chillwave

{{See also|Lo-fi music|Chill-out music}}

{{quote box|text=[S]omething that could pass for today's "chillwave" has existed, in wide and steady circulation, at just about every moment for 20 years, and mostly as such a rote and staple sound that nobody would even think to name it specifically.

|source=—Nitsuh Abebe, Pitchfork, July 2011{{cite web|last1=Abebe|first1=Nitsuh|title=Chillin' in Plain Sight|url=http://pitchfork.com/features/why-we-fight/8009-why-we-fight-16/|website=Pitchfork|date=July 22, 2011}}

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Chillwave has been classified as psychedelia, bedroom pop, or electropop. Before a specific term for the music was coined, it was described as shoegaze, dream pop, ambient, or indietronica. Pitchfork{{'}}s Nitsuh Abebe writes that, since at least 1992, the style had existed for one principal reason: "stoned, happy college kids listening to records while they fall asleep." Abebe cited Slowdive, Darla Records' Blissed Out ambient compilations, and Casino Versus Japan's eponymous 1998 album as examples. One of the earliest known manifestations of the genre is the Beach Boys' song "All I Wanna Do" from their 1970 album Sunflower.{{cite web|title=Song Premiere: The Bright Light Social Hour "All I Wanna Do" (Beach Boys Cover)|url=https://www.relix.com/blogs/detail/song_premiere_the_bright_light_social_hour_all_i_wanna_do_beach_boys_cover|website=Relix|date=March 14, 2016}}{{cite web|author1=Polinice|title=Gli Uomini del Capitano: pezzi scritti dai membri secondari di una band|url=http://polinice.org/2013/11/25/gli-uomini-del-capitano-pezzi-scritti-dai-membri-secondari-di-una-band/|website=Polinice|date=November 25, 2013|access-date=July 28, 2016|archive-date=April 17, 2017|archive-url=https://web.archive.org/web/20170417211441/http://polinice.org/2013/11/25/gli-uomini-del-capitano-pezzi-scritti-dai-membri-secondari-di-una-band/|url-status=dead}} Boards of Canada, whom Abebe says pre-chillwave music was often compared to, were also influential,{{cite news|last=Fallon|first=Patric|title=Deep Inside: Boards of Canada 'Tomorrow's Harvest'|url=http://www.xlr8r.com/features/2013/06/deep-inside-boards-of-canada-tomorrow-s-harvest/|access-date=October 4, 2013|website=XLR8R|date=June 10, 2013}} as were Fennesz, and J Dilla's 2006 album Donuts.

Ariel Pink is frequently cited as "the godfather of chillwave". He initially gained recognition in the mid-2000s through a string of home-recorded albums that reconfigured 1970s radio-rock and 1980s new wave in a lo-fi setting.{{cite news|last1=Reynolds|first1=Simon|author-link1=Simon Reynolds|title=Leave Chillwave Alone|url=http://www.villagevoice.com/music/leave-chillwave-alone-6429943|work=The Village Voice|date=January 19, 2011}} The Paw Tracks record label, which distributed Pink's albums, was run by Animal Collective, who signed Pink after being impressed by a CD of his home recordings, starting with The Doldrums (2000).{{cite web|last1=Raffeiner|first1=Arno|title=Interview: Ariel Pink|url=http://daily.redbullmusicacademy.com/2017/09/ariel-pink-interview|website=Red Bull Music Academy|date=September 14, 2017}} Uncut{{'}}s Sam Richard profiled Pink as "a lo-fi legend" whose "ghostly pop sound" proved influential to chillwave acts such as Ducktails and Toro y Moi.{{cite web|last1=Richards|first1=Sam|title=Ariel Pink's Haunted Graffiti – Before Today|url=http://www.uncut.co.uk/reviews/album/ariel-pinks-haunted-graffiti-before-today|website=Uncut|date=June 7, 2010|access-date=April 4, 2017|archive-date=January 22, 2018|archive-url=https://web.archive.org/web/20180122001159/http://www.uncut.co.uk/reviews/album/ariel-pinks-haunted-graffiti-before-today|url-status=dead}} Critic Adam Harper disputed Pink's "godfather of chillwave" status, writing that his influence on lo-fi scenes has been somewhat overstated, explaining that his music lacks "the mirror-shades-cool synth groove of chillwave ... Pink's albums are zany, personal, largely rock-based and dressed in awkward glam".{{cite web|last1=Harper|first1=Adam|title=Essay: Shades of Ariel Pink|url=http://www.dummymag.com/features/essay-shades-of-ariel-pink|website=Dummy Mag|date=April 23, 2014}} Discussing chillwave's bedroom pop precursors, Allene Norton of Cellars opined that Pink is "definitely not chillwave but that kind of stuff influenced a lot of the artists making it, like Washed Out."

