGuinn |align = left|width = 30% |quoted = 1 |salign = right}}

The Byrds' version of the song is noticeably different in structure to Dylan's. It begins with Jim McGuinn's jangling guitar introduction (played on a 12-string Rickenbacker guitar) and features a substantially changed, ascending melody progression in the chorus, made "more attractive" by the band's "angelic" harmonies. In addition, the band completely changed the melody to one of the song's verses, in order to turn it into a Beatlesque, minor-key bridge. Although McGuinn sang lead on most of the song, rhythm guitarist David Crosby sang lead on the middle eight.{{citation needed|date=January 2023}}

Reaction to the single in the press was generally positive, with Billboard magazine commenting "another hot pop, folk-flavoured Bob Dylan tune is offered by the dynamic group." Cash Box said that "the rousing, rhythmic Bob Dylan-penned romancer is given a funky soulful sendoff" and that it should become a hit similar to "Mr. Tambourine Man".{{cite magazine |title=CashBox Record Reviews |date=June 26, 1965 |page=10 |access-date=2022-01-12 |url=https://worldradiohistory.com/Archive-All-Music/Cash-Box/60s/1965/CB-1965-06-26.pdf |magazine=Cash Box}} Record World felt it was a "fitting and proper sequel to 'Mr. Tambourine Man.'"{{cite magazine|title=Singles Reviews|magazine=Record World|date=June 26, 1965|page=10|accessdate=2023-07-21|url=https://worldradiohistory.com/Archive-All-Music/Record-World/60s/65/RW-1965-06-26.pdf}} In the UK, Penny Valentine, writing in Disc, opined "I think this is a marvelous song, but, Byrds fan though I have always been, I prefer the Sonny & Cher {{sic}} recording." In the NME, Derek Johnson also praised the single, predicting it would be a UK number one, and commenting "The pattern is much the same as before, with those familiar high-register harmonies – clearly influenced by the West Coast surf sound...coupled with strident twangs throughout, rattling tambourines, and crashing cymbals."

In addition to appearing on the Byrds' debut album, the song is included on several Byrds compilation albums, including The Byrds' Greatest Hits; The Original Singles: 1965–1967, Volume 1; The Byrds; The Essential Byrds; The Byrds Play Dylan; and There Is a Season.{{cite web|title=All I Really Want to Do – Byrds' Version|url={{AllMusic|class=song|id=t2736408|pure_url=yes}}|publisher=AllMusic|access-date=2009-07-28}}

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• [http://www.bobdylan.com/us/songs/all-i-really-want-do Full lyrics from Official Site]

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