Ariella Azoulay

Azoulay has degrees from Université Paris VIII, Ecole des Hautes Etudes en Sciences Sociales and Tel Aviv University.

Azoulay is of Algerian descent and identifies as "an Arab Jew and a Palestinian Jew of African origins".{{Cite web|last=Alli|first=Sabrina|date=March 12, 2020|title=Ariella Aïsha Azoulay: "It is not possible to decolonize the museum without decolonizing the world."|url=https://www.guernicamag.com/miscellaneous-files-ariella-aisha-azoulay/|access-date=2021-02-19|website=Guernica|language=en-US}}

In 1999 she began teaching at Bar-Ilan University. In 2010 Azoulay was denied tenure at Bar-Ilan, a move regarded by some colleagues and commentators as politically motivated.Or Kashti, [http://www.haaretz.com/print-edition/news/bar-ilan-lecturer-reportedly-denied-tenure-due-to-views-1.315374 Bar-Ilan lecturer reportedly denied tenure due to views], Ha'aretz, September 24, 2010; Neve Gordan, [http://palestinechronicle.com/view_article_details.php?id=16311 Untenurable: The Firing of Ariella Azoulay] {{webarchive |url=https://web.archive.org/web/20101022065549/http://palestinechronicle.com/view_article_details.php?id=16311 |date=October 22, 2010 }}, Palestine Chronicle, October 5, 2010; Or Kashti, [http://www.haaretz.com/print-edition/news/top-israeli-professors-charge-bar-ilan-university-with-political-persecution-1.346793 Top Israeli professors charge Bar-Ilan University with political persecution], Ha'aretz, March 3, 2011 In 2010 she was the Gladstein Visiting professor at the Human Rights Center of the University of Connecticut. In 2011 she was Leverhulme Research Professor at Durham University, and she is currently assistant professor of Comparative Literature and Modern Culture and Media at Brown University's Watson Institute for International Studies.{{cite web|title=Ariella Azoulay|url=https://news.brown.edu/new-faculty/2012-13/ariella-azoulay|publisher=Brown University|accessdate=August 5, 2013|archive-url=https://web.archive.org/web/20130823045649/http://news.brown.edu/new-faculty/2012-13/ariella-azoulay|archive-date=August 23, 2013|url-status=dead}}

Her partner, with whom she has also co-authored written work, is the philosopher Adi Ophir.

Throughout her career, Azoulay developed concepts and approaches around the reversal of imperial violence. The theoretical framework she proposed have far-reaching implications in a number of knowledge fields, such as political theory, archival science, visual and photography studies.

In her book Potential History: Unlearning Imperialism (Verso, 2019), Azoulay studies historical objects (from photographs to documents) belonging to archives and museum collections. In her opinion, the museums must be de-imperialized, as well as the discipline of history itself. She suggests a methodology and an ethics for engaging with historical and archival materials that allows the historical present discussion to come forward; refusing to relegate these materials to a foreclosed past.{{Cite book |last=Azoulay |first=Ariella |url=https://www.worldcat.org/oclc/1124512424 |title=Potential history : unlearning imperialism |date=2019 |isbn=978-1-78873-570-4 |location=London |oclc=1124512424}} In her words:

{{Blockquote|text="Our approach to the archive cannot be guided by the imperial desire to unearth unknown ‘hidden’ moments (...) It should rather be driven by the conviction that other political species were and continue to be real options in our present."|author=Ariella Aïsha Azoulay|title=Potential History, 2019}}

Azoulay invites both the scholar and the public to see the imminent potential in such objects for fostering nonimperial forms of identification and meaning. In her perspective, the archive is not only a repository of documents but a regime of procedures interwoven with imperialist dogmas. Therefore, the Potential History is an ongoing process of revising these dogmas, through ontology and epistemology. In other words, this kind of history writing should question both the nature of things and the way one understand them. This discussion relates to decolonial theories.

Furthermore, Azoulay notes how the decolonization of museums is not possible without the decolonization of the world itself.{{Cite web |last=Alli |first=Sabrina |date=March 12, 2020 |title=Ariella Aïsha Azoulay: "It is not possible to decolonize the museum without decolonizing the world." |url=https://www.guernicamag.com/miscellaneous-files-ariella-aisha-azoulay/ |access-date=2022-06-27 |website=Guernica |language=en-US}}

Azoulay's concept of the 'civil contract of photography' addresses the relationship between the photographer and the photographed. Exploring ideas of ownership, plurality and power the text considers photography's roles in relation to politics and government, challenging the assumed truth of photography.

