The Man Who Sold the World (song)

The backing track for "The Man Who Sold the World" was recorded at Trident Studios in London on 4 May 1970, along with other album track "Running Gun Blues". At this point, the track was recorded under the working title "Saviour Machine" and did not contain the title phrase.{{sfn|Cann|2010|pp=191–192}} According to Kevin Cann, the lineup featured David Bowie on acoustic guitar, Mick Ronson on electric guitar, producer Tony Visconti on bass, Woody Woodmansey on drums and percussion, and Ralph Mace on Moog synthesiser; Ronson and Woodmansey would later become famous as a part of The Spiders from Mars.{{sfn|Cann|2010|pp=210–211}} According to Visconti, Bowie recorded his vocal on 22 May at Advision Studios, the final day of mixing for the album which, when travelling to Advision, Bowie had intended to name the album Metrobolist, a homage to Fritz Lang's 1927 film Metropolis.{{sfn|Cann|2010|p=193}}{{sfn|Pegg|2016|p=316}} Chris O'Leary writes that Bowie wrote the lyrics in the reception area of the studio while Visconti waited at the mixing console. Once he finished, he quickly recorded his vocal, Visconti added a "flange" effect and mixed the track in a few hours, sending the tapes to the label later that night.{{sfn|O'Leary|2015|p=204}} Bowie's last-minute addition frustrated Visconti, who recalled in 1977: "This was the beginning of [Bowie's] new style of writing – 'I can't be bothered until I have to'. When it was finished, on the last day of the last mix, I remember telling David, 'I've had it, I can't work like this anymore – I'm through' ... David was very disappointed."{{sfn|Cann|2010|pp=193–194}} This frustration was mostly due in part to his dissatisfaction with the recording sessions: he was mostly in charge of budget and production, as well as maintaining Bowie's interest in the project. Bowie later told BBC Radio 1's Stuart Grundy in 1976: "It was a nightmare, that album. I hated the actual process of making it."{{sfn|Cann|2010|p=210}}

Bowie's original recording is described by author Peter Doggett as "enigmatic", while Nicholas Pegg describes it as giving an "unassuming air of pathos and menace".{{sfn|Doggett|2012|p=103}}{{sfn|Pegg|2016|p=316}} Doggett notes that the track contains none of the "metallic theatrics" that are found on the rest of the album.{{sfn|Doggett|2012|p=104}} Musically, the song opens with a repeating electric guitar riff from Ronson with an acoustic guitar from Bowie underneath it.{{sfn|Doggett|2012|p=104}} (The electric bass and Moog synthesiser notwithstanding) O'Leary writes that apart from Ronson's electric guitar, the song is primarily acoustic.{{sfn|O'Leary|2015|p=206}} The chord structure is in the key of F with an A major chord "borrowed" from the D minor scale,{{sfn|Doggett|2012|p=104}} similar to fellow album track "All the Madmen".{{sfn|O'Leary|2015|p=206}} Throughout the song, Visconti's bass "runs scales" under the chorus and a melody "elsewhere", Woodmansey plays "ecstatic" drum fills deep in the mix and Latin-style percussion "trembling" on the surface; Ronson uses feedback to introduce the chorus.{{sfn|Doggett|2012|p=104}} Bowie's vocals are "heavily phased" during the verses and briefly doubled (which, in Bowie's words, "came as some surprise"), compressed and again double-tracked during the chorus.{{sfn|Doggett|2012|p=104}} Douglas Wolk of Rolling Stone similarly calls Bowie's vocals and lyrics "haunting".{{cite magazine |last1=Wolk |first1=Douglas |author-link1=Douglas Wolk |title=How David Bowie Realized Theatrical Dreams on 'The Man Who Sold the World' |url=https://www.rollingstone.com/music/music-news/how-david-bowie-realized-theatrical-dreams-on-the-man-who-sold-the-world-121178/ |magazine=Rolling Stone |access-date=4 April 2020 |date=4 November 2016 |archive-url=https://web.archive.org/web/20200215092733/https://www.rollingstone.com/music/music-news/how-david-bowie-realized-theatrical-dreams-on-the-man-who-sold-the-world-121178/ |archive-date=15 February 2020 |url-status=live }} Pegg describes the guiro percussion as "sinister", the guitar riff "circular" and Bowie's vocal "ghostly".{{sfn|Pegg|2016|p=316}} The tracks ends with a coda, described by Doggett as a "haunting chorale"{{sfn|Doggett|2012|p=104}} and by O'Leary as "ominous"; it contains wordless vocals and is primarily in D minor.{{sfn|O'Leary|2015|pp=206–207}}

{{quote box|quoted = 1|quote=I guess I wrote it because there was a part of myself that I was looking for … that song for me always exemplified kind of how you feel when you're young, when you know there's a piece of yourself that you haven't really put together yet – you have this great searching, this great need to find out who you really are.|source=—David Bowie, in an interview for the BBC Radio 1 programme ChangesNowBowie (1997){{cite web|url=https://www.teenagewildlife.com/Appearances/Radio/1997/0108/radio1-transcript.html |title=ChangesNowBowie Transcript – Radio 1 |first=Grant |last=Wallace |date=27 June 1999 |access-date=19 January 2013 |archive-url=https://web.archive.org/web/20160902074027/http://www.teenagewildlife.com/Appearances/Radio/1997/0108/radio1-transcript.html |archive-date=2 September 2016 |url-status=dead }}|width=24%|align=left|style=padding:8px;|border=1px|salign=left}}

According to Doggett, the song's title has multiple "precursors": including a 1949 Robert A. Heinlein science fiction novella The Man Who Sold the Moon;{{cite magazine |author1=Rolling Stone Staff |title=David Bowie: 30 Essential Songs |url=https://www.rollingstone.com/music/music-lists/david-bowie-30-essential-songs-33438/the-man-who-sold-the-world-1970-150172/ |magazine=Rolling Stone |access-date=3 April 2020 |date=11 January 2016 |archive-url=https://web.archive.org/web/20191203005627/https://www.rollingstone.com/music/music-lists/david-bowie-30-essential-songs-33438/the-man-who-sold-the-world-1970-150172/ |archive-date=3 December 2019 |url-status=live }} a 1954 DC comic, "The Man Who Sold the Earth"; and a 1968 Brazilian political satire, The Man Who Bought the World.{{sfn|Doggett|2012|p=103}} However, none have a thematic link to Bowie's song. Pegg suggests that the title partly reflects an element of "self-disgust" Bowie has over the thought of "losing control" and "selling" his private life via profoundly personal music.{{sfn|Pegg|2016|p=317}}

