Günther Groissböck
{{short description|Austrian operatic bass (born 1976)}}
Günther Groissböck (born 24 September 1976) is an Austrian operatic bass. Anthony Tommasini, chief classical music critic for The New York Times, described Groissböck's "imposing and good-looking" portrayal of Baron Ochs in Der Rosenkavalier at the Metropolitan Opera, New York, as "a revelation".{{cite web|url=https://www.nytimes.com/2019/12/15/arts/music/der-rosenkavalier-review.html|title=Review: A Radiant Revival of Der Rosenkavