Earthling Tour#Tour band

Immediately following his 1995-96 Outside Tour, Bowie went into the studio with his live band to record Earthling (1997) in mid-1996.{{sfn|Pegg|2016|pp=430–433, 600–601}} Bowie first publicly performed new material from these sessions in late 1996, playing "Telling Lies" and sometimes "Little Wonder" at shows on the US East Coast in September and October. On 9 January 1997, the day after he turned 50, Bowie held a 50th birthday concert for himself, performing tracks off the album, as well as a selection of songs from his back catalogue, playing to nearly 15,000 fans at New York's Madison Square Garden.{{citation |url=http://www.msopr.com/press-releases/david-bowie-spectacular-and-acclaimed-50th-birthday-concert-to-air-as-a-television-pay-per-view-event/ |title=David Bowie: Spectacular and Acclaimed 50th Birthday Concert to Air as a Television Pay Per View Event |date=28 February 1997 |first=Tresa |last=Schneider |work=MSOPR.COM | access-date=18 November 2013 | archive-url=https://web.archive.org/web/20140407072309/http://www.msopr.com/press-releases/david-bowie-spectacular-and-acclaimed-50th-birthday-concert-to-air-as-a-television-pay-per-view-event/ | archive-date=7 April 2014 | url-status=live}} Bowie was joined onstage by artists including Billy Corgan, Foo Fighters, Sonic Youth, Black Francis, Robert Smith and Lou Reed, to perform many of his songs.{{Cite web|url=https://www.nme.com/blogs/happy-birthday-bowie-his-most-awesome-party-50-2594385|title=Happy Birthday Bowie – relive his most awesome party, attended by Smashing Pumpkins, Foo Fighters and more|website=NME|date=January 8, 2020|access-date=September 10, 2024}} Other non-performing guests included Beck, Moby, Julian Schnabel, Prince, Charlie Sexton, Fred Schneider, Christopher Walken, Matt Dillon and Bowie's wife Iman. Artist Tony Oursler designed some of the artwork for the video backdrop that played behind the band onstage. The event was recorded for a pay-per-view special commemorating the event,{{Citation |last=Kemp |first=Mark |title=All The Young Dudes |journal=Rolling Stone magazine |issue=755 |date=6 March 1997 |pages=24}}{{citation |url=http://www.davidbowie.com/news/earthling-david-bowie-celebrates-50th-birthday-triumphant-sold-out-concert-madison-square |title=Earthling David Bowie Celebrates 50th Birthday With Triumphant Sold-out Concert At Madison Square Garden Before 14,500 Fans |date=23 January 1997 | access-date=5 July 2013 | archive-url=https://web.archive.org/web/20160519002427/http://www.davidbowie.com/news/earthling-david-bowie-celebrates-50th-birthday-triumphant-sold-out-concert-madison-square | archive-date=19 May 2016 | url-status=dead}} and a portion of the proceeds from the event were donated to the charity Save the Children. Tim Pope, who had previously worked with Bowie directing his 1987 video for "Time Will Crawl", directed the 50th Anniversary video,{{sfn|Pegg|2016}} and Duncan Jones, Bowie's son, was one of the camera operators at the event.{{cite web |url=https://www.newcastleherald.com.au/story/3657581/did-you-know-20-facts-about-david-bowie/ |title=Did you know ... 20 facts about David Bowie |first=Kerrie |last=O'brien |date=11 January 2016 | access-date=26 February 2018 | archive-url=https://web.archive.org/web/20180227035430/http://www.theherald.com.au/story/3657581/did-you-know-20-facts-about-david-bowie/ | archive-date=27 February 2018 | url-status=live}} A month later on 3 February, Earthling was released and Bowie promoted it with appearances on Saturday Night Live (8 February) and The Tonight Show (11 February). The Pay-Per-View broadcast of the birthday concert followed on 8 March.{{citation | url=http://www.davidbowie.com/news/david-bowie-launches-new-album-earthling-network-television-appearances-pay-view-concert | title=David Bowie Launches New Album 'earthling' With Network Television Appearances, A Pay-per-view Concert, A National Radio Broadcast, And Star On Hollywood Blvd's Walk Of Fame | date=30 January 1997 | access-date=5 July 2013 | archive-url=https://web.archive.org/web/20140109020601/http://www.davidbowie.com/news/david-bowie-launches-new-album-earthling-network-television-appearances-pay-view-concert | archive-date=9 January 2014 | url-status=dead }}