{{listen|type=music|filename=Panda Bear Person Pitch.ogg|title = Panda Bear's "Take Pills" (2007)

|description=The second track from Person Pitch. Music critic Anthony Carew wrote that the album's "signature sound of watery electronics, washed-out samples and Beach Boys-y vocals essentially inspired the chillwave sound".

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In March 2007, Animal Collective member Panda Bear (Noah Lennox) released his solo album Person Pitch, which is credited with launching the chillwave style.{{cite web|last1=Cox|first1=Jamieson|title=Neon Indian's first album in four years is out this October|url=https://www.theverge.com/2015/8/14/9153075/neon-indian-vega-intl-night-school-new-album|website=The Verge|date=August 14, 2015}} The album influenced a wide range of subsequent indie music,{{cite web|last=Reges|first=Margaret|url=http://www.allmusic.com/artist/panda-bear-mn0000109628/biography|website=AllMusic|title=Panda Bear}} with its sound serving as the major inspiration for chillwave and a number of soundalikes.{{cite web|last1=Carew|first1=Anthony|title=Perfecting the pitch|url=http://www.smh.com.au/entertainment/music/perfecting-the-pitch-20110518-1eti5.html|website=The Sydney Morning Herald|date=May 20, 2011}} Animal Collective itself also contributed to the movement.{{cite web|last1=Hawking|first1=Tom|title=Why Do Animal Collective Suddenly Sound So Dated?|url=http://flavorwire.com/498883/why-do-animal-collective-suddenly-sound-so-dated|website=Flavorwire|date=January 14, 2015}} Their album Merriweather Post Pavilion, released in January 2009, was particularly influential for its ambient sounds and repetitive melodies, but was not as tightly associated with the "hazy" psychedelia that chillwave was identified with.{{cite web|last1=Eady|first1=Ashley|title=Chillwave: Has The Next "Big Thing" Arrived?|url=http://wrvu.org/chillwave-has-the-next-big-thing-arrived/|website=WRVU Nashville|date=February 14, 2014}} According to Flavorwire{{'}}s Tom Hawking, chillwave acts extrapolated "the sort of ill-defined pastoral nostalgia" from Animal Collective's early work "and spun it into an entire genre." However, "Animal Collective were never really part of that scene, such as it was — they were more like its spiritual overlords". {{clear left}}

In February 2008, Atlas Sound (Bradford Cox of Deerhunter) debuted with the album Let the Blind Lead Those Who Can See but Cannot Feel. According to music journalist Larry Fitzmaurice, "it’s impossible to overstate Cox’s influence on [chillwave]" and he added that the album's "ice-sculpture ambient pop ... was streaked with themes of impermanence and memory, which would soon come to define chillwave as a whole." Lennox later contributed guest vocals to Cox's 2009 song "Walkabout", referred to as an "early chillwave totem" by Fitzmaurice.{{cite web |last1=Fitzmaurice |first1=Larry |title=How Chillwave's Brief Moment in the Sun Cast a Long Shadow Over the 2010s |url=https://pitchfork.com/features/article/2010s-chillwave-best-coast-washed-out-neon-indian/ |website=Pitchfork |date=October 14, 2019}}

{{anchor|Etymology}}

File:Neon Indian performing at Bestival 2010.jpg performing in 2010]]{{Quotebox

| quote = Today, chill is everywhere—as an aesthetic descriptor, a vague lifestyle goal, an overall behavioral imperative. But back in the doldrums of the late ’00s, it was a novel proposition, not so much an aspiration as an escape. As America reeled from the collapse of entire sectors of the economy, young folks across the country burrowed into their bedrooms, fired up their laptops, and worked out their nostalgia with woozy new-wave synths, tape-warped samples, narcoleptic drum patterns, and hazy vocals hiding more than a smidgen of ennui beneath all that blissed-out reverb. [...] Though few artists actively identified as chillwavers, and the scene’s pioneers quickly moved on, the sound proved one of the past decade’s most influential and enduring aesthetics, paving the way for everything from Tame Impala to lofi study beats.

