David di Donatello for Best Producer

{{Infobox award

| name = David di Donatello Award for Best Producer

| awarded_for =

| country = Italy

| presenter = Accademia del Cinema Italiano

| year = 1956 (for producing in films released during the 1955/1956 film season)

| year2 =

| holder =

| website = {{url|daviddidonatello.it}}

}}

The David di Donatello Award for Best Producer (Italian: David di Donatello per il miglior produttore) is a film award presented annually by the Accademia del Cinema Italiano (ACI, Academy of Italian Cinema) to recognize outstanding production efforts by producers or production companies who have worked within the Italian film industry during the year preceding the ceremony.

The award was first given in 1956 and became competitive in 1981.{{cite book|last=Lancia|first=Enrico|title=I premi del cinema|trans-title=The awards of cinema|language=Italian|publisher=Gremese Editore|date=1998|location=Rome, Italy|isbn=8877422211|pages=251–252}}

Winners and nominees

Below, winners are listed first in the colored row, followed by other nominees.{{cite web|url=https://www.daviddidonatello.it/storia/cronologia.php|title=Chronology|website=daviddidonatello.it|publisher=Accademia del Cinema Italiano|language=it|access-date=15 September 2018}}

=1950s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=4 style="text-align:center" | 1955/56
(1st)

style="background:#DDBF5F" | Goffredo Lombardo

| style="background:#DDBF5F" | Scandal in Sorrento

| rowspan=4 style="text-align:center" |

style="background:#DDBF5F" | Angelo Rizzoli

| style="background:#DDBF5F" | The Grand Maneuver

style="background:#DDBF5F" | Nicolò Theodoli

| style="background:#DDBF5F" | Roman Tales

rowspan=3 style="text-align:center" | 1956/57
(2nd)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | Nights of Cabiria

| rowspan=3 style="text-align:center" |

style="background:#FAEB86"

| style="background:#DDBF5F" | Renato Gualino

| style="background:#DDBF5F" | L'impero del sole

rowspan=3 style="text-align:center" | 1957/58
(3rd)

style="background:#DDBF5F" | Leonardo Bonzi

| style="background:#DDBF5F" | La muraglia cinese

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Milko Skofic

| style="background:#DDBF5F" | Anna of Brooklyn

rowspan=3 style="text-align:center" | 1958/59
(4th)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | Tempest

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Titanus

| style="background:#DDBF5F" | The Naked Maja

=1960s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=3 style="text-align:center" | 1959/60
(5th)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | The Great War

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Zebra Film

| style="background:#DDBF5F" | General Della Rovere

rowspan=3 style="text-align:center" | 1960/61
(6th)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | Everybody Go Home

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Goffredo Lombardo

| style="background:#DDBF5F" | Rocco and His Brothers

rowspan=3 style="text-align:center" | 1961/62
(7th)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | A Difficult Life

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Angelo Rizzoli

| style="background:#DDBF5F" | Mondo Cane

rowspan=3 style="text-align:center" | 1962/63
(8th)

style="background:#DDBF5F" | Gaumont Film Company, Trianon Films, and Ultra Film

| style="background:#DDBF5F" | Le glaive et la balance

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Goffredo Lombardo

| style="background:#DDBF5F" | The Leopard

rowspan=3 style="text-align:center" | 1963/64
(9th)

style="background:#DDBF5F" | Franco Cristaldi

| style="background:#DDBF5F" | Seduced and Abandoned

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Carlo Ponti

| style="background:#DDBF5F" | Yesterday, Today and Tomorrow

rowspan=2 style="text-align:center" | 1964/65
(10th)

style="background:#DDBF5F" | Carlo Ponti

| style="background:#DDBF5F" | Marriage Italian-Style

| rowspan=2 style="text-align:center" |

rowspan=4 style="text-align:center" | 1965/66
(11th)

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | The Bible: In the Beginning...

