Eyes of Laura Mars

{{Infobox film

| name = Eyes of Laura Mars

| image = Eyesoflauramars.jpg

| alt =

| caption = Theatrical release poster

| director = Irvin Kershner

| screenplay = {{unbulleted list|John Carpenter|David Zelag Goodman}}

| story = John Carpenter

| producer = Jon Peters

| starring =

{{plainlist|

}}

| cinematography = Victor J. Kemper

| editing = Michael Kahn

| music = Artie Kane

| studio = Columbia Pictures

| distributor = Columbia Pictures

| released = {{Film date|1978|8|2}}

| runtime = 104 minutes

| country = United States

| language = English

| budget = $7 million{{cite magazine|magazine=Variety|date=August 2, 1978|page=7|title=Jon Peters Org Develops 16 Features|last=Ginsberg|first=Steven}}

| gross = $20 million{{sfn|Nowell|2010|p=257}}

}}

Eyes of Laura Mars is a 1978 American neo-noir supernatural horror{{sfn|Muir|2015|p=195}} thriller film directed by Irvin Kershner and starring Faye Dunaway, Tommy Lee Jones, Brad Dourif, René Auberjonois, and Raul Julia. It follows a New York City fashion photographer (Dunaway) who suddenly develops the clairvoyant ability to witness disturbing serial murders from the point of view of the killer. The screenplay was adapted (in collaboration with David Zelag Goodman) from a spec script titled Eyes, written by John Carpenter; it was Carpenter's first major studio film. H. B. Gilmour later wrote a novelization.

Producer Jon Peters, who was dating Barbra Streisand at the time, bought the screenplay as a starring vehicle for her, but Streisand eventually decided not to take the role because of "the kinky nature of the story", as Peters later explained. As a result, the role went to Dunaway, who had just won an Oscar for her performance in Network (1976). Streisand nevertheless felt that "Prisoner", the torch song from the film, would be a good power ballad vehicle for her. She recorded the song for the soundtrack and it peaked at number 21 on the Billboard Hot 100. Peters commissioned photographer Helmut Newton to provide the images that stand in for Laura Mars' portfolio in the film.{{sfn|Griffin|Masters|1996|p=54}}

Released on August 2, 1978, by Columbia Pictures, the film was a box-office success, grossing $20 million domestically. Some critics and film scholars have noted Eyes of Laura Mars as an American version of the Italian giallo{{sfn|Edwards|Berns|2023|p=235}} with elements of the slasher film,{{sfn|Hutchings|2017|p=63}} and it has gone on to develop a small cult following.

Plot

Laura Mars is a glamorous New York City fashion photographer who specializes in photographs featuring stylized violence, which attract controversy from the press and feminists who feel her work is exploitative. The night before the release of her photography book The Eyes of Mars, Laura has a dream about an assailant entering a woman's apartment, which she observes from the first-person perspective of the intruder. The following night at the book release party, Laura is notified that her photo editor, Doris, has been found murdered, her eyes gouged with an ice pick. Also during the party, Laura encounters detective John Neville, who criticises her work for its content, not realising she is the artist.

Shortly thereafter, during a photoshoot in Columbus Circle, Laura has another disturbing vision of a woman being stabbed to death outside her apartment, and stumbles upon the crime scene while passing by on the street. Laura informs police she witnessed the crime, but is unable to rationalize how. She later learns that the victim, Elaine, has been romantically involved with her ex-husband Michael, a writer who had been living in San Francisco but returned to New York.

John who is now in charge of the case, shows Laura unpublished police photographs of unsolved murders that very closely mirror Laura's fashion shoots. Laura's visions continue, including visions of the killer stalking her and continuing to murder those around her. While developing photographs in her darkroom, Laura has another vision of her models Lulu and Michelle being brutally murdered. After attending Lulu and Michelle's funerals, Laura finds herself growing close to Neville, and the two begin a romance. He gives her a gun for her own protection.

Meanwhile, police consider Laura's driver Tommy, an ex-convict, and Michael to be their prime suspects in the string of serial killings. While attending a birthday party for her agent Donald, Laura receives a phone call from a drunken Michael, who is threatening suicide. Donald urges her against helping him, but Laura leaves the party. While driving to meet Michael, Laura has a vision of Donald being murdered by the killer, which causes her to crash her car. Later, Neville is informed that photographs of the murdered models have been found in Tommy's apartment. Tommy agrees to talk to John and clear his name, but John reveals that one of his playing cards was found under Donald’s body. Tommy flees and attacks other police officers, whilst John pursues him on foot. Tommy is then shot by another cop during the chase and is killed.

At her apartment, Laura is contacted by John who tells her it’s all over, advising her to pack a bag so they can go away together. Whilst packing, Laura is affected by a vision of the killer murdering Michael. The killer attempts to break in through her front door, but Laura deadbolts it before the killer can enter. Upon hearing her distress, Neville (who had been on his way to meet her) breaks through her balcony window. He proceeds to tell Laura that Tommy was the killer and begins an elaborate explanation of his motivations and backstory. Knowing Tommy well, Laura recognizes this as a lie. Neville, still talking about the killer, uses "I". Laura realizes that Neville is the killer. Neville details more of his own story, slipping between multiple personalities. When the violent personality tries to kill Laura, his more sensitive personality reasserts dominance. He takes her hand, which holds the gun he gave her, and asks her to kill him. Distraught, she does so before calling the police.

Cast

{{Cast list|

Faye Dunaway as Laura Mars
Tommy Lee Jones as Lieutenant John Neville
Brad Dourif as Tommy Ludlow
René Auberjonois as Donald Phelps
Raúl Juliá as Michael Reisler
Frank Adonis as Detective Sal Volpe
Lisa Taylor as Michelle
Darlanne Fluegel as Lulu
Rose Gregorio as Elaine Cassel
Bill Boggs as himself
Steve Marachuk as Robert
Meg Mundy as Doris Spenser
Marilyn Meyers as Sheila Weissman
John Sahag as a hairdresser

}}

Production

=Development=

The film's source story was written by John Carpenter, as was the earliest version of the screenplay.{{sfn|Muir|2015|p=195}} Producer Jack H. Harris had worked with Carpenter on the latter's feature-film directorial debut, Dark Star, and it was Harris who optioned Carpenter's 11-page treatment, then titled simply Eyes.{{sfn|Muir|2015|pages=16, 195}}

Harris planned to make the film independently of the major studios with privately raised finance and Roberta Collins in the lead. But Harris's friend Jon Peters read the treatment, and upon reading it, he became enthusiastic about its potential as a vehicle for Peters's then-girlfriend Barbra Streisand. Peters got interest from Peter Guber at Columbia and they agreed to finance the project's development. Streisand pulled out of the film, but Columbia were sufficiently enthusiastic about the script to move forward with another actress, and Faye Dunaway was cast. However, as a condition of this, the studio insisted on the script being rewritten, hiring David Zelag Goodman to undertake the rewrites.{{sfn|Muir|2015|p=196}} "It wasn't a pleasant experience", said Carpenter. "The original script was very good, I thought. But it got shat upon."{{cite magazine|title=Trick and Treat|last=McCarthy|first=Todd|magazine=Film Comment|volume=16|issue=1|date=January–February 1980|pages=17–24}}

=Filming=

Filming took place over 56 days from October 17, 1977, to early January 1978. The film was shot entirely in New York and New Jersey, with filming locations including New York City; Jersey City, New Jersey; and Ferncliff Cemetery in Hartsdale, New York.{{cite web|url = https://catalog.afi.com/Catalog/moviedetails/56334|title = Eyes of Laura Mars (1978)|website = AFI Catalog of Feature Films|access-date = May 1, 2020}} A sequence where the Laura Mars character photographs a group of models against a backdrop of two burning cars was filmed over four days at New York's Columbus Circle. It was reported that Peters and Dunaway had a tense relationship while making the film.