| source = Philip Sherburne of Pitchfork (October 7, 2021) [https://pitchfork.com/features/lists-and-guides/microgenres-25th-anniversary/]

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Most accounts attribute "chillwave" to a July 2009 post written by "Carles", the pseudonymous manager of the blog Hipster Runoff. The site, which was active between 2008 and 2013, was known for its ironic posts on "alt" trends.{{cite web|last1=Merchant|first1=Brian|title=The Last Relevant Blogger|url=https://www.vice.com/en/article/hipster-runoff-the-last-relevant-blogger/|website=Vice|date=January 30, 2015}} Carles used the term to describe a host of emerging bands that appeared similar to each other. A July 27 post titled "Is WASHED OUT the next Neon Indian/Memory Cassette?" ruminated on a nascent trend involving the "musicsphere" searching for a "new 'authentic, undergroundish product' that isn't a huge brand like AnCo/GrizzBear/etc. ... It seems easiest to have a chill project, that is somewhat 'conceptual' but also demonstrates that ur band has 'pop sensibilities' or something." He proposed a list of genre names, including "Chill Bro Core", "Pitchforkwavegaze", "forkshit", and "CumWave".{{cite web |last1=Joyce |first1=Colin |title=Chillwave Was the First Great Genre of the Internet Era |url=https://www.vice.com/en/article/intro-to-chillwave-best-songs-by-toro-y-moi-washed-out/ |website=Vice |date=August 23, 2019}} The post concludes:

{{blockquote|Feel like I might call it 'chill wave' music in the future. Feels like 'chill wave' is dominated by 'thick/chill synths' while conceptual core is still trying to 'use real instruments/sound like it was recorded in nature.' Feel like chillwave is supposed to sound like something that was playing in the background of 'an old VHS cassette that u found in ur attic from the late 80s/early 90s.'{{cite web|author1=Carles|title=Is WASHED OUT the next Neon Indian/Memory Cassette?|url=http://hipsterrunoff.com/node/1780|website=Hipster Runoff|archive-url=https://web.archive.org/web/20130717013018/http://hipsterrunoff.com/node/1780|archive-date=July 17, 2013|date=July 27, 2009|url-status=dead}}}}

A few weeks later, in August, The Wire journalist David Keenan coined "hypnagogic pop" to describe a trend of 2000s lo-fi and post-noise music in which indie acts began to engage with elements of cultural nostalgia, childhood memory, and outdated recording technology.{{sfn|Trainer|2016|pp=409–410, 416}} Chillwave initially became subsumed under the "hypnagogic pop" and "glo-fi" labels, although "glo-fi" quickly fell out of popular usage.{{cite web |last1=Cohen |first1=Ian |title=Chillwave At 10: The Essential Tracks |url=https://www.stereogum.com/2045339/chillwave-best-songs-list/franchises/list/ultimate-playlist/ |website=Stereogum |date=June 25, 2019}}

While chillwave and hypnagogic pop both evoke the cultural aesthetics of the 1980s and 1990s, chillwave espoused a more commercial sound that emphasized "cheesy" hooks and reverb effects.{{sfn|Trainer|2016|p=416}} According to Pitchfork{{'}}s Miles Bowe, chillwave came to constitute a pejorative referencing the "cynical" rebranding of hypnagogic pop acts who had "streamlined [their] style to find genuine pop success."{{cite web |last1=Bowe |first1=Miles |title=Macintosh Plus Floral Shoppe |url=https://pitchfork.com/reviews/albums/macintosh-plus-floral-shoppe/ |website=Pitchfork |date=April 21, 2019}} Keenan, who had previously championed hypnagogic pop, became disenchanted with many such artists, writing in 2011 that "in the reductive glare of mainstream media", chillwave had become "shorthand for a cheap form of revivalism and a valorising of bad taste".