The lyrics are noted as very cryptic and evocative; in Doggett's words, "begging but defying interpretation."{{sfn|Doggett|2012|p=103}} Like most of his work during this period, Bowie frequently avoided giving a direct interpretation of the lyrics; he later remarked that he felt it was unfair to give it to Lulu in 1973 because it dealt with the "devils and angels" within himself (she later confessed she "had no idea what it meant").{{sfn|Pegg|2016|p=316}} Bowie once stated that the song was a sequel to "Space Oddity" which, in Doggett's words, is "an explanation designed to distract rather than enlighten", quoting the lyrics "Who knows? Not me".{{sfn|Doggett|2012|p=103}} The song's narrator has an encounter with a kind of doppelgänger, as suggested in the second chorus where "I never lost control" is replaced with "We never lost control".{{Cite book| contribution=Future Legends: David Bowie and Science Fiction| last=King| first=Maureen| editor-last=Morrison| editor-first=Michael A.| title=Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts| publisher=Greenwood| year=1997| location=Westport, Connecticut| page=131}} Beyond this, the episode is unexplained: as James E. Perone wrote,

{{quote|Bowie encounters the title character, but it is not clear just what the phrase means, or exactly who this man is. ... The main thing that the song does is to paint – however elusively – the title character as another example of the societal outcasts who populate the album.{{sfn|Perone|2007|pp=15–16}}}}

In common with a number of tracks on the album, the song's themes have been compared to the horror-fantasy works of H. P. Lovecraft.{{sfn|Carr|Murray|1981|p=38}} The lyrics are also cited as reflecting Bowie's concerns with family problems and splintered or multiple personalities and are believed to have been partially inspired by the poem "Antigonish" by William Hughes Mearns: "As I was going up the stair / I met a man who wasn't there / He wasn't there again today / I wish, I wish he'd stay away..."{{sfn|Pegg|2016|pp=316–317}}{{cite web |last1=Thompson |first1=Dave |title="The Man Who Sold the World" – David Bowie |url=https://www.allmusic.com/song/the-man-who-sold-the-world-mt0052219335 |publisher=AllMusic |access-date=3 April 2020 |archive-url=https://web.archive.org/web/20190704103806/https://www.allmusic.com/song/the-man-who-sold-the-world-mt0052219335 |archive-date=4 July 2019 |url-status=live }} By claiming he "wasn't there", Bowie "compounds" the identity crisis while believing his companion "died alone, a long, long time ago."{{sfn|Pegg|2016|p=317}} Pegg writes that the "defacement of the individual" and "dread of mortality" provide "grim counterparts" to the "immortal anguish" of fellow album track "The Supermen" and the meditations on "impermanence" and "rebirth" in "After All".{{sfn|Pegg|2016|p=317}}

"The Man Who Sold the World" was released as the eighth and penultimate track on Bowie's third studio album of the same name in November 1970 in the US and in April 1971 in the UK by Mercury Records.{{cite AV media notes|title=The Man Who Sold the World|others=David Bowie|year=1970|publisher=Mercury Records|location=US|type=liner notes|id=SR-61325}}{{cite AV media notes|title=The Man Who Sold the World|others=David Bowie|year=1971|publisher=Mercury Records|location=UK|type=liner notes|id=6338 041}} Although no singles were issued from the album,{{cite web|last=Wolk|first=Douglas|author-link=Douglas Wolk|url=https://pitchfork.com/reviews/albums/21066-five-years-1969-1973/|title=David Bowie: Five Years 1969–1973|work=Pitchfork|date=1 October 2015|access-date=1 October 2015|archive-url=https://web.archive.org/web/20160206231305/http://pitchfork.com/reviews/albums/21066-five-years-1969-1973/|archive-date=6 February 2016|url-status=live}} the song appeared as the B-side on the 1973 reissue US single release of "Space Oddity" and UK single release of "Life on Mars?", both by RCA Records.{{Cite AV media notes|title="Space Oddity"|others=David Bowie|year=1973|publisher=RCA Victor|location=US|type=Single liner notes|id=74-0876}}{{Cite AV media notes|title="Life on Mars?"|others=David Bowie|year=1973|publisher=RCA Victor|location=UK|type=Single liner notes|id=RCA 2316}}

Retrospectively, Bowie's original recording has been named one of his best songs, with many praising the haunting and unsettling nature of the recording. Following Bowie's death in 2016, Rolling Stone listed the song as one of his 30 essential songs. The same year, Ultimate Classic Rock, in their list of Bowie's ten best songs, listed "The Man Who Sold the World" at number 10, calling it "one of his most haunting songs of all time". They subsequently commended Lulu and Nirvana's cover versions for helping bring the song into the mainstream.{{cite web |last1=Kaufman |first1=Spencer |title=Top 10 David Bowie songs |url=https://ultimateclassicrock.com/top-david-bowie-songs/ |website=Ultimate Classic Rock |access-date=25 January 2020 |archive-url=https://web.archive.org/web/20191231194433/http://ultimateclassicrock.com/top-david-bowie-songs/ |archive-date=31 December 2019 |date=11 January 2016}} In 2018, NME, in their list of Bowie's 40 greatest songs, ranked "The Man Who Sold the World" number 17, writing, "[The track] is not just a vintage slice of Bowie story-telling but a key part in his '90s renaissance, 20 years later", due in part to Nirvana's cover, which appeared at a time when "Bowie's critical stock was at a career-low{{nbsp}}... coming after Bowie's late-'80s run of maligned albums."{{cite web |last1=Barker |first1=Emily |title=David Bowie's 40 greatest songs – as decided by NME and friends |url=https://www.nme.com/photos/david-bowie-s-40-greatest-songs-as-decided-by-nme-and-friends-1418012 |website=NME |access-date=16 February 2020 |archive-url=https://web.archive.org/web/20191103063248/https://www.nme.com/photos/david-bowie-s-40-greatest-songs-as-decided-by-nme-and-friends-1418012 |archive-date=3 November 2019 |date=8 January 2018}} In 2020, Alexis Petridis of The Guardian ranked the song 23rd in a list of Bowie's 50 greatest songs, writing, "The title track of his eeriest album remains mysterious, creepy and haunting 50 years on."{{cite web |last1=Petridis |first1=Alexis |author-link=Alexis Petridis|title=David Bowie's 50 greatest songs – ranked! |url=https://www.theguardian.com/music/2020/mar/19/david-bowie-50-greatest-songs-ranked |website=The Guardian |access-date=23 March 2020 |date=19 March 2020 |archive-url=https://web.archive.org/web/20200322224635/https://www.theguardian.com/music/2020/mar/19/david-bowie-50-greatest-songs-ranked |archive-date=22 March 2020 |url-status=live }}

