Enter the Wu-Tang (36 Chambers)
{{Use mdy dates|date=December 2022}}
{{Infobox album
| name = Enter the Wu-Tang (36 Chambers)
| type = studio
| artist = Wu-Tang Clan
| cover = Wu-TangClanEntertheWu-Tangalbumcover.jpg
| alt =
| released = {{Start date|1993|11|9}}
| recorded = 1992–1993
| venue =
| studio = Firehouse (Brooklyn, New York)
| genre = {{flatlist|
}}
| length = {{Duration|m=58|s=26}}
| label = {{flatlist|
}}
| prev_title =
| prev_year =
| next_title = Wu-Tang Forever
| next_year = 1997
| misc = {{Singles
| name = Enter the Wu-Tang (36 Chambers)
| type = studio
| single1 = Protect Ya Neck
| single1date = December 14, 1992{{cite web |last1=Gross |first1=Joe |title=Watch Ya Step, Kid: 'Protect Ya Neck' |url=https://publishing.downtownmusicservices.com/stories/watch-ya-step-kid-enter-the-wu-tang |website=Downtown Music Services |url-status=dead |archive-url=https://web.archive.org/web/20230220100441/https://publishing.downtownmusicservices.com/stories/watch-ya-step-kid-enter-the-wu-tang |archive-date=20 February 2023 |access-date=20 February 2023 |date=15 February 2021}}
| single2 = C.R.E.A.M.
| single2date = January 31, 1994
| single3 = Can It Be All So Simple
| single3date = February 22, 1994
}}
}}
{{italic title|all=yes|noerror}}
Enter the Wu-Tang (36 Chambers) is the debut studio album by the American hip-hop collective Wu-Tang Clan, released on November 9, 1993, by Loud Records and RCA Records. The recording sessions took place during late 1992 to early 1993 at Firehouse Studio in New York City, and the album was produced by the group's de facto leader RZA. Its title originates from the martial arts films Enter the Dragon (1973) and The 36th Chamber of Shaolin (1978).
The distinctive, gritty sound of Enter the Wu-Tang (36 Chambers) created a blueprint for hardcore hip-hop during the 1990s, and helped return New York City hip-hop to national prominence. Its sound also became greatly influential in modern hip-hop production, while the group members' explicit, humorous, and free-associative lyrics have served as a template for many subsequent rap records. Serving as a landmark release in the era of hip-hop known as the East Coast Renaissance, its influence helped lead the way for several other East Coast rappers, including Nas, The Notorious B.I.G., Mobb Deep, and Jay-Z.
Despite its raw, underground sound, the album had surprising chart success, peaking at number 41 on the US Billboard 200 chart, selling 30,000 copies in its first week on sale. By 1995, it was certified Platinum by the Recording Industry Association of America, and in October 2018 it was certified triple platinum.{{cite web |title=Gold & Platinum |url=https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=wu+tang+clan&ti=&lab=&genre=&format=&date_option=release&from=1990-01-01&to=1999-12-31&award=&type=&category=&adv=SEARCH# |website=RIAA |access-date=April 25, 2019}} Initially receiving positive reviews from most music critics, Enter the Wu-Tang (36 Chambers) has since been widely regarded as one of the most significant albums of the 1990s, as well as one of the greatest hip-hop albums of all time. In 2020, the album was ranked 27th on Rolling Stone
Background
In the late 1980s, cousins Robert Diggs, Gary Grice, and Russell Jones formed a group named Force of the Imperial Master, also known as the All in Together Now Crew.{{cite web | last = Cowie | first = Del F. | url = http://www.exclaim.ca/index.asp?layid=22&csid=1&csid1=914 | title = Days of the Wu at Exclaim.ca | access-date = November 6, 2006 | url-status = dead | archive-url = https://web.archive.org/web/20050428102026/http://www.exclaim.ca/index.asp?layid=22&csid=1&csid1=914 | archive-date = April 28, 2005 }} Each member recorded under an alias: Grice as The Genius, Diggs as Prince Rakeem or The Scientist, and Jones as The Specialist. The group never signed to a major label, but caught the attention of the New York City rap scene and was recognized by rapper Biz Markie.{{cite web | url = http://www.hiphopcore.net/interviews/rza_english.php3 | title = RZA Interview at HipHopCore.net | access-date = December 26, 2006 | archive-url = https://web.archive.org/web/20060515072710/http://www.hiphopcore.net/interviews/rza_english.php3| archive-date = May 15, 2006}} By 1991, The Genius and Prince Rakeem were signed to separate record labels. The Genius released Words from the Genius (1991) on Cold Chillin' Records and Prince Rakeem released Ooh I Love You Rakeem (1991) on Tommy Boy Records. Both were soon dropped by their labels. Embittered but unbowed, they refocused their efforts and on new monikers; The Genius became GZA (pronounced "jizza"), while Prince Rakeem became RZA (pronounced "rizza"). RZA discussed the matter in the book The Wu-Tang Manual (2005), stating "[Tommy Boy] made the decision to sign House of Pain over us. When they dropped me, I was thinking, 'Damn, they chose a bunch of whiteboy shit over me.{{' "}}{{cite web | last = Pfeifle | first = Sam | url = http://www.bostonphoenix.com/boston/arts/books/documents/04646062.asp | title = Days of the Wu — The RZA looks inside the Clan | work = The Boston Phoenix | publisher = Stephen M. Mindich | access-date = November 12, 2015 | url-status = dead | archive-url = https://web.archive.org/web/20151017180411/http://www.bostonphoenix.com/boston/arts/books/documents/04646062.asp | archive-date = October 17, 2015 }}
RZA began collaborating with Dennis Coles, later known as Ghostface Killah, another rapper from the Stapleton Houses in Staten Island. The duo decided to create a hip-hop group whose ethos would be a blend of "Eastern philosophy picked up from kung fu movies, watered-down Five-Percent Nation preaching picked up on the New York streets, and comic books."
Recording and production
Enter the Wu-Tang (36 Chambers) was recorded at Firehouse Studio in New York City. The album was produced, mixed, arranged, and programmed by RZA, and was mastered at The Hit Factory in New York City by Chris Gehringer.{{cite web|url=https://www.spin.com/2013/11/wu-tang-clan-enter-the-wu-tang-36-chambers-oral-history/|title=Clan in Da Back|first=Phillip|last=Mlynar|work=Spin|date=November 5, 2013|access-date=November 9, 2018|archive-url=https://web.archive.org/web/20181109234733/https://www.spin.com/2013/11/wu-tang-clan-enter-the-wu-tang-36-chambers-oral-history/|archive-date=November 9, 2018|url-status=live}} Because of an extremely limited budget, the group was only able to record in a small, inexpensive studio; with up to eight of the nine Wu-Tang members in the studio at once, the quarters were frequently crowded. To decide who appeared on each song, RZA forced the Wu-Tang rappers to battle with each other. This competition led to the track "Meth Vs. Chef", a battle between Method Man and Raekwon over the rights to rap over RZA's beat; this track was left off the Wu-Tang Clan's debut album but surfaced on Method Man's debut, Tical (1994).
