Antonio Beato

Little is known of Antonio Beato's origins and early life. He was probably born in the Austrian Empire territory sometime after 1832, and later became a naturalised British citizen. His elder brother Felice Beato, at least, was born in Venice, but the family may have moved to Corfu, which had been a Venetian possession until 1814 when it was acquired by Britain. Antonio often used the French version of his given name, going by Antoine Beato. It is presumed that he did so because he mainly worked in Egypt, which had a large French-speaking population.

The existence of a number of photographs signed "Felice Antonio Beato" and "Felice A. Beato", led many scholars to assume that there was one photographer who somehow photographed at the same time in places as distant as Egypt and Japan. In 1983, it was shown that "Felice Antonio Beato" represented two brothers, Felice Beato and Antonio Beato, who regularly worked together, sharing a signature. The confusion arising from the signatures continues to cause problems in identifying which of the two photographers was the creator of any given image.Zannier, I., "Beato." In The Dictionary of Art, (34 vols), New York: Grove, 1996, {{ISBN|1-884446-00-0}}, Vol. 3, pp 446–447

Virtually nothing is known about his training in photography. He may have become interested in photography through his brother, Felice, who is believed to have met the British photographer James Robertson in Malta in 1850, and purchased photographic equipment in Paris in around 1851, and later that year accompanied Robertson to Constantinople in 1851.Clark, J.,Fraser, J. and Osman. C., "A Revised Chronology of Felice (Felix) Beato (1825/34?–1908?)," In Clark, J., Japanese Exchanges in Art, 1850s to 1930s with Britain, Continental Europe, and the USA, Sydney, Power Publications, 2001, p. 90; Broecker, William L. (ed.), International Center of Photography Encyclopedia of Photography, New York, Pound Press; Crown, 1984. {{ISBN|0-517-55271-X}} Antonio joined his brother and Robertson in Malta in around 1853. A partnership, known as "Robertson & Beato" was formed in late 1853 or early 1854 in Pera, Constantinople. However, it is not entirely clear whether it was Antonio or Felice who was involved in the partnership. Some scholars believe that it was in fact, Antonio.Pare, R. and Fenton, R., "The Artist's Eye," In Baldwin, Daniel, and Greenough, All the Mighty World: The Photographs of Roger Fenton, 1852–1860, New Haven: Yale University Press, 2004, pp. 221–230, {{ISBN|1-58839-128-0}}; Clark, J.,Fraser, J. and Osman. C., "A Revised Chronology of Felice (Felix) Beato (1825/34?–1908?)," In Clark, J., Japanese Exchanges in Art, 1850s to 1930s with Britain, Continental Europe, and the USA, Sydney, Power Publications, 2001, pp. 90–91.

By the 1850s, tourist travel to Middle East created strong demand for photographs as souvenirs. Beato, and his brother were part of a group of early photographers who made their way to the East to capitalise on this demand. These pioneering photographers included Frenchmen, Félix Bonfils (1831-1885); Gustave Le Gray (1820-1884) and Hippolyte Arnoux, brothers Henri and Emile Bechard and the Greek Zangaki brothers, many of whom were in Egypt at the same time and entered into both formal and informal working partnerships.Jacobson, K., Odalisques and Arabesques: Orientalist Photography, 1839-1925, London, Bernard Quaritch, 2007, p. 277. These early photographers, including Antonio and his brother, were among the first commercial photographers to produce images on a large scale in the Middle East.

In late 1854 or early 1855, the Beato brothers' sister, Leonilda Maria Matilda Beato, married her brothers' business partner, James Robertson. The couple had three daughters, Catherine Grace (b. 1856), Edith Marcon Vergence (b. 1859) and Helen Beatruc (b. 1861). A number of the firm's photographs produced in the 1850s are signed Robertson, Beato and Co. and it is believed that "and Co." refers to Antonio.Hannavy, J., Encyclopedia of Nineteenth-Century Photography, Routledge, 2013, p. 1200-1201: Clark, J., Fraser, J and Osman, C., "A Revised chronology of Felice (Felix) Beato (1825/34?–1908?)," In Clark, Japanese Exchanges in Art, 1850s to 1930s with Britain, Continental Europe, and the USA, Sydney, Power Publications, 2001, pp. 89–91

Image:Japanese-Mission-Samurai-Sphinx-Egypt-1864.png in front of the Sphinx, Egypt, 1864. Albumen print.]]

