Ed Summerlin

{{Infobox musical artist

| name = Ed Summerlin

| birth_name = Edgar Eugene Summerlin

| birth_date = {{Birth date|1928|9|01}}

| birth_place = Marianna, Florida, U.S.

| death_date = {{Death date and age|2006|10|10|1928|9|01|mf=y}}

| death_place = Rhinebeck, New York

| genre = Liturgical, avant-garde, free jazz

| occupation = Musician, composer, arranger

| instrument = Tenor saxophone

| years_active = 1955–present

| label = Ecclesia, Avant-Garde, Jazz Workshop, ICTUS

| associated_acts = Steve Kuhn

}}

Edgar Eugene Summerlin (September 1, 1928 – October 10, 2006) was an American jazz saxophonist, composer, and educator known for pioneering Liturgical jazz, avant-garde jazz, and free jazz.

Professional career

While a graduate student at the University of North Texas College of Music, Summerlin, in 1959, composed Requiem for Mary Jo, which is widely believed to be one of the first significant uses of jazz in a liturgical service.John Coltrane’s A Love Supreme is held as one of the first manifestations of spirituality in jazz; Summerlin preceded that landmark album with a number of sacred jazz compositions in 1959. He and his wife, Mary Elizabeth (nee Bouknight), had a daughter, Mary Jo (b. April 2, 1958, Denton), who died of heart disease at age nine months on January 27, 1959, in Denton.

He performed Requiem for Mary Jo May 20, 1959, during a service in the chapel at the Perkins School of Theology, Southern Methodist University.Lavietes, Stuart. [https://www.nytimes.com/2006/10/24/obituaries/24summerlin.html "Edgar Summerlin, 78, Composer Who Brought Jazz to Church"]. The New York Times. Oct. 24, 2006. Retrieved 2013-03-26. Bill Slack, Jr., Assistant Pastor of the First Methodist Church of Denton, who had visited the Summerlins while Mary Jo was near death in the hospital, had encouraged Summerlin to compose Requiem. Dr. Roger Ellwood Ortmayer (1916–1984), then of the Perkins School, commissioned the work."Experimental Jazz Service Well Received at Premier", Denton Record-Chronicle, May 21, 1959

That same year, still studying and teaching at North Texas, Summerlin recorded his debut LP, Liturgical Jazz, on which "Requiem for Mary Jo," was the heartbreaking centerpiece.

Saturday night, February 13, 1960, NBC's World Wide 60 (hosted by Chet Huntley) visited Denton to air the story of Ed Summerlin's liturgical jazz (national broadcast, NBC, Friday, February 19, 1960)."Jazz Church Service, NBC Tells Story of Ed Summerlin", Denton Record-Chronicle, February 21, 1960

Summerlin's grieving and spiritual creativity inspired him to compose other liturgical jazz pieces, including

Episcopal Evensong
Jazz Vespers ServiceSimosko, Vladimir; Tepperman, Barry (1971, 1996). [https://books.google.com/books?id=tY0UFKMutpIC&dq=Ed+Summerlin+%22next+day%22+%22Look+Up+and+Live%22&pg=PA69 "His Musical Biography"]. Eric Dolphy: A Musical Biography and Discography. Cambridge, MA: Da Capo Press. p. 69. {{ISBN|0-306-80524-3}}.
Liturgy of the Holy SpiritHeckman, Don. [https://www.latimes.com/archives/la-xpm-2006-oct-13-me-summerlin13-story.html "Edgar Summerlin, 78; Musician Wrote Jazz-Based Liturgical Works"]. Los Angeles Times. Oct 13, 2006. Retrieved 2013-03-25. Summerlin Music Co. (1965), piano-vocal score, 13 pgs

As the sixties progressed, Summerlin gradually established himself as an avant-garde tenor saxophonist, composer and arranger.

At the same time, his well-publicized prime time television debut was followed by several Sunday morning appearances throughout the 1960s on the long-running CBS series, Look Up and Live,[https://news.google.com/newspapers?nid=1964&dat=19601204&id=zU1RAAAAIBAJ&sjid=XjMNAAAAIBAJ&pg=3959,1076391 "TV Programs for the Week of December 4-10"]{{Dead link|date=January 2025 |bot=InternetArchiveBot |fix-attempted=yes }}. The Palm Beach Post. December 4, 1960.[https://news.google.com/newspapers?id=IT9QAAAAIBAJ&sjid=JVcDAAAAIBAJ&pg=5209%2C3644536 "Sunday TV Programs"]. The St. Petersburg Evening Independent. January 28, 1962. Retrieved 2013-04-07.[http://www.worldcat.org/oclc/53169625 "The Celebrations"]. WorldCat. Retrieved 2013-04-01. collaborating with musicians such as Freddie Hubbard,Feather, Leonard.[http://2.bp.blogspot.com/-Cr9Xx6vnQwU/Ty7kde2ujHI/AAAAAAAAB84/TiNNkvuiTDk/s1600/Blue+Note+-+4073.jpg Liner notes for Hub Cap]. Blogspot. Retrieved 2013-04-01. "Freddie was featured on the Look Up and Live CBS telecasts with Summerlin, whose jazz-oriented writing for a Methodist Sunday church service created a sensation in 1959." Eric Dolphy, Don Ellis, Slide Hampton, and Ron Carter, as well as choreographer Anna Sokolow. During this decade, Summerlin also scored two feature films, the little-known 1963 Bay of Pigs-inspired drama, We Shall Return (which, coincidentally, featured the first and only original screenplay by oft-adapted novelist Pat Frank) and the even lesser known 1967 film Ciao (written and directed by the earlier film's editor, David Tucker),Feather, Leonard; Gitler, Ira (1976). [https://books.google.com/books?id=-bpX4W9VjikC&q=Ciao+Venice+Summerlin "Summerlin, Edgar"]. The Encyclopedia of Jazz of the Seventies. New York Press: Horizon Press. p. 319. Retrieved 2013-04-15.[https://books.google.com/books?id=k_85AQAAIAAJ&q=Ciao+Venice+%22Ed+Summerlin%22 "1967 Films"]. Bianco e Nero. Volume 29. 1968. Retrieved 2013-04-15. which, after becoming the only U.S. feature film to be entered in that year's Venice Film Festival,Special to The New York Times. [http://www.google.com/search?q=Ciao+%22NO+US+FILM+ENTERED%22+&tbs=nws:1,ar:1&source=newspapers "No U.S. Film Entered for Top Venice Prize"]. The New York Times. August 13, 1967. Retrieved 2013-04-15. failed to find a distributor and quickly disappeared from view.

Education

Summerlin received a Bachelor of Music in Education, with a Major in Music, Central Missouri State University in 1951, and a Master of Music from the Eastman School of Music the following year. In 1958, after learning about the University of North Texas College of Music while performing with the Johnny Long Band, Summerlin enrolled as a graduate student and became a member of Lab Band and also assisted Gene Hall in teaching jazz composition, theory, and saxophone."Jazz Enthusiasts From All Over the County Flock to NT", Denton Record-Chronicle, Sect. 1, p. 1, Jan 19, 1958

New York

Summerlin relocated to New York in the early 1960s, where he freelanced with Eric Dolphy, Pete LaRoca, Don Ellis, and Sheila Jordan. He also composed and arranged for Ron Carter, Kuhn, Freddie Hubbard, Dave Liebman, Toshiko Akiyoshi, and Lee Konitz. In 1966, he worked with Jackson Mac Low, Max Neuhaus, James Tenney, David Behrman, Philip Corner, Jeanne Lee, Emmett Williams, David Antin, and others. In 1969, collaborated with saxophonist and journalist Don Heckman to co-lead the Improvisational Jazz Workshop.

In 1971, Summerlin founded the jazz program at City College of New York, which he was director until 1989.

Death

Summerlin died on October 10, 2006 in Rhinebeck, NY after a long battle with cancer.

Family

Former wife (married August 27, 1948 and Oct 15, 1949) — Summerlin married Virginia Lee Allen, in Lexington, MO.Lafayette County, Missouri Marriage License Records, Vol. (unknown), Page 297 (note: there are two Marriage licenses filed of record)
Former wife, Mary Elizabeth (nee, Bouknight) Hyde Park, NY
Surviving wife, Karen Jones Summerlin (married December 15, 1974, New York City), currently resides in Staatsburg, New York

::son — Jeff Summerlin, Dutchess County, NY

::son — Sean Wright, De Soto, KS

Selected discography

=As leader=

Liturgical Jazz (Ecclesia Records) (1959)
The Don Heckman-Ed Summerlin Improvisational Jazz Workshop (Ictus, 1967), co-led with Don Heckman, featuring Steve Kuhn and Ron Carter
Ring Out Joy (Avant-Garde Records) (1968)
Still At It (Ictus 1994)

: Recorded at Make Believe Ballroom in West Shokan, New York, Ed Summerlin - Bob Norden Quartet, December 27 & 28, 1993, released 1998

: Ed Summerlin (tenor sax), Bob Norden (trombone), Charlie Kniceley (bass), Chris Starpoli (percussion)

Sum of the Parts (Ictus, 1998)

: Recorded at Make Believe Ballroom in West Shokan, New York, released February, 1998

: Ed Summerlin (tenor sax), Bruce Ahrens (trumpet), Joe Chambers (drums), Ron Finck (alto sax), Tony Marino (bass)

Eye on the Future (Ictus, 1999)

: Recorded at Make Believe Ballroom in West Shokan, New York, December 14 & 15, 1998; released 1999

: Ed Summerlin (tenor sax), Bruce Ahrens (trumpet), Bob Norden (trombone), Ron Finck (alto sax), Tony Marino (bass), Adam Nussbaum (drums)

=As arranger / composer=

With Freddie Hubbard

Hub Cap (Blue Note, 1961)

With Steve Kuhn and Toshiko Akiyoshi

The Country and Western Sound of Jazz Pianos (Dauntless, 1963)

With Caedmon Records

Winnie the Pooh: Told and Sung (Caedmon, TC 1408; 1972) – words and music by A. A. Milne, Fraser-Simson and Julian Slade, read and sung by Carol Channing; additional music, arrangements and conducting by Ed Summerlin.[http://catalog.cranfordlibrary.org/Mobile/Search/Details/1.67681 "Winnie-the-Pooh {sound recording} / A.A. Milne"] {{Webarchive|url=https://web.archive.org/web/20160303222259/http://catalog.cranfordlibrary.org/Mobile/Search/Details/1.67681 |date=2016-03-03 }}. Cranford Public Library. Retrieved 2013-03-26.
Many Moons (Caedmon, TC-1410; 1972) – James Thurber story read by Peter Ustinov; background music composed and conducted by Edgar Summerlin.[http://holmes.lib.muohio.edu/record=b3025167~S9 "Many Moons"]. Miami University Libraries. Retrieved 2013-03-26.
The Great Quillow (Caedmon, TC 1411; 1972) – James Thurber story read by Peter Ustinov; background music composed and conducted by Ed Summerlin.[http://holmes.lib.muohio.edu/record=b1992060~S9 "The Great Quillow"]. Miami University Libraries. Retrieved 2013-03-26.
'Curious George,' and other stories about Curious George (Caedmon, TC 1420; 1973) – read by Julie Harris; background music composed and conducted by Ed Summerlin.[http://www.worldcat.org/oclc/1042281 "Curious George and other stories about curious George (Audiobook on LP, 1972)"]. WorldCat. Retrieved 2013-03-26.
'Curious George Reads the Alphabet,' and other stories about Curious George (Caedmon, TC 1421; 1973) – read by Julie Harris; music composed and conducted by Ed Summerlin.[http://lccn.loc.gov/72750738 "Curious George learns the alphabet, and other stories about Curious George"]. LOC online. Retrieved 2013-03-26.
Whoever heard of a Fird? (Caedmon, TC 1735; 1984) – Othello Bach story performed by Joel Grey; arranged and conducted by Ed Summerlin.[http://mobius.missouri.edu:2082/record=b14528090~S0 "Whoever heard of a Fird? {sound recording} / music and lyrics by Othello Bach"]{{Dead link|date=January 2025 |bot=InternetArchiveBot |fix-attempted=yes }}. MOBIUS. Retrieved 2013-03-26.

With The Rock Generation

Saturday in the Park and Other Songs Made Famous by Chicago (RCA Camden, 1973)Feather, Leonard. "Summerlin, Edgar E. (Ed)". Encyclopedia of Jazz in the Seventies. New York: Horizon Press. p. 319. {{ISBN|0-8180-1215-3}} . Retrieved 2013-05-17.[http://www.copyrightencyclopedia.com/saturday-in-the-park-and-other-songs-made-famous-by-chicago/#b "Saturday in the park and other songs made famous by Chicago. Sound recordings: RCA Records"]. Copyright Encyclopedia. Retrieved 2013-05-17.