| rowspan=4 style="text-align:center" |

style="background:#DDBF5F" | Robert Haggiag and Pietro Germi

| style="background:#DDBF5F" | The Birds, the Bees and the Italians

style="background:#DDBF5F" | Rizzoli Film

| style="background:#DDBF5F" | Africa Addio

rowspan=3 style="text-align:center" | 1966/67
(12th)

style="background:#DDBF5F" | Mario Cecchi Gori

| style="background:#DDBF5F" | The Tiger and the Pussycat

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | FAI - Films Artistici Internazionali

| style="background:#DDBF5F" | The Taming of the Shrew

rowspan=3 style="text-align:center" | 1967/68
(13th)

style="background:#DDBF5F" | Luigi Carpentieri and Ermanno Donati

| style="background:#DDBF5F" | The Day of the Owl

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Dino De Laurentiis

| style="background:#DDBF5F" | Bandits in Milan

rowspan=3 style="text-align:center" | 1968/69
(14th)

style="background:#DDBF5F" | Bino Cicogna

| style="background:#DDBF5F" | Once Upon a Time in the West

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Gianni Hecht Lucari

| style="background:#DDBF5F" | The Girl with the Pistol

=1970s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=2 style="text-align:center" | 1969/70
(15th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1970/71
(16th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1971/72
(17th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1972/73
(18th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1973/74
(19th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1974/75
(20th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1975/76
(21st)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1976/77
(22nd)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1977/78
(23rd)

style="background:#DDBF5F" | Franco Committeri

| style="background:#DDBF5F" | In the Name of the Pope King

| rowspan=2 style="text-align:center" |

rowspan=2 style="text-align:center" | 1978/79
(24th)

style="background:#eee;" colspan="2" |

| rowspan=2 style="text-align:center" |

=1980s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=3 style="text-align:center" | 1979/80
(25th)

style="background:#DDBF5F" | Mario Cecchi Gori

| style="background:#DDBF5F" | Velvet Hands

| rowspan=3 style="text-align:center" |

style="background:#DDBF5F" | Joseph Losey

| style="background:#DDBF5F" | Don Giovanni

rowspan=4 style="text-align:center" | 1980/81
(26th)

style="background:#DDBF5F" | Franco Committeri

| style="background:#DDBF5F" | Passion of Love

| rowspan=4 style="text-align:center" |

Fulvio Lucisano and Mauro Berardi

| I'm Starting from Three

style="background:#eee;"

| Gianni Minervini and Antonio Avati

| Help Me Dream

rowspan=4 style="text-align:center" | 1981/82
(27th)

style="background:#DDBF5F" | Antonio Avati and Gianni Minervini

| style="background:#DDBF5F" | Off Season

| rowspan=4 style="text-align:center" |

Silvio Clementelli and Anna Maria Clementelli

| Sweet Pea

style="background:#eee;"

| Giovanni De Feo, Gaumont Film Company, and Opera Film Produzione

| Il Marchese del Grillo

rowspan=4 style="text-align:center" | 1982/83
(28th)

style="background:#DDBF5F" | Giuliani G. De Negri

| style="background:#DDBF5F" | The Night of the Shooting Stars

| rowspan=4 style="text-align:center" |

Carlo Cucchi and Silvia D'Amico Bendicò

| State buoni se potete

style="background:#eee;"

| Renzo Rossellini

| That Night in Varennes

rowspan=4 style="text-align:center" | 1983/84
(29th)

style="background:#DDBF5F" | Gianni Minervini

| style="background:#DDBF5F" | Where's Picone?

