Austin Powers: International Man of Mystery

In 1967, Austin Powers is a flamboyant British spy, renowned for his charm, style, and embodiment of the era's free-spirited, hedonistic ethos. Unable to defeat Austin in this time, his nemesis Dr. Evil cryogenically freezes himself, intending to return when free love has waned, and greed and corruption dominate once more. Austin volunteers for cryostasis to counter Dr. Evil's eventual return.

In 1997, Dr. Evil is revived and discovers that many of the evil schemes he planned to commit, like damaging the ozone layer and fabricating a sexual scandal involving Prince Charles, had already occurred without his involvement. Meanwhile, his henchman, Number Two, has transformed Virtucon, the legitimate front of Evil's empire, into a multibillion-dollar corporation. Uninterested in business, Dr. Evil conspires to hold the world ransom with nuclear weapons for $1 million—only to learn this is now an insignificant sum—and increases his demand to $100 billion. He also meets his teenage son, Scott, conceived with his preserved sperm. Scott, angry at his father's absence, rejects Dr. Evil's attempts to bond.

The British Ministry of Defence revives Austin and assigns agent Vanessa Kensington, daughter of his former partner Mrs. Kensington, to help him adjust to the 1990s. Unlike her mother, who shared an unspoken love with Austin, the no-nonsense Vanessa is unimpressed by his outdated attitude toward casual sex and relationships. However, his charm and romantic side eventually win her over.

Undercover as a married couple, Austin and Vanessa travel to Las Vegas to track Number Two and his secretary, Alotta Fagina. Austin infiltrates Alotta's penthouse and discovers Project Vulcan, Dr. Evil's plan to detonate a nuclear warhead at the Earth's core, triggering global volcanic eruptions. Alotta seduces Austin to learn his identity. Realizing Austin is closing in, Dr. Evil deploys fembots—irresistibly beautiful androids with machine guns concealed in their breasts.

When Vanessa learns of Austin's encounter with Alotta, she scolds him for pursuing a relationship with her while being unfaithful, and warns that he will end up alone if he does not adapt to modern values. A reflective Austin contemplates his isolation, caused by the historic events he has missed, his friends who have died or outgrown him, and society's disdain for his archaic behavior.

Austin and Vanessa infiltrate Dr. Evil's lair at Virtucon headquarters but are captured by his henchman, Random Task. Despite the United Nations agreeing to Dr. Evil's demands, he continues with his plan. Austin and Vanessa escape and reconcile. While Vanessa summons reinforcements, Austin encounters the fembots and destroys them by overloading their systems with a striptease.

British forces storm the lair as Austin disables Project Vulcan. He confronts Dr. Evil, who mocks Austin's outdated hippie ideals. Austin retorts that the core value of the 1960s was freedom—a principle that remains timeless. Activating the lair's self-destruct mechanism, Dr. Evil escapes in a rocket. Austin and Vanessa evacuate before the lair explodes.

Three months later, Austin and Vanessa are married. During their honeymoon, Random Task attacks, but the couple subdue him and retire to their balcony. Among the stars, Austin spots the cryogenic chamber containing Dr. Evil, who vows revenge.

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| alt1 = A photograph of Keanu Reeves

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• Mike Myers as Austin Powers and Dr. Evil
• Elizabeth Hurley as Vanessa Kensington
• Michael York as Basil Exposition
• Mimi Rogers as Mrs. Kensington
• Robert Wagner as Number Two
• Seth Green as Scott Evil
• Fabiana Udenio as Alotta Fagina
• Mindy Sterling as Frau Farbissina
• Joe Son as Random Task
• Paul Dillon as Paddy O'Brien
• Charles Napier as Commander Gilmour

Austin Powers: International Man of Mystery also features Will Ferrell as Mustafa, Clint Howard as Johnson Ritter, Elya Baskin as General Borschevsky, and Neil Mullarkey as quartermaster clerk. Other cast includes Larry Thomas as casino dealer and Brian George as UN secretary. Cheryl Bartel, Cindy Margolis, Donna W. Scott, Barbara Ann Moore, and Cynthia Lamontagne appear as the Fembots.