Bowie's original recording of "The Man Who Sold the World" has been released on multiple compilation albums, including The Best of David Bowie 1969/1974 (1997),{{cite web |last1=Erlewine |first1=Stephen Thomas |author-link1=Stephen Thomas Erlewine |title=The Best of David Bowie 1969/1974 – David Bowie |url=https://www.allmusic.com/album/the-best-of-david-bowie-1969-1974-mw0000600345 |publisher=AllMusic |access-date=15 March 2020 |archive-url=https://web.archive.org/web/20190508195206/https://www.allmusic.com/album/the-best-of-david-bowie-1969-1974-mw0000600345 |archive-date=8 May 2019 |url-status=live }} Best of Bowie (2002),{{cite web |last1=Erlewine |first1=Stephen Thomas |author-link1=Stephen Thomas Erlewine |title=Best of Bowie – David Bowie |url=https://www.allmusic.com/album/best-of-bowie-mw0000694821 |publisher=AllMusic |access-date=15 March 2020 |archive-url=https://web.archive.org/web/20190401192732/https://www.allmusic.com/album/best-of-bowie-mw0000694821 |archive-date=1 April 2019 |url-status=live }} Nothing Has Changed (2014){{cite web |url=https://pitchfork.com/reviews/albums/20004-david-bowie-nothing-has-changed/ |title=David Bowie: Nothing Has Changed |website=Pitchfork |first=Douglas |last=Wolk |author-link=Douglas Wolk |date=20 November 2017 |access-date=11 August 2017 |archive-url=https://web.archive.org/web/20170812134409/http://pitchfork.com/reviews/albums/20004-david-bowie-nothing-has-changed/ |archive-date=12 August 2017 |url-status=live }} and Legacy (2016).{{cite web |last1=Erlewine |first1=Stephen Thomas |author-link1=Stephen Thomas Erlewine |title=Legacy – David Bowie |url=https://www.allmusic.com/album/legacy-mw0002986167?1585492544585 |publisher=AllMusic |access-date=29 March 2020 |archive-url=https://web.archive.org/web/20200329143955/https://www.allmusic.com/album/legacy-mw0002986167?1585492544585 |archive-date=29 March 2020 |url-status=live }} The song, along with its parent album, has been remastered multiple times, including in 2015 as part of the box set Five Years (1969–1973).{{Cite AV media notes|title=Five Years (1969–1973)|others=David Bowie|year=2015|publisher=Parlophone|location=UK, Europe & US|type=Box set liner notes|id=DBXL 1}} Bowie performed the song on numerous occasions. He appeared on the American television programme Saturday Night Live in December 1979, performing the song with Klaus Nomi and Joey Arias. Pegg calls this version "superb".{{sfn|Pegg|2016|p=318}} He performed the song during his summer 2000 Mini Tour, including at the BBC Radio Theatre in London and at the Glastonbury Festival. Performances from these venues have been released on Bowie at the Beeb (2000) and Glastonbury 2000 (2018), respectively.{{cite web |last1=Erlewine |first1=Stephen Thomas |author-link1=Stephen Thomas Erlewine |title=Bowie at the Beeb: The Best of the BBC Radio Sessions 68–72 – David Bowie |url=https://www.allmusic.com/album/bowie-at-the-beeb-the-best-of-the-bbc-radio-sessions-bonus-disc-mw0000619751 |publisher=AllMusic |access-date=10 March 2020 |archive-url=https://web.archive.org/web/20180702122107/https://www.allmusic.com/album/bowie-at-the-beeb-the-best-of-the-bbc-radio-sessions-bonus-disc-mw0000619751 |archive-date=2 July 2018 |url-status=live }}{{cite magazine |last1=Blistein |first1=Jon |title=Davie Bowie's Glastonbury 2000 Set Getting Full Release |url=https://www.rollingstone.com/music/music-news/davie-bowie-glastonbury-2000-set-concert-film-album-release-732202/ |magazine=Rolling Stone |access-date=4 April 2020 |date=2 October 2018 |archive-url=https://web.archive.org/web/20200224175720/https://www.rollingstone.com/music/music-news/davie-bowie-glastonbury-2000-set-concert-film-album-release-732202/ |archive-date=24 February 2020 |url-status=live }} A performance from the Reality Tour is featured on the live album A Reality Tour (2010).{{cite web|url=https://www.allmusic.com/album/a-reality-tour-mw0001401403|title=A Reality Tour – Davis Bowie|publisher=AllMusic|first=Stephen Thomas|last=Erlewine|access-date=11 August 2017|archive-url=https://web.archive.org/web/20170818165655/http://www.allmusic.com/album/a-reality-tour-mw0001401403|archive-date=18 August 2017|url-status=live}}

File:Midge Ure 2004-10-26.jpg's cover was featured in Metal Gear Solid V: The Phantom Pain.]]

The song has been covered by hundreds of artists,{{sfn|Pegg|2016|p=318}} with many noting that certain covers have managed to outshine the popularity of Bowie's original recording. Scottish singer Lulu recorded a version in 1974 that was produced by Bowie and Ronson and later became a top ten hit on the UK singles chart.{{sfn|Pegg|2016|pp=316–317}} Scottish musician Midge Ure recorded a version for the soundtrack to the 1983 film Party Party,{{Cite web |last=Mason |first=Adam |date=7 October 2022 |title=One Great Cover: Nirvana's "The Man Who Sold the World" |url=https://www.covermesongs.com/2022/10/one-great-cover-nirvanas-the-man-who-sold-the-world.html |access-date=26 January 2024 |website=Cover Me}} though it mainly gained popularity through its inclusion in the 2015 video game Metal Gear Solid V: The Phantom Pain.{{Cite web |last=Stanton |first=Rick |date=3 March 2022 |title=Kojima says Bowie song holds the key to understanding Metal Gear Solid V |url=https://www.pcgamer.com/kojima-says-bowie-song-holds-the-key-to-understanding-metal-gear-solid-v/ |access-date=26 January 2024 |website=PC Gamer}} American rock band Nirvana performed the song for the television program MTV Unplugged in 1993, introducing it to a new audience.{{sfn|Pegg|2016|p=316}} Speaking about Lulu's recording, Bowie recalled in 2002, "I still have a very soft spot for [Lulu's] version, though to have the same song covered by both Lulu and Nirvana still bemuses me to this day."{{sfn|Pegg|2016|p=317}} AllMusic's Dave Thompson argues that the Lulu, Midge Ure and Nirvana recordings have managed to "establish the song at the very forefront of Bowie's canon." Pegg writes that the popularity of its covers have made listeners unaware that the song was written by Bowie.{{sfn|Pegg|2016|p=316}} However, Alexis Petridis of The Guardian argues that although subsequent covers have tended to outshine Bowie's original in terms of popularity, none have ever matched the quality of the original.

Bowie re-recorded "The Man Who Sold the World" on multiple occasions. For performances on the Outside Tour, it was performed in what Pegg calls a "radical trip-hop revamp". A live recording of the song was recorded by Bowie and then reshaped, overdubbed and mixed by Brian Eno, which appeared as the B-side of the CD single "Strangers When We Meet" (1995) and later was remastered for digital and physical versions of the EP Is It Any Wonder? (2020).{{sfn|Pegg|2016|p=318}}{{Cite AV media notes|title="Strangers When We Meet" / "The Man Who Sold The World (Live)"|others=David Bowie|year=1995|publisher=Arista Records|location=Europe|type=CD single liner notes|id=7432133236 2}}{{Cite AV media notes|title=Is It Any Wonder?|others=David Bowie|year=2020|publisher=Parlophone/ISO Records|location=Europe|type=CD EP liner notes|id=DBCD 80120}} Following mixing in late October 1995, Eno wrote in his diary, "down to Westside to mix David’s live version of ‘The Man Who Sold The World’ – and what a great version.

It sounds completely contemporary. I added some backing vocals and a sonar blip and sculpted the piece a little so that there was more contour to it."{{sfn|Pegg|2016|p=318}} Other live versions of this version of the song from 1995 were released in 2020 as part of the concert albums Ouvre le Chien (Live Dallas 95) and No Trendy Réchauffé (Live Birmingham 95). Another live version recorded in 1997 during Bowie's Earthling Tour was released in 2021 on the live album Look at the Moon!{{cite magazine | url=https://www.rollingstone.com/music/music-news/david-bowie-brilliant-live-adventures-look-at-the-moon-1120853/ | title=David Bowie's 'Brilliant Live Adventures' Series Continues With 1997 Festival Gig | date=29 January 2021 | access-date=29 January 2021 | first=Daniel | last=Kreps| magazine=Rolling Stone }} In 2020, on what would have been Bowie's 73rd birthday, a previously unreleased acoustic version, recorded for the ChangesNowBowie documentary in 1996 during the Earthling sessions, was released.{{cite magazine |last1=Blisten |first1=Jon |title=Hear David Bowie's Airy, Previously Unreleased Version of 'The Man Who Sold the World' |url=https://www.rollingstone.com/music/music-news/david-bowie-man-who-sold-the-world-previously-unreleased-935000/ |magazine=Rolling Stone |access-date=25 January 2020 |archive-url=https://web.archive.org/web/20200114170552/https://www.rollingstone.com/music/music-news/david-bowie-man-who-sold-the-world-previously-unreleased-935000/ |archive-date=14 January 2020 |date=8 January 2020}} According to Jon Blistein of Rolling Stone, this version has "a lighter touch, with that famous serpentine guitar riff slinking around a steady acoustic strum and slowly swelling synths." It features Gail Ann Dorsey on bass and vocals, Reeves Gabrels (whom Bowie collaborated with in the band Tin Machine) on guitar, and Mark Plati on keyboards and programming.{{cite web |last1=DeVille |first1=Chris |title=Hear David Bowie's "The Man Who Sold The World (ChangesNowBowie Version)" From New Is It Any Wonder? EP |url=https://www.stereogum.com/2069212/david-bowie-is-it-any-wonder-changesnowbowie/music/ |website=Stereogum |access-date=4 April 2020 |date=8 January 2020 |archive-url=https://web.archive.org/web/20200216222231/https://www.stereogum.com/2069212/david-bowie-is-it-any-wonder-changesnowbowie/music/ |archive-date=16 February 2020 |url-status=live }} This version was released on the digital version of the EP Is It Any Wonder? in February 2020 and on the album ChangesNowBowie in August 2020. Stephen Thomas Erlewine, writing for Pitchfork, described the re-recording as "a nod to Nirvana popularising the song a few years earlier".{{cite news |last=Erlewine |first=Stephen Thomas |author-link=Stephen Thomas Erlewine |date=25 April 2020 |title=ChangesNowBowie – David Bowie |url=https://pitchfork.com/reviews/albums/david-bowie-changesnowbowie/ |website=Pitchfork |access-date=10 May 2020 |archive-url=https://web.archive.org/web/20200429154613/https://pitchfork.com/reviews/albums/david-bowie-changesnowbowie/ |archive-date=29 April 2020 |url-status=live }}

According to Kevin Cann:{{sfn|Cann|2010|p=210}}

• David Bowie – lead vocals, acoustic guitar
• Mick Ronson – electric guitar
• Tony Visconti – bass guitar
• Woody Woodmansey – drums, percussion
• Ralph Mace – Moog synthesiser