Carles later explained that he had set out to throw "a bunch of pretty silly names on a blog post and [see] which one stuck." Neon Indian's Alan Palomo surmised that the tag caught on "because it was the most dismissive and sarcastic ... the term chillwave came when the era of blog-mediated music was at its height at that time."{{cite web|last1=Scherer|first1=James|title=Great artists steal: An interview with Neon Indian's Alan Palomo|url=http://smilepolitely.com/music/great_artists_steal_an_interview_with_neon_indians_alan_palomo/|website=Smile Politely|date=October 26, 2016}} The term did not gain mainstream currency until early 2010, when it was the subject of articles by The Wall Street Journal and The New York Times.{{cite web |url=https://www.vulture.com/2011/07/vultures_a_brief_history_of_ch.html |title=Vulture's Brief History of Chillwave |first=Bryan |last=Hood |date=July 14, 2011 |website=Vulture}}

File:Toro y Moi at Hard Rock Cafe.jpg, pictured in 2012)]]

Chillwave flourished throughout 2008 and 2009, culminating with the 2009 "Summer of Chillwave", which was marked by an inundation of artists with names and song titles referencing summertime, the beach, or surfing. Songs were generally of low-to-moderate tempo{{cite news|author1=Hobbes|title=Clubbers' Decktionary: Chillwave|url=https://www.list.co.uk/article/38102-clubbers-decktionary-chillwave/|website=The List|date=October 17, 2011}} and incorporated vintage, analog instrumentation that evoked the popular music of the late 1970s and early 1980s.{{cite web|last=Liedel|first=Kevin|title=Washed Out: Paracosm|url=http://www.slantmagazine.com/music/review/washed-out-paracosm|access-date=August 9, 2014|work=Slant Magazine|date=August 11, 2013}} Although it had no specific geographical source point, chillwave was concentrated in the southern and eastern coasts of the U.S., with Brooklyn, New York figuring the most prominently. Neon Indian (Alan Palomo), Washed Out (Ernest Greene), and Toro y Moi (Chaz Bundick) were considered to be the vanguard of the chillwave movement.{{cite web|last1=Friedlander|first1=Emilie|last2=McDermott|first2=Patrick D.|title=A Recent History of Microgenres|url=http://www.thefader.com/2015/10/08/timeline-history-of-music-microgenres-chillwave-cloud-rap-witch-house|website=The Fader|quote=KEY ARTISTS: Neon Indian, Washed Out, Toro y Moi}} All three were one-man acts from the Southern U.S., while Greene and Bundick were acquaintances and collaborators.{{cite web|last1=Guan|first1=Frank|title=Chillwave Is Back ... or Is It?|url=http://www.vulture.com/2017/07/the-return-of-chillwave.html|website=Vulture|date=July 12, 2017}}

{{listen|type=music|filename=Feel It All Around - Washed Out.ogg|title = Washed Out's "Feel It All Around" (2009)

|description="Feel It All Around" set the template for chillwave.{{cite web|last1=Cohen|first1=Ian|title=Washed Out|url=http://pitchfork.com/features/interview/9185-washed-out/|date=August 6, 2013 |work=Pitchfork |access-date=November 23, 2020}}{{cite web|last1=Fitzmaurice|first1=Larry|title=Tame Impala, Chillwave, and Other Dispatches from the Vibe Generation|url=https://www.vice.com/en/article/dispatches-from-the-vibe-generation/|website=Vice|date=December 18, 2015}}

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Greene's "Feel It All Around" (July 2009) became the best known song of the genre, later to be employed as a backdrop for the opening sequence of the television series Portlandia (2011–2018). Created mostly from a slowed-down sample of Gary Low's 1983 song "I Want You", RBMA{{'}}s Sian Rowe wrote that it "has all the things that chillwave would be defined by: lo-fi synths, laid-back filtered-out vocals and disposable camera-style photography that usually involves the beach or anything watery."{{cite web|last1=Rowe|first1=Sian|title=The list: Warming to chillwave|url=http://www.redbull.com/en/music/stories/1331606403893/the-list-warming-to-chillwave|website=Red Bull Academy|date=August 12, 2013}}