The film has several cameo appearances, including Burt Bacharach as himself, Tom Arnold as Texan, Carrie Fisher as therapist, Mike Hagerty as hotel manager, and Michael McDonald as henchman Steve. The UK release includes additional scenes featuring Lois Chiles as Steve's wife, Christian Slater as hypnotized guard, Rob Lowe as John's friend (Bill), and Kelly Preston as Hooters waitress.

Mike Myers created the character of Austin Powers for the faux 1960s rock band Ming Tea that Myers started with Matthew Sweet and Susanna Hoffs following his Saturday Night Live stint in the early 1990s.{{cite web |author= |year=1997–2012 |title=Mike Myers |url=http://www.digitalhit.com/cr/mikemyers/ |access-date=29 July 2012 |work=Digital Hit |publisher=Digital Hit Entertainment/ Multiplex Theatre Properties Inc.}}{{cite book|title=Biography Today Performing Artists|page=101|author=Cherie D. Abbey|author2=Omnigraphics|author3=Kevin Hillstrom|publisher=Omnigraphics|year=2004|isbn=078080709X}} Myers said that the movie and the character were inspired by the British films, music and comedy of the 1960s and 70s his father had introduced him to as a child. "After my dad died in 1991, I was taking stock of his influence on me as a person and his influence on me with comedy in general. So Austin Powers was a tribute to my father, who [introduced me to] James Bond, Peter Sellers, the Beatles, The Goodies, Peter Cook and Dudley Moore." Myers also said hearing the Burt Bacharach song "The Look of Love" (itself from the Peter Sellers Bond parody film Casino Royale) on the radio led to him reminiscing about the 1960s, which helped inspire the movie.{{cite news |last=McEvoy |first=Colin |title=What It Was Like to Work with Burt Bacharach, in the Words of his Collaborators |work=Biography |date=February 9, 2023 |url=https://www.biography.com/musicians/a42815918/burt-bacharach-famous-collaborators |accessdate=February 11, 2023}} Dana Carvey, Myers' collaborator on Saturday Night Live and on the Wayne's World movies, felt that the character of Dr. Evil was copied from Carvey's impression of long-time SNL executive producer Lorne Michaels and was unhappy about it.{{cite news |author=Brandon Kirby |title=Mike Myers, Dana Carvey Set Aside 'Wayne's World' Feud at Academy Screening |url=http://www.hollywoodreporter.com/news/waynes-world-feud-mike-myers-445044 |quote=Carvey is said to have been upset that Myers' Dr. Evil character in Austin Powers bore a striking resemblance to Carvey's impression of SNL creator Lorne Michaels.|newspaper=The Hollywood Reporter |date=April 24, 2013 |access-date=2015-07-08 }}{{cite news |title=How Mike Myers and Dana Carvey Resolved Their 'Wayne's World'-'Austin Powers' Feud |url=http://www.hollywoodreporter.com/news/waynes-world-how-mike-myers-436879 |quote=Carvey felt Myers later stole his Dr. Evil impression for Austin Powers, which supposedly was based on Carvey's goof on Lorne Michaels. |newspaper=The Hollywood Reporter|date=April 11, 2013 |access-date=2015-07-08 }} Myers has denied that Michaels was the inspiration for Dr. Evil, but has said "[t]he Lorne of it is just a little tiny overlay."{{cite news | last=Fox | first=Jesse David | title=More than 35 years into a career filled with iconic characters and commercial success, Mike Myers’s singular comedy endures. | date=December 4, 2024 | url=https://www.vulture.com/article/mike-myers-interview-comedy-legacy-waynes-world-austin-powers-shrek.html | work=vulture.com }}

{{Original research section|date=March 2015}}

The film parodies many characters, lines, set pieces, and plot points of the James Bond films. Primarily these elements are drawn from the early 1960s Bond movies, but there are references to later films in the series as well. These allusions include:

• Dr. No (1962): the shower sequence during the unfreeze sequence; Austin's and Vanessa's change of clothing and dinner with Dr. Evil; Dr. Evil's outfit and general surroundings during the climax; Vanessa's bikini identical to Honey Rider's.
• From Russia with Love (1963): modelling the Irish assassin on both Red Grant and the leprechaun character from the Lucky Charms commercials; Frau Farbissina partly modelled on Rosa Klebb.
• Goldfinger (1964): Random Task's name, role and costume modelled on Oddjob; the dialogue "do you expect them to pay? - No, I expect them to die" based on "Do you expect me to talk? - No, I expect you to die"; Random Task/Odd Job chopping off the head of a statue; the final fight between Austin and Random Task against a wall modelled on fight between Bond and Odd Job against a wall inside Fort Knox; Powers stating to Random Task "Who throws a shoe, honestly?" (in Goldfinger, Oddjob kills by throwing his hat); the character Alotta Fagina modelled after the name of Auric Goldfinger's companion and partner in crime, Pussy Galore.
• Thunderball (1965): Dr. Evil's headquarters, where he kills people around the table; the plot about stealing nuclear arms and holding the world to ransom; conversation about a swimming pool with sharks; Austin playing Black Jack with No 2.; No. 2 modelled on Emilio Largo; both Austin and Bond fighting with a bad-guy in drag—though the audience does not know that it is the bad-guy in drag until the fighting begins.
• Casino Royale (1967): the song "The Look Of Love"; the rotating bed; psychedelic set during Dr. Evil's initial 1967 escape; No. 2 cheating at cards by having special glasses modelled on a similar sequence with Orson Welles. As this film was also a Bond spoof, it and Austin Powers have similar comedic beats.
• You Only Live Twice (1967): the lines "this organization does not tolerate failure" and "in Japan men come first"; the scenes with the Jaguar and the video communication with Basil Exposition at the very beginning modelled on similar sequences with Bond, Aki and Tiger Tanaka; external shots of the Virtucon enterprise modelled on external shots of the Osato enterprise; interior of Alotta's apartment; bath tub sequence in Alotta's apartment; Austin's poetry similar to Tiger Tanaka's reading of poetry (actually written by Bond in the novel); Mr. Bigglesworth (Dr. Evil's cat) being a parody of Bond villain Ernst Stavro Blofeld's white Persian, although it becomes hairless due to the cryostasis; interior of Dr. Evil's lair modelling interior of Blofeld's volcano lair; face and suit of Dr. Evil modelled on Blofeld.
• On Her Majesty's Secret Service (1969): the look and behaviour of Austin Powers modelled on Lazenby's Bond; Frau Farbissina modelled on Irma Bunt; the Fembots are based on Blofeld's angels of death.
• Diamonds Are Forever (1971): Nevada and Las Vegas locations; Austin climbing through the window into Alotta Fagina's apartment modelled on how Bond enters Blofeld's apartment; double entendres by Austin and Vanessa modelled after those made by the two homosexual hitmen (i.e. "moving", "heartwarming" in the original film); No. 2 using a model of the US to explain the enterprise; Dr. Evil's global attack being counted down in similar style; final attack on Austin at the hotel modeled on similar final sequence on the Queen Elizabeth. During the final battle the man calmly announcing "two minutes and counting," etc., despite the mayhem going on around him, does so with the same accent and intonation as the countdown announcer on Blofeld's oil rig who likewise continues counting down despite a similar battle being under way.
• Live and Let Die (1973): Dr. Evil's shark tank is an allusion to Kananga's shark tank. The villain with the pincer hand at Dr. Evil's boardroom table.
• Moonraker (1979) Lois Chiles who played Dr. Goodhead in Moonraker also has a cameo role in a deleted scene as the wife of the security guard who is killed by Austin by the steamroller in the Virtucon compound.
• For Your Eyes Only (1981) When Austin is captured by the fembots, the scene of him viewed from one of their two legs is reminiscent of For Your Eyes Only's poster.
• Octopussy (1983): Mustafa modelled on Gobinda.
• A View to a Kill (1985): Vanessa knocking out Random Task by hitting him on the head with a bottle of champagne is a reference to Stacey Sutton knocking out one of Max Zorin's henchman by hitting him on the head with an urn containing her grandfather's ashes.{{cite web|author=Name Space:Main |url=http://tvtropes.org/pmwiki/discussion.php?id=i6y0295ni3amp75yp29oh9jd |title=Chekhov's Ashes |publisher=TV Tropes |date= |accessdate=2017-05-01}}{{cite web|url=http://expectyoutodie.blogspot.com/2008/09/view-to-kill.html|title=I Expect You To Die!: A View To A Kill|author=snell|work=expectyoutodie.blogspot.com|date=September 18, 2008 }}{{cite web|url=http://www.epinions.com/review/a_view_to_a_kill_vhs_1989/content_213813137028|title=The bubbles tickle my . . . Tchaikovsky!|work=epinions.com}} The bed onboard Austin's jet is an homage to Bond's onboard his personal submarine craft. The tub scene with Allota Fagina is similar to the scene Bond has with Pola Ivanova.
• The Living Daylights (1987): Patty O'Brien partly modelled on Necros.