Soundtrack

Eyes of Laura Mars (Music from the Original Motion Picture Soundtrack) was released by Columbia Records (PS 35487) in 1978 ahead of the film's release.{{Cite news|date=August 1, 1978|page=4B|url=https://www.newspapers.com/article/tucson-citizen/125057212/|newspaper=Tucson Citizen|title=Debby Boone offers a bomb|last=Graham|first=Chuck|via=Newspapers.com}} It was produced by Gary Klein with executive producers Jon Peters and Charles Koppelman.

Mark Iskowitz of The Barbra Streisand Music Guide wrote: "The side one 'Prisoner' track is actually identical to the single and Greatest Hits Volume 2 version. The side two reprise version does contain instrumentation from the film score at the beginning and during the first sections of the song, which is featured in its entirety. Track 3 opens with Barbra singing the first four lines from 'Prisoner' with a sparse, spooky film score backing."

The Eyes of Laura Mars LP is out of print; it was never released on CD.

=Track listing=

{{Track listing

| headline = Side one

| extra_column = Artist

| title1 = Prisoner (Love Theme from Eyes of Laura Mars)

| writer1 = {{hlist|Karen Lawrence|John DeSautels}}

| extra1 = Barbra Streisand

| length1 = 3:53

| title2 = Laura's Nightmare

| writer2 = Artie Kane

| extra2 = Artie Kane

| length2 = 2:06

| title3 = Burn

| writer3 = {{hlist|George Michalski|Nikki Oosterveen}}

| extra3 = Michalski & Oosterveen

| length3 = 4:16

| title4 = Elaine

| writer4 = Kane

| extra4 = Artie Kane

| length4 = 1:25

| title5 = Laura & Neville (Instrumental)

| writer5 = Kane

| extra5 = Artie Kane

| length5 = 2:33

| title6 = Medley:
Native New Yorker
(Shake, Shake, Shake) Shake Your Booty
Prisoner (Disco Instrumental)

| writer6 = Various:
{{hlist|Sandy Linzer|Denny Randell
Harry Wayne Casey|Richard Finch
Artie Kane}}

| extra6 = Various:
Odyssey
KC and the Sunshine Band
Artie Kane

| length6 = 4:33

}}

{{Track listing

| headline = Side two

| extra_column = Artist

| title1 = Laura – Warehouse

| writer1 = Kane

| extra1 = Artie Kane

| length1 = 1:11

| title2 = Let's All Chant

| writer2 = {{hlist|Michael Zager|Alvin Fields}}

| extra2 = Michael Zager Band

| length2 = 4:05

| title3 = Laura & Neville (Dialogue & Vocal)

| writer3 = Kane

| extra3 = Artie Kane

| length3 = 2:33

| title4 = Lulu & Michelle

| writer4 = Kane

| extra4 = Artie Kane

| length4 = 3:06

| title5 = Love & Pity

| writer5 = Kane

| extra5 = Artie Kane

| length5 = 4:10

| title6 = Love Theme from Eyes of Laura Mars (Prisoner) – Reprise

| writer6 = {{hlist|Lawrence|DeSautels}}

| extra6 = Barbra Streisand

| length6 = 3:56

}}

Reception

=Box office=

Eyes of Laura Mars premiered in Los Angeles on August 2, 1978. The film was a box-office success, grossing $20 million in the United States.{{sfn|Nowell|2010|p=257}}{{Cite web|website=Box Office Mojo|url=https://www.boxofficemojo.com/title/tt0077530/|title=Eyes of Laura Mars (1978)|access-date=May 21, 2023}}