Bowie and his band began rehearsing for the tour in April 1997, and expected the tour to last through the end of the year, calling it a "really extensive, a long, long tour" in an interview with the press in February that year.{{Citation| last=Laban| first=Linda| title=Bowie Hits a Fab 50 | journal=The Seattle Times | date=13 February 1997 | pages=E3}} During rehearsals for the tour, Bowie re-recorded updated studio versions of some of his older songs, including "The Man Who Sold the World" and "Stay". These updated versions were performed during the tour, though the latter wouldn't be officially released until 2020 as part of the EP Is It Any Wonder?{{cite web | url=https://www.rhino.com/article/david-bowie-is-it-any-wonder-streaming-ep-of-unreleased-rare-material | title=David Bowie Is it Any Wonder? Streaming EP of unreleased & rare material | date=14 February 2020 | access-date=1 July 2020 | archive-date=3 July 2020 | archive-url=https://web.archive.org/web/20200703165720/https://www.rhino.com/article/david-bowie-is-it-any-wonder-streaming-ep-of-unreleased-rare-material | url-status=live }}

The original concept was to perform two sets: one regular and one dance-oriented, incorporating drum and bass.{{cite journal | title=David Bowie: The FI Interview | first=J.D.|last=Considine | journal=FI magazine | date=October 1997 |pp=36-41}} This idea was abandoned, owing to the antipathy of critics and audiences.{{sfn|Pegg|2016}} After the performance at the Muziekcentrum Vredenburg in Utrecht, on 11 June 1997, elements of each were incorporated into one set. "He hated playing things just like the record," recalled guitarist Reeves Gabrels. "He wanted me to dress songs up in the clothes we're wearing now."{{cite magazine|first=Bill|last=DeMain|title=Reeves Gabrels talks about David Bowie|magazine=Classic Rock|issue=247|date=April 2018|page=58}}

The 14 October 1997 show at the Capitol Theatre in Port Chester, New York – broadcast on MTV's Live from the 10 Spot – was added at short notice due to cancellation by The Rolling Stones. The following show on 15 October 1997 at the Radio City Music Hall in New York City, New York was part of the GQ Awards.

A live album from the European leg of the tour made it to the mixing stage- Bowie, Gabrels and Mark Plati were all involved- but Virgin, the band's label, cancelled the release.{{sfn|Pegg|2016}} The release was eventually made available, albeit with a different track listing than originally envisioned, to BowieNet subscribers as the release LiveAndWell.com, which was re-released in 2021.{{sfn|Pegg|2016}}

File:Coat designed by Alexander McQueen for David Bowie.jpg exhibition in 2018.]]

Bowie and the band performed a small number of "secret" shows under the name "Tao Jones Index", deliberately playing without people knowing who they were.{{cite tweet| user=reevesgabrels | number=1312693951632216064 | title=Did you know that David Bowie had a secret live drum and bass project?! | date=4 October 2020 | access-date=4 October 2020}} "Tao Jones Index" was a pun based on Bowie's real name, David Jones, and the 1997 Bowie Bond issue (Tao is pronounced "Dow", as in Dow Jones Index from the US stock market).{{cite web|url=http://www.teenagewildlife.com/Singles/PA1997/Title.html|title=Pallas Athena 1997 version|access-date=15 January 2008|archive-url=https://web.archive.org/web/20100227151211/http://www.teenagewildlife.com/Singles/PA1997/Title.html|archive-date=27 February 2010|url-status=dead}} According to Gabrels, drummer Zachary Alford likely came up with the name,{{cite tweet | user=reevesgabrels | number=1312745760946089985 | title=That special gig in Dublin was a dress rehearsal for the Earthling tour itself | date=4 October 2020 | access-date=4 October 2020}} and they only played as Tao Jones Index "a half dozen [times] or fewer", eventually wearying of the project as fans began to recognize Bowie and call out for him to play his hits.{{cite tweet | user=turguin | number=1312764622735171584 | title=How many times did you guys perform as the DJI? | date=4 October 2020 | access-date=4 October 2020}} The sets were, according to Gabrels, less strictly drum and bass so much as "dance remixes": "We were inspired by the various remixes of Earthling songs to reclaim & remake them as a live band."{{cite tweet | user=reevesgabrels | number=1312743393676718081 | date=4 October 2020 | access-date=4 October 2020 | title=It wasn't drum and bass so much as dance remixes}} The band played their normal instruments, but without amplifiers, and Alford played electronic drums.{{cite tweet | user=reevesgabrels | number=1312742318215180288 | date=4 October 2020 | access-date=4 October 2020 | title=We played our instruments, but without amplifiers}} There was only one official release from any of the Tao Jones Index's performances: a 12" single of "Pallas Athena" and "V-2 Schneider" (1997).{{cite tweet | user=reevesgabrels | number=1312752637553582080 | date=4 October 2020 | access-date=4 October 2020 | title=The only live recording of Tao Jones Index that was released is Pallas Athena and V2-Schneider}}

One live performance was 10 June 1997, from which the live versions of "Pallas Athena" and "V2-Schneider" were recorded; another live performance was on 19 July 1997 Phoenix Festival; their performance in the BBC Radio 1 dance tent preceded the regular performance on the main stage the following day.