Additionally, Mike Myers has stated that Austin's thick chest hair is based on Sean Connery's.

The film also references the film In Like Flint by utilizing the same chime sound effect when Austin is contacted on his car video phone, and the TV series Danger Man (a.k.a. Secret Agent) as its American theme song, "Secret Agent Man" plays during the final battle.

Myers sought Jim Carrey to play Dr. Evil, as his initial plan was not to play multiple characters in the series. Carrey was interested in the part, but had to turn the role down due to scheduling conflicts with Liar Liar.{{cite web |last=Evans |first=Bradford |date=17 March 2011 |title=The Lost Roles of Jim Carrey |url=http://splitsider.com/2011/03/the-lost-roles-of-jim-carrey/ |url-status=dead |archive-url=https://web.archive.org/web/20150808040454/http://splitsider.com/2011/03/the-lost-roles-of-jim-carrey/ |archive-date=8 August 2015 |access-date=10 August 2015 |publisher=Splitsider}}

Since the 1960s had a big influence on his childhood, Myers cast Robert Wagner and Michael York, two household names from the late 1960s, in key supporting roles. The popularity of the film revived both Wagner's and York's careers. Myers has referred to Wagner as "the coolest guy I know" and York as "the classiest guy I know." Rhea Perlman was in talks to play Frau Farbissina, but had scheduling conflicts. She later expressed regret about turning the movie down.{{citation needed|date=February 2021}} Colin Quinn turned down the role of Scott Evil and expressed regret for declining the part.{{cite web |last=Rabin |first=Nathan |date=June 18, 2003 |title=Colin Quinn |url=https://www.avclub.com/article/colin-quinn-13816 |work=The Onion A.V. Club}}

Myers estimated that 30–40% of the film was improvised.{{cite news |date=May 18, 1997 |title=This Sort Of Thing Is His Bag, Baby |url=http://www.newsweek.com/sort-thing-his-bag-baby-172878 |work=Newsweek}} Filming locations included Millennium Biltmore Hotel, Riviera Hotel & Casino, and Stardust Resort & Casino on the Las Vegas Strip.{{cite web |last=Cling |first=Carol |date=1997-04-28 |title=Two movies using Nevada as backdrop set to open Friday |url=http://www.lvrj.com/lvrj_home/1997/Apr-28-Mon-1997/lifestyles/5276851.html |archive-url=https://web.archive.org/web/20010908064232/http://www.lvrj.com/lvrj_home/1997/Apr-28-Mon-1997/lifestyles/5276851.html |archive-date=2001-09-08 |work=Las Vegas Review-Journal}}

Austin Powers: International Man of Mystery opened on May 2, 1997, to $9.5 million in North American theaters,{{cite news |last=Puig |first=Claudia |date=1997-05-06 |title=Weekend Box Office; Box Office Continues Its Breakout |work=Los Angeles Times |url=https://www.latimes.com/archives/la-xpm-1997-05-06-ca-56058-story.html |access-date=2010-11-05}} coming in second that weekend to the thriller film Breakdown, a Paramount release which opened with $12.3 million.{{cite news |date=1997-05-05 |title=Breakdown, 'Austin Powers' Top 'Volcano' at Box Office |newspaper=Los Angeles Times |url=https://www.latimes.com/archives/la-xpm-1997-05-05-ca-55599-story.html |access-date=2010-12-25}}{{Cite magazine |last=Mendelson |first=Scott |date=November 4, 2013 |title=The First 'Austin Powers' Was Not A Flop, And Why It Matters |url=https://www.forbes.com/sites/scottmendelson/2013/11/04/the-first-austin-powers-was-not-a-flop-and-why-it-matters/ |access-date=May 30, 2022 |magazine=Forbes}} In its second weekend, Austin Powers fell to $7 million. Its overall take after it left theaters was $53.8 million domestically and $13.8 million overseas for a worldwide total of $67.8 million, four times the amount of its production budget.