Group leader RZA produced Enter the Wu-Tang (36 Chambers) by creating sonic collages from classic soul samples and clips from martial arts movies Shaolin and Wu Tang (1983) and Ten Tigers from Kwangtung (1979). He complemented the rappers' performances with "lean, menacing beats that evoked their gritty, urban surroundings more effectively than their words," according to Stephen Thomas Erlewine of AllMusic.{{cite web | last = Erlewine | first = Stephen Thomas | url = {{AllMusic|class=album|id=r442505|pure_url=yes}} | title = Enter the Wu-Tang (36 Chambers) (Japan) at Allmusic | access-date = October 7, 2006 }} The use of soul samples and various esoteric clips, and the technique by which RZA employed them in his beats was unique and largely unprecedented in hip-hop. The gritty sound of Enter the Wu-Tang is due, at least in part, to the use of cheap equipment to produce the album.{{cite web | last = Juon | first = Steve | url = http://www.rapreviews.com/archive/BTTL_36chambers.html | title = Enter the Wu-Tang (36 Chambers) | work = Rapreviews.com | date = April 17, 2001 | access-date = November 12, 2015 | archive-url = https://web.archive.org/web/20150928000440/http://www.rapreviews.com/archive/BTTL_36chambers.html | archive-date = September 28, 2015 | url-status = live }}
Music and lyrics
{{Listen
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|description = "C.R.E.A.M." features two verses from Raekwon and Inspectah Deck, who discuss their upbringings while living in New York City. It samples the Charmels' 1967 song "As Long As I've Got You".
}}
{{Listen
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|title = "Method Man"
|description = One of two songs to feature a single member of the group on the verses (Method Man)
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According to music journalist Ben Yew, the minimalist means of production plays directly into the music's "street" aesthetic. "Because [RZA] didn't have the best mixing or recording equipment, the album is wrought with a 'dirty' quality—the drums have more bass and are more hard-hitting than they are crisp and clean; the samples have an eerie, almost haunting type of echo; and the vocals, because each member's voice is already aggressive and gritty, perfectly match the production." Although Ol' Dirty Bastard is given co-production credit on "Da Mystery of Chessboxin'" and Method Man is co-credited for "Wu-Tang Clan Ain't Nuthing ta F' Wit", critics and admirers universally credit RZA with developing what Pitchfork called a "dusty yet digital production style [that] helped legitimize the use of more diverse sample sources to the hardcore New York rap massive, breaking away from James Brown based beats and embracing a style that turned the Underdog theme into the menacing coda for a group of underground terrorists."{{cite web | last = Pemberton | first = Rolie | url = http://www.pitchforkmedia.com/article/feature/36737/Staff_List_Top_100_Albums_of_the_1990s/page_7 | title = Pitchfork Feature: Top 100 Albums of the 1990s | access-date = December 14, 2006 | archive-url = https://web.archive.org/web/20061112203649/http://pitchforkmedia.com/article/feature/36737/Staff_List_Top_100_Albums_of_the_1990s/page_7 | archive-date = November 12, 2006 }}
Enter the Wu-Tang ushered in a new standard for hip-hop at a time when hip-hop music was dominated by the jazz-influenced styles of A Tribe Called Quest, the Afrocentric viewpoints of Public Enemy, and the rising popularity of West Coast gangsta rap. The album's explicit, humorous and free-associative lyrics have been credited for serving as a template for many subsequent hip-hop records. Rolling Stone described the album as possessing an aesthetic that was "low on hype and production values [and] high on the idea that indigence is a central part of blackness". While the lyrical content on Enter the Wu-Tang generally varies from rapper to rapper, the basic themes are the same—urban life, martial arts movies, comic book references, and marijuana—and the setting is invariably the harsh environment of New York City.{{citation needed|date=September 2020}} AllMusic contributor Steve Huey praises the lyricists for their originality and caustic humor, stating "Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style ... Every track on Enter the Wu-Tang is packed with fresh, inventive rhymes, which are filled with martial arts metaphors, pop culture references (everything from Voltron to Lucky Charms cereal commercials to Barbra Streisand's "The Way We Were"), bizarre threats of violence, and a truly twisted sense of humor."
With the exception of "Method Man" and GZA's "Clan in da Front", every song features multiple rappers contributing verses of varying lengths. The verses are essentially battle rhymes, mixed with humor and outsized tales of urban violence and drug use. There is some debate about whether the lyrics on 36 Chambers are properly classified as gangsta rap or something else entirely.{{cite web | last = Yew | first = Ben | url = http://www.proudfleshjournal.com/issue3/yew.htm | title = Retrospect for Hip-Hop: A Golden Age on Record? | work = ProudFleshJournal.com | publisher = Africa Resource Center | access-date = November 12, 2015 |archive-url = https://web.archive.org/web/20050413081854/http://www.proudfleshjournal.com/issue3/yew.htm |archive-date=April 13, 2005 }} In a Stylus magazine review, writer Gavin Mueller evokes the bleakness of the Wu-Tang world view:
{{blockquote|The lyrics reach back to New York's own Rakim: dense battle rhymes potent with metaphors. Each Wu MC links his rhymes to crime and violence, allowing his preoccupations to surface subtly and indirectly, rather than spouting off overt gangsta-isms designed to shock ... The hood imagery of the lyrics is utterly pervasive and uncompromising, immersing the listener in a foreign land smack in the middle of New York. There is no celebration here, and little hope.{{cite web | last = Mueller | first = Gavin | url = http://www.stylusmagazine.com/articles/weekly_article/the-wu-tang-clan-story-part-one.htm | title = The Wu-Tang Clan Story: Part One from Stylus Magazine | access-date = October 21, 2006 | archive-url = https://web.archive.org/web/20070110215209/http://www.stylusmagazine.com/articles/weekly_article/the-wu-tang-clan-story-part-one.htm | archive-date = January 10, 2007 | url-status = live }}|Gavin Mueller}}
All nine original Wu-Tang Clan members contribute vocals on Enter the Wu-Tang. Masta Killa only appears on one track, contributing the last verse of "Da Mystery of Chessboxin{{' "}}, but all the other rappers appear on at least two songs. Method Man and Raekwon are the most prolific of the group, featured on eight tracks. Though the performers have widely differing techniques, the chemistry between them is a key ingredient of the album's success. Pitchfork asserts that "Half the charm is in the cast's idiosyncrasies: ODB's hovering sing-song, Raekwon's fake stutter, Ghostface's verbal tics, Method Man's hazy, dusted voice."
{{anchor|Title}}Title and packaging
Part of the album's title originates from the Five Percent philosophy, known to adherents as the Supreme Mathematics, which attaches the number 9 with the meaning "to bring into existence". Because the Wu-Tang Clan was made of nine members, each of whom has four chambers of the heart, the album was subtitled "36 Chambers", being the total of the nine hearts of the members.
