Children Playing with a Goat
{{Short description|Painting in the style of Jacob de Wit}}
{{Infobox artwork/wikidata|artist=}}
Children Playing with a Goat is an 18th-century grisaille painting in the style of Jacob de Wit, known as a "witje". It is an oil painting on canvas depicting a relief of children playing with a goat after a relief by Francois Duquesnoy. It is in the collection of the Metropolitan Museum of Art. {{Cite web|url=http://www.metmuseum.org/art/collection/search/437949|title=Children Playing with a Goat|publisher=Metropolitan Museum of Art}}
Description
Several paintings of this specific scene dating from the 17th century and 18th century have survived, and sometimes these were incorporated into other paintings. Though the paintings themselves have survived, the interpretation has not. In general, the popularity of putti in "witjes" as overdoors or room panels had to do with a trompe-l'œil effect when the viewer walks into a room. Stucco work as a decorative scheme was quite popular in the Netherlands from the late 17th century throughout the 18th century, but these imitation-stucco paintings were valued for their cleverness, their clarity even on a cloudy day without shadows, and of course the ease with which they could be moved and reinstalled, an aspect which has made them also difficult to trace. In fact, the genre itself existed well before De Wit was active and they were just called "grauwtjes" (little grays, or grisailles), and through De Wit's art they slowly became known as "witjes" (little whites). The shadows in the painting are supposed to be aligned with the light source, so in this case, the painting was probably an overdoor with a window on the left. The painter Jacob de Wit excelled at this "painting of putti in a bas-relief" style of grisaille, and though no original autograph version of this specific scene is known, the art historian Hessel Miedema discovered two "grauwtjes" by De Wit after reliefs by Duquesnoy in the estate sale of Lambert ten Kate.[https://books.google.com/books?id=HhQhAwAAQBAJ&pg=PA25 Kennerschap en de ideale schoonheid, Lambert ten Kate over de tekeningen in zijn verzameling], by Hessel Miedema, Amsterdam University Press, Amsterdam, 2012 According to Walter Liedtke, a comparison of this painting with autograph "witjes", however, shows that it is not as masterful as an actual Jacob de Wit.
File:Jacob de Wit 009.jpg|Witjes by De Wit seem to "pop out" of the canvas
File:Willet-holthuysen-jdewit.jpg|A De Wit overdoor with window on the right
File:Interieur, stucwerk in voorhal - Amsterdam - 20352083 - RCE.jpg|Actual stucco in Herengracht 436
The reason this painting is important for the art historical record has therefore more to do with its subject than with its painterly qualities. Indeed, the subject is featured in another painting owned by the Metropolitan Museum of Art, namely their self-portrait by Gerard Dou. This painting came into the collection via the John Pierpont Morgan bequest, and the Dou was bequeathed by Benjamin Altman. In Dou's case, he painted this scene several times in the lower "balcony" part of his popular "niche paintings" and the art historian Hofstede de Groot would just refer to it as "well-known relief by Duquesnoy of children playing with a he-goat".[https://commons.wikimedia.org/w/index.php?title=File:Hofstede_de_Groot_catalogue_raisonn%C3%A9,_Volume_1,_1908.djvu&page=462 283. Portrait of the Painter] " in Hofstede de Groot, 1908
Known versions by Dou:
File:Self-Portrait MET DP145902.jpg|Self-Portrait (Dou, New York)
File:Dou-Self-Portrait-Uffizi.jpg|Self-Portrait, Uffizi
File:Dou Violinist.jpg|The Violinist
File:Gerard Dou - Violon Player - WGA06663.jpg|The Violin Player
File:The Doctor 1653 Gerard Dou.jpg|The Doctor
File:Gerard Dou 004.jpg|A Poulterer's Shop
File:The Grocer’s Shop, by Gerrit Dou.jpg|The Grocer's Shop
The popularity of "witjes" as a decorative element, but also as a collector's item, caused De Wit to have many followers, including Piat Sauvage, who also created a copy of the same Children Playing with a Goat theme.[https://rkd.nl/explore/images/254299 Putti playing with a billy-goat] by Pieter Joseph Sauvage in the RKD Two of Sauvage's trompe-l'œil bas-reliefs are also in the J.P. Morgan bequest, though it is unknown whether Morgan knew about Sauvage's copy of the other painting in his collection:
File:Piat Sauvage - Children Playing with a Goat.jpg|Children Playing with a Goat[https://rkd.nl/explore/images/200179 Putti at play with a goat, 18de eeuw] in the RKD
File:Venus and Cupid MET ep07.225.265.R.jpg|Venus and Cupid
File:The Triumph of Bacchus MET 1985.jpg|The Triumph of Bacchus
Putti with a Goat theme
File:Stadsarchief Amsterdam, Afb ANWQ00302000001.jpg]]
The subject remained popular through the 19th century, when it was used by the sculptor P.E. van den Bossche for a sculpted frieze above the doors of a building on the Prinsengracht in Amsterdam.
References
{{reflist}}
- [https://books.google.com/books?id=jtnQ7PIT8mcC&pg=PA960 Cat. no. 221] in Dutch Paintings in the Metropolitan Museum of Art Volume I, by Walter Liedtke, Metropolitan Museum of Art, 2007
Category:18th-century paintings
Category:Paintings in the Metropolitan Museum of Art