Dogs Eating Dogs

After Neighborhoods, the band felt the recording methods used were inadequate. Tom DeLonge, who originally advocated the method of using separate studios/e-mails to dictate the majority of the recording, admitted that it led to a loss of unity.{{cite journal| date =October 12, 2012| title =Tom DeLonge talks guitar tones, growing up and Blink| journal =Total Guitar| publisher =Future Publishing| location =Bath, United Kingdom| issn =1355-5049| url =http://www.musicradar.com/news/guitars/tom-delonge-talks-guitar-tones-growing-up-and-blink-565422/9| access-date =October 13, 2012| archive-date =October 22, 2013| archive-url =https://web.archive.org/web/20131022213207/http://www.musicradar.com/news/guitars/tom-delonge-talks-guitar-tones-growing-up-and-blink-565422/9| url-status =dead}} Travis Barker noted that, "there's some songs on there that I love, but for the most part it was disconnected. It was like, 'You do this part in your studio, and then you're gonna play on it and send it back to me.' When we're not in the studio together, you don't have the opportunity to gel off each other." In addition, Barker was still recovering from his plane crash in 2008; he stated he was a "bloody mess" at the time.{{cite magazine|url=https://www.rollingstone.com/music/news/blink-182-ep-a-hundred-times-better-than-neighborhoods-says-travis-barker-20121113|title=Blink-182 EP 'A Hundred Times Better' Than Neighborhoods, Says Travis Barker|author=Dan Hyman|date=November 13, 2012|magazine=Rolling Stone|access-date=November 19, 2012}} During the band's 20th Anniversary Tour in Europe, Barker was the first to approach DeLonge and Hoppus with the idea of immediately returning to the studio in the fall. "It was like three days after Halloween and Tom was like, 'Dude, we should do that!'" They entered the studio on November 5. They found a flexibility to do things their own way without label intervention and it inspired creativity and agility. Mark Hoppus described: "It was great, ideas falling everywhere. Lots of long hours spent on five new songs. [...] The band is in a great place creatively. Having everyone in the same room at the same time makes all the difference for us."{{cite news|url=http://www.mtv.com/news/articles/1697322/blink-182-mark-hoppus-new-ep.jhtml|archive-url=https://web.archive.org/web/20121116073958/http://www.mtv.com/news/articles/1697322/blink-182-mark-hoppus-new-ep.jhtml|url-status=dead|archive-date=November 16, 2012|title=Exclusive: Blink-182's Mark Hoppus Reveals Details Of Band's New EP|author=James Montgomery|date=November 13, 2012|publisher=MTV News|access-date=November 19, 2012}}

{{Listen

|filename = Blink 182 Boxing Day.ogg

|title = "Boxing Day"

|description = "Boxing Day" combines acoustic instrumentation and sleigh bells with electronic drums.

}}

The EP's opening track, "When I Was Young", revisits childhood from an adult viewpoint. Spin described the track as "cynical but sentimental", comparing the opening pipe organ to Arcade Fire.{{cite news|url=https://www.spin.com/2012/12/blink-182-when-i-was-young-hear/|title=Hear Blink-182 Look Back in Anger on 'When I Was Young'|first=Kyle|last=McGovern|date=December 17, 2012|work=Spin|publisher=Buzzmedia|access-date=December 18, 2012}} The title track is led by Hoppus and has been compared to Hoppus and Barker's previous side project, +44, and the band Alkaline Trio. Alternative Press referred to it as the "angriest, most aggressive song" on the EP. "Disaster" opens with "manipulated radio frequencies and anthemic marching drum hits" that recalls DeLonge's band Angels & Airwaves. "Boxing Day", originally titled "The Day After Christmas", began as an acoustic folk number before Barker added an electronic drum kit, creating what Hoppus described as a "real kind of indie, strange, cool vibe to it."{{cite magazine|url=http://www.altpress.com/features/entry/interview_mark_hoppus_on_blink_182s_new_ep_the_end_of_hoppus_on_music_and_f|title=Interview: Mark Hoppus on Blink-182's new EP, the end of Hoppus On Music and Future Idiots|author=Scott Heisel|date=December 11, 2012|magazine=Alternative Press|access-date=December 18, 2012}} A week prior to the EP's release, the song "Boxing Day" was streamed through Alternative Press.{{cite magazine |last=Whitt |first=Cassie |title=Song Stream: Blink-182, 'Boxing Day' |magazine=Alternative Press |date=December 10, 2012 |url=http://www.altpress.com/features/entry/song_stream_blink_182_boxing_day |access-date=December 10, 2012}} The fifth and final track, "Pretty Little Girl", was originally titled "I Got My Eye on You" and was written by DeLonge for his wife. It features a guest appearance from rapper Yelawolf. The track carries a new wave influence and synthesizers are most prominent in the mix.

Gregory Heaney of AllMusic said that the EP, like Neighborhoods, explores "a more expansive prog-punk sound", similar to Hoppus and Barker's aforementioned side project +44.{{cite web|url=http://www.allmusic.com/album/dogs-eating-dogs-mw0002463881|title=Dogs Eating Dogs – blink-182 – Songs, Reviews, Credits – AllMusic|accessdate=October 3, 2016|quote=Like their previous effort, the album finds the band exploring a more expansive prog-punk sound that feels reminiscent of Hoppus and Barker's side project, +44.|first=Gregory|last=Heaney}}

Dogs Eating Dogs debuted on the Billboard 200 at number 23 during the week of January 5, 2013, with first-week sales of 57,000 copies.{{cite magazine |title=Blink-182 Bumps Drake From No. 1 on Billboard 200 Albums Chart

|author= Keith Caulfield |magazine=Billboard|date=July 10, 2016|url=http://www.billboard.com/biz/articles/7431233/blink-182-bumps-drake-from-no-1-on-billboard-200-albums-chart|access-date=July 12, 2016}}

{{Album ratings

| MC = 68/100{{cite web|url=http://www.metacritic.com/music/dogs-eating-dogs-ep/blink-182|title=Dogs Eating Dogs [EP] by Blink-182|access-date=October 3, 2016}}

| rev1 = AbsolutePunk

| rev1Score = 7/10{{cite web|url=http://absolutepunk.net/showthread.php?t=2986942|title=Blink 182 – Dogs Eating Dogs|work=AbsolutePunk|author=Ilvonen, Keagan|access-date=December 18, 2012}}

| rev2 = Allmusic

| rev2Score = {{Rating|3|5}}{{cite web|last=Heaney|first=Gregory|title=Dogs Eating Dogs|url=http://www.allmusic.com/album/dogs-eating-dogs-mw0002463881|access-date=January 11, 2013}}

| rev3 = Alternative Press

| rev3Score = {{Rating|4|5}}

| rev4 = Kerrang!

| rev4Score = {{Rating|4|5}}{{cite journal |last=Travers |first=Paul |date=December 19, 2012 |title=Blink-182 Dogs Eating Dogs EP |journal=Kerrang! |issue=19/12/12 |pages=68 |publisher=Bauer Media Group |issn=0262-6624}}

}}

Dogs Eating Dogs received generally positive reviews from music critics. Scott Heisel of Alternative Press gave it a pre-release review of high acclaim saying it is "just as strong if not stronger than anything on Neighborhoods."{{cite magazine |last=Heisel |first=Scott |title=Review: Dogs Eating Dogs EP |magazine=Alternative Press |date=December 13, 2012 |url=http://www.altpress.com/reviews/entry/blink_182_dogs_eating_dogs_ep |access-date=December 13, 2012}} Keagan Ilvonen of AbsolutePunk stated that the EP is "a refreshing but yet an exciting point in their career. They aren’t afraid to experiment and fail, while still continuing on with the legacy they've created. While the EP isn't the best material of the band's career, it shows a promising future that looked ever so bleak just a mere three years ago. If the band continues on this path, they are sure to please not only their fans, but also themselves as they age". Allmusic writer Gregory Heaney said the EP "will surprise anyone who might have tuned out after 'All the Small Things' dominated the airwaves, but given the newfound maturity in their sound, the change is one that's both expected and welcomed." Kerrang! writer Paul Travers said "the overall effect is one of a versatile, diffuse, but somehow far more focused collection of songs than were present on Neighborhoods. Added with those elements of their classic sound and what we have here is a stopgap EP that promises even greater things ahead for blink-182." Chris Payne of Billboard referred to the EP as "underrated."{{cite magazine |title=Blink-182 Rock Brooklyn Club Gig: Live Review|author=Chris Payne|magazine=Billboard|date=September 12, 2013|url=http://www.billboard.com/articles/news/5694854/blink-182-rock-brooklyn-club-gig-live-review|access-date=September 12, 2013}}

Retrospective reviews remain positive. In 2023, on the eve of the release of the band's ninth album One More Time..., Yang-Yi Goh of GQ devoted an article to praising the EP, which he felt "easily ranks as the most overlooked and underrated entry in the band’s discography [...] Dogs Eating Dogs painted an exhilarating new way forward for Blink—and then the band fell apart a couple years later and it never fully came to fruition."{{cite web | last=Goh | first=Yang-Yi | title=The Blink-182 Album You Need to Hear Right Now Is From 2012 | website=GQ | date=October 18, 2023 | url=https://www.gq.com/story/blink-182-dogs-eating-dogs | access-date=October 19, 2023}}

{{tracklist

| total_length = 19:00

| extra_column = Lead vocals

| all_writing = Mark Hoppus, Tom DeLonge, and Travis Barker, except "Pretty Little Girl" written by Hoppus, DeLonge, Barker, and Michael Atha

| title1 = When I Was Young

| extra1 = DeLonge

| length1 = 3:28

| title2 = Dogs Eating Dogs

| extra2 = Hoppus/DeLonge

| length2 = 3:30

| title3 = Disaster

| extra3 = DeLonge/Hoppus

| length3 = 3:42

| title4 = Boxing Day

| extra4 = DeLonge/Hoppus

| length4 = 3:58

| title5 = Pretty Little Girl

| extra5 = DeLonge/Yelawolf

| note5 = featuring Yelawolf

| length5 = 4:20

}}

Credits adapted from Apple Music.{{cite web |title=Dogs Eating Dogs – EP by blink-182 |url=https://music.apple.com/us/album/dogs-eating-dogs-ep/1451143454 |website=Apple Music |access-date=Jan 7, 2024}}

;Blink-182

• Mark Hoppus – bass, vocals, producer
• Tom DeLonge – guitars, vocals, synthesizers, producer
• Travis Barker – drums, percussion, keyboards, synthesizers, producer

;Production

• Chris Holmes – co-producer
• Aaron Rubin – engineer
• Tom Lord-Alge – mixing
• Franco Vescovi – cover artwork

;Additional musicians

• Yelawolf – vocals on "Pretty Little Girl"

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Category:Blink-182 albums

Category:2012 EPs

Category:Albums produced by Mark Hoppus

Category:Albums produced by Tom DeLonge

Category:Albums produced by Travis Barker