Neon Indian's debut Psychic Chasms (October 2009) was another early album that typified the genre,{{cite web|last1=Williott|first1=Carl|title=Interview: Cellars Gets To The Heart Of Chillwave On Her Ariel Pink-Produced LP 'Phases'|url=http://www.idolator.com/7629594/cellars-interview-phases-ariel-pink-chillwave|website=Idolator|date=April 14, 2016}} particularly the tracks "Deadbeat Summer", "Terminally Chill", and "Should've Taken Acid With You". Bundick's debut Causers of This (January 2010) drew similar attention for its style of old-fashioned, lo-fi pop.{{cite web|last1=Barnett|first1=Alexis Noelle|title=Chaz Bundick Talks New Album "Toro y Moi: Live From Trona"|url=http://wwd.com/eye/people/chaz-bundick-new-album-toro-y-moi-live-from-trona-10498786/|website=WWD|date=July 29, 2016}} The album was acclaimed by critics and given an early endorsement by Kanye West, which lent the work significantly more popularity. Rolling Stone additionally dubbed Bundick the "godfather of chillwave".{{cite news|last1=McGregor|first1=Nick|title=Toro y Moi freezes out chillwave as a genre|url=http://www.orlandoweekly.com/orlando/toro-y-moi-freezes-out-chillwave-as-a-genre/Content?oid=2242207|work=Orlando Weekly|date=February 11, 2014}}

Writing in 2019, Ian Cohen of Stereogum argued Dayve Hawke (variously known as Memory Tapes, Memory Cassette, and Weird Tapes) to be the fourth leading chillwave act of the era. Cohen identified Hawke's output as "quintessential chillwave documents", namely the 2009 album Seek Magic, "probably the best album of the bunch that dropped in 2009 — and, by definition, probably the greatest chillwave album of all time."

Vaporwave is a microgenre of electronic music that originated as an ironic variant of chillwave.{{cite web|last1=Coleman|first1=Jonny|date=May 1, 2015|title=Quiz: Is This A Real Genre|url=http://pitchfork.com/thepitch/756-quiz-is-this-a-real-genre/|website=Pitchfork}} It was loosely derived from the work of hypnagogic artists such as Ariel Pink and James Ferraro, and was characterized by the invocation of retro popular culture{{sfn|Trainer|2016|p=416}} as well as the "analog nostalgia" of the chillwave scene.{{cite web|last1=Schilling|first1=Dave|title=Songs of the Week: Skylar Spence, Vampire Weekend's Chris Baio, and the Return of Chillwave|url=http://grantland.com/hollywood-prospectus/songs-of-the-week-skylar-spence-vampire-weekends-chris-baio-and-the-return-of-chillwave/|website=Grantland|date=September 18, 2015}} Amplifying the experimental tendencies of hypnagogic pop,{{cite web|last1=Bowe|first1=Miles|title=Band To Watch: Saint Pepsi|url=http://www.stereogum.com/1409361/band-to-watch-saint-pepsi/franchises/band-to-watch/|website=Stereogum|date=July 26, 2013|access-date=June 26, 2016}} vaporwave is cleanly produced and composed almost entirely from samples.{{cite web | url=http://www.dummymag.com/features/adam-harper-vaporwave | title=Comment: Vaporwave and the pop-art of the virtual plaza | publisher=Dummy | date=December 7, 2012 | access-date=February 8, 2014 | author=Harper, Adam | archive-date=April 1, 2015 | archive-url=https://web.archive.org/web/20150401173930/http://www.dummymag.com/features/adam-harper-vaporwave | url-status=dead }} It relied on sources such as smooth jazz, retro elevator music, R&B, and dance music from the 1980s and 1990s, along with the application of slowed-down chopped and screwed techniques, looping, and other effects.