The San Francisco Examiner had praise for the tour, saying "The chameleon can rock".{{Cite web|url=https://www.sfgate.com/style/article/Bowie-rocks-the-Warfield-3101191.php|title=Bowie rocks the Warfield|website=SFGate|date=September 10, 1997|access-date=September 10, 2024}} The Los Angeles Times complimented his artistic reinvigoration.{{Cite news|url=https://www.latimes.com/archives/la-xpm-1997-sep-12-ca-31322-story.html|title=Bowie Gives a Focused Show in Intimate Small-Club Setting|newspaper=Los Angeles Times|date=September 12, 1997|access-date=September 10, 2024}}

{{Infobox album

| italic_title = no

| name = {{yesitalic|Look at the Moon! (Live Phoenix Festival 97)}}

| type = live

| artist = David Bowie

| cover =

| alt =

| released = 12 February 2021

| recorded = 20 July 1997

| venue = Long Marston, England

| studio =

| genre =

| length =

| label = Parlophone

| producer =

| prev_title = LiveAndWell.com

| prev_year = 2021

| next_title = Something in the Air (Live Paris 99)

| next_year = 2021

}}

The band's performance on 20 July 1997, recorded at Long Marston, England during the Phoenix Festival, was released in a live album entitled Look at the Moon! in February 2021.{{cite magazine | url=https://www.rollingstone.com/music/music-news/david-bowie-brilliant-live-adventures-look-at-the-moon-1120853/ | title=David Bowie's 'Brilliant Live Adventures' Series Continues With 1997 Festival Gig |magazine=Rolling Stone | date=29 January 2021 | access-date=29 January 2021 | first=Daniel | last=Kreps | archive-date=29 January 2021 | archive-url=https://web.archive.org/web/20210129161204/https://www.rollingstone.com/music/music-news/david-bowie-brilliant-live-adventures-look-at-the-moon-1120853/ | url-status=live }} The concert was released in two limited editions: a 2 CD-set or a 3-LP set. This live album was the fourth in the 6-concert series Brilliant Live Adventures.{{cite web | url=https://www.davidbowie.com/blog/2021/1/29/bla-part-4-look-at-the-moon-live-phoenix-festival-97 |website=David Bowie Official Website | title=BLA part 4 - Look At The Moon! (Live Phoenix Festival 97) | date=29 January 2021 | access-date=29 January 2021 | archive-date=29 January 2021 | archive-url=https://web.archive.org/web/20210129150715/https://www.davidbowie.com/blog/2021/1/29/bla-part-4-look-at-the-moon-live-phoenix-festival-97 | url-status=live }} Look at the Moon! reached number 16 on the UK albums chart,{{cite web | url=https://www.officialcharts.com/search/albums/look-at-the-moon/ | title=OFFICIAL ALBUMS CHART RESULTS MATCHING: LOOK AT THE MOON | website=Official Charts | access-date=9 March 2021 | archive-date=18 September 2021 | archive-url=https://web.archive.org/web/20210918223035/https://www.officialcharts.com/search/albums/look-at-the-moon/ | url-status=live }} and number 92 in Ireland.{{cite web | url=https://acharts.co/album/160806 | title=LOOK AT THE MOON - LIVE PHOENIX FESTIVAL (Charts) | access-date=9 March 2021 | archive-date=3 March 2021 | archive-url=https://web.archive.org/web/20210303110349/https://acharts.co/album/160806 | url-status=live }}

1. "Quicksand"
2. "The Man Who Sold the World"
3. "Driftin' Blues"/"The Jean Genie"
4. "I'm Afraid of Americans"
5. "Battle for Britain (The Letter)"
6. "Fashion"
7. "Seven Years in Tibet"
8. "Fame"
9. "Looking for Satellites"
10. "Under Pressure"
11. "The Hearts Filthy Lesson"
12. "Scary Monsters (And Super Creeps)"
13. "Hallo Spaceboy"
14. "Little Wonder"
15. "Dead Man Walking"
16. "White Light/White Heat"
17. "O Superman"
18. "Stay"

• David Bowie – vocals, guitar, alto & baritone saxophone
• Reeves Gabrels – guitar, backing vocals
• Gail Ann Dorsey – bass guitar, vocals, keyboards
• Zack Alford{{Cite web |url=http://www.discogs.com/artist/258947-Zachary-Alford |title=Discogs – Zachary Alford – Profile & Discography |website=Discogs |access-date=29 August 2015 |archive-date=27 February 2015 |archive-url=https://web.archive.org/web/20150227185832/http://www.discogs.com/artist/258947-Zachary-Alford |url-status=live }} – drums, percussion
• Mike Garson – keyboards, backing vocals

