Forever (Sleep ∞ Over album)

Sleep ∞ Over formed in 2009 as a trio of musicians Stefanie Franciotti, Sarah Brown and Christa Palazzolo. They produced and released various singles on the labels Light Lodge and Forest Family before Brown and Palazzolo left the project to form the group Boy Friend. Thus, Franciotti was left on her own to create Sleep ∞ Over's debut studio album.{{cite interview |last=Franciotti |first=Stefani |subject-link=Sleep ∞ Over |title=Sleep ∞ Over interview: “Disconnected from reality.” |url=http://www.dummymag.com/Features/sleep-over-interview-disconnected-from-reality |date=August 30, 2011 |work=Dummy |access-date=December 11, 2016}}

Critic Guy Frowny suggests Forever is an "unfolding" of a "dark baby land," "a realm somewhere between heavens “turning by themselves,” populated by flying saucers, and the lifeworld-bound closed doors and tears that can reference either romance or depravity;" the unfolding is done by the vocals of Franciotti, symbolized as a spiritual guide.

Forever is an ambient electropop record that is "downcast, introspective, and melodic," wrote Patrick McDermott of The Boston Phoenix. In comparing Forever to the works of Peaking Lights and Sun Araw, reviewer Zach Kelly categorized it as a shoegaze record with a more "dynamic" and less "aimless" and "soupy" version of the noise-heavy, "highly textured" pop sound that was prevalent on Sleep ∞ Over's previous releases. According to Kelly, two types of tracks are prevalent on the record: slow-tempo new wave dance music and experimental music with moods that range from ambient and majestic to harsh and avant-garde.

Popmatters reviewer Zachary Houle wrote that the album alternates between two types of tracks: slow-paced "melodic keyboard pop" and experimental psychedelic noise pop instrumentals similar to songs on The Moody Blues album On the Threshold of a Dream (1969). Castor Green spotlighted the record's "full" sound, consisting of "meaty basslines, banks of drums and at times, drawn-out crescendos that recall more experimental recent albums by Julia Holter or Roly Porter." Writer Austin Powell labeled Forever in the same league as the works of Pure X and Neon Indian in that it was "redefining Texas slowcore for the chillwave generation." Critic Guy Frowny categorized the tracks into three types of styles: guitar-heavy drone music, ambient industrial music and slow-tempo, lo-fi synthesizer songs; he labeled the album's alternation between and combination of these styles to serve as its hegelian dialectic that attempts to lead to an "unrealized" solution. There are "moments where the synth lines bend and distort, purposefully disfiguring the music’s beauty for a moment both fleeting and fearful."

Frowny suggests that Franciotti sings in a manner where Forever involves a voyeur who listens to her "private" lullabies, and the listeners are "overhearing" these lullabies rather than Franciotti singing to the listeners. Franciotti's vocal performance garnered comparisons to the works of Laurel Halo, My Bloody Valentine and ethereal vocals present in the 1990s works of acts like Love Spirals Downwards from journalists. Kelly analyzed Franciotti's vocal performance to range from "approachable and human" to "unremarkable, [...] like a slurry Hope Sandoval trapped in a bell jar." Lyrically, Kelly described the songs as "frozen lullabies" consisting of problems that are figured with only an unsuggested tad bit of unsolved detail.

{{Music ratings

|MC=71/100{{cite web|url=http://www.metacritic.com/music/forever-2011/sleep-over/critic-reviews|title=Critic Reviews for Forever|publisher=Metacritic. CBS Interactive|accessdate=January 24, 2016}}

|rev1=Austin Chronicle

|rev1Score={{rating|3|4}}{{cite web|last=Powell|first=Austin|date=December 23, 2011|url=http://www.austinchronicle.com/music/2011-12-23/sleep-i-over-forever/|title=Review: Sleep ∞ Over|work=Austin Chronicle|accessdate=January 24, 2016}}

|rev2=Beats per Minute

|rev2Score=75%{{cite web|last=Becker|first=Josh|date=October 3, 2011|url=http://beatsperminute.com/reviews/album-review-sleep-%E2%88%9E-over-forever/|title=Album Review: Sleep ∞ Over - Forever|publisher=Beats per Minute|accessdate=January 24, 2016}}

|rev3=The Boston Phoenix

|rev3Score={{rating|3.5|4}}{{cite web|last=McDermott|first=Patrick|date=October 4, 2011|url=http://thephoenix.com/Boston/music/127827-sleep-8-over-forever/|title=Sleep ∞ Over | Forever|work=The Boston Phoenix|accessdate=January 24, 2016}}

|rev4=Drowned in Sound

|rev4Score=8/10{{cite web|last=Adams|first=Sean|date=October 24, 2011|url=http://drownedinsound.com/releases/16599/reviews/4143841|title=Album Review: Sleep Over - Forever|publisher=Drowned in Sound. Silentway|accessdate=January 24, 2016|archive-date=September 18, 2015|archive-url=https://web.archive.org/web/20150918235623/http://drownedinsound.com/releases/16599/reviews/4143841|url-status=dead}}

|rev5=Fact

|rev5Score=3.5/5{{cite web|last=Green|first=Castor|date=October 5, 2011|url=http://www.factmag.com/2011/10/05/sleep-over-forever/|title=SLEEP OVER: Forever|work=Fact|accessdate=January 24, 2016}}

|rev6=Pitchfork

|rev6Score=7/10{{cite web|last=Kelly|first=Zach|date=October 4, 2011|url=http://pitchfork.com/reviews/albums/15858-sleep-over-forever/|title=Sleep ∞ Over: Forever|publisher=Pitchfork Media|accessdate=January 24, 2016}}

|rev7=Popmatters

|rev7Score={{rating|6|10}}{{cite web|last=Houle|first=Zachary|date=October 10, 2011|url=http://www.popmatters.com/review/149452-sleep-over-forever/|title=Sleep ∞ Over: Forever|publisher=Popmatters|accessdate=January 24, 2016}}

|rev8=Tiny Mix Tapes

|rev8Score={{rating|3.5|5}}{{cite web|last=Frowny|first=Guy|url=http://www.tinymixtapes.com/music-review/sleep-infin-over-forever|title=Sleep ∞ Over - Forever|publisher=Tiny Mix Tapes|accessdate=January 24, 2016}}

|rev9=Under the Radar

|rev9Score={{rating|7|10}}

|noprose=yes

}}

Reviews of Forever were generally favorable. Green called the LP a "strong" debut, writing that its songcrafting is what made it unique from most underground lo-fi 1980s-synth-music-influenced acts in the 2010s.

In a mixed review, journalist Zachary Houle called Forever a "schizophrenic lo-fi keyboard-based version of early Sebadoh in its fractured sense of unity." He mainly criticized the record's "padded" and "formless" instrumentals but praised the "fragility" of the vocals that gave the album "structure."

1. Behind Closed Doors
2. Romantic Streams
3. Porcelain Hands
4. The Heavens Turn By Themselves
5. Casual Diamond
6. Crying Game
7. Flying Saucers Are Real
8. Stickers
9. Untitled
10. Don't Poison Everything

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Category:2011 albums

Category:Hippos in Tanks albums