Border Incident
{{Short description|1949 film by Anthony Mann}}
{{other uses|Border incident (disambiguation)}}
{{Use American English|date=January 2025}}
{{Infobox film
| name = Border Incident
| image = Border Incident.JPG
| alt =
| caption = Theatrical release poster
| director = Anthony Mann
| producer = Nicholas Nayfack
| screenplay = John C. Higgins
| story = John C. Higgins
George Zuckerman
| starring = Ricardo Montalbán
George Murphy
Howard Da Silva
James Mitchell
| music = André Previn
| cinematography = John Alton
| editing = Conrad A. Nervig
| distributor = Metro-Goldwyn-Mayer
| released = {{Film date|1949|10|28|United States}}
| runtime = 94 minutes
| country = United States
| language = English
| budget = $749,000{{Citation | title = The Eddie Mannix Ledger | publisher = Margaret Herrick Library, Center for Motion Picture Study | place = Los Angeles}}.
}}
Border Incident is a 1949 American film noir featuring Ricardo Montalbán, George Murphy, and Howard Da Silva. Directed by Anthony Mann, the MGM production was written by John C. Higgins from a story by John C. Higgins and George Zuckerman. The film was shot by cinematographer John Alton, who used shadows and lighting effects to involve an audience despite the fact that the film was shot on a low budget.{{AFI film|id=25862|title=Border Incident}}.
Plot
{{No plot|date=April 2024}}
File:Border Incident (1949) - Trailer.webm
Two agents, one Mexican (PJF) and one American, are tasked to stop the smuggling of Mexican migrant workers across the border to California. The two agents go undercover, one as a poor migrant.
Cast
- Ricardo Montalbán as Pablo Rodriguez
- George Murphy as Jack Bearnes
- Howard Da Silva as Owen Parkson
- James Mitchell as Juan Garcia
- Arnold Moss as Zopilote
- Alfonso Bedoya as Cuchillo
- Teresa Celli as Maria Garcia
- Charles McGraw as Jeff Amboy
- José Torvay as Pocoloco
- John Ridgely as Mr. Neley
- Arthur Hunnicutt as Clayton Nordell
- Sig Ruman as Hugo Wolfgang Ulrich
- Jack Lambert as Chuck
- Otto Waldis as Fritz
Production
The film was among a number of lower budgeted movies produced at MGM under the regime of Dore Schary.{{Cite news|title=Metro is Planning Low-Budget Films: 'Border Incident,' To Be Made Next Year, First of Series – Cost Set at $550,000 |author=Thomas F. Brady Special to The New York Times|date=Dec 21, 1948|work=New York Times|page=33}}
According to Mann, "Metro said: ‘Make whatever picture you want.' John [Alton] and I had thought of doing Border Incident, because the guys there were also involved with the
Federal agents and T Men. Through the research we had made with T Men we found the fantastic story of the Border Incident boys. We made it on location, but it was really not Metro’s cup of tea. When it came out, they were flabbergasted. It wasn’t anything they thought a motion picture should be!"{{cite magazine|title=Interviews with Anthony Mann|magazine=Screen|volume=10|date=July–October 1969| first1=Christopher|first2=Barrie|last2=Pattinson|last1=Wicking|url=https://archive.org/details/Screen_Volume_10_Issue_4-5/page/n31/mode/2up|page=37}}
Reception
=Critical response=
Roger Westcombe compared the film to classic Westerns: "Yet far from a typical Western's sense of freedom, Border Incident shares with [director Mann's previous film noir] T-Men that film's inky, submerged visual quality. These are 'wide' but not 'open' spaces, as Alton's beautifully registered grey-toned but grim visuals make the distant horizons as closed as the American border. The constant presence of vulnerable, innocent peasants adds a piquancy to Border Incident, raising the stakes from the destiny of a mere two police agents to that of an entire underclass."[http://www.bighousefilm.com/reviews/border_incident.htm Westcombe, Roger] {{webarchive |url=https://web.archive.org/web/20050301105108/http://www.bighousefilm.com/reviews/border_incident.htm |date=March 1, 2005 }}. Big House Film, review. Last accessed: December 25, 2007.
References
=Notes=
{{reflist}}
=Bibliography=
- Harry Tomicek: Das grosse Schwarz. Border Incident, von Anthony Mann, Kamera: John Alton (1949). In: Christian Cargnelli, Michael Omasta .(eds.): Schatten. Exil. Europäische Emigranten im Film noir. PVS, Vienna 1997, {{ISBN|3-901196-26-9}}.
External links
- {{AFI film|25862}}
- {{IMDb title|0041198}}
- {{TCMDb title|69381}}
{{Anthony Mann}}
Category:American black-and-white films
Category:1940s English-language films
Category:Films scored by André Previn
Category:Films about illegal immigration to the United States
Category:Films directed by Anthony Mann