In reference to the 1978 kung fu film The 36th Chamber of Shaolin that the group enjoyed watching, the Clan considered themselves as lyrical masters of the 36 chambers, and arrived onto the rap scene while appearing to be ahead, and more advanced over others, with "knowledge of 36 chambers of hip hop music when everyone else in hip hop was striving to attain the knowledge of 35 lessons". Also, while the human body has 108 pressure points (1 + 0 + 8 = 9), only the Wu-Tang martial artists learned and understood that 36 of those pressure points are deadly (9 + 36 = 45) (4 + 5 = 9). The lyrics and rhymes of the 9 members are to be considered as 36 deadly lyrical techniques for pressure points. All of this is the basis for the album title, Enter the Wu-Tang (36 Chambers), being that 9 members x 4 chambers = 36. However, this is just a theory; the true significance of the title is not definitively known.Perkins, Brandon. [http://www.urb.com/2007/07/10/wu-tang-widdling-down-infinity/ Wu-Tang: Widdling Down Infinity] {{Webarchive|url=https://web.archive.org/web/20100228044709/http://www.urb.com/2007/07/10/wu-tang-widdling-down-infinity/ |date=February 28, 2010 }}. URB. Retrieved on 2009-07-02. The first part of the title is taken from the 1973 film Enter the Dragon and aforementioned Shaolin and Wu Tang.Archived at [https://ghostarchive.org/varchive/youtube/20211211/RZ67KyHX-cY Ghostarchive]{{cbignore}} and the [https://web.archive.org/web/20190904051031/https://www.youtube.com/watch?v=RZ67KyHX-cY Wayback Machine]{{cbignore}}: {{cite web |title=Wu-Tang's RZA Breaks Down 10 Kung Fu Films He's Sampled |url=https://www.youtube.com/watch?v=RZ67KyHX-cY |work=Vanity Fair |via=YouTube |date=September 3, 2019 |access-date=February 8, 2020}}{{cbignore}}
The album's front cover image was photographed by Daniel Hastings. It features only six members of the Wu-Tang Clan: RZA, GZA, Ol' Dirty Bastard, Inspectah Deck, Ghostface Killah, and Raekwon; member U-God was in jail for a parole violation at the time, while Method Man had been arrested earlier that day for marijuana possession. As not every member of the group was present for the shoot, the six members who were donned stocking masks to conceal their faces.{{sfn|Fernando|2021|loc=chpt. 8}} The album cover photo was shot inside Angel Orensanz Center, then an abandoned and ruined synagogue.{{sfn|Tobak|2018|p=99}} The group was photographed in front of a large foamcore rendering of the Wu-Tang Clan logo, on a set lit with tungsten lights, strobe lights, and candles.{{sfn|Fernando|2021|loc=chpt. 8}} Hastings also took several photographs of the group under the Queensboro Bridge, which were featured in the album's packaging.{{sfn|Tobak|2018|p=99}}
Singles
{{Listen
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"Protect Ya Neck" and "Tearz" were the first tracks recorded by the Wu-Tang Clan, released independently by the group as a 12-inch single in December 1992.{{cite web |last1=Fields |first1=Kiah |title=TODAY IN HIP HOP IN HISTORY: WU-TANG CLAN RELEASES DEBUT SINGLE 'PROTECT YA NECK' |url=https://thesource.com/2016/05/03/today-in-hip-hop-in-history-wu-tang-clan-releases-debut-single-protect-ya-neck/ |website=The Source |date=May 3, 2016 |access-date=October 23, 2021}} "Protect Ya Neck" is a free-associative and braggadocious battle rap featuring eight of the nine Wu-Tang Clan members. The track was also edited to scratch out all profanity, save for repeated use of the word "nigga". An uncensored version known as the "Bloody Version" was released on the 2004 compilation album, Legend of the Wu-Tang: Wu-Tang Clan's Greatest Hits.{{cite web |last=Juon |first=Steve "Flash" |title=Wu-Tang Clan :: Legend of the Wu-Tang * Wu-Tang Clan’s Greatest Hits |date=October 27, 2004 |url=https://www.rapreviews.com/2004/10/wu-tang-clan-legend-of-the-wu-tang-wu-tang-clans-greatest-hits/ |website=RapReviews |access-date=October 29, 2024 |archive-date=June 24, 2024 |archive-url=https://web.archive.org/web/20240624164934/https://www.rapreviews.com/2004/10/wu-tang-clan-legend-of-the-wu-tang-wu-tang-clans-greatest-hits/ |url-status=live}} "Tearz" tells two stories: RZA's little brother getting shot and Ghostface Killah recounting the story of a man who contracts HIV after having unprotected sex.{{citation needed|date=September 2020}} The singles were independently released as, "Protect Ya Neck"/"After the Laughter Comes Tears", which RZA financed by demanding $100 (USD) from each rapper who wanted a verse on the A-side. The single was re-released in a much larger pressing, with "Method Man" as the B-side.{{cite web | url = http://www.buy.com/prod/Enter_The_Wu_Tang_36_Chambers_Explicit_Version/q/loc/109/60132453.html | title = Enter The Wu-Tang (36 Chambers (Explicit Version) at Buy.com | access-date = October 6, 2006 | archive-url = https://web.archive.org/web/20070209163000/http://www.buy.com/prod/Enter_The_Wu_Tang_36_Chambers_Explicit_Version/q/loc/109/60132453.html | archive-date = February 9, 2007 | url-status = live }}
"C.R.E.A.M.", featuring Raekwon and Inspectah Deck, was the second single from the album, and the first new A-side to be released after the group signed with Loud/RCA.{{citation needed|date=September 2020}} The lyrics deal with the struggle of poverty, and the desire to earn money by any means. It was the Wu-Tang Clan's most successful single, reaching number 60 on the Billboard Hot 100 and number 8 on the Billboard Hot Rap Tracks chart.{{citation needed|date=September 2020}} The single topped the Hot Dance Music/Maxi-Singles Sales chart.{{cite magazine|title=Billboard – April 2, 1994|url=https://www.worldradiohistory.com/Archive-All-Music/Billboard/90s/1994/BB-1994-04-02.pdf#page=23|magazine=Billboard|page=25|access-date=November 29, 2024|archive-date=November 10, 2024|archive-url=https://web.archive.org/web/20241110063124/https://www.worldradiohistory.com/Archive-All-Music/Billboard/90s/1994/BB-1994-04-02.pdf#page=23|url-status=live|via=worldradiohistory.com}} Wu-Tang's "Can It Be All So Simple", featuring Ghostface Killah and Raekwon, was the album's third single. The single failed to chart on the Billboard Hot 100 but reached number 24 on the Hot Rap Tracks chart in 1994.{{citation needed|date=September 2020}} A remix of the song was included on Raekwon's debut solo album, Only Built 4 Cuban Linx... (1995).{{citation needed|date=September 2020}}
Wu-Tang made music videos for the three A-sides and the B-side songs including "Method Man", "Da Mystery of Chessboxin{{' "}}, and "Wu-Tang Clan Ain't Nuthing ta Fuck Wit".{{citation needed|date=September 2020}} As the group's profile increased, the quality of their videos improved; though the "Protect Ya Neck" video resembled a home movie, later videos were directed by rising hip-hop music video director Hype Williams.{{citation needed|date=September 2020}} The videos received almost no airplay on MTV but were extremely popular on video-by-request channels such as The Box.{{cite magazine | last = Ward | first = Jacob | url = https://www.wired.com/wired/archive/6.02/newmedia.html?pg=7 | title = Where MTV Fears to Tread at Wired.com | magazine = Wired | access-date = December 27, 2006 | archive-url = https://web.archive.org/web/20061126221725/http://www.wired.com/wired/archive/6.02/newmedia.html?pg=7 | archive-date = November 26, 2006 | url-status = live }} Touré wrote in his 1993 Rolling Stone review that, "in Brooklyn, N.Y., right now and extending back a few months, the reigning fave is the Wu-Tang Clan, who are to the channel what Guns N' Roses are to MTV."