In July 1858 Antonio joined Felice in Calcutta. Felice had been in India since the beginning of the year photographing the aftermath of the Indian Rebellion of 1857. Antonio also photographed in India until December 1859 when he left Calcutta, probably for health reasons, and headed for Malta by way of Suez.

Antonio Beato went to Cairo towards the end 1859 or early 1860 and spent two years there before moving to Luxor where he opened a photographic studio in 1862 (until his death in 1906) and began producing tourist images of the people and architectural sites of the area.Altman, E. and Evans, F. H., Scholars, Scoundrels, and the Sphinx: A Photographic and Archaeological Adventure up the Nile, Knoxville, Tenn., McClung Museum, 2000, p. 8 In the late 1860s, Antonio was in partnership with the French photographer, Hippolyte Arnoux.Jacobson, K., Odalisques and Arabesques: Orientalist Photography, 1839-1925, London, Bernard Quaritch, 2007, p. 277. Beato's images of Egypt were distinctly different from those of other photographers working in the region. Whereas most photographers focussed on the grandeur of monuments and architecture, Beato concentrated on scenes of everyday life.Hannavy, J. (ed), Encyclopedia of Nineteenth-Century Photography, Routledge, 2013, pp. 127–128

In 1864, at a time when his brother Felice was living and photographing in Japan, Antonio photographed members of Ikeda Nagaoki's Japanese mission who were visiting Egypt on their way to France.Bennett, T., History of Photography in China, 1842–1860, London, Bernard Quaritch, 2009, p. 141 and 241.

Antonio Beato died in Luxor in 1906. His widow published a notice of his death while offering a house and equipment for sale.

A Freemason, he was member of a masonic Lodge in Beirut and later joined the Bulwer Lodge' Nr. 1068 in Cairo and was co-petitioner for the foundation of the Grecia Lodge Nr. 1105 in the Egyptian capital.

Photographs by Antonio Beato are held in the following permanent collections:

• American Academy in Rome, Rome{{Cite web|title=Beato Collection, 1860-1863 {{!}} American Academy in Rome|url=http://dhc.aarome.org/beato|access-date=20 February 2022|website=dhc.aarome.org}}
• Art Institute of Chicago, Chicago{{Cite web|title=Antonio Beato|url=https://www.artic.edu/artists/107722/antonio-beato|access-date=20 February 2022|website=The Art Institute of Chicago|language=en}}
• Brooklyn Museum, New York{{Cite web|title=Brooklyn Museum|url=https://www.brooklynmuseum.org/opencollection/objects/114523|access-date=20 February 2022|website=www.brooklynmuseum.org}}
• Conway Library, The Courtauld Institute of Art, London{{Cite web|date=30 June 2020|title=Who made the Conway Library?|url=https://sites.courtauld.ac.uk/digitalmedia/2020/06/30/who-made-the-conway-library/|access-date=20 February 2022|website=Digital Media|language=en-GB}}
• J. Paul Getty Museum, Los Angeles{{Cite web|title=Antonio Beato (English, born Italy, about 1835 - 1906) (Getty Museum)|url=https://www.getty.edu/art/collection/artists/1708/antonio-beato-english-born-italy-about-1835-1906/|access-date=20 February 2022|website=The J. Paul Getty in Los Angeles|language=en}}
• Harvard Art Museums, Mass.{{Cite web|last=Harvard|title=Harvard Art Museums|url=https://harvardartmuseums.org/collections/person/34417|access-date=20 February 2022|website=harvardartmuseums.org|language=en}}
• The Metropolitan Museum of Art, New York{{Cite web|title=Antonio Beato|url=https://www.metmuseum.org/art/collection/search?q=Antonio+Beato&sortBy=Relevance&pageSize=0|access-date=20 February 2022|website=www.metmuseum.org}}
• Museo Egizio, Turin.{{Cite web |title=Archivio Fotografico Museo Egizio - Antonio Beato |url=https://archiviofotografico.museoegizio.it/en/search?q=antonio%20beato |access-date=2025-03-11 |website=archiviofotografico.museoegizio.it |language=en-GB}}
• National Gallery of Canada, Ottawa{{Cite web |title=Antonio Beato |url=https://www.gallery.ca/collection/artist/antonio-beato |website=National Gallery of Canada}}
• The Royal Collection, London{{Cite web|title=Antonio Beato (c. 1825-c. 1903) - Memnonium or Ramesseum|url=https://www.rct.uk/collection/2581475/memnonium-or-ramesseum|access-date=20 February 2022|website=www.rct.uk|language=en}}
• Victoria and Albert Museum, London{{Cite web|last=Museum|first=Victoria and Albert|title=The Colossus of Memnon {{!}} Beato, Antonio {{!}} Beato, Antonio {{!}} V&A Explore The Collections|url=https://collections.vam.ac.uk/item/O171691/|access-date=20 February 2022|website=Victoria and Albert Museum: Explore the Collections|language=en}}

