C-sharp major

{{Short description|Musical scale and key signature}}

{{No footnotes|date=April 2024}}

{{Infobox musical scale

| name=C-sharp major{ \magnifyStaff #3/2 \omit Score.TimeSignature \key cis \major s16 \clef F \key cis \major s^"" }

| relative=A-sharp minor

| parallel=C-sharp minor

| dominant=G-sharp major (theoretical)
enharmonic : A-flat major

| subdominant=F-sharp major

| enharmonic=D-flat major

| first_pitch=C{{music|sharp}}

| second_pitch=D{{music|sharp}}

| third_pitch=E{{music|sharp}}

| fourth_pitch=F{{music|sharp}}

| fifth_pitch=G{{music|sharp}}

| sixth_pitch=A{{music|sharp}}

| seventh_pitch=B{{music|sharp}}

}}

C-sharp major is a major scale based on C♯ (musical note), consisting of the pitches C{{music|sharp}}, D♯ (musical note), E♯ (musical note), F♯ (musical note), G♯ (musical note), A♯ (musical note), and C (musical note). Its key signature has seven sharps. Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major.

The C-sharp major scale is:

{{block indent|

\header { tagline = ##f }

scale = \relative b { \key cis \major \omit Score.TimeSignature

cis^"C♯ natural major scale" dis eis fis gis ais bis cis bis ais gis fis eis dis cis2 \clef F \key cis \major }

\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

}}

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C-sharp harmonic major and melodic major scales are:

{{block indent|

\header { tagline = ##f }

scale = \relative b { \key cis \major \omit Score.TimeSignature

cis^"C♯ harmonic major scale" dis eis fis gis a bis cis bis a gis fis eis dis cis2 \clef F \key cis \major }

\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

}}

{{block indent|

\header { tagline = ##f }

scale = \relative b { \key cis \major \omit Score.TimeSignature

cis^"C♯ melodic major scale (ascending and descending)" dis eis fis gis ais bis cis b a gis fis eis dis cis2 \clef F \key cis \major }

\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

}}

A harp tuned to C-sharp major has all its pedals in the bottom position. Because all the strings are then pinched and shortened, this is the least resonant key for the instrument.

Scale degree chords

Compositions

Most composers prefer to use the enharmonic equivalent D-flat major since it contains five flats as opposed to C-sharp major's seven sharps. However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor. Maurice Ravel selected C-sharp major as the tonic key of "Ondine" from his piano suite Gaspard de la nuit. Erich Wolfgang Korngold composed his Piano Concerto for the Left Hand, Op. 17, in C-sharp.

The Allegro de concierto by Spanish composer Enrique Granados is written in C-sharp major. Canadian composer and pianist Frank Mills originally wrote and performed his instrumental hit "Music Box Dancer" in C-sharp major; however, most modern piano editions have the piece written in C major.

Louis Vierne used C-sharp major for the "Dona nobis pacem" of the Agnus Dei of his Messe solennelle in C-sharp minor.

Further reading

  • {{cite journal|last=Lester|first=Joel|title=The Recognition of Major and Minor Keys in German Theory: 1680–1730|journal=Journal of Music Theory|publisher=Duke University Press|volume=22|number=1|date=Spring 1978|pages=65–103|doi=10.2307/843628|jstor=843628|ref=none}}