Critical reception
{{Album ratings
| title = Contemporary professional reviews
| rev1 = Chicago Sun-Times
| rev1Score = {{rating|3|4}}{{cite news|url=https://www.highbeam.com/doc/1P2-4214202.html|archive-url=https://web.archive.org/web/20181118094558/https://www.highbeam.com/doc/1P2-4214202.html|url-status=dead|archive-date=November 18, 2018|title=Wu-Tang Clan, 'Enter the Wu-Tang (36 Chambers)' (Loud/RCA)|work=Chicago Sun-Times|date=February 13, 1994|access-date=January 13, 2017|last=Abdul-Adil|first=Jaleel|url-access=subscription }}
| rev2 = Entertainment Weekly
| rev2Score = A{{cite magazine|url=http://www.ew.com/article/1993/12/17/enter-wu-tang|title=Enter the Wu-Tang (36 Chambers)|magazine=Entertainment Weekly|date=December 17, 1993|access-date=September 18, 2009|last=Bernard|first=James|archive-url=https://web.archive.org/web/20150924162113/http://www.ew.com/article/1993/12/17/enter-wu-tang|archive-date=September 24, 2015|url-status=live}}
| rev3 = Rolling Stone
| rev3Score = {{rating|4|5}}{{cite magazine|url=https://www.rollingstone.com/artists/wutangclan/albums/album/129082/review/6209929/enter_the_wutang_36_chambers|title=Wu-Tang Clan: Enter The Wu-Tang (36 Chambers)|magazine=Rolling Stone|date=April 7, 1994|access-date=June 21, 2012|author=Touré|author-link=Touré (journalist)|archive-url=https://web.archive.org/web/20071002111310/http://www.rollingstone.com/artists/wutangclan/albums/album/129082/review/6209929/enter_the_wutang_36_chambers|archive-date=October 2, 2007|url-status=dead}}
| rev4 = The Source
| rev4Score = {{Rating|4.5|5}}{{cite magazine |title=Wu-Tang Clan: Enter The Wu-Tang (36 Chambers) |magazine=The Source |issue=53 |date=February 1994 |last=Kendall |first=Robert "The Ghetto Communicator" |page=73}}
}}
Enter the Wu-Tang (36 Chambers) was received positively by contemporary critics. In an article for The Source, The Ghetto Communicator wrote "This record is harsh, but so is the world that we live in. For B-boys n'girls who come from the core of the hard, this is the hip-hop album you've been waiting for". Entertainment Weekly said, "With its rumble jumble of drumbeats, peppered with occasional piano plunking, Enter has a raw, pass-the-mike flavor we haven't heard since rap was pop's best-kept secret." Touré was less enthusiastic in Rolling Stone, praising the album's sound, but noting that "Wu-Tang ... are more ciphers than masterful creations. In refusing to commodify themselves, they leave blank the ultimate canvas—the self." He added, "This is hip-hop you won't find creeping up the Billboard charts but you will hear booming out of Jeep stereos in all the right neighborhoods." However, Enter the Wu-Tang had surprising chart success, despite its raw, underground sound. It peaked at number 41 on the Billboard 200 chart and reached number eight on Billboard{{'}}s Top R&B/Hip-Hop Albums chart.{{cite web | url = {{AllMusic|class=album|id=r189247|pure_url=yes}} | title = Enter the Wu-Tang (36 Chambers): Billboard Albums | access-date = October 12, 2006 }} The album continued to sell steadily and was eventually certified platinum by the Recording Industry Association of America on May 15, 1995.{{cite web|url=https://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS&title=Enter%20the%20Wu-Tang%20%2836%20Chambers%29&format=album&go=Search&perPage=50&artist=Wu-Tang%20Clan |title=Gold and Platinum Database Search |publisher=Recording Industry Association of America |access-date=October 15, 2006 |url-status=dead |archive-url=https://web.archive.org/web/20070626051113/http://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS |archive-date=June 26, 2007 }}
=Retrospect=
{{Album ratings
| title = Retrospective professional reviews
| rev1 = AllMusic
| rev1score = {{rating|5|5}}{{cite web|url=http://www.allmusic.com/album/enter-the-wu-tang-36-chambers-mw0000104755|title=Enter the Wu-Tang (36 Chambers) – Wu-Tang Clan|publisher=AllMusic|access-date=September 18, 2009|last=Huey|first=Steve|archive-url=https://web.archive.org/web/20120602112155/http://www.allmusic.com/album/enter-the-wu-tang-36-chambers-mw0000104755|archive-date=June 2, 2012|url-status=live}}
| rev2 = Christgau's Consumer Guide
| rev2score = A−{{sfn|Christgau|2000|page=339}}
| rev3 = Consequence of Sound
| rev3score = A+{{cite web|last=Kenny|first=Brody|url=https://consequenceofsound.net/2018/11/classic-album-review-wu-tang-clan-enter-the-wu-tang-36-chambers/|title=Enter the Wu-Tang (36 Chambers) Still Sets the Gold Standard|work=Consequence of Sound|date=November 17, 2018|access-date=October 27, 2020}}
| rev4 = The Encyclopedia of Popular Music
| rev4score = {{Rating|4|5}}{{sfn|Larkin|2011}}
| rev5 = MusicHound R&B
| rev5score = {{rating|5|5}}{{cite book|chapter=Wu-Tang Clan|editor1-first=Gary|editor1-last=Graff|editor-link1=Gary Graff|editor2-first=Josh Freedom|editor2-last=du Lac|editor3-first=Jim|editor3-last=McFarlin|year=1998|title=MusicHound R&B: The Essential Album Guide|publisher=Visible Ink Press|isbn=1-57859-026-4|url=https://archive.org/details/musichoundrbesse00graf}}
| rev6 = Pitchfork
| rev6score = 10/10{{cite web|last=Green|first=Dylan|url=https://pitchfork.com/reviews/albums/wu-tang-clan-enter-the-wu-tang-36-chambers/|title=Wu-Tang Clan: Enter the Wu-Tang (36 Chambers) Album Review|website=Pitchfork|date=October 9, 2022|access-date=October 9, 2022}}
| rev7 = The Rolling Stone Album Guide
| rev7score = {{Rating|5|5}}{{sfn|Frere-Jones|2004|pages=887–88}}
| rev8 = Spin Alternative Record Guide
| rev8score = 8/10{{sfn|Weisbard|Marks|1995|pages=437–38}}
| rev10 = XXL
| rev10score = 5/5{{cite journal|title=Wu-Tang Clan: Enter the Wu-Tang (36 Chambers)|journal=XXL|issue=98|date=December 2007}}
}}
Over time, Enter the Wu-Tang became one of the most highly regarded albums in hip-hop.{{cite web | url = http://movies.ign.com/articles/514/514214p1.html | title = An Interview with the RZA at IGN.com | access-date = December 26, 2006|archive-url=https://web.archive.org/web/20120112180540/http://movies.ign.com/articles/514/514214p1.html|archive-date=January 12, 2012}} The album was originally given a rating of 4.5 mics out of 5 in The Source magazine in 1994; however, it was given a classic 5 mic rating in a later issue of the magazine.
[http://www.listsofbests.com/list/12875 The Source's 5 Mic Albums on Lists of Bests] {{Webarchive|url=https://web.archive.org/web/20090111161641/http://www.listsofbests.com/list/12875 |date=January 11, 2009 }} . Robot Co-op. Retrieved on December 15.
