Betty Broadbent
{{short description|American tattoo artist}}
{{Infobox artist
| name = Betty Broadbent
| image = Betty Broadbent, PIX Magazine, Sydney, 1938 (cropped).jpg
| image_size =
| caption = Betty Broadbent, the 'Tattooed Venus', Sydney, 1938, photographer Ray Olson, Pix Magazine
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| birth_name = Betty Broadbent
| birth_date = {{birth date|1909|11|01}}
| birth_place = Zellwood, Florida, U.S.
| death_date = {{death date and age|1983|03|28|1909|11|01}}
| death_place = Florida, U.S.
| resting_place =
| resting_place_coordinates =
| field = Tattoo art
| training =
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}}
Betty Broadbent (November 1, 1909 – March 28, 1983), also known as the “Tattooed Venus”, is regarded as the most photographed tattooed lady of the 20th century. She also worked as a tattoo artist. In 1981, she was the first person to be inducted into the Tattoo Hall of Fame.{{cite web |title=Betty Broadbent |url=http://www.tattooarchive.com/tattoo_history/broadbent_betty.html |website=Tattoo archive |archiveurl=https://web.archive.org/web/20111105150925/http://www.tattooarchive.com/tattoo_history/broadbent_betty.html |archivedate=5 November 2011}}
Early life
Broadbent was born Sue Lillian Brown in Zellwood, Florida. Her parents were from North Carolina and moved to Philadelphia when she was a child.The Tattoed Lady: A history Amelia Klem Osterud, Rowman & Littlefield, Rowman & Littlefield, 2014
== Career ==
Broadbent’s interest in tattooing began at the age of fourteen, when, while working as a nanny in Atlantic City, she met Jack Redcloud on the boardwalk.Alan Govenar, Tattooing in American Culture, 1846–1966, in Caplan, J. (2000). Written on the body: The tattoo in European and American history / edited by Jane Caplan. London: Reaktion. {{ISBN|1861890621}} Redcloud was covered in tattoos, which fascinated Broadbent. This fascination would lead Redcloud to introduce Broadbent to his tattoo artist, Charlie Wagner. In 1927, Wagner, alongside several other tattoo artists, including Tony Rhineagear, Joe Van Hart, and Red Gibbons (husband of fellow tattooed performer Artoria Gibbons), tattooed a bodysuit of over 565 tattoos on Broadbent.
Charlie Wagner was friends with the circus man Clyde Ingalls. When Ingalls discovered Broadbent’s passion for tattooing, he offered her a position at the circus. In the same year, Broadbent began exhibiting her art with the Ringling Brothers and Barnum and Bailey Circus. While working at the circus, Broadbent also trained as a steer rider who would perform with circus performer Tom Mix. Later in Broadbent’s career, she learned how to ride horses and mules.Betty Broadbent—Tattooed Beauty http://thehumanmarvels.com/?p=148
In addition to exhibiting her art, Broadbent worked as a tattoo artist. She worked in shops across the country, including in Montreal, San Francisco, and New York.
In 1937, she began to work internationally. She spent time working for independent circuses in both New Zealand and Australia.TATTOOED LADY HERE FOR SHOW (1938, February 22). The Daily Telegraph (Sydney, NSW : 1931–1954), p. 10. Retrieved July 17, 2019, from http://nla.gov.au/nla.news-article247398846 After her return home to the United States and until her retirement in 1967, she continued to perform and travel with a sideshow. While working in a sideshow in 1939, Broadbent challenged the traditional views of beauty for women during the 1930s by participating in a beauty pageant at the 1939 New York World's Fair.[https://s-media-cache-ak0.pinimg.com/564x/b9/c7/fe/b9c7fe90b6fa29bea1007e7076782ef5.jpg Betty Broadbent at 1939 World's Fair]
Broadbent died in her sleep while living in Florida on March 28, 1983.Braunberger, Christine. "Revolting Bodies: The Monster Beauty of Tattooed Women." Feminist Formations 12.2 (2000): 1–23.File:Tattooed lady Betty Broadbent, 4 April 1938 - Flickr - State Library of New South Wales collection (cropped).jpg
Artwork
Broadbent’s tattoos varied in theme. On Broadbent’s back, she had a tattoo of the Madonna and child. The art on her lower limbs included a tattoo of Charles Lindbergh on her right leg and a tattoo of Pancho Villa on her left. One of Broadbent’s more famous tattoos took over six sittings, a spread-eagle that stretched from one shoulder to the other. On May 3 of 1939, the New York Times quoted Broadbent stating, “It hurt something awful, but it was worth it.”
See also
References
{{Reflist}}
Further reading
- Caplan, J. (2000). Written on the body: The tattoo in European and American history / edited by Jane Caplan. London: Reaktion. {{ISBN|1861890621}}
- Albert Parry, Tattoo: secrets of a strange art as practised among the natives of the United States (Simon and Schuster, 1933).
- Michael McCabe, ed., New York City tattoo: the oral history of an urban art (Hardy Marks, 1997)
- Francine Hornberger, Carny folk: the world's weirdest sideshow acts (Citadel Press, 2005).
- Meger, Sarah A. "The Baltimore Tattoo Museum." Corcoran College of Art + Design, 2010. United States—District of Columbia: ProQuest Dissertations & Theses A&I.
- "Body Art: Marks of Identity." African Arts 34.1 (2001): 83–5.
- [http://tattooedladyhistory.typepad.com/myblog/2010/02/index.html Tattooed Lady History]
- Jane Caplan, ed., Written on the Body: The Tattoo in European and American History (2000).
- Tallent, Robert W. "Tattooing." Leatherneck (1952): 22–5.
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Category:People known for being heavily tattooed
Category:American circus performers