Frank Reicher

{{Short description|German-American actor (1875–1965)}}

{{Use mdy dates|date=November 2011}}

{{Infobox person

| name = Frank Reicher

| image = Frank Reicher 01.jpg

| imagesize = 200px

| caption = Reicher as Ferrand in John Galsworthy's
The Pigeon, debut production at the
Little Theatre (1912)

| birth_name = Franz Reichert

| birth_date = {{birth date|1875|12|2|mf=y}}

| birth_place = Munich, Germany

| death_date = {{death date and age|1965|1|19|1875|12|2|mf=y}}

| death_place = Inglewood, California, U.S.

| resting_place =Inglewood Park Cemetery

| occupation = {{hlist|Actor|director|producer}}

| yearsactive = 1899–1951

| spouse = Ella Reicher (m. circa 1899–1948; her death)

| father = Emanuel Reicher

| relatives = Hedwiga Reicher (half-sister)
Ernst Reicher (half-brother)

}}

Frank Reicher (born Franz Reichert;Room, Adrian (2010). [https://books.google.com/books?id=eSIhzKnNUf4C&pg=PA401&dq=%22Frank+Reicher%22+%22Franz+Reichert%22 Dictionary of Pseudonyms: 13,000 Assumed Names and Their Origins, 5th ed.]. Jefferson, NC: McFarland & Company. p. 401. {{ISBN|978-0-7864-4373-4}}.Kornberger, Sylvia (2014). [https://books.google.com/books?id=54XaAgAAQBAJ&pg=PA414 Vampire, Monster, irre Wissenschaftler: So viel Europa steckt in Hollywoods goldener Horrorfilmära]. Hamburg: Disserta Verlag. p. 414. {{ISBN|9783954253043}}. December 2, 1875 – January 19, 1965) was a German-born American actor, director and producer. He is best known for playing Captain Englehorn in the 1933 film King Kong.

Early life

Reicher was born in Munich, Germany, the son of actor Emanuel Reichert.Brenner, A. (July 1926). [https://books.google.com/books?id=hKsMAQAAMAAJ&pg=PA353-IA2&dq=%22emanuel+reichert%22 "The Yiddish Theatre Celebrates Its Birthday"]. B'nai B'rith Magazine. Vol. 40, No. 10. pp.353–355. Retrieved August 11, 2024. Reicher's parents divorced in 1881 and his mother died two years later while at Trieste.L'art moderne 1904The Jewish Encyclopedia: Volume 10 edited by Isidore Singer, Cyrus Alder (1905) His half-sister, Hedwiga Reicher, would also become a Hollywood actor. His half-brother Ernst Reicher was popular as gentleman detective Stuart Webbs in the early German cinema of the 1910s. Frank Reicher immigrated to the States in 1899 and became a naturalized American citizen some twelve years later.US Passport Application August 4, 1922

File:He-Who-Gets-Slapped-1922-3.jpg, Frank Reicher and Richard Bennett in the Broadway production of He Who Gets Slapped (1922) ]]

Career

Reicher made his Broadway debut the year he came to America playing Lord Tarquin in Harrison Fiske's production of Becky Sharp, a comedy by Langdon Mitchell based on William Makepeace Thackeray’s Vanity Fair.Famous actresses of the day in America

By Lewis Clinton Strang 1902, pg. 120 His early career was spent in legitimate theater on and off Broadway. He was head of the Brooklyn Stock Company when Jacob P. Adler performed The Merchant of Venice in Yiddish while the rest of the cast remained in English. Reicher was for a number of years affiliated with the Little Theatre on West Forty-Fourth Street as an actor and manager and would remain active on Broadway as actor, director or producer well into the 1920s. On stage, Reicher starred in such plays as the first Broadway production of Georg Kaiser's From Morning to Midnight (as the cashier), the original production of Percy MacKaye's The Scarecrow (in the title role), and the United States premiere of Leonid Andreyev's He Who Gets Slapped.The New York Times January 23, 1965{{Cite web|url=https://www.ibdb.com/broadway-cast-staff/frank-reicher-15960|title=Frank Reicher – Broadway Cast & Staff | IBDB|website=www.ibdb.com|access-date=October 23, 2020}}

Frank Reicher is probably more familiar to modern audiences as a supporting character actor in films. He began his cinema career with an uncredited role in the 1915 film The Case for Becky and would go on to work in over two hundred motion pictures. He is probably best remembered for playing the character of Captain Englehorn in King Kong and The Son of Kong, and for his work in such films as The Secret Life of Walter Mitty (1947) and Kiss Tomorrow Goodbye (1950). His last Hollywood role was in the very first theatrical Superman movie, Superman and the Mole Men, in 1951.