;Notes

{{notelist}}

{{div col}}

From Space Oddity

• "Space Oddity"

From The Man Who Sold the World

• "The Man Who Sold the World"
• "The Supermen"

From Hunky Dory

• "Quicksand"
• "Andy Warhol" (Acoustic)
• "Queen Bitch"

From The Rise and Fall of Ziggy Stardust and the Spiders from Mars

• "Moonage Daydream"
• "Lady Stardust" (Acoustic)

From Aladdin Sane

• "Aladdin Sane (1913-1938-197?)" (Acoustic)
• "Panic in Detroit"
• "The Jean Genie"

From Live Santa Monica '72

• "My Death" (originally from La Valse à mille temps (1959) by Jacques Brel; written by Brel & Mort Shuman)
• "I'm Waiting for the Man" (originally from The Velvet Underground & Nico (1967) by The Velvet Underground and Nico, written by Lou Reed; outtake from various Bowie sessions 1966-72)

From Ziggy Stardust: The Motion Picture

• "White Light/White Heat" (originally from White Light/White Heat (1968) by The Velvet Underground; written by Lou Reed)

From Young Americans

• "Fame" (Bowie, John Lennon, Carlos Alomar)

From Station to Station

• "Stay"

From Low

• "Always Crashing in the Same Car"

From "Heroes"

• ""Heroes"" (Bowie, Brian Eno)
• "V-2 Schneider"

From Lodger

• "Look Back in Anger" (Bowie, Eno)
• "Repetition" (Acoustic)

From Scary Monsters (and Super Creeps)

• "Scary Monsters (and Super Creeps)"
• "Fashion"

From Let's Dance

• "China Girl" (Acoustic)

From Tin Machine

• "Heaven's in Here" (Only performed in snippet solo throughout "The Jean Genie")
• "I Can't Read" (Bowie, Reeves Gabrels)

From Tin Machine II

• "Shopping for Girls" (Acoustic)

From Black Tie White Noise

• "Pallas Athena" (Tao Jones Index version)

From Outside

• "Outside" (Bowie, Kevin Armstrong)
• "The Hearts Filthy Lesson" (Bowie, Eno, Gabrels, Mike Garson, Erdal Kızılçay, Sterling Campbell)
• "Hallo Spaceboy" (Bowie, Eno)
• "The Motel" (Bowie, Eno)
• "The Voyeur of Utter Destruction (as Beauty)" (Bowie, Eno, Gabrels)
• "I'm Deranged" [Jungle Mix] (Bowie, Eno)
• "Strangers When We Meet"

From Earthling

• "Little Wonder" (Bowie, Gabrels, Mark Plati)
• "Looking for Satellites" (Bowie, Gabrels, Plati)
• "Battle for Britain (The Letter)" (Bowie, Gabrels, Plati)
• "Seven Years in Tibet" (Bowie, Gabrels)
• "Dead Man Walking" (Bowie, Gabrels)
• "Dead Man Walking Moby Mix 1]" (Bowie, Gabrels)
• "Telling Lies"
• "The Last Thing You Should Do" (Bowie, Gabrels, Plati)
• "I'm Afraid of Americans" (Bowie, Eno)
• "I'm Afraid of Americans" [Nine Inch Nails V1 Mix] (Bowie, Eno, Reznor)

Other songs:

• "Can't Help Thinking About Me" (early non-album single (1966))
• "All the Young Dudes" (from All the Young Dudes (1972) by Mott the Hoople; written by Bowie)
• "Under Pressure" (originally a single (1981) by Bowie and Queen later found on Hot Space the following year; written by Bowie, John Deacon, Brian May, Freddie Mercury, Roger Taylor)
• "Is It Any Wonder?" (Instrumental jam based on "Fame", reworked as "Fun" for a BowieNet release)
• "O Superman (For Massenet)" (from Big Science (1982) by Laurie Anderson; written by Anderson)

{{div col end}}

Songs performed in snippet for the intro of "The Jean Genie":

• "Driftin' Blues"
• "Baby What You Want to Do"
• "Good Morning, Little Schoolgirl"

{{Reflist}}

• {{cite book |last=Buckley |first=David |year=2005 |orig-year=1999 |title=Strange Fascination – David Bowie: The Definitive Story |location=London |publisher=Virgin Books |isbn=978-0-75351-002-5}}
• {{cite book |last=Pegg |first=Nicholas |author-link=Nicholas Pegg |title=The Complete David Bowie |url=https://books.google.com/books?id=LqFkDQAAQBAJ |publisher=Titan Books |location=London |year=2016 |isbn=978-1-78565-365-0 |edition=Revised and Updated }}

{{David Bowie}}

{{Authority control}}

Category:David Bowie concert tours

Category:1997 concert tours