| rowspan=4 style="text-align:center" |

Franco Cristaldi

| And the Ship Sails On

style="background:#eee;"

| Mohammed Lakhdar-Hamina and Giorgio Silvagni

| Le Bal

rowspan=4 style="text-align:center" | 1984/85
(30th)

style="background:#DDBF5F" | Giuliani G. De Negri

| style="background:#DDBF5F" | Kaos

| rowspan=4 style="text-align:center" |

style="background:#DDBF5F" | Fulvio Lucisano

| style="background:#DDBF5F" | A Proper Scandal

Gaumont Film Company

| Carmen

rowspan=4 style="text-align:center" | 1985/86
(31st)

style="background:#DDBF5F" | Giovanni Di Clemente

| style="background:#DDBF5F" | Let's Hope It's a Girl

| rowspan=4 style="text-align:center" |

Alberto Grimaldi

| Ginger and Fred

style="background:#eee;"

| Achille Manzotti

| The Mass Is Ended

rowspan=4 style="text-align:center" | 1986/87
(32nd)

style="background:#DDBF5F" | Franco Cristaldi and Bernd Eichinger

| style="background:#DDBF5F" | The Name of the Rose

| rowspan=4 style="text-align:center" |

Antonio Avati

| Christmas Present

style="background:#eee;"

| Franco Committeri

| The Family

rowspan=4 style="text-align:center" | 1987/88
(33rd)

style="background:#DDBF5F" | Franco Giovalé, Joyce Herlihy, and Jeremy Thomas

| style="background:#DDBF5F" | The Last Emperor

| rowspan=4 style="text-align:center" |

Angelo Barbagallo and Nanni Moretti

| Italian Night

style="background:#eee;"

| Carlo Cucchi and Silvia D'Amico Bendicò

| Dark Eyes

rowspan=4 style="text-align:center" | 1988/89
(34th)

style="background:#DDBF5F" | Filiberto Bandini

| style="background:#DDBF5F" | Dear Gorbachev

| rowspan=4 style="text-align:center" |

Claudio Bonivento

| Forever Mery

style="background:#eee;"

| Franco Cristaldi

| Cinema Paradiso

=1990s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=7 style="text-align:center" | 1989/90
(35th)

style="background:#DDBF5F" | Mario Cecchi Gori, Vittorio Cecchi Gori and Gianni Minervini

| style="background:#DDBF5F" | On Tour

| rowspan=7 style="text-align:center" |

Angelo Barbagallo and Nanni Moretti

| Red Wood Pigeon

style="background:#eee;"

| Mario Cecchi Gori and Vittorio Cecchi Gori

| The Voice of the Moon

Giovanni Di Clemente

| Scugnizzi

style="background:#eee;"

| Mario Orfini

| The Bachelor

Angelo Rizzoli Jr.

| Open Doors

rowspan=6 style="text-align:center" | 1990/91
(36th)

style="background:#DDBF5F" rowspan=2 | Claudio Bonivento

| style="background:#DDBF5F" | Boys on the Outside

| rowspan=6 style="text-align:center" |

style="background:#DDBF5F" | Ultrà

Mario Cecchi Gori, Vittorio Cecchi Gori and Gianni Minervini

| Mediterraneo

style="background:#eee;"

| Nanni Moretti and Angelo Barbagallo

| The Yes Man

Domenico Procacci

| The Station

rowspan=4 style="text-align:center" | 1991/92
(37th)

style="background:#DDBF5F" | Angelo Rizzoli

| style="background:#DDBF5F" | The Stolen Children

| rowspan=4 style="text-align:center" |

Claudio Bonivento

| The Inner Circle

style="background:#eee;"

| Giovanni Di Clemente

| Parenti serpenti

rowspan=4 style="text-align:center" | 1992/93
(38th)

style="background:#DDBF5F" | Claudio Bonivento

| style="background:#DDBF5F" | The Escort

| rowspan=4 style="text-align:center" |

Guido De Laurentiis, Fulvio Lucisano and Leo Pescarolo

| The Great Pumpkin

style="background:#eee;"

| Elda Ferri

| Jonah Who Lived in the Whale

rowspan=4 style="text-align:center" | 1993/94
(39th)