• History of photography
• List of Orientalist artists
• Orientalism

{{Reflist}}

• Antonio e Felice Beato (Venice: Ikona Photo Gallery, 1983).
• Bennett, Terry. Early Japanese Images (Rutland, Vermont: Charles E. Tuttle Company, 1996), 126, 143, pl. 118.
• Borcoman, James. Magicians of Light (Ottawa: The National Gallery of Canada, 1993), 82, 267.
• Clark, John. Japanese Exchanges in Art, 1850s to 1930s with Britain, continental Europe, and the USA: Papers and Research Materials (Sydney: Power Publications, 2001), 89–92, 115.
• [http://digitalgallery.nypl.org/nypldigital/dgkeysearchresult.cfm?word=Beato%2C%20Antonio&s=3¬word=&f=4&cols=4 The New York Public Library, s.v. "Beato, Antonio"]. Accessed 27 September 2006.
• [http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=111015&imageID=81490&word=antonio%20beato&s=1¬word=&d=&c=&f=&lWord=&lField=&sScope=&sLevel=&sLabel=&total=43&num=0&imgs=12&pNum=&pos=10 The New York Public Library, "Louxor : Temple de Amenhophis, corte est"]. Accessed 27 September 2006.
• Osman, Colin. "Antonio Beato: Photographs of the Nile" History of Photography, vol. 14, no. 2 (April–June 1990), 101–110.
• Oztuncay, Bahattin. James Robertson: Pioneer Photography in the Ottoman Empire (Istanbul: Eran, 1992), 13, 25–26, 32.
• Perez, Nissan N. Focus East: Early Photography in the Near East, 1839–1885 (New York: Harry N. Abrams, Inc. 1988), 131, 127.
• Rosenblum, Naomi. A World History of Photography (New York: Abbeville Press, 1984), 121–122.
• [http://www.getty.edu/vow/ULANFullDisplay?find=beato%2C+antonio&role=&nation=&prev_page=1&subjectid=500033257 Union List of Artists Names, s.v. "Beato, Antonio"]. Accessed 3 April 2006.
• Zannier, Italo. Verso oriente: Fotografie di Antonio e Felice Beato (Florence: Alinari, 1986).

{{Commons category|Antonio Beato}}

• [https://exchange.umma.umich.edu/quick_search/query?utf8=true&q=artist:%22Antonio%20Beato%22 Work by Antonio Beato] at the University of Michigan Museum of Art
• [http://www.getty.edu/art/collection/artists/1708/antonio-beato-english-born-italy-about-1835-1906/ Work by Antonio Beato] at the Getty Museum
• [https://www.metmuseum.org/art/collection/search#!?q=Antonio%20Beato&perPage=20&sortBy=Relevance&offset=0&pageSize=0 Work by Antonio Beato] at the Metropolitan Museum of Art
• [https://www.clevelandart.org/art/collection/search?filter-artist=Antonio%20Beato Work by Antonio Beato] at the Cleveland Museum of Art
• [https://www.harvardartmuseums.org/collections/person/34417?person=34417 Work by Antonio Beato] at the Harvard Art Museums

{{Authority control}}

{{DEFAULTSORT:Beato, Antonio}}

Category:1830s births

Category:1906 deaths

Category:19th-century Italian photographers

Category:Architectural photographers

Category:British Freemasons

Category:20th-century Italian photographers

Category:20th-century British male artists

Category:20th-century Italian male artists

Category:Orientalist painters

Category:British portrait photographers

Category:Expatriate photographers in Egypt

Category:Photography in Greece

Category:Photography in India

Category:Pioneers of photography

Category:19th-century British photographers

Category:19th-century British male artists

Category:19th-century Italian male artists

Category:Photographers in Palestine (region)

Category:20th-century British photographers