Similar to The Source, XXL magazine gave the album a classic rating of "XXL" in its retrospective 2007 issue. In the book Spin Alternative Record Guide (1995), Enter the Wu-Tang (36 Chambers) has a critical rating of 8/10 from Spin.{{sfn|Weisbard|Marks|1995|pages=437–38}} In 2003, Rolling Stone named the album among the "500 Greatest Albums of All Time", asserting that "East-coast hip-hop made a return in 1993."{{cite magazine | url = https://www.rollingstone.com/news/story/6626211/386_enter_the_wutang_36_chambers | title = Rolling Stone 500 Greatest Albums of All Time at RollingStone.com | magazine = Rolling Stone | access-date = December 15, 2006 | archive-url = https://web.archive.org/web/20070309153425/http://www.rollingstone.com/news/story/6626211/386_enter_the_wutang_36_chambers | archive-date = March 9, 2007 | url-status = dead }}{{cite web| url=https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/wu-tang-clan-enter-the-wu-tang-36-chambers-2-65398/| year=2012| title=500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time| publisher=Rolling Stone| access-date= September 5, 2019}} The magazine later listed it as one of the "Essential Albums of the 90s" and "100 Best Debut Albums of All Time."{{cite web | last = Otto | first = Jeff | url = http://www.rocklist.net/rstone.html#Recordings%20of%20the%20%E2%80%9890s | title = Rolling Stone Essential Albums of the 90s at Rocklist.net | access-date = December 15, 2006 | archive-url = https://web.archive.org/web/20061229133900/http://www.rocklist.net/rstone.html#Recordings%20of%20the%20%E2%80%9890s | archive-date = December 29, 2006 | url-status = live }}{{cite magazine|title=The 100 Best Debut Albums of All Time: Wu-Tang Clan|url=https://www.rollingstone.com/music/lists/the-100-greatest-debut-albums-of-all-time-20130322/enter-the-wu-tang-36-chambers-19691231|magazine=Rolling Stone|access-date=August 30, 2013|archive-url=https://web.archive.org/web/20130824084046/http://www.rollingstone.com/music/lists/the-100-greatest-debut-albums-of-all-time-20130322/enter-the-wu-tang-36-chambers-19691231|archive-date=August 24, 2013|url-status=live}} The Source cited Enter the Wu-Tang as one of the "100 Best Rap Albums", while also naming "Protect Ya Neck/Method Man" and "C.R.E.A.M." among the "100 Best Rap Singles".{{cite web | url = http://www.rocklist.net/source.htm | title = The Source's 100 Best Rap Albums at Rocklist.net | access-date = December 12, 2006 | archive-url = https://web.archive.org/web/20061128085810/http://www.rocklist.net/source.htm | archive-date = November 28, 2006 | url-status = live }} MTV declared it among "The Greatest Hip-Hop Albums of All Time",{{cite web|url=http://www.mtv.com/bands/h/hip_hop_week/2005/greatest_albums_0505/index13.jhtml |title=MTV.com Greatest Hip-Hop Albums of All Time |publisher=MTV |access-date=December 15, 2006 |url-status=dead |archive-url=https://web.archive.org/web/20061216135927/http://www.mtv.com/bands/h/hip_hop_week/2005/greatest_albums_0505/index13.jhtml |archive-date=December 16, 2006 }} while Blender named the album among the "500 CDs You Must Own".{{cite book |title=Hip Hop in America: A Regional Guide |last=Hess |first=Mickey |year=2009 |publisher=ABC-CLIO |location=Santa Barbara, CA |isbn=978-0-313-34323-0 |page=130 |access-date=August 17, 2012 |url=https://books.google.com/books?id=XkCncJ7j744C&q=Hip+Hop+in+America:+A+Regional+Guide |archive-url=https://web.archive.org/web/20131012222334/http://books.google.com/books?id=XkCncJ7j744C&printsec=frontcover&dq=Hip+Hop+in+America:+A+Regional+Guide&source=bl&ots=r6KIGdMBrz&sig=7vQvVOrtdY6BrSgmbwlcm6LVMK0&hl=en&sa=X&ei=H44tUJ6ZG-Tc6wGL_ICIDQ&ved=0CDIQ6AEwAA |archive-date=October 12, 2013 |url-status=live }} Jon Caramanica, contributing author to Classic Material: The Hip-Hop Album Guide described it "as timeless an album as hip-hop has ever seen."
Publications based outside of the United States have acclaimed 36 Chambers as well; Australia's Juice magazine placed it at number 40 on its list of "100 Greatest Albums of the '90s",{{cite web | url = http://www.rocklist.net/juice.html | title = Juice's 100 Greatest Albums of the '90s at Rocklist.net | access-date = November 21, 2006 | archive-url = https://web.archive.org/web/20070927003236/http://www.rocklist.net/juice.html | archive-date = September 27, 2007 | url-status = live }} and Les Inrockuptibles ranked it number 59 on a list of "The 100 Best Albums 1986–1996".{{cite web | url = http://disques.de.l.annee.free.fr/inrocks.html#best100 | title = Les 100 albums des années 1986–1996 from Les Inrockuptibles | access-date = November 21, 2006 | archive-url = https://web.archive.org/web/20061201031910/http://disques.de.l.annee.free.fr/inrocks.html#best100 | archive-date = December 1, 2006 | url-status = live }} In naming Enter the Wu-Tang one of the 50 best albums of the 1990s, Pitchfork Media staff member Rollie Pemberton summed up the album's critical recognition by writing:
{{blockquote|This is the sound of accidental fame. Something as unique and unusual as this record isn't supposed to find itself at the height of commercial viability; it's supposed to smolder underground, hidden from the view of mainstream America, who surely would not be ready for such a challenge. But America was ready, in part because this one challenged convention, not listeners. Sure, its sloppy drum programming, bizarre song structures, and unpolished sound quality disturbed commercial rap purists, but the talent was so inherent and obvious, and the charisma so undeniable, that it propelled the Wu-Tang Clan to the height of the rap game, and today stands not just as the hip-hop classic that introduced the concept of obscure thematic characters (each member's name references old kung-fu movies), but also bridged the gap between traditional old-school sensibilities and the technical lyricism of today.}}
In a retrospective review, Robert Christgau found the Wu-Tang Clan "grander" and "goofier" than their West Coast contemporaries and concluded, "Expect the masterwork this album's reputation suggests and you'll probably be disappointed—it will speak directly only to indigenous hip hoppers. Expect a glorious human mess, as opposed to the ominous platinum product of their opposite numbers, and you'll realize the dope game isn't everyone's dead-end street".{{sfn|Christgau|2000|page=339}} In 2010, Enter the Wu-Tang (36 Chambers) was included in the book 1001 Albums You Must Hear Before You Die.{{cite book|author1=Robert Dimery|author2=Michael Lydon|title=1001 Albums You Must Hear Before You Die |edition=Revised and Updated|date=March 23, 2010|publisher=Universe|isbn=978-0-7893-2074-2}} In 2022, the album was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".{{cite web|url=https://www.loc.gov/item/prn-22-026/national-recording-registry-inducts-music-from-alicia-keys-ricky-martin-journey-and-more-in-2022/2022-04-13/|title=National Recording Registry Inducts Music from Alicia Keys, Ricky Martin, Journey and More in 2022 |work=Library of Congress |date=April 13, 2022 |access-date=2022-04-13}}
Legacy and influence
= East Coast hip-hop =
Adam Heimlich of the New York Press considers the album a touchstone of hardcore hip-hop, a gritty, stripped-down, dark and violent subgenre of hip-hop and the signature sound of New York City's rap scene during the mid-1990s. He writes that "the Wu-Tang Clan ... all but invented 90s New York rap, back when the notion of an East Coast gangsta still meant Schoolly D or Kool G. Rap ... [They] designed the manner and style in which New York artists would address what Snoop and Dre had made rap's hottest topics: drugs and violence."{{cite web|last=Heimlich |first=Adam |url=http://www.nypress.com/15/4/news&columns/feature.cfm |archive-url=https://web.archive.org/web/20020129133931/http://www.nypress.com/15/4/news%26columns/feature.cfm |url-status=dead |archive-date=January 29, 2002 |title=2002, Hiphop's Year One: Nas, Mobb Deep and Wu-Tang Clan Face 9/11 |work=The New York Press|volume=15|issue=4 |access-date=April 1, 2006 }} As the album helped return New York City hip-hop to national prominence, a new generation of New York rappers, many of them inspired by the Wu-Tang Clan's example, released a flurry of classic albums that later became known as the East Coast Renaissance. Enter the Wu-Tang has been recognized by critics as a landmark album in the movement. AllMusic indicates that the success of the album paved the way for Nas, The Notorious B.I.G., Mobb Deep, and Jay-Z.