Writers, fans, and artists struggled to differentiate vaporwave, chillwave, and hypnagogic pop from each other.{{cite web |last1=Harper |first1=Adam |title=Essay: Invest in Vaporwave Futures! |url=https://www.dummymag.com/features/essay-invest-in-vaporwave-futures/ |website=Dummy Mag |date=2013}} One of the descriptions of the genre that were levied by online forums was "chillwave for Marxists".{{cite web | url=https://www.wsj.com/articles/synthwave-the-sound-of-an-80s-childhood-goes-mainstream-11548514800 | title=ynthwave, the Sound of an '80s Childhood, Goes Mainstream | work=The Wall Street Journal | date=January 28, 2019 | access-date=March 31, 2019 | first=Neil |last=Shah }} Vaporwave found wider appeal over the middle of 2012, building an audience on sites like Last.fm, Reddit, and 4chan.{{cite news|last1=Galil|first1=Leor|title=Vaporwave and the Observer Effect|url=http://www.chicagoreader.com/chicago/vaporwave-spf420-chaz-allen-metallic-ghosts-prismcorp-veracom/Content?oid=8831558|work=Chicago Reader|date=February 19, 2013}} A wealth of its own subgenres and offshoots—some of which deliberately gesture at the genre's non-seriousness—soon followed.{{cite web | url=https://www.vice.com/en/article/what-is-hardvapour-vaporwave-essay-hke-sandtimer/ | title=Inside Hardvapour, an Aggressive, Wry Rebellion Against Vaporwave | website=Vice | date=July 12, 2016 | access-date=December 30, 2016 | last=Arcand | first=Rob | archive-url=https://web.archive.org/web/20161231173305/https://thump.vice.com/en_us/article/what-is-hardvapour-vaporwave-essay-hke-sandtimer | archive-date=December 31, 2016 | url-status=live }}

Chillwave reached its peak in mid-2010, the same year it was received with widespread criticism. Some of the common descriptors used for the music in reviews or blog posts became clichés, including "soundscapes", "dreamy", "lush", "glowing", and "sun-kissed".{{cite web|last1=Britton|first1=Luke Morgan|title=Music Genres Are A Joke That You're Not In On|url=https://www.vice.com/en/article/a-definitive-guide-to-trolling-music-genres/|website=Vice|date=September 26, 2016}} The Village Voice{{'}}s Christopher Weingarten remarked in December 2009 that "90 percent of writing about glo-fi mentions 'the summer' in some fashion. And summer's been over for, like, four months now."{{cite news|last1=Weingarten|first1=Christopher R.|title=The Decade in Music Genre Hype|url=http://www.villagevoice.com/music/the-decade-in-music-genre-hype-6393275|work=Village Voice|date=December 22, 2009}}

The chillwave scene ultimately "withered and died". One major reason was a sudden oversaturation of artists, which came as a consequence of its simple production process. Writing in the New Times Broward-Palm Beach, Reed Fischer referred to Pitchfork{{'}}s negative review of Millionyoung's "perfectly fine album" Replicants (2011) as a declaration of the genre's demise.{{cite news|last1=Fischer|first1=Reed|title=Pitchfork Uses Millionyoung to Declare Chillwave Dead|url=http://www.browardpalmbeach.com/music/pitchfork-uses-millionyoung-to-declare-chillwave-dead-6407258|work=New Times Broward-Palm Beach|date=February 21, 2011}} Explaining why the genre fell out of public favor, Bundick surmised that chillwave "did its thing, and once it became a thing, people stopped caring about it, even the artists [making it]."

In 2015, Fitzmaurice reflected that the "holy triumvirate" of Washed Out, Toro y Moi, and Neon Indian had maintained their careers in spite of the genre's decline. Tom Hawking predicted that the "chillwave era will most likely be a footnote to musical history, a faint flaring of middle-class angst in a frightening time for everyone. But that doesn't mean it's not worth examining regardless, because its simple existence says far more about a generation than the music itself ever did."

{{quote box|text=Both sonically and in backwards-gazing ethos, the genre emerged from a sense of generational retreat—a collective desire to return to the womb, maybe, or at least to find a place of contentment where we're left alone to exist in a sort of vaguely pleasant stasis.

|source=—Larry Fitzmaurice, Vice, 2015

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Referencing the genre's Brooklyn-centric origins, Hawking noted that the "fact this was such beach-centric music makes it interesting ... chillwave also strikes me as hugely middle class music. ... whereas punk reacted with anger and a desire for change, chillwave was the sound of escapism and resignation. ... it's surely no coincidence that chillwave's rise coincided with the aftermath of the 2007 sub-prime economic meltdown."{{cite web|last1=Hawking|first1=Tom|title=What Did Chillwave Mean, Anyway?|url=http://flavorwire.com/284175/what-did-chillwave-mean-anyway|website=Flavorwire|date=April 27, 2012}}

