America 2003

{{Music ratings

| rev1 = AllMusic

| rev1Score = {{rating|3|5}}

| rev2 = The Encyclopedia of Popular Music

| rev2Score = {{rating|3|5}}{{cite book |editor-last=Larkin |editor-first=Colin |title=The Encyclopedia of Popular Music |publisher=Oxford University Press |year=2006 |pages=419 }}

| rev3 = The Penguin Guide to Jazz

| rev3Score = {{rating|4|4}}{{cite book |last1=Cook |first1=Richard |last2=Morton |first2=Brian |title=The Penguin Guide to Jazz |publisher=Penguin Books |year=2008 |pages=1126 }}

}}

In a review for AllMusic, François Couture wrote: "The pianist tends to bring out the softer, jazzier side of Parker, but this time the sax player is downright melodious at times... Parker's music often stretches out across the dynamic spectrum, but this album goes further, stretching through a wider range of expression... [the album] makes a very fine document of that particular tour."

The authors of The Penguin Guide to Jazz Recordings awarded the album a full four stars, calling it "one of Parker's most accessible and straightforwardly enjoyable" sets, as well as "an excellent place to start with his recent work."

Andrey Henkin of All About Jazz commented: "The music has a marvelous urgency to it that paradoxically takes its sweet time to develop... Unlike many other players of their generation who wallow in improvisation due to a dearth of creativity or have spurned it entirely, Parker, Schlippenbach and Lytton take it seriously and listeners will be struck with wonder at the results."{{cite web |url=https://www.allaboutjazz.com/evan-parker-america-2003-and-the-bishops-move-by-andrey-henkin |title=Evan Parker: America 2003 & The Bishop's Move |first=Andrey |last=Henkin |date=December 10, 2004 |website=All About Jazz |access-date=July 4, 2024}}

JazzWord's Ken Waxman remarked: "within the parameters of individual expression that the three have developed over the years, you can hear echoes of honking R&B saxmen from Parker and boogie-woogie bluescians from Schlippenbach... Jazz, boogie woogie, atonality, free music, whatever... In this configuration Parker, Schlippenbach and Lytton build an unanticipated novel sound from the sum of their techniques, backgrounds and future ideas."{{cite web |url=https://www.jazzword.com/reviews/evan-parker-paul-lytton-alex-von-schlippenbach |title=Evan Parker / Paul Lytton / Alex Von Schlippenbach |first=Ken |last=Waxman |date=January 31, 2005 |website=JazzWord |access-date=July 4, 2024}}

Writing for One Final Note, Russell Summers praised Lytton's contribution, noting that the album "shows Lytton's inventiveness within a fresh setting." He wrote: "Lytton propels the music with an almost swing feel, which complements Schlippenbach's Monk influence throughout... Lytton underpins Parker's formidable tenor with flurries of skins, wood, and cymbals. The live recordings... show the strength of this great trio."{{cite web |url=https://www.onefinalnote.com/features/2004/lytton |title=Paul Lytton: Reliability, Sensitivity, Creativity |first=Russell |last=Summers |date=December 2004

|website=One Final Note |access-date=July 4, 2024}}

In an article for Paris Transatlantic, Nate Dorward wrote: "Both performances start calmly enough, but within minutes they've reached whirlwind speed... what gives the music its excitement is the sense that it's always a step away from another insanely accelerated spin-cycle. It's scary enough how fast and dense it gets; even scarier, it's delivered so lucidly you can actually follow it even at warp speed."{{cite web |url=https://www.paristransatlantic.com/magazine/monthly2005/01jan_text.html |title=News |first=Nate |last=Dorward |date=January 2005 |website=Paris Transatlantic |access-date=July 4, 2024}}

Bill Meyer of the Chicago Reader stated that each member of the trio has "attained singular mastery of his instrument, and between them they've stripped the jazz vernacular out of their musical language." He commented: "America 2003... "flows inexorably from one possibility to the next, including jagged juxtapositions of density and space and a bit of serialist boogie-woogie."{{cite web |url=https://chicagoreader.com/music/first-generation-pioneers-of-european-free-improvisation-return-to-chicago |title=First-generation pioneers of European free improvisation return to Chicago |first=Bill |last=Meyer |date=March 14, 2019 |website=Chicago Reader |access-date=July 4, 2024}}

;Disc 1

1. "Rejoicing in Their Hearts Over the Journey" – 21:48
2. "Ask to be Taken On as a Trumpeter" – 5:43
3. "This Blowing of Trumpets Confused Them" – 9:48
4. "What Memories of the Past Were Recalled!" – 8:19
5. "Perhaps This Was His Chance" – 8:25
6. "To Avoid Monotony" – 6:07

;Disc 2

1. "No One Wanted to be an Artist but Every Man Wanted to be Paid for His Labours" – 15:00
2. "The Breath of Coldness" – 10:19
3. "Are You Strong Enough for Heavy Work?" – 10:07
4. "I Had a Friend Among the Angels" – 12:52
5. "Down With All Those Who Do Not Believe In Us" – 11:32

• Evan Parker – saxophone
• Alexander von Schlippenbach – piano
• Paul Lytton – percussion

{{Reflist}}

{{Evan Parker}}

Category:2004 live albums

Category:Evan Parker live albums

Category:Alexander von Schlippenbach live albums

Category:Paul Lytton live albums

Category:Psi Records live albums