At the time of the album's release, mainstream hip-hop was dominated by the West Coast. Enter the Wu-Tang (along with Nas' critically acclaimed Illmatic and the commercial success of The Notorious B.I.G.'s Ready to Die) was able to shift the emphasis away from the melodious, synthesizer-driven G-funk and restore interest into the East Coast hip-hop scene.{{cite magazine |last1=Mlynar |first1=Phillip |title=15 Fun Facts About Wu-Tang Clan's 'Enter the Wu-Tang (36 Chambers)' |url=https://www.rollingstone.com/music/music-news/15-fun-facts-about-wu-tang-clans-enter-the-wu-tang-36-chambers-187134/ |magazine=Rolling Stone |access-date=November 1, 2021 |date=November 8, 2013}} According to one columnist, "When Enter the Wu-Tang: The 36 Chambers first graced the pages of rap lore in 1993, Dr. Dre's funk-filled, West Coast gangster rap dominated the business. Though this initial dominance was difficult to overcome, Wu-Tang still managed to carve out a piece of rap history."
= Hip-hop production =
RZA's production on Enter the Wu-Tang had a profound and significant influence on subsequent hip-hop producers. The distinctive sound of Enter the Wu-Tang has been credited with creating a blueprint for hardcore hip-hop in the mid-1990s. Blackfilm.com asserts that Enter the Wu-Tang's production formula "transformed the sound of underground rap into mainstream formula, and virtually changed the face of contemporary music as popsters once knew it."{{cite web | url = http://www.blackfilm.com/20040514/features/rza.shtml | title = Coffee and Cigarettes: An Interview with RZA at Blackfilm.com | access-date = November 17, 2006 | archive-url = https://web.archive.org/web/20061206084539/http://www.blackfilm.com/20040514/features/rza.shtml | archive-date = December 6, 2006 | url-status = live }} Many successful rap producers have admitted to the influence of RZA's beats on their own production efforts. 9th Wonder, a producer and former member of Little Brother, is one of many whose vocal sampling styles are inspired by RZA.{{cite web| url =http://remixmag.com/artists/remix_little_feat/| title =Little Feat: An Interview With 9th Wonder at RemixMag.com| access-date =November 7, 2006| url-status =dead| archive-url =https://web.archive.org/web/20070106073756/http://remixmag.com/artists/remix_little_feat/| archive-date =January 6, 2007}} The album's reliance on soul music samples was novel at the time, but 21st-century producers such as The Alchemist, Kanye West, and Just Blaze now rely on this technique.{{cite web | url = http://www.superswell.com/samplelaw/quotes.html | title = Sampling Quotes at Superswell.com
| access-date = November 7, 2006 | archive-url = https://web.archive.org/web/20061118120611/http://www.superswell.com/samplelaw/quotes.html | archive-date = November 18, 2006 }} According to Allmusic, the production on two Mobb Deep albums, The Infamous (1995) and Hell on Earth (1996), are "indebted" to RZA's early production with Wu-Tang Clan.{{cite web | last = Huey | first = Steve | url = {{AllMusic|class=album|id=r212044|pure_url=yes}} | title = The Infamous at Allmusic | access-date = January 1, 2007 }}{{cite web | last = Huey | first = Steve | url = {{AllMusic|class=album|id=r244016|pure_url=yes}} | title = Hell on Earth at Allmusic | access-date = January 1, 2007 }} In addition, the soul singer Bilal names it among his 25 favorite albums, citing its creative approach and "energy" of the contributors.{{cite magazine|last=Simmons|first=Ted|date=February 26, 2013|url=https://www.complex.com/music/2013/02/bilals-25-favorite-albums/the-velvet-underground-the-velvet-underground-and|title=Bilal's 25 Favorite Albums|magazine=Complex|access-date=August 28, 2020}}
The album would come to preview further work fueled by both cinematic samples and inter-woven genres.
= Subsequent Wu-Tang work =
Following Enter the Wu-Tang{{'}}s success, the individual members of the group negotiated and signed solo contracts with a variety of different labels: Method Man signed with Def Jam, Ol' Dirty Bastard with Elektra, GZA with Geffen Records, and Ghostface Killah with Epic Records. This expansion across the music industry was an element of RZA's stated plan for industry-wide domination, wherein "All Wu releases are deemed to be 50 percent partnerships with Wu-Tang Productions and each Wu member with solo deal must contribute 20 percent of their earnings back to Wu-Tang Productions, a fund for all Wu members".
On Enter the Wu-Tang{{'}}s effect on the group and the music industry, the Milwaukee Journal{{'}}s Aaron Justin-Szopinski wrote "The Wu showed us that a hip-hop group can control its own destiny in the tangled web of the industry. It owns publishing rights, controls its samples and has 90% influence over its career. And that control, that outlook for the future, is what makes it the best."Justin-Szopinski, Justin. "Review: Enter the Wu-Tang". Milwaukee Journal: January 12, 1995. Wu-Tang Clan have released seven subsequent group albums since Enter the Wu-Tang, including Wu-Tang Forever (1997), which is certified as a quadruple platinum record.{{cite web|url=https://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS&title=Wu-Tang%20Forever&format=album&go=Search&perPage=50&artist=Wu-Tang%20Clan |title=Gold and Platinum Database Search at RIAA.com |publisher=Recording Industry Association of America |access-date=October 15, 2006 |url-status=dead |archive-url=https://web.archive.org/web/20070626051113/http://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS |archive-date=June 26, 2007 }} None of the subsequent Wu-Tang Clan albums have garnered the critical accolades that their debut was accorded.{{cite web| last = Kurtz | first = Mike | url = http://www.uwire.com/content/topae012402002.html | title = Nas, Wu-Tang Clan show growth, change with new albums at UWIRE.com | access-date = December 12, 2006 |archive-url = https://web.archive.org/web/20061123175429/http://www.uwire.com/content/topae012402002.html |archive-date = November 23, 2006}}
In 2013, the group reunited, at the behest of RZA, for an album and tour celebrating the 20th anniversary of the album{{'}}s release.{{cite web|last=Itzkoff|first=Dave|title=RZA Explains What It Would Take to Reunite the Wu-Tang Clan|url=http://artsbeat.blogs.nytimes.com/2012/10/17/rza-explains-what-it-would-take-to-reunite-the-wu-tang-clan/?_r=0|work=The New York Times|date=October 17, 2012|access-date=October 4, 2013|archive-url=https://archive.today/20131004151349/http://artsbeat.blogs.nytimes.com/2012/10/17/rza-explains-what-it-would-take-to-reunite-the-wu-tang-clan/?_r=0|archive-date=October 4, 2013|url-status=live}} The album was titled A Better Tomorrow and the tour included dates throughout the United States, Europe, and Russia.{{cite web|title=Wu-Tang Clan Reveal Title of 20th Anniversary Album|url=https://www.bet.com/article/5mx2dk/wu-tang-clan-reveal-title-of-20th-anniversary-album|work=BET|date=April 12, 2013|access-date=October 4, 2013|archive-url=https://web.archive.org/web/20131005141357/http://www.bet.com/news/music/2013/04/12/wu-tang-clan-reveal-title-of-20th-anniversary-album.html|archive-date=October 5, 2013|url-status=live}}{{cite web|title=Wutang Tour Dates |url=http://shop.wutangclan.com/pages/wutang-tour-dates |work=WuTangClan.com |access-date=October 4, 2013 |url-status=dead |archive-url=https://web.archive.org/web/20131004220153/http://shop.wutangclan.com/pages/wutang-tour-dates |archive-date=October 4, 2013 }} All original members of the group who performed on Enter the Wu-Tang participated in both the tour and reunion album, excepting Ol' Dirty Bastard, who died in 2004.{{cite web|last=Harrington|first=Jim|title=Wu-Tang Clan celebrates 20th anniversary of landmark debut|url=http://www.mercurynews.com/music/ci_23984085/wu-tang-clan-celebrates-20th-anniversary-landmark-debut|work=San Jose Mercury News|access-date=October 4, 2013|date=September 3, 2013|archive-url=https://web.archive.org/web/20131004215730/http://www.mercurynews.com/music/ci_23984085/wu-tang-clan-celebrates-20th-anniversary-landmark-debut|archive-date=October 4, 2013|url-status=live}}
Accolades
Track listing
All tracks written by Wu-Tang Clan and produced by RZA, except where noted. All scratches by 4th Disciple. Tracks 1 through 5 are referred to as "Shaolin Sword" while tracks 6 through 12 are referred to as "Wu-Tang Sword" on physical releases.