Eric Grandy of The Stranger said that the genre's practitioners shared "a kind of fond nostalgia for some vague, idealized childhood. Its posture is a sonic shoulder shrug, a languorous, musical 'whatevs'."{{cite web|last1=Grandy|first1=Eric|date=November 12, 2009|title=Triumph of the Chill|url=http://www.thestranger.com/seattle/triumph-of-the-chill/Content?oid=2709147|website=The Stranger|access-date=June 4, 2016}} Another attempt at identifying the common threads of the scene was offered by Jon Pareles in The New York Times: "They're solo acts or minimal bands, often with a laptop at their core, and they trade on memories of electropop from the 1980s, with bouncing, blipping dance-music hooks (and often weaker lead voices). It's recession-era music: low-budget and danceable."{{cite news| url=https://www.nytimes.com/2010/03/22/arts/music/22sxsw2.html| title=Spilling Beyond a Festival's Main Courses|first=Jon|last=Pareles| date=March 21, 2010| access-date=May 11, 2010| work=The New York Times}}

File:Brian Wilson,1960s.jpg' Brian Wilson was linked to chillwave's common subject matter]]

Vulture{{'}}s Frank Guan writes that the evocation of summer is not "as a season of deprivation and loss of control, but [as] a summer spent in suburban quiet and prosperity, chilling indoors alone with central A/C, watching daytime TV or listening to music." One unnamed Pitchfork writer opined: "This music isn't easy to write about. It takes a lot of work to get past 'soundtrack to the summer' and 'makes me want to hit the beach.' So much of this summer-obsessed lo-fi is about atmosphere and feel that it can seem weird to scrutinize it."

In November 2009, Pitchfork ran an editorial feature on the "summer of chillwave". The Beach Boys' Brian Wilson, who had been compared to Animal Collective, was mentioned as a "looming figure" throughout that summer's indie music. An unnamed editor argued that the similarities were more abstract than musical and that Wilson's influence stems from his legend as an "emotionally fragile dude with mental health problems who coped by taking drugs." The editor continued, "Summertime now is about disorientation: 'Should Have Taken Acid With You'; 'The Sun Was High (And So Am I)'; You take the fantasy of [Wilson's] music-- the cars, the sand, the surf-- add a dollop of melancholy and a smudge of druggy haze, and you have some good music for being alone in a room with only a computer to keep you company."{{cite web|editor-last1=Richardson|editor-first1=Mark|title=In My Room (The Best Coast Song): Nine Fragments on Lo-fi's Attraction to the Natural World|url=http://pitchfork.com/features/resonant-frequency/7732-resonant-frequency-65/|date=November 12, 2009|website=Pitchfork}}

Chillwave was one of the first genres to acquire an identity online and one of the last phenomena of indie music to predate Twitter's dominance of social media. According to writer Garin Pirnia, it is an example of linking musical trends by Internet outlets rather than geographic location. Pirnia wrote in 2010 (quoting Palomo), "Whereas musical movements were once determined by a city or venue where the bands congregated, 'now it's just a blogger or some journalist that can find three or four random bands around the country and tie together a few commonalities between them and call it a genre.'" In the description of The Guardian{{'}}s Emilie Friedlander, chillwave was "the internet electronic micro-genre that launched a hundred internet electronic micro-genres (think: vaporwave, witch house, seapunk, shitgaze, distroid, hard vapor), not to mention its corollaries in [2010s] internet rap, which largely shared its collagist, hyper-referential approach to sound."{{cite news |last1=Friedlander |first1=Emilie |title=Chillwave: a momentary microgenre that ushered in the age of nostalgia |url=https://www.theguardian.com/music/2019/aug/21/chillwave-microgenre-nostalgia-pop |work=The Guardian |date=August 19, 2019}}

Chillwave and other offshoots of it such as vaporwave gained popularity on YouTube, often as songs that were ironic or made to be memes.{{Cite book |last=Beran |first=Dale |title=It Came from Something Awful: How a Toxic Troll Army Accidentally Memed Donald Trump into Office |date=July 30, 2019 |publisher=All Points Books |isbn=978-1-250-21947-3 |edition=1st |location=New York |page=16}}