style="background:#DDBF5F" | Aurelio De Laurentiis

| style="background:#DDBF5F" | For Love, Only for Love

| rowspan=4 style="text-align:center" |

Angelo Barbagallo and Nanni Moretti

| Caro diario

style="background:#eee;"

| Giovanni Di Clemente

| Giovanni Falcone

rowspan=5 style="text-align:center" | 1994/95
(40th)

style="background:#DDBF5F" | Pietro Valsecchi

| style="background:#DDBF5F" | Un eroe borghese

| rowspan=5 style="text-align:center" |

Angelo Curti, Andrea Occhipinti and Kermit Smith

| Nasty Love

style="background:#eee;"

| Elda Ferri

| Sostiene Pereira

Marco Poccioni and Marco Valsania

| No Skin

rowspan=4 style="text-align:center" | 1995/96
(41st)

style="background:#DDBF5F" | Pietro Innocenzi and Roberto Di Girolamo

| style="background:#DDBF5F" | Palermo - Milan One Way

| rowspan=4 style="text-align:center" |

Angelo Barbagallo and Nanni Moretti

| The Second Time

style="background:#eee;"

| Amedeo Pagani

| Ulysses' Gaze

rowspan=6 style="text-align:center" | 1996/97
(42nd)

style="background:#DDBF5F" | Leo Pescarolo and Guido De Laurentiis

| style="background:#DDBF5F" | The Truce

| rowspan=6 style="text-align:center" |

Vittorio Cecchi Gori, Rita Cecchi Gori and Maurizio Totti

| Nirvana

style="background:#eee;"

| Giovanni Di Clemente

| The Game Bag

Laurentina Guidotti and Francesco Ranieri Martinotti

| Growing Artichokes in Mimongo

style="background:#eee;"

| Pietro Valsecchi

| An Eyewitness Account

rowspan=4 style="text-align:center" | 1997/98
(43rd)

style="background:#DDBF5F" | Elda Ferri and Gianluigi Braschi

| style="background:#DDBF5F" | Life is Beautiful

| rowspan=4 style="text-align:center" |

Donatella Palermo and Loes Kamsteeg

| To Die for Tano

style="background:#eee;"

| Marco Risi and Maurizio Tedesco

| Kaputt Mundi

rowspan=4 style="text-align:center" | 1998/99
(44th)

style="background:#DDBF5F" | Lionello Cerri

| style="background:#DDBF5F" | Fuori dal mondo

| rowspan=4 style="text-align:center" |

Franco Committeri

| The Dinner

style="background:#eee;"

| Domenico Procacci

| Radiofreccia

=2000s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=4 style="text-align:center" | 1999/00
(45th)

style="background:#DDBF5F" | Amedeo Pagani

| style="background:#DDBF5F" | Olympic Garage

| rowspan=4 style="text-align:center" |

Vittorio Cecchi Gori

| Canone inverso

style="background:#eee;"

| Domenico Procacci

| But Forever in My Mind

rowspan=4 style="text-align:center" | 2000/01
(46th)

style="background:#DDBF5F" | Domenico Procacci

| style="background:#DDBF5F" | The Last Kiss

| rowspan=4 style="text-align:center" |

Angelo Barbagallo and Nanni Moretti

| The Son's Room

style="background:#eee;"

| Fabrizio Mosca

| One Hundred Steps

rowspan=4 style="text-align:center" | 2001/02
(47th)

style="background:#DDBF5F" | Luigi Musini, Roberto Cicuta and Ermanno Olmi

| style="background:#DDBF5F" | The Profession of Arms

| rowspan=4 style="text-align:center" |

Roberto Buttafarro, Mikado and Rai Cinema

| Santa Maradona

style="background:#eee;"

| Lionello Cerri, Luigi Musini, Rai Cinema, and Vega Film

| Burning in the Wind

rowspan=6 style="text-align:center" | 2002/03
(48th)

style="background:#DDBF5F" | Domenico Procacci

| style="background:#DDBF5F" | Respiro

| rowspan=6 style="text-align:center" |

Elda Ferri

| The Soul Keeper

style="background:#eee;"

| Domenico Procacci

| The Embalmer

Domenico Procacci

| Remember Me, My Love

style="background:#eee;"

| Gianni Romoli and Tilde Corsi

| Facing Windows

rowspan=6 style="text-align:center" | 2003/04
(49th)

style="background:#DDBF5F" | Angelo Barbagallo

| style="background:#DDBF5F" | The Best of Youth

| rowspan=6 style="text-align:center" |

Aurelio De Laurentiis

| What Will Happen to Us

style="background:#eee;"

| Luigi Musini and Roberto Cicutto

| Singing Behind Screens

Domenico Procacci

| First Love

style="background:#eee;"

| Riccardo Tozzi, Giovanni Stabilini, Marco Chimenz, and Medusa Film

| Don't Move

rowspan=6 style="text-align:center" | 2004/05
(50th)

style="background:#DDBF5F" | Rosario Rinaldo

| style="background:#DDBF5F" | A Children's Story

| rowspan=6 style="text-align:center" |

Aurelio De Laurentiis

| Manual of Love

style="background:#eee;"

| Davide Ferrario

| After Midnight

Elda Ferri

| Alla luce del sole

style="background:#eee;"

| Domenico Procacci, and Nicola Giuliano

| The Consequences of Love

rowspan=6 style="text-align:center" | 2005/06
(51st)

style="background:#DDBF5F" | Angelo Barbagallo, Nanni Moretti, and Sacher Film

| style="background:#DDBF5F" | The Caiman

| rowspan=6 style="text-align:center" |

Aurelio De Laurentiis

| My Best Enemy

style="background:#eee;"

| Fulvio Lucisano, Federica Lucisano, and Gianandrea Pecorelli

| Notte prima degli esami

Domenico Procacci, Nicola Giuliano, and Francesca Cima

| Mario's War

style="background:#eee;"

| Riccardo Tozzi, Giovanni Stabilini, and Marco Chimenz

| Romanzo Criminale

rowspan=6 style="text-align:center" | 2006/07
(52nd)

style="background:#DDBF5F" | Donatella Botti and Rai Cinema

| style="background:#DDBF5F" | Salty Air

| rowspan=6 style="text-align:center" |

Cattleya

| My Brother Is an Only Child

style="background:#eee;"

| Medusa Film

| The Unknown Woman

Fabrizio Mosca

| Nuovomondo

style="background:#eee;"

| Luigi Musini, Roberto Cicutto, and Rai Cinema

| One Hundred Nails

rowspan=6 style="text-align:center" | 2007/08
(53rd)

style="background:#DDBF5F" | Nicola Giuliano and Francesca Cima

| style="background:#DDBF5F" | The Girl by the Lake

| rowspan=6 style="text-align:center" |

Simone Bachini, Mario Chemello, and Giorgio Diritti

| The Wind Blows Round

style="background:#eee;"

| Lionello Cerri

| Days and Clouds

Andrea Occhipinti and Gianluca Arcopinto

| Sonetàula

style="background:#eee;"

| Domenico Procacci

| Quiet Chaos

rowspan=6 style="text-align:center" | 2008/09
(54th)

style="background:#DDBF5F" | Domenico Procacci

| style="background:#DDBF5F" | Gomorrah

| rowspan=6 style="text-align:center" |

Augusto Allegra, Isabella Cocuzza, Giuliana Gamba, and Arturo Paglia

| Cover Boy

style="background:#eee;"

| Matteo Garrone

| Pranzo di ferragosto

Andrea Occhipinti, Nicola Giuliano, Francesca Cima, and Maurizio Coppolecchia

| Il Divo

style="background:#eee;"

| Angelo Rizzoli

| We Can Do That

=2010s=

class="wikitable" style="width:100%"

bgcolor="#bebebe"

! width="8%" | Year

! width="45%" | Producer(s)