=Critical response=

On its release, the film received mixed critical reviews. The film received a broadly positive review in The New York Times, in which Janet Maslin called the ending of the film "dumb", but otherwise liked it. She wrote of it: "It's the cleverness of Eyes of Laura Mars that counts, cleverness that manifests itself in superlative casting, drily controlled direction from Irvin Kershner, and spectacular settings that turn New York into the kind of eerie, lavish dreamland that could exist only in the idle noodlings of the very, very hip."{{cite news |last=Maslin|first=Janet|author-link=Janet Maslin|url=https://www.nytimes.com/1978/08/04/archives/screen-eyes-of-laura-marsin-the-netherworld.html|title=Screen: 'Eyes of Laura Mars'|newspaper=The New York Times|date=August 4, 1978|access-date=June 21, 2023}}

Roger Ebert was less enthusiastic, giving the film one-and-a-half stars out of four and criticizing what he called the film's clichéd "woman in trouble" plot.{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |url=https://www.rogerebert.com/reviews/eyes-of-laura-mars-1978 |title=Eyes of Laura Mars |newspaper=Chicago Sun-Times |via=RogerEbert.com |year=1978 |access-date=April 30, 2020}} Gene Siskel described the movie as "hateful."{{cite news | url=https://www.newspapers.com/article/chicago-tribune/143817910/ | title=Article clipped from Chicago Tribune | work=Chicago Tribune | date=17 August 1978 | page=24 }}

In his book Historical Dictionary of Horror Films (2017), writer Peter Hutchings describes Eyes of Laura Mars as an "upmarket slasher film."{{sfn|Hutchings|2017|p=63}}

On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 62% based on 39 reviews, with an average rating of 5.6/10. The website's critics consensus reads, "Eyes of Laura Mars hints at interesting possibilities, but they're frittered away by a predictable story that settles for superficial thrills."{{cite web|url=https://www.rottentomatoes.com/m/eyes_of_laura_mars/|title=Eyes of Laura Mars|website=Rotten Tomatoes|access-date=March 30, 2025}}

George Lucas hired director Kershner for The Empire Strikes Back (1980) because he was impressed after seeing a rough cut of the film.{{cite web |last=Trachtenberg |first=Cecil |title=Exploring Eyes of Laura Mars – The Disco Giallo |url=https://www.youtube.com/watch?v=nzBIQDUBm08 |publisher=GoodBadFlicks |date=April 22, 2019 |access-date=April 22, 2019 |via=YouTube |archive-url=https://ghostarchive.org/varchive/youtube/20211221/nzBIQDUBm08 |archive-date=2021-12-21 |url-status=live}}{{cbignore}}

A parody of the film titled Eyes of Lurid Mess was published in Mad magazine. It was illustrated by Angelo Torres and written by Larry Siegel in regular issue #206, April 1979.{{cite web |url=https://www.madcoversite.com/mad206.html |title=Mad #206 April 1979 |website=Doug Gilford's Mad Cover Site}}

Home media

Columbia TriStar Home Entertainment first released the film on DVD in 2000.{{cite web|work=WorldCat|url=https://worldcat.org/title/45613987|title=Eyes of Laura Mars DVD|archive-date=May 21, 2023|archive-url=https://archive.today/20230521043922/https://worldcat.org/title/45613987|url-status=live}} Mill Creek Entertainment released a Blu-ray edition in 2019,{{cite web|url=https://www.popmatters.com/irvin-kershner-eyes-laura-mars-2644946926.html|website=PopMatters|title='Eyes of Laura Mars' is Best as a Document of '70s New York|last=Khan|first=Imran|date=January 30, 2020|archive-url=https://archive.today/20230521044245/https://www.popmatters.com/irvin-kershner-eyes-laura-mars-2644946926.html|archive-date=May 21, 2023|url-status=live}} while Kino Lorber issued a special edition Blu-ray in October 2022.{{cite web|url=https://www.blu-ray.com/movies/Eyes-of-Laura-Mars-Blu-ray/321334/|website=Blu-ray.com|title=Eyes of Laura Mars Blu-ray|url-status=live|archive-date=May 21, 2023|archive-url=https://archive.today/20230521044333/https://www.blu-ray.com/movies/Eyes-of-Laura-Mars-Blu-ray/321334/}}