The low grosses in the UK have been partly attributed to the death of Princess Diana, which occurred in August 1997 just prior to the film's UK September release date. The film grew a steady following due to strong word of mouth and its release on VHS and DVD.

Austin Powers: International Man of Mystery received positive reviews. The film has acquired a 73% approval rating on Rotten Tomatoes, based on 71 reviews, with an average rating on 6.5/10. The site's critical consensus reads, "A light and goofy comedy which provides laughs, largely due to performances and screenwriting by Myers."{{cite web |title=Austin Powers: International Man of Mystery (1997) |url=http://www.rottentomatoes.com/m/austin_powers_international_man_of_mystery/ |access-date=December 2, 2022 |website=Rotten Tomatoes}}

Roger Ebert of the Chicago Sun-Times gave the film three stars out of four, calling it "a funny movie that only gets funnier the more familiar you are with the James Bond movies, all the Bond clones and countless other 1960s films."{{cite web |title=Austin Powers: International Man of Mystery movie review and film summary |url=https://www.rogerebert.com/reviews/austin-powers-international-man-of-mystery-1997 |access-date=January 15, 2022 |website=RogerEbert.com}} Time Out New York critic Andrew Johnston observed: "The film's greatest asset is its gentle tone: rejecting the smug cynicism of Naked Gun-style parodies, it never loses the earnest naiveté of the psychedelic era."{{Cite journal |last=Johnston |first=Andrew |date=May 1–8, 1997 |title=Austin Powers: International Man of Mystery |journal=Time Out New York |pages=64}}

Malcolm Johnson of the Hartford Courant praised Myers' turn in multiple roles, writing: "Myers, flashing his cruddy grin as Austin and doing implacable slow burns as Evil, again proves himself a gifted comic with a knack for transformation. But he needs to find a director who will spin out his best ideas and toss out the worst ones. With [Jay] Roach at the helm, 'Austin Powers' is less than groovy."{{cite news |author=Johnson |first=Malcolm |date=May 2, 1997 |title=Talented Myers Out Of Control In 'Powers' |newspaper=Hartford Courant |url=https://www.courant.com/1997/05/02/talented-myers-out-of-control-in-powers/ |url-status=live |access-date=29 July 2012 |archive-url=https://web.archive.org/web/20120402135243/http://articles.courant.com/1997-05-02/features/9705020065_1_dr-evil-austin-powers-vanessa-kensington |archive-date=April 2, 2012}}

{{Infobox album

| name = Original Soundtrack: Austin Powers: International Man of Mystery

| type = soundtrack

| artist = Various artists

| cover =

| alt =

| released = April 15, 1997

| recorded = 1996–1997

| venue =

| studio =

| genre = Rock, pop, jazz

| length = 78:44

| label = Hollywood Records

| producer =

| prev_title =

| prev_year =

| next_title =

| next_year =

| misc = {{Extra chronology

| artist = Austin Powers series

| type = soundtrack

| prev_title =

| prev_year =

| title = Original Soundtrack: Austin Powers: International Man of Mystery

| year = 1997

| next_title = Austin Powers: The Spy Who Shagged Me: Music From the Motion Picture

| next_year = 1999

}}

}}

{{Music ratings

| rev1 = AllMusic

| rev1Score = {{Rating|3|5}}{{AllMusic|class=album|id=r259849|first=Stephen Thomas|last=Erlewine}}