{{quote box|text=[Chillwave] was a parody of a scene, both a defining moment for the music blogosphere and the last gasp. Sites like Gorilla vs. Bear and Pitchfork bought into it for a while, and sincere think pieces in traditional media publications like The Wall Street Journal asked, "Is Chillwave the Next Big Music Trend?" It never could have been a proper trend, because it was transparently manufactured.

|source=—Dave Schilling, Grantland, 2015

|width=25%

|align=left}}

Grantland{{'}}s Dave Schilling argued that the term was created to reveal "how arbitrary and meaningless" existing labels such as "shoegaze" and "dream pop" were.{{cite web|last1=Schilling|first1=Dave|title=That Was a Thing: The Brief History of the Totally Made-Up Chillwave Music Genre|url=http://grantland.com/hollywood-prospectus/that-was-a-thing-the-brief-history-of-the-totally-made-up-chillwave-music-genre/|date=April 8, 2015}} George McIntire of the San Francisco Bay Guardian described chillwave's origin as in the "throes of the blogosphere" and called the term a "cheap, slap-on label used to describe grainy, dancey, lo-fi, 1980s inspired music" and a "disservice to any band associated with it."{{cite news|last=McIntire|first=George|title=Just chill|url=http://www.sfbg.com/2013/02/26/just-chill|access-date=April 6, 2013|newspaper=San Francisco Bay Guardian|date=February 26, 2013}} In 2011, Carles said it was "ridiculous that any sort of press took it seriously" and that although the bands he spoke to "get annoyed" by the tag, "they understand that it's been a good thing. What about iTunes making it an official genre? It's now theoretically a marketable indie sound."{{cite journal|last1=Cheshire|first1=Tom|title=Invent a new genre: Hipster Runoff's Carles explains 'chillwave'|url=https://www.wired.co.uk/article/invent-a-new-genre|journal=The Wired|date=March 30, 2011}}

By 2015, the majority consensus was that chillwave was a fabricated non-genre.{{cite web|last1=Cohen|first1=Ian|title=Neon Indian – Annie|url=http://pitchfork.com/reviews/tracks/17501-neon-indian-annie/|website=Pitchfork|date=May 26, 2015}} In 2016, Palomo described labels like "chillwave" and "vaporwave" as "arbitrary" and that he "couldn't have been more happy" about the "chillwave" descriptor falling out of favor.{{Cite web|first=Sam|last=Prickett|url=http://weldbham.com/blog/2016/04/11/neon-indian-lurid-nightlife-birmingham-interview/|title=Neon Indian's Lurid Nightlife|date=April 11, 2016|website=Weld for Birmingham|language=en-US|access-date=May 6, 2016}} Toro y Moi's Chaz Bundick publicly expressed the following about the genre, saying, "I like the fact that I'm associated with it. It's cool. Not a lot of artists get a chance to be a part of some sort of movement, so I guess in a way I'm super flattered to be considered a part of that."{{Cite web|last=Prickett|first=Sam|url=http://weldbham.com/blog/2015/10/13/toro-y-moi-what-for-birmingham-interview/|title=Toro Y Moi asks the big question: What For?|date=October 13, 2015|website=Weld for Birmingham|language=en-US|access-date=May 6, 2016}} {{clear}}

{{Reflist}}

Bibliography

• {{cite book|last=Trainer|first=Adam|title=The Oxford Handbook of Music and Virtuality|chapter-url=https://books.google.com/books?id=C1wFCwAAQBAJ&pg=PA409|year=2016|publisher=Oxford University Press|isbn=978-0-19-932128-5|chapter=From Hypnagogia to Distroid: Postironic Musical Renderings of Personal Memory}}

• {{Commons category-inline|Chillwave}}

{{Electronica}}

{{Easy listening}}

{{Psychedelic music}}

{{Pop music}}

{{Hauntology}}

Category:2009 introductions

Category:21st-century music genres

Category:Pop music genres

Category:Retro style

Category:2000s neologisms

Category:Microgenres

Category:Indie music

Category:Nostalgia

Category:Easy listening music

Category:Electronic music genres

Category:Internet memes introduced in 2009

Category:Internet memes introduced in 2010

Category:Internet memes introduced in 2011

Category:Retro-style music

Category:American styles of music