{{Track listing
| headline = Enter the Wu-Tang (36 Chambers) {{nobold|– CD and streaming version}}
| extra_column = Performer(s)
| title1 = Bring da Ruckus
| extra1 = {{hlist|Ghostface Killah|GZA|Inspectah Deck|Raekwon|RZA}}
| length1 = 4:10
| title2 = Shame on a Nigga
| extra2 = {{hlist|Method Man|Ol' Dirty Bastard|Raekwon}}
| length2 = 2:57
| title3 = Clan in da Front
| extra3 = {{hlist|GZA|RZA}}
| length3 = 4:33
| title4 = Wu-Tang: 7th Chamber
| extra4 = {{hlist|Ghostface Killah|GZA|Inspectah Deck|Method Man|Ol' Dirty Bastard|Raekwon|RZA}}
| length4 = 6:05
| title5 = {{hlist|class=inline|Can It Be All So Simple"|"Intermission}}
| extra5 = {{hlist|Ghostface Killah|Raekwon}}
| length5 = 6:53
| title6 = Da Mystery of Chessboxin'
| note6 = co-produced by Ol' Dirty Bastard
| extra6 = {{hlist|Ghostface Killah|Inspectah Deck|Masta Killa|Method Man|Ol' Dirty Bastard|Raekwon|U-God}}
| length6 = 4:48
| title7 = Wu-Tang Clan Ain't Nuthing ta F' Wit
| note7 = co-produced by Method Man
| extra7 = {{hlist|Inspectah Deck|Method Man|RZA}}
| length7 = 3:36
| title8 = C.R.E.A.M.
| extra8 = {{hlist|Inspectah Deck|Method Man|Raekwon}}
| length8 = 4:12
| title9 = Method Man
| extra9 = {{hlist|Ghostface Killah|GZA|Method Man|RZA}}
| length9 = 5:50
| title10 = Protect Ya Neck
| extra10 = {{hlist|Ghostface Killah|GZA|Inspectah Deck|Method Man|Ol' Dirty Bastard|Raekwon|RZA|U-God}}
| length10 = 4:52
| title11 = Tearz
| extra11 = {{hlist|Ghostface Killah|RZA}}
| length11 = 4:17
| title12 = {{hlist|class=inline|Wu-Tang: 7th Chamber - Part II"|"Conclusion}}
| extra12 = {{hlist|Ghostface Killah|GZA|Inspectah Deck|Method Man|Ol' Dirty Bastard|Raekwon|RZA}}
| length12 = 6:10
| total_length = 58:24
}}
{{Track listing
| headline = International release
| extra_column = Performer(s)
| title12 = Wu-Tang: 7th Chamber - Part II
| extra12 = {{hlist|Ghostface Killah|GZA|Inspectah Deck|Method Man|Ol' Dirty Bastard|Raekwon|RZA}}
| length12 = 5:08
| title13 = {{hlist|class=inline|Method Man (Remix) Skunk Mix"|"Conclusion}}
| extra13 = {{hlist|Method Man}}
| length13 = 3:12
| total_length = 1:01:53
}}
= Vinyl and cassette =
The vinyl and cassette track listing is slightly different from the CD and streaming version. The international cassette release also has the same tracks at the end of side two as the international CD.
{{Track listing
| headline = Shaolin Sword
| title1 = Bring da Ruckus
| length1 = 4:10
| title2 = Shame on a Nigga
| length2 = 2:57
| title3 = Clan in da Front
| length3 = 4:33
| title4 = Wu-Tang: 7th Chamber
| length4 = 6:05
| title5 = Can It Be All So Simple
| length5 = 4:46
| title6 = {{hlist|class=inline|Protect Ya Neck"|"Intermission}}
| length6 = 6:48
| total_length = 29:19
}}
{{Track listing
| headline = Wu-Tang Sword
| title7 = Da Mystery of Chessboxin'{{'-}}
| length7 = 4:48
| title8 = Wu-Tang Clan Ain't Nuthing ta F' Wit
| length8 = 3:36
| title9 = C.R.E.A.M.
| length9 = 4:12
| title10 = Method Man
| length10 = 5:50
| title11 = Tearz
| length11 = 4:17
| title12 = {{hlist|class=inline|Wu-Tang: 7th Chamber – Part II"|"Conclusion}}
| length12 = 6:10
| total_length = 28:53
}}
Personnel
Credits adapted from AllMusic.{{cite web | url = {{AllMusic|class=album|id=r189247|pure_url=yes}} | title = Enter the Wu-Tang (36 Chambers): Credits at Allmusic | access-date = October 28, 2006 }}
{{col-begin}}
{{col-2}}
= Musicians =
- Inspectah Deck – vocals, lyrics
- 4th Disciple – scratching
- Ghostface Killah – executive producer, vocals, lyrics
- GZA/Genius – vocals, lyrics
- Masta Killa – vocals, lyrics
- Method Man – vocals, producer, lyrics
- Ol' Dirty Bastard – vocals, producer, lyrics
- RZA/Prince Rakeem – arranger, executive producer, mixing, producer, programming, vocals, lyrics
- Raekwon – vocals, lyrics
- U-God – vocals, lyrics
{{col-2}}
= Additional personnel =
- Carlos Bess – engineer
- Richard Bravo – set design, design
- Mitchell Diggs – executive producer, supervisor, production supervisor
- Chris Gehringer – mastering
- John Gibbons – supervisor, production supervisor
- Oli Grant – executive producer, supervisor, production supervisor
- Daniel Hastings – photography
- Michael McDonald – supervisor, production supervisor
- Jacqueline Murphy – artwork, art direction
- Ethan Ryman – engineer
- Theodore "Tareef" Michael – supervisor, production supervisor
- Tracey Waples – executive producer
- Amy Wenzler – design
{{col-end}}
Charts
{{col-begin}}
{{col-2}}
= Weekly charts =
| class="wikitable sortable plainrowheaders" style="text-align:center"
|+ 1993–1994 weekly chart performance for Enter the Wu-Tang (36 Chambers) ! scope="col"| Chart (1993–1994) ! scope="col"| Peak |
| {{album chart|UK2|83|date=19940508|rowheader=true|access-date=October 9, 2022}} |
| scope="row"| US Billboard 200{{cite magazine|url=https://www.billboard.com/charts/search?artistname=Wu+Tang+Clan&charttitle=&label=&chartcode=TLP|title=Wu-Tang Clan, TLP|magazine=Billboard|access-date=May 2, 2021|url-access=subscription}}
| 41 |
|---|
| scope="row"| US Top R&B/Hip-Hop Albums (Billboard){{cite magazine|url=https://www.billboard.com/charts/search?artistname=Wu+Tang+Clan&charttitle=&label=&chartcode=BLP|title=Wu-Tang Clan, BLP|magazine=Billboard|access-date=May 2, 2021|url-access=subscription}}
| 8 |
| class="wikitable plainrowheaders" style="text-align:center"
|+ 2019–2024 weekly chart performance for Enter the Wu-Tang (36 Chambers) ! scope="col"| Chart (2019–2024) ! scope="col"| Peak |
| {{album chart|Flanders|83|artist=Wu-Tang Clan|album=Enter The Wu-Tang - 36 Chambers|rowheader=true|access-date=October 9, 2022}} |
| {{album chart|Wallonia|137|artist=Wu-Tang Clan|album=Enter The Wu-Tang - 36 Chambers|rowheader=true|access-date=October 9, 2022}} |
| scope="row"| Hungarian Physical Albums (MAHASZ){{cite web |title=Album Top 40 slágerlista (fizikai hanghordozók) – 2024. 42. hét |url=https://slagerlistak.hu/album-top-40-slagerlista-fizikai-hanghordozok/2024/42 |publisher=MAHASZ |access-date=October 22, 2024}}
| 17 |
|---|
| {{album chart|Switzerland|57|artist=Wu-Tang Clan|album=Enter The Wu-Tang - 36 Chambers|rowheader=true|access-date=April 24, 2022}} |
{{col-2}}
= Year-end charts =
| class="wikitable plainrowheaders" style="text-align:center"
|+ 1994 year-end chart performance for Enter the Wu-Tang (36 Chambers) ! scope="col"| Chart (1994) ! scope="col"| Position |
| scope="row"| US Top R&B/Hip-Hop Albums (Billboard){{cite magazine|url=https://www.billboard.com/charts/year-end/1994/top-r-and-b-hip-hop-albums|title=Top R&B/Hip-Hop Albums – Year-End 1994|magazine=Billboard|access-date=May 2, 2021}}
| 22 |
|---|
| class="wikitable plainrowheaders" style="text-align:center"
|+ 2002 year-end chart performance for Enter the Wu-Tang (36 Chambers) ! scope="col"| Chart (2002) ! scope="col"| Position |
| scope="row"|Canadian R&B Albums (Nielsen SoundScan){{cite web|archiveurl=https://web.archive.org/web/20031106073523/http://www.jamshowbiz.com/JamMusicCharts/2002_r&b2.html|archivedate=November 6, 2003|url=http://www.jamshowbiz.com/JamMusicCharts/2002_r&b2.html|title=Canada's Top 200 R&B; albums of 2002|website=Jam!|accessdate=March 28, 2022}}
| 182 |
|---|
| scope="row"|Canadian Rap Albums (Nielsen SoundScan){{cite web|archiveurl=https://web.archive.org/web/20031012032336/http://www.jamshowbiz.com/JamMusicCharts/2002_rap.html|archivedate=October 12, 2003|url=http://www.jamshowbiz.com/JamMusicCharts/2002_rap.html|title=Top 100 rap albums of 2002 in Canada|website=Jam!|accessdate=March 28, 2022}}
| 90 |
{{col-end}}
Certifications
{{Certification Table Top|caption=Certifications for Enter the Wu-Tang (36 Chambers)}}
{{Certification Table Entry|region=Australia|type=album|award=Platinum|relyear=1994|certyear=2021|access-date=February 7, 2022}}
{{Certification Table Entry|region=Canada|type=album|artist=Wu-Tang Clan|title=Enter the Wu-Tang (36 Chambers)|award=Platinum|number=3|relyear=1994|certyear=2025|access-date=January 24, 2025}}
{{Certification Table Entry|region=Denmark|type=album|artist=Wu-Tang Clan|title=Enter the Wu-Tang (36 Chambers)|award=Gold|id=12680|relyear=1994|certyear=2023|access-date=July 27, 2023}}
{{Certification Table Entry|region=United Kingdom|type=album|artist=Wu-Tang Clan|title=Enter the Wu-Tang (36 Chambers)|award=Platinum|id=9545-2763-2|relyear=1994|certyear=2018|access-date=April 7, 2021}}
{{Certification Table Entry|region=United States|type=album|artist=Wu-Tang Clan|title=Enter the Wu-Tang (36 Chambers)|award=Platinum|number=3|relyear=1993|certyear=2018|access-date=April 7, 2021}}
{{Certification Table Bottom|nosales=true|noshipments=true|streaming=true}}
See also
References
{{reflist}}
=Works cited=
{{refbegin|30em}}
- {{cite book|chapter-url=https://www.robertchristgau.com/get_album.php?id=4208|chapter=Wu-Tang Clan: Enter the Wu-Tang (36 Chambers)|access-date=September 18, 2009|last=Christgau|first=Robert|author-link=Robert Christgau|title=Christgau's Consumer Guide: Albums of the '90s|publisher=Macmillan Publishers|year=2000|isbn=0-312-24560-2}}
- {{cite book|last=Frere-Jones|first=Sasha|author-link=Sasha Frere-Jones|chapter=Wu-Tang Clan|editor1-last=Brackett|editor1-first=Nathan|editor2-last=Hoard|title=The New Rolling Stone Album Guide|publisher=Simon & Schuster|edition=4th|year=2004|editor2-first=Christian|isbn=0-7432-0169-8}}
- {{cite book|title=The Encyclopedia of Popular Music|last=Larkin|first=Colin|author-link=Colin Larkin (writer)|publisher=Omnibus Press|edition=5th concise|year=2011|isbn=978-0-85712-595-8}}
- {{cite book|editor1-last=Weisbard|editor1-first=Eric|editor2-last=Marks|editor2-first=Craig|title=Spin Alternative Record Guide|publisher=Vintage Books|year=1995|isbn=0-679-75574-8}}
- {{cite book|last=Fernando|first=S. H. Jr.|author-link=S. H. Fernando Jr.|date=2021|title=From the Streets of Shaolin: The Wu-Tang Saga|url=https://books.google.com/books?id=cPoGEAAAQBAJ|publisher=Hachette Books|isbn=978-0306874468}}
- {{cite book|author-last=Tobak|author-first=Vikki|author-link=Vikki Tobak|title=Contact High: A Visual History of Hip-Hop|date=2018|publisher=Penguin Random House|isbn=978-0-525-57388-3}}
{{refend}}
External links
- [http://www.discogs.com/Wu-Tang-Clan-Enter-The-Wu-Tang-36-Chambers/master/25303 Enter the Wu-Tang (36 Chambers)] at Discogs
- [http://www.rapreviews.com/archive/BTTL_36chambers.html RapReviews: Back to the Lab] — by Steve Juon
{{Wu-TangClan}}
{{Authority control}}
{{DEFAULTSORT:Enter The Wu-Tang (36 Chambers)}}
Category:Albums produced by RZA
Category:United States National Recording Registry recordings