! width="45%" | Film

! width="2%" class="unstable"| {{Abbr|Ref.|Reference}}

rowspan=6 style="text-align:center" | 2009/10
(55th)

style="background:#DDBF5F" | Simone Bachini, Giorgio Diritti, and Rai Cinema

| style="background:#DDBF5F" | The Man Who Will Come

| rowspan=6 style="text-align:center" |

Angelo Barbagallo, Rai Cinema, and Gianluca Curti

| Fort Apache Napoli

style="background:#eee;"

| Mario Gianani

| Vincere

Medusa Film

| Baarìa

style="background:#eee;"

| Domenico Procacci

| Loose Cannons

rowspan=6 style="text-align:center" | 2010/11
(56th)

style="background:#DDBF5F" | Tilde Corsi, Gianni Romoli, and Claudio Bonivento

| style="background:#DDBF5F" | 20 Cigarettes

| rowspan=6 style="text-align:center" |

Angelo Barbagallo

| The Salt of Life

style="background:#eee;"

| Isabella Cocuzza, Arturo Paglia, Mark Lombardo, and Elisabetta Olmi

| Basilicata Coast to Coast

Carlo Degli Esposti, Conchita Airoldi and Giorgio Magliulo

| Noi credevamo

style="background:#eee;"

| Gregorio Paonessa, Marta Donzelli, Susanne Marian, Philippe Bober, Gabriella Manfrè, Elda Guidinetti, and Andres Pfaeffli

| The Solitude of Prime Numbers

rowspan=6 style="text-align:center" | 2011/12
(57th)

style="background:#DDBF5F" | Grazia Volpi

| style="background:#DDBF5F" | Caesar Must Die

| rowspan=6 style="text-align:center" |

Francesco Bonsembiante

| Shun Li and the Poet

style="background:#eee;"

| Nicola Giuliano, Andrea Occhipinti, Francesca Cima, and Medusa Film

| This Must Be the Place

Nanni Moretti and Domenico Procacci

| We Have a Pope

style="background:#eee;"

| Riccardo Tozzi, Giovanni Stabilini, and Marco Chimenz

| Piazza Fontana: The Italian Conspiracy

rowspan=6 style="text-align:center" | 2012/13
(58th)

style="background:#DDBF5F" | Domenico Procacci

| style="background:#DDBF5F" | Diaz - Don't Clean Up This Blood

| rowspan=6 style="text-align:center" |

Antonio Barbagallo

| Long Live Freedom

style="background:#eee;"

| Isabella Cocuzza and Arturo Paglia

| The Best Offer

Fabrizio Mosca

| Alì ha gli occhi azzurri

style="background:#eee;"

| Riccardo Tozzi, Giovanni Stabilini and Marco Chimenz

| Siberian Education

rowspan=7 style="text-align:center" | 2013/14
(59th)

style="background:#DDBF5F" | Nicola Giuliano and Francesca Cima

| style="background:#DDBF5F" | The Great Beauty

| rowspan=7 style="text-align:center" |

Massimo Cristalli and Fabrizio Mosca

| Salvo

style="background:#eee;"

| Fabrizio Donvito, Benedetto Habib, and Marco Cohen

| Human Capital

Mario Gianani and Lorenzo Mieli

| The Mafia Kills Only in Summer

style="background:#eee;"

| Domenico Procacci and Matteo Rovere

| I Can Quit Whenever I Want

Riccardo Scamarcio and Viola Prestieri

| Miele

rowspan=6 style="text-align:center" | 2014/15
(60th)

style="background:#DDBF5F" | Cinemaundici and Babe Films

| style="background:#DDBF5F" | Black Souls

| rowspan=6 style="text-align:center" |

Carlo Cresto-Dina

| The Wonders

style="background:#eee;"

| Nicola Giuliano, Francesca Cima, and Carlotta Calori

| The Invisible Boy

Nanni Moretti and Domenico Procacci

| Mia Madre

style="background:#eee;"