Marriage

Frank Reicher married his wife Ella sometime around 1899 prior to his coming to America. Ella Reicher, a native of Oldenburg, joined him there the following year. The couple remained together until her death in 1948.California Death Index1920 US Census RecordsThe Los Angeles Times April 4, 1948US Passport Application (Ella Reicher) August 4, 1922

Death

Frank Reicher died at a hospital in Inglewood, California, aged 89. He was survived by his sister and a brother. His interment was at Inglewood Park Cemetery.{{Citation needed |date=August 2024}}

Filmography

=Actor=

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class="wikitable"

|+

!Year

!Title

!Studio

!Notes

1915

|The Clue

|Jesse L. Lasky

Feature Play Co.

|First credit as a director. The first

of 8 films made with Blanche Sweet.

1915

|The Secret Orchard

|Jesse L. Lasky

Feature Play Co.

|First solo credit as a director

1915

|The Case of Becky

|Jesse L. Lasky

Feature Play Co.

|

1915

|The Chorus Lady

|Jesse L. Lasky

Feature Play Co.

|

1915

|The Secret Sin

|Jesse L. Lasky

Feature Play Co.

|

1915

|Mr. Grex of Monte Carlo

|Jesse L. Lasky

Feature Play Co.

|

1916

|Pudd'nhead Wilson

|Jesse L. Lasky

Feature Play Co.

|

1916

|For the Defense

|Jesse L. Lasky

Feature Play Co.

|

1916

|The Sowers

|Jesse L. Lasky

Feature Play Co.

|

1916

|The Love Mask

|Jesse L. Lasky

Feature Play Co.

|

1916

|Alien Souls

|Jesse L. Lasky

Feature Play Co.

|

1916

|The Dupe

|Jesse L. Lasky

Feature Play Co.

|

1916

|Public Opinion

|Jesse L. Lasky

Feature Play Co.

|

1916

|The Victory of Conscience

|Jesse L. Lasky

Feature Play Co.

|

1916

|The Storm

|Jesse L. Lasky

Feature Play Co.

|

1916

|Witchcraft

|Jesse L. Lasky

Feature Play Co.

|

1917

|Betty to the Rescue

|Jesse L. Lasky

Feature Play Co.

|

1917

|Lost and Won

|Jesse L. Lasky

Feature Play Co.

|

1917

|The Black Wolf

|Jesse L. Lasky

Feature Play Co.

|

1917

|Castles for Two

|Jesse L. Lasky

Feature Play Co.

|

1917

|Sacrifice

|Jesse L. Lasky

Feature Play Co.

|

1917

|Unconquered

|Jesse L. Lasky

Feature Play Co.

|

1917

|The Inner Shrine

|Jesse L. Lasky

Feature Play Co.

|

1917

|The Trouble Buster

|Pallas Pictures

|

1917

|The Eternal Mother

|Metro Pictures

|

1917

|An American Widow

|Metro Pictures

|

1918

|The Claim

|Metro Pictures

|

1918

|Treasure of the Sea

|Metro Pictures

|

1918

|The Only Road

|Metro Pictures

|

1918

|The Sea Waif

|World Film

|

1918

|The Prodigal Wife

|Screencraft

|

1919

|Suspense

|Screencraft

|

1919

|The American Way

|World Film

|

1919

|The Trap

|Universal Pictures

|

1919

|The Battler

|World Film

|

1919

|The Black Circle

|World Film

|

1920

|Empty Arms

|Park-Whiteside

Productions

|

1921

|Idle Hands

|Park-Whiteside

Productions

|

1921

|Behind Masks

|Famous Players-Lasky

|

1921

|Wise Husbands

|Pioneer Film Corp.

|

1921

|Out of the Depths

|Art-O-Graf

|Unconfirmed

1929

|Mister Antonio

|Tiffany-Stahl

Productions

|Co-directed with James Flood

1931

|Wir schalten um auf Hollywood

|MGM

|Final director credit

References

{{reflist}}

{{Portal|Biography}}