Legacy

In the years since its release, film scholars have likened Eyes of Laura Mars to the American equivalent of the Italian giallo film.{{sfn|Edwards|Berns|2023|p=235}} It has also developed a small cult following{{cite encyclopedia|encyclopedia=Encyclopædia Britannica|title=Irvin Kershner Biography|url=https://www.britannica.com/biography/Irvin-Kershner#ref1177890|last=Barson|first=Michael|date=April 25, 2023|url-status=live|archive-url=https://archive.today/20230521045940/https://www.britannica.com/biography/Irvin-Kershner%23ref1177890|archive-date=May 21, 2023}} and had retrospective revival screenings, including at the Seattle International Film Festival in 2023.{{cite web|url=https://www.siff.net/programs-and-events/siff-movie-club/eyes-of-laura-mars|publisher=Seattle International Film Festival|title=Movie Club: Eyes of Laura Mars|date=October 4, 2023|archive-url=https://archive.today/20230521050213/https://www.siff.net/programs-and-events/siff-movie-club/eyes-of-laura-mars|archive-date=May 21, 2023|url-status=live}}

Along with 1977 Italian giallo film Sette note in nero (English Title: The Psychic or Seven Notes in Black), it was unofficially adapted into the 1984 Tamil film Nooravathu Naal,{{Cite news |date=7 June 1991 |title=100 days |pages=7 |work=The Indian Express |url=https://news.google.com/newspapers?nid=P9oYG7HA76QC&dat=19910607&printsec=frontpage&hl=en |access-date=3 January 2023}} which itself was remade into the 1991 Hindi-language film 100 Days.{{cite web | url=https://www.indiatimes.com/entertainment/celebs/heres-why-blockbuster-hit-jackie-shroff-starrer-100-days-is-still-an-interesting-thriller-watch-528973.html | title=Here's Why Jackie Shroff Starrer 100 days Still Makes for an Interesting Thriller Watch! | date=4 December 2020 }}

References

=Bibliography=

{{cite book|editor1-last=Edwards|editor1-first=Matthew|editor2-last=Berns|editor2-first=Fernando Gabriel Pagnoni|year=2023|title=Bloodstained Narratives: The Giallo Film in Italy and Abroad|publisher=University Press of Mississippi|location=Jackson, Mississippi|isbn=978-1-4968-4449-1}}
{{cite book|last1=Griffin|first1=Nancy|last2=Masters|first2=Kim|author2-link=Kim Masters|url=https://archive.org/details/hitrunhowjonpete00grif|title=Hit & Run: How Jon Peters and Peter Guber Took Sony for a Ride in Hollywood|publisher=Simon & Schuster|year=1996|isbn=978-0-6848-0931-1|location=New York|url-access=registration}}
{{cite book|last=Hutchings|first=Peter|year=2017|title=Historical Dictionary of Horror Cinema|publisher=Rowman & Littlefield|location=Lanham, Maryland|isbn=978-1-5381-0244-2}}
{{cite book|last=Muir|first=John Kenneth|author-link=John Kenneth Muir|year=2007|url=https://archive.org/details/horrorfilmsof1980000muir|title=Horror Films of the 1970s|publisher=McFarland & Company|location=Jefferson, North Carolina|isbn=978-0-7864-9156-8|url-access=registration}}
{{cite book|last=Muir|first=John Kenneth|year=2015|url=https://archive.org/details/filmsofjohncarpe0000muir|title=The Films of John Carpenter|publisher=McFarland & Company|location=Jefferson, North Carolina|isbn=978-0-7864-9348-7|url-access=registration}}
{{cite book|title=Blood Money: A History of the First Teen Slasher Film Cycle|first=Richard|last=Nowell|publisher=Bloomsbury|location=London|isbn=978-1-4411-2496-8|year=2010}}