{{Certification Table Top}}

{{Certification Table Entry|region=United Kingdom|artist=David Bowie|title=The Man Who Sold The World|award=Silver|type=single|relyear=2005|certyear=2022|id=7132-2269-1|accessdate=9 December 2022}}

{{Certification Table Bottom|streaming=true|noshipments=true|nosales=true}}

{{Infobox song

| name = The Man Who Sold the World

| cover = File:Themanwhosoldtheworld.png

| caption = A-side label of the UK single

| alt =

| type = single

| artist = Lulu

| album =

| B-side = Watch That Man

| released = {{Start date|df=yes|1974|01|11}}

| recorded = 16 July 1973{{sfn|O'Leary|2015|p=203}}

| studio = Château d'Hérouville, Hérouville, France

| genre = Pop-soul

| length =

| label = Polydor

| writer = David Bowie

| producer = *David Bowie

• Mick Ronson

| prev_title = Make Believe World

| prev_year = 1972

| next_title = The Man with the Golden Gun

| next_year = 1974

| misc = {{External music video|header=Official audio|{{YouTube|vgnn-ozOT10|"The Man Who Sold the World"}}}}

}}

The song was covered by the Scottish singer Lulu in 1974, who, according to biographer David Buckley, performed it in "a sleazy, almost Berlin cabaret style".{{sfn|Buckley|1999|p=196}} Chris O'Leary categorises her rendition as "glam-disco" and calls it "loud, captivating and distorting."{{sfn|O'Leary|2015|p=208}} Lulu would recall David Bowie inviting her to a concert he gave after which he met her in his hotel room saying: "I want to make a MF of a record with you [because] you're a great singer." Lulu – "I didn't think it would happen but [Bowie] followed up two days later. He was übercool at the time and I just wanted to be led by him. I loved everything he did. I didn't think 'The Man Who Sold the World' was the greatest song for my voice, but it was such a strong song in itself. I had no idea what it was about. In the studio Bowie kept telling me to smoke more cigarettes, to give my voice a certain quality."{{sfn|Spitz|2009|p=228}}

Regarding meeting her in the "Last Supper" at the Hotel Café Royal, Bowie later said, "We started talking about the possibility of working together. I was keen to get something fixed up, because I really have always thought that Lulu has incredible potential as a rock singer. I didn't think this potential had been fully realised...we decided on 'The Man Who Sold the World' as being most suitable."{{sfn|Pegg|2016|p=317}} Bowie produced Lulu's recording of "The Man Who Sold the World" with Mick Ronson during the July 1973 Pin Ups sessions at the Château d'Hérouville in Hérouville, France and also contributed saxophone and backing vocals.{{sfn|Pegg|2016|p=317}} The remainder of the band included Ronson on guitar, Trevor Bolder on bass, Mike Garson on piano, and Aynsley Dunbar on drums.{{sfn|Carr|Murray|1981|p=118}} Bowie added saxophone overdubs and oversaw the final mix at Olympic Studios in London during the Diamond Dogs sessions.{{sfn|Pegg|2016|p=317}} According to O'Leary, Bowie had Lulu smoke cigarettes in between takes in order to "abrade" her voice.{{sfn|O'Leary|2015|p=208}}

Lulu's version of "The Man Who Sold the World" was released as a single on 11 January 1974 by Polydor Records (as 2001 490),{{sfn|O'Leary|2015|p=203}} with a cover of Bowie's Aladdin Sane track "Watch That Man" as the B-side. She promoted her version with an appearance on the British television programme Top of the Pops on 10 January, in which she performed in a charcoal suit and gangster hat. According to Nicholas Pegg, this outfit bore a "remarkable resemblance" to the wardrobe of Bowie's future persona The Thin White Duke.{{sfn|Pegg|2016|p=317}} Neil Bartlett characterised her performances as "dressed and sounding exactly like a diminutive Bowie".{{cite book| first=Neil| last=Bartlett| year=1988| title=Who Was That Man: a present for Mr Oscar Wilde| publisher=Serpent's Tail| location=London| pages=[https://archive.org/details/whowasthatmanpre00bart/page/244 244]| isbn=978-1-85242-123-6| url=https://archive.org/details/whowasthatmanpre00bart/page/244}} Her performances helped the single peak at No. 3 on the UK Singles Chart, as well as No. 8 on the Irish Singles Chart, and No. 24 and 10 on the Belgian and Netherlands Singles Charts, respectively. O'Leary writes that the single charted higher than almost all of Bowie's 1970s singles and made his original recording "seem like a demo".{{sfn|O'Leary|2015|p=208}} Jack Whatley of Far Out magazine writes that while Nirvana's cover is "the stuff of legend", it is Lulu's version of the song that "has us spellbound from its first sleazy moments."{{cite web |last1=Whatley |first1=Jack |title=Forget Nirvana, Lulu's cover of David Bowie's 'Man Who Sold The World' is the only one you need |url=https://faroutmagazine.co.uk/lulu-david-bowie-nirvana-man-who-sold-the-world-1974/ |website=Far Out |access-date=4 April 2020 |date=5 October 2019}} He argues that she has the "perfect voice" for the track and calls the video a "seventies dream." He further calls her first Top of the Pops performance "stunning, arresting, and a silky smooth affair, filled with enough sleaze to make your weekend feel naughty it remains the best version of Bowie’s iconic song."