| rev2 =

| rev2Score =

}}

; Track listing

1. "The Magic Piper (of Love)" by Edwyn Collins
2. "BBC" by Ming Tea
3. "Incense and Peppermints" by Strawberry Alarm Clock
4. "Carnival" by The Cardigans
5. "Mas Que Nada" by Sérgio Mendes & Brasil '66
6. "Female Of The Species" (Fembot Mix) by Space
7. "You Showed Me" by The Lightning Seeds
8. "Soul Bossa Nova" by Quincy Jones and His Orchestra
9. "These Days" by Luxury
10. "Austin's Theme" by The James Taylor Quartet
11. "I Touch Myself" by Divinyls
12. "Call Me" by The Mike Flowers Pops
13. "The Look Of Love" by Susanna Hoffs
14. "What The World Needs Now Is Love" by Burt Bacharach and The Posies
15. "The Book Lovers" by Broadcast
16. "Austin Powers" by Wondermints
17. "The 'Shag-adelic' Austin Powers Score Medley" by George S. Clinton
18. "Green Tambourine" by The Lemon Pipers
19. "Happy Together" by The Turtles

There are two notable omissions: "Secret Agent Man", which is played during the attack on Dr. Evil's compound, and "These Boots Are Made for Walkin'", which plays during the Fembot presentation.

Another CD featuring George S. Clinton's scores to the film and its sequel was later released in 2000.{{cite web|url=https://www.amazon.com/Austin-Powers-International-Mystery-Shagged/dp/B000050G8D/|title=Amazon.com: George S. Clinton: Austin Powers International Man of Mystery and The Spy Who Shagged Me: Music|work=amazon.com}}

{{Certification Table Top}}

{{Certification Table Entry|type=album|region=United Kingdom|artist=Original Soundtrack|title=Austin Powers|award=Silver|certyear=2013|relyear=2002|certmonth=8|access-date=22 September 2024|id=12537-1140-2}}

{{Certification Table Entry|type=album|region=United States|artist=Soundtrack|title=Austin Powers|award=Gold|certyear=2019|relyear=1997|access-date=22 September 2024}}

{{Certification Table Bottom|streaming=true|noshipments=true}}

First released on VHS on October 21, 1997. Austin Powers: International Man of Mystery was released to region 1 double-sided DVD on October 22, 1997, by New Line Home Video, with widescreen and full-screen versions on opposing sides of the disc. It was one of the first movies to be released in the DVD market. The widescreen transfer is unusual in that it is a modified version of the theatrical ratio: despite being filmed in 2.39:1 aspect ratio via Super 35, on DVD it is presented in a Univisium 2:1 ratio, "as specified by the director", according to the disc packaging. The film was featured in the correct theatrical aspect ratio for the first time when it was released on Blu-ray in the Austin Powers Collection.

All versions of the film released on home video (including VHS) have two alternate endings and a set of deleted scenes, which were then rare to include on VHS. The DVD and Blu-ray versions also feature a commentary. However, all US versions of the film are the 89-minute PG-13 cut, with edits to sexual humor/language.{{cite web|url=http://www.movie-censorship.com/report.php?ID=531109 |title=Movie Censorship Report|website=Movie-censorship.com|access-date=4 October 2017}} International versions are uncut and 94 minutes long (assuming the correct frame rate).

Daniel Craig, who portrayed James Bond on screen from 2006 to 2021, credited the Austin Powers franchise with the relatively serious tone of later Bond films. In a 2014 interview, Craig said, "We had to destroy the myth because Mike Myers fucked us", making it "impossible" to do the gags of earlier Bond films which Austin Powers satirized.{{cite web|url=https://www.mi6-hq.com/sections/articles/interview-daniel-craig-interview-foreshadows-bond-24 |title=Daniel Craig Foreshadows |publisher=mi6-hq.com |date=2014-12-02 |access-date=2018-08-26}}

{{See also|List of accolades received by the Austin Powers franchise}}

• Outline of James Bond
• List of films set in Las Vegas

{{Reflist}}

{{wikiquote}}

• {{IMDb title}}
• {{Mojo title}}
• {{Rotten Tomatoes}}

{{Austin Powers}}

{{Jay Roach}}

{{Saturn Award for Best Fantasy Film 1991–2010}}

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