The following is available in English translation:

• Death's Showcase: the power of image in contemporary democracy, 2001
• The Civil Contract of Photography, Zone Books, 2008
• From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947–1950, Pluto Press, 2011
• Civil Imagination: A Political Ontology of Photography, 2011
• (With Adi Ophir) This Regime Which Is Not One: Occupation and Democracy between the Sea and The River (1967 – ), Stanford University Press, 2011
• (With Adi Ophir) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press
• Different ways not to say deportation, Fillip Editions/Artspeak, 2013
• Potential History: Unlearning Imperialism, Verso Books, November 2019
• The Jewelers of the Ummah: A Potential History of the Jewish Muslim World, Verso Books, September 2024

• The Food Chain (2010)
• The Angel of History
• Civil Alliance (2012)
• Un-Documented: Unlearning Imperial Plunder (2019)

• Everything Could Be Seen (Al Fahem Gallery, Umm Al Fahem, 2004)
• Untaken Photographs (Ljubljana Museum of Modern Art, Galeria Moderna, Zochrot, 2010).
• Potential History (Center For Digital Art, Holon, 2012)
• The Body Politic I (Reina Sofia, Madrid, 2014)
• Horizontal Photography, of Aim Deüelle Lüski (MOBY Museum, 2014)
• Errata (Tapiès Foundation, 2019; HKW, Berlin, 2020)
• Enough! The Natural Violence of New World Order (F/Stop photography festival, Leipzig, 2016)
• Act of State 1967–2007, (Exhibition Tour, 2007–present){{Note|Minshar Art Gallery, Tel Aviv (2007); internazionale, Ferrara (2008); Constitution Hill, Johannesburg (2009); Centre de la Photographie, Geneva (2010); La Vareina, Barcelona; Mediations Biennale, Poznan; and Foam, Amsterdam (2010); Centre Pompidou, Paris (2016); Arquivo Municipal de Lisboa Fotografico, Lisboa (2020).}}
• The Natural History of Rape (Berlin Biennale, KW Institute for Contemporary Art, 2022){{Cite web |title=Ariella Aïsha Azoulay |url=https://12.berlinbiennale.de/artists/ariella-aisha-azoulay/ |access-date=2022-08-14 |website=12th Berlin Biennale for Contemporary Art |language=en-US}}

• 2024 –  The Center for Photography at Woodstock (CPW) Vision Awards for the best photobook of the year Collaboration – Potential History of Photography (co-authored with Wendy Ewald, Susan Meiselas, Leigh Raiford & Laura Wexler), Thames & Hudson.{{Cite web |title=You are being redirected... |url=https://cpw.org/gala-2024/ |access-date=2024-04-03 |website=cpw.org}}
• 2023 – Royal Photographic Society Award.{{Cite web |title=RPS Awards 2023 recipients |url=https://rps.org/about/awards/the-rps-awards-2023/rps-awards-2023-recipients/ |access-date=2024-04-03 |website=rps.org |language=en-GB}}
• 2023 – Infinity Award by the International Center of Photography (ICP) for excellence in critical writing, theory and research on photography.{{Cite web |last=MediaStorm |title=ICP Infinity Awards |url=https://infinityawards.mediastorm.com/ |access-date=2024-04-03 |website=infinityawards.mediastorm.com |language=en}}
• 2022 – Berlin Prize, American Academy of Berlin.{{Cite web |last=Jay |first=R. |date=2021-05-12 |title=The 2021-22 Berlin Prize Fellows |url=https://www.americanacademy.de/announcing-the-2021-22-berlin-prize-fellows/ |access-date=2024-04-03 |website=American Academy |language=en-US}}
• 2010 – Award for innovative curatorial approaches and theoretical research in contemporary visual arts from Igor Zabel Competition (for the exhibition Untaken Photographs, Museum of Modern Art, Ljubljana){{Cite web |title=The Igor Zabel Competition: Untaken Photographs {{!}} moderna galerija ljubljana |url=http://old.mg-lj.si/node/507 |access-date=2024-04-03 |website=old.mg-lj.si}}
• 2002 – Infinity Award by the International Center of Photography (ICP) for the best book written on photography for the year 2001 (Death’s Showcase, MIT Press).{{Cite web |date=2016-05-16 |title=Past Recipients |url=https://www.icp.org/infinity-awards/past-recipients |access-date=2024-04-03 |website=International Center of Photography |language=en}}

{{reflist}}

• Ariella Aïsha Azoulay [http://cargocollective.com/AriellaAzoulay personal website].

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Category:1962 births

Category:Living people

Category:Photography critics

Category:Jewish philosophers

Category:Women art critics

Category:School for Advanced Studies in the Social Sciences alumni

Category:University of Paris alumni

Category:Tel Aviv University alumni

Category:Brown University faculty

Category:Academics of Durham University

Category:Palestinian Jews

Category:Arab Jews