| Palomar and Rai Cinema

| Leopardi

rowspan=6 style="text-align:center" | 2015/16
(61st)

style="background:#DDBF5F" | Gabriele Mainetti

| style="background:#DDBF5F" | They Call Me Jeeg

| rowspan=6 style="text-align:center" |

21uno Film, Stemal Entertainment, Istituto Luce Cinecittà, Rai Cinema, and Les Films d'Ici

| Fire at Sea

style="background:#eee;"

| Archimede and Rai Cinema

| Tale of Tales

Paolo Bogna, Simone Isola and Valerio Mastandrea

| Don't Be Bad

style="background:#eee;"

| Nicola Giuliano, Francesca Cima and Carlotta Calori

| Youth

rowspan=7 style="text-align:center" | 2016
(62nd)

style="background:#DDBF5F" | Attilio De Razza and Pierpaolo Verga

| style="background:#DDBF5F" | Indivisible

| rowspan=7 style="text-align:center" |

Andrea Barbagallo

| The Confessions

style="background:#eee;"

| Marco Belardi

| Like Crazy

Cristiano Bortone, Bart Van Langendonck, Peter Bouckaert, Gong Ming Cai, and Natacha Devillers

| Coffee

style="background:#eee;"

| Domenico Procacci

| Italian Race

Rita Rognoni and IBC Movie

| Fiore

rowspan=7 style="text-align:center" | 2017
(63rd)

style="background:#DDBF5F" | Luciano Stella and Maria Carolina Terzi

| style="background:#DDBF5F" | Cinderella the Cat

| rowspan=7 style="text-align:center" |

Marta Donzelli, Gregorio Paonessa, Joseph Rouschop and Valérie Bournonville

| Nico, 1988

style="background:#eee;"

| Carlo Macchitella and Manetti Bros.

| Love and Bullets

rowspan=2 | Domenico Procacci and Matteo Rovere

| Smetto quando voglio - Masterclass

Smetto quando voglio - Ad honorem

style="background:#eee;"

| Stayblack Productions, Jon Copolon, Paolo Carpignano, and Rai Cinema

| A Ciambra

rowspan=6 style="text-align:center" | 2018
(64th)

style="background:#DDBF5F" | Cinemaundici and Lucky Red

| style="background:#DDBF5F" | On My Skin

| rowspan=6 style="text-align:center" |

Archimede, Rai Cinema, and Le Pacte

| Dogman

style="background:#eee;"

| Carlo Cresto-Dina and Rai Cinema

| Happy as Lazzaro

Howard Rosenman, Peter Spears, Luca Guadagnino, Emilie Georges, Rodrigo Teixeira, Marco Morabito, and James Ivory

| Call Me By Your Name

style="background:#eee;"

| Agostino Saccà, Maria Grazia Saccà, Giuseppe Saccà, and Rai Cinema

| Boys Cry

rowspan=6 style="text-align:center" | 2019
(65th)

style="background:#DDBF5F" | Groenlandia, Gapbusters, Rai Cinema, Roman Citizen

| style="background:#DDBF5F" | The First King: Birth of an Empire

| rowspan=6 style="text-align:center" |

Domenico Procacci, Anna Maria Morelli (TIMvision)

| Bangla

style="background:#eee;"

| IBC Movie, Kavac Film, Rai Cinema

| The Traitor

Pietro Marcello, Beppe Caschetto, Thomas Ordonneau, Michael Weber, Viola Fügen, Rai Cinema

| Martin Eden

style="background:#eee;"

| Archimede, Rai Cinema, Le Pacte

| Pinocchio

References

External links

{{IMDb event|0000203}}
[https://www.daviddidonatello.it Daviddidonatello.it] (official website)

Category:David di Donatello

David di Donatello for Best Producer

Winners and nominees

=1950s=

=1960s=

=1970s=

=1980s=

=1990s=

=2000s=

=2010s=

See also

References

External links