All songs written by David Bowie.{{Cite AV media notes|title="The Man Who Sold the World"|others=Lulu|year=1974|publisher=Polydor Records|location=UK|type=Single liner notes|id=2001 490}}

1. "The Man Who Sold the World" – 3:58
2. "Watch That Man" – 5:11

According to Roy Carr and Charles Shaar Murray:{{sfn|Carr|Murray|1981|p=118}}

• Lulu – lead vocals
• David Bowie – saxophone, backing vocals
• Mick Ronson – guitars
• Trevor Bolder – bass guitar
• Mike Garson – piano
• Aynsley Dunbar – drums

{{Infobox song

| name = The Man Who Sold the World

| cover = The Man Who Sold the World (Nirvana).jpg

| caption = 1995 CD promo single

| alt =

| type = promo

| artist = Nirvana

| album = MTV Unplugged in New York

| released = {{Start date|1995}}

| recorded = 18 November 1993

| studio = Sony Music, New York City

| genre =

| length = {{Duration|m=4|s=20}}

| label = DGC

| writer = David Bowie

| producer = *Alex Coletti

• Scott Litt
• Nirvana

| prev_title = Polly

| prev_year = 1994

| next_title = Where Did You Sleep Last Night

| next_year = 1995

| misc = {{Extra track listing

| album = MTV Unplugged in New York

| type = song

| tracks = {{MTV Unplugged in New York tracks}}

}}

{{External music video|type=song|{{YouTube|fregObNcHC8|"The Man Who Sold the World" (MTV Unplugged)}}}}

}}

In his journals, Kurt Cobain of the American grunge band Nirvana ranked the album The Man Who Sold the World at number 45 in his top 50 favourite albums.{{usurped|1=[https://web.archive.org/web/20101218152501/http://nirvanaclub.com/info/nirvinfoa/journals.txt Kurt's Journals – His Top 50 Albums]}}. http://www.nirvanaclub.com {{Webarchive|url=https://web.archive.org/web/20100614211004/http://www.nirvanaclub.com/ |date=14 June 2010 }}. Retrieved 24 July 2010. Cobain and bassist Krist Novoselic were introduced to The Man Who Sold the World by one of their drummers Chad Channing, who bought a used LP version and converted it to cassette. Cobain found great interest in the title track and was surprised to learn it was by David Bowie.{{sfn|O'Leary|2015|p=207}} Nirvana subsequently recorded a live rendition of the song during their MTV Unplugged appearance at Sony Music Studios in New York City on 18 November 1993 and included it on their MTV Unplugged in New York album the following year.{{cite web |last1=Erlewine |first1=Stephen Thomas |title=MTV Unplugged in New York – Nirvana |url=https://www.allmusic.com/album/mtv-unplugged-in-new-york-mw0000118886 |publisher=AllMusic |access-date=4 April 2020 |archive-url=https://web.archive.org/web/20190326201643/https://www.allmusic.com/album/mtv-unplugged-in-new-york-mw0000118886 |archive-date=26 March 2019 |url-status=live }} The song was also released as a promotional single for the album in 1995.{{cite magazine |last=Baltin |first=Steve |date=21 January 1995 |title=Pop Singles |magazine=Cashbox |url=https://www.americanradiohistory.com/hd2/IDX-Business/Music/Archive-Cash-Box-IDX/90s/1995/CB-1995-01-21-OCR-Page-0011.pdf#search=%22nirvana%20the%20man%20who%22 |access-date=28 May 2019 |page=11}} Chris O'Leary notes that rather than play acoustic versions of their more popular songs, such as "Smells Like Teen Spirit", the band instead opted for relatively obscure cover versions, including "The Man Who Sold the World", which at the time, was considered a Bowie outtake by MTV standards.{{sfn|O'Leary|2015|p=207}}

For their performance, Cobain ran his acoustic guitar through a fuzz box that he could trigger with a pedal, allowing the guitar to sound electric. Nirvana's cover received considerable airplay on alternative rock radio stations and was also placed into heavy rotation on MTV in the US, peaking at number 3 on MTV's most played videos on 18 February 1995;{{cite magazine |date=18 February 1995 |title=Billboard Magazine – Video Monitor |url=https://www.worldradiohistory.com/hd2/IDX-Business/Music/Billboard-Index/IDX/1995/1995-02-18-Billboard-Page-0036.pdf |magazine=Billboard |page=38 |access-date=5 August 2018}} it also peaked for two weeks at number 7 on Canada's MuchMusic Countdown in March 1995.{{cite web |url=https://hitsofalldecades.com/chart_hits/index.php?option=com_content&task=view&id=1349&Itemid=52 |title=MUCHMUSIC (CANADA) WEEKLY SINGLE CHARTS FOR 1995 |website=hitsofalldecades.com |access-date=21 July 2019}} The video was also placed into heavy rotation on MTV Europe.

• {{cite magazine |date=February 4, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-02-04-OCR-Page-0046.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=44 |access-date=February 8, 2024}}
• {{cite magazine |date=February 18, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-02-18-OCR-Page-0028.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=28 |access-date=February 8, 2024}}
• {{cite magazine |date=March 11, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-03-11-OCR-Page-0029.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=27 |access-date=February 8, 2024}}
• {{cite magazine |date=March 18, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-03-18-OCR-Page-0035.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=35 |access-date=February 8, 2024}}
• {{cite magazine |date=March 25, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-03-25-OCR-Page-0022.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=22 |access-date=February 8, 2024}}
• {{cite magazine |date=April 1, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-04-01-OCR-Page-0029.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=27 |access-date=February 8, 2024}}
• {{cite magazine |date=April 8, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-04-08-OCR-Page-0031.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=31 |access-date=February 8, 2024}}
• {{cite magazine |date=April 15, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-04-15-OCR-Page-0035.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=35 |access-date=February 8, 2024}}
• {{cite magazine |date=April 23, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-04-22-OCR-Page-0023.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=23 |access-date=February 8, 2024}}
• {{cite magazine |date=April 29, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-04-29-OCR-Page-0023.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=23 |access-date=February 8, 2024}}
• {{cite magazine |date=May 6, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-05-06-OCR-Page-0027.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=27 |access-date=February 8, 2024}}
• {{cite magazine |date=May 20, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-05-20-OCR-Page-0027.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=27 |access-date=February 8, 2024}}
• {{cite magazine |date=May 27, 1995 |url=https://www.worldradiohistory.com/hd2/IDX-UK/Music/Archive-Music-Media-IDX/IDX/90s/95/MM-1995-05-27-OCR-Page-0039.pdf |title=M&M Airplay Station Reports |magazine=Music & Media |page=39 |access-date=February 8, 2024}} Nirvana regularly covered the song during live sets after their MTV Unplugged performance up until Cobain's death in 1994. Following Cobain's death, O'Leary states that the group's performance of "The Man Who Sold the World" became Cobain's "ghost song".{{sfn|O'Leary|2015|p=207}} In 2002, the song was re-released on Nirvana's self-titled "best of" compilation.{{cite web |last=Bryant |first=Will |url=https://pitchfork.com/reviews/albums/5810-nirvana/ |title=Nirvana: Nirvana | Album Reviews |website=Pitchfork|date=14 November 2002 |access-date=16 November 2011 |archive-url=https://web.archive.org/web/20111125165236/http://pitchfork.com/reviews/albums/5810-nirvana/ |archive-date=25 November 2011 |url-status=live }} Douglas Wolk of Pitchfork argues that the song "didn't really become a standard" until Nirvana covered it.

