Anna Visscher

Anna Roemers Visscher (c. 2 February 1583 – 6 December 1651){{Cite web|url=https://rkd.nl/nl/explore/artists/227341|title=Ontdek dichter, schilder, glasschilder Anna Roemersdr. Visscher|website=rkd.nl|language=nl|access-date=2020-03-15}} was a Dutch artist, poet, and translator.

File:Anna Visscher.jpg

File:Roemer met een gedicht op Constantijn Huygens, anoniem, Anna Roemers Visscher, 1619 - Rijksmuseum - BK-1983-15.jpg

File:Engraved berkemeyer - Vincens tu - Anna Roemers Visscher - Rijksmuseum - BK-NM-8186.jpg tumbler engraved by Visscher in 1646}}]]

Biography

Anna Roemers Visscher was the eldest daughter of Amsterdam merchant and poet Roemer Visscher and the sister of Maria Tesselschade Visscher. Her family's economic and social status in Amsterdam enabled Visscher to be schooled in languages, calligraphy, embroidery, drawing, painting, glass engraving and other arts.

Visscher married Dominicus Booth van Wesel in 1624. In 1646, they moved with their two sons Roemer and Johan to Leiden.{{cite book |title=The Age of Rembrandt|last=Fleischer |first=Roland E. |author2=Susan Scott Munshower |author3=Susan C. Scott |year=1988 |publisher=Penn State Press |isbn=978-0-915773-02-2 |pages=55 }}

Visscher lived during the Renaissance when women poets were often praised for who they were more than for their literary work. She was amongst the group of artists, writers and musicians who formed the Muiderkring or Muiden Circle. She was highly admired by the artistic elite such as P. C. Hooft, Jacob Cats, Joost van den Vondel, Constantijn Huygens and others. They called her a muse, the second Sappho, a fourth grace and more, and often dedicated works to her.{{cite book |title=The Defiant Muse |last=Meijer |first=Maaike |author2=Ankie Peypers |author3=Yopie Prins |year=1998 |publisher=Feminist Press |url=https://archive.org/details/dutchflemishfemi0000unse/page/5 |isbn=978-1-55861-152-8 |pages=[https://archive.org/details/dutchflemishfemi0000unse/page/5 5] }} Jacob Cats, for example, dedicated Maagdeplicht (The Duties of a Maiden) to Visscher.{{cite book|title=The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age|last=Schama|first=Simon|publisher=University of California Press|location=Berkeley|year=1987|page=419}} The Flemish painter Peter Paul Rubens dedicated an engraving of his Susanna and the Elders, executed by Michel Lasne (ca. 1617–18) under Rubens's supervision, to Anna Visscher; the inscription praises her virtue.{{cite journal|journal=Jaarboek van het Koninklijk Museum voor Schone Kunsten|last=Op de Beeck|first=E.|title=Suzanna en de twee ouderlingen, Rubens gravures voor Anna Roemer Visscher|year=1973|pages=207–221}} A second engraving, executed by Lucas Vorsterman (1620) after another of Rubens's Susanna and the Elders, carries the same dedication from Rubens to Visscher.{{cite journal|journal=Nederlands Kunsthistorisch Jaarboek|last=Hottle|first=Andrew D.|title=Commerce and Connections: Peter Paul Rubens and the Dedicated Print|volume=55|year=2004|pages=54–85|doi=10.1163/22145966-90000105}}

Visscher is particularly regarded for her diamond-point glass engraving. Additionally, she had an apparent interest in emblem books, as she translated into Dutch thirteen epigrams from Georgette de Montenay's Emblèmes, ou devises chrestiennes of 1584 [https://web.archive.org/web/20060516085114/http://special.lib.gla.ac.uk/manuscripts/search/resultsn.cfm?NID=15755&RID= Manuscripts Catalogue]. She also contributed poetry to the 1618 emblem book, Silenus Alcibiadis, Sive Proteus [http://www.dbnl.org/tekst/laan005lett01/laan005lett01_2056.htm K. ter Laan, Letterkundig woordenboek voor Noord en Zuid · dbnl] by Jacob Cats. She was a contemporary and friend of Anna Maria van Schurman.

Visscher died in Alkmaar, at the home of her sister Maria.