Brian Kachejian of Classic Rock History called their performance of the song "haunting" and "mesmerising".{{cite web |last1=Kay |first1=Brian |title=Nirvana's "The Man Who Sold the World" Performance was Haunting |url=https://www.classicrockhistory.com/nirvanas-the-man-who-sold-the-world-performance-was-haunting/ |website=Classic Rock History |access-date=4 April 2020 |date=2016 |archive-url=https://web.archive.org/web/20171027082354/http://www.classicrockhistory.com/nirvanas-the-man-who-sold-the-world-performance-was-haunting/ |archive-date=27 October 2017 |url-status=live }} He writes, "Cobain's haunting vocals overtook and descended the Bowie lyric into an arena of darkness and hallucination that seemed to be Bowie's original intent. [The presence of the Meat Puppets' Cris and Curt Kirkwood], along with Cobain's lyrical phrasing and gritty yet humbling resonance, left the audience spellbound." Stephen Thomas Erlewine of AllMusic, in his review of MTV Unplugged in New York, wrote: "No other band could have offered covers of David Bowie's "The Man Who Sold the World" and the folk standard "Where Did You Sleep Last Night" on the same record, turning in chilling performances of both – performances that reveal as much as their original songs."

Bowie said of Nirvana's cover: "I was simply blown away when I found that Kurt Cobain liked my work, and have always wanted to talk to him about his reasons for covering 'The Man Who Sold the World{{'"}} and that "it was a good straight forward rendition and sounded somehow very honest. It would have been nice to have worked with him, but just talking with him would have been real cool."{{cite book |last1=St. Thomas |first1=Kurt |author-link1=Kurt St. Thomas |last2=Smith |first2=Troy |year=2004 |title=Nirvana: The Chosen Rejects |url=https://archive.org/details/isbn_9780312206635 |url-access=registration |publisher=St. Martin's Press |page=[https://archive.org/details/isbn_9780312206635/page/191 191] |isbn=0-312-20663-1}} Bowie called Nirvana's cover "heartfelt", noting that "until this [cover], it hadn't occurred to me that I was part of America's musical landscape. I always felt my weight in Europe, but not [in the US]."{{citation | title=Cover Story: Bowie, beyond fame and fashion | journal=USA Today | date=14 September 1995 | pages=D1,2 | last=Gundersen | first=Edna}} In the wake of its release, Bowie bemoaned the fact that when he performed the number himself, he would encounter "kids that come up afterwards and say, 'It's cool you're doing a Nirvana song.' And I think, 'Fuck you, you little tosser!{{'"}}{{sfn|Pegg|2016|p=316}} Rolling Stone added: "If the mark of a good cover is that people do not even realise it's a cover, Nirvana certainly did a good job" and that "The song also took on new meaning after Cobain died. This was a man with the world at his finger tips, and he gave it all up".{{cite magazine |date=12 February 2013 |title=Readers' Poll: The Greatest Live Cover Songs |url=https://www.rollingstone.com/music/music-lists/readers-poll-the-greatest-live-cover-songs-10373/1-nirvana-the-man-who-sold-the-world-12062/ |magazine=Rolling Stone |access-date=10 May 2020}} The magazine ranked Nirvana's version number one in a reader's poll of the greatest live cover songs.

At a pre–Grammy Awards party on 14 February 2016 for the 58th Annual Grammy Awards, surviving Nirvana band members Krist Novoselic, Dave Grohl, and Pat Smear teamed up with contemporary Beck to perform "The Man Who Sold the World" in tribute to Bowie–who had died the month before—with Beck performing vocals.{{cite news |last=Renshaw |first=David |date=15 February 2016 |title=Beck and living Nirvana members honour David Bowie at pre-Grammy party |url=https://www.nme.com/news/nirvana/91505 |publisher=NME |access-date=15 February 2016 |archive-url=https://web.archive.org/web/20160216092948/http://www.nme.com/news/nirvana/91505 |archive-date=16 February 2016 |url-status=live }} To mark what would have been Kurt Cobain's 50th birthday, in 2017 the Phonographic Performance Limited released a list of the twenty most-played Nirvana songs on TV and radio in the UK; "The Man Who Sold the World" ranked at number six.{{cite news |title=20 most-played Nirvana songs revealed to mark Kurt Cobain's 50th birthday |url=http://www.planetrock.com/news/rock-news/20-most-played-nirvana-songs-revealed-to-mark-kurt-cobains-50th-birthday/ |publisher=Planet Rock |access-date=3 March 2017 |archive-url=https://web.archive.org/web/20170222135737/http://www.planetrock.com/news/rock-news/20-most-played-nirvana-songs-revealed-to-mark-kurt-cobains-50th-birthday/ |archive-date=22 February 2017 |url-status=live }}

In 2013, an electric guitar version appeared on Nirvana's Live and Loud video album, which was also released digitally and on vinyl in 2019.{{cite news |date=22 July 2019 |title=Nirvana Live And Loud live album to be released digitally and on vinyl |url=https://www.radiox.co.uk/artists/nirvana/live-loud-live-album-released-vinyl-digital/ |publisher=Radio X |access-date=10 May 2020 |archive-url=https://web.archive.org/web/20190722132810/https://www.radiox.co.uk/artists/nirvana/live-loud-live-album-released-vinyl-digital/ |archive-date=22 July 2019 |url-status=live }} Later the same year, a rehearsal performance for their MTV Unplugged set was released on the 25th anniversary digital and vinyl editions of the album, and had only previously been available on the DVD version that was released in 2007.{{cite magazine |last=Kreps |first=Daniel |date=27 September 2019 |title=Nirvana to Reissue 'MTV Unplugged in New York' on Vinyl With Rehearsal Performances |url=https://www.rollingstone.com/music/music-news/nirvana-mtv-unplugged-in-new-york-vinyl-reissue-891521/ |magazine=Rolling Stone |access-date=10 May 2020 |archive-url=https://web.archive.org/web/20191205050704/https://www.rollingstone.com/music/music-news/nirvana-mtv-unplugged-in-new-york-vinyl-reissue-891521/ |archive-date=5 December 2019 |url-status=live }} On 4 January 2020, the surviving members of Nirvana again teamed up with Beck on vocals and St. Vincent on guitar to perform the song at a charity event for The Art of Elysium's annual Heaven gala.{{cite news |last=Lavin |first=Will |date=5 January 2020 |title=Watch Dave Grohl's daughter, St Vincent and Beck perform with surviving Nirvana members at reunion charity show |url=https://www.nme.com/news/music/nirvana-reunion-2020-dave-grohl-daughter-violet-beck-st-vincent-watch-2592925 |website=NME |access-date=10 May 2020 |archive-url=https://web.archive.org/web/20200328202401/https://www.nme.com/news/music/nirvana-reunion-2020-dave-grohl-daughter-violet-beck-st-vincent-watch-2592925 |archive-date=28 March 2020 |url-status=live }}

{{col-begin}}

{{col-2}}

;US and European promo CD{{Cite AV media notes|title="The Man Who Sold the World"|others=Nirvana|year=1995|publisher=Geffen Records|location=US|type=CD promo single liner notes|id=PRO-CD-4704}}

1. "The Man Who Sold the World" (LP version) – 3:48

{{col-2}}

;Italian jukebox 7" promo split with Aerosmith (limited to 500 copies){{cite web |url=http://www.nirvana-discography.com/pages/promo/unplugged.html |title=Unplugged in New York promos |website=nirvana-discography.com |access-date=14 March 2020 |archive-url=https://web.archive.org/web/20190506190732/http://www.nirvana-discography.com/pages/promo/unplugged.html |archive-date=6 May 2019 |url-status=live }}

1. "The Man Who Sold the World" (Performed by Nirvana)
2. "Walk on Water" (Performed by Aerosmith)

{{col-end}}

{{col-begin}}

{{col-2}}

{{col-2}}

{{col-end}}

{{Certification Table Top}}

{{Certification Table Entry|region=Australia|type=single|award=Platinum|number=2|relyear=1994|certyear=2024|access-date=8 March 2024}}

{{Certification Table Entry|type=single|region=Brazil|artist=Nirvana|title=The Man Who Sold the World|award=Gold|certyear=2024|relyear=1994|access-date=4 July 2024}}

{{Certification Table Entry|type=single|region=Italy|artist=Nirvana|title=The Man Who Sold the World|award=Gold|certyear=2024|relyear=1994|id=11912|access-date=8 March 2024|note=Sales since 2009}}

{{Certification Table Entry|region=New Zealand|type=single|artist=Nirvana|title=The Man Who Sold The World|award=Platinum|certyear=2022|relyear=1994|access-date=December 18, 2024|source=radioscope}}

{{Certification Table Entry|region=Spain|type=single|award=Gold|relyear=1995|certyear=2024|artist=Nirvana|title=The Man Who Sold the World|access-date=20 January 2024}}

{{Certification Table Entry|type=single|region=United Kingdom|artist=Nirvana|title=The Man Who Sold the World|award=Gold|certyear=2023|relyear=2004|id=7132-602-1|access-date=1 December 2023|note=Sales since 2004}}

{{Certification Table Bottom|nosales=true|noshipments=true|streaming=true}}

• Kurt Cobain – vocals, lead guitar
• Pat Smear – rhythm guitar
• Krist Novoselic – bass guitar
• Dave Grohl – drums
• Lori Goldston – cello

{{Reflist}}

;Sources

• {{cite book|last=Buckley |first=David |year=1999 |title=Strange Fascination – David Bowie: The Definitive Story |publisher=Virgin Books |isbn=978-1-85227-784-0 }}
• {{cite book|last=Cann |first=Kevin |year=2010 |title=Any Day Now – David Bowie: The London Years: 1947–1974 |publisher=Adelita |isbn=978-0-95520-177-6 }}
• {{cite book|last1=Carr |first1=Roy|author-link1=Roy Carr |last2=Murray |first2=Charles Shaar| author-link2=Charles Shaar Murray |year=1981 |title=Bowie: An Illustrated Record |publisher=Eel Pie Pub |isbn=978-0-38077-966-6}}
• {{cite book|last=Doggett |first=Peter |author-link=Peter Doggett |year=2012 |title=The Man Who Sold the World: David Bowie and the 1970s |publisher=HarperCollins Publishers |isbn=978-0-06-202466-4 }}
• {{cite book |last=O'Leary |first=Chris |title=Rebel Rebel: All the Songs of David Bowie from '64 to '76 |year=2015 |publisher=Zero Books |location=UK |isbn=978-1-78099-244-0 }}
• {{cite book|last=Pegg |first=Nicholas |title=The Complete David Bowie |publisher=Titan Books |edition=7th |location=London |year=2016 |isbn=978-1-78565-365-0 }}
• {{cite book|last=Perone|first=James|title=The Words and Music of David Bowie|publisher=Greenwood Publishing Group|date=2007|url=https://books.google.com/books?id=C6bz2BFdPawC|isbn=978-0-27-599245-3}}
• {{cite book|last=Spitz |first=Marc |author-link1=Marc Spitz |title=Bowie: A Biography |publisher=Crown Publishing Group |year=2009 |isbn=978-0-307-71699-6|title-link=Bowie: A Biography |location=New York }}

• {{YouTube|fregObNcHC8|"The Man Who Sold the World" cover by Nirvana Official music video (Live at MTV Unplugged)}}

{{David Bowie singles}}

{{Lulu}}

{{Nirvana (band)}}

{{Authority control}}

{{DEFAULTSORT:Man Who Sold The World, The}}

Category:1970 songs

Category:1974 singles

Category:David Bowie songs

Category:Lulu (singer) songs

Category:Nirvana (band) songs

Category:Songs written by David Bowie

Category:Song recordings produced by Tony Visconti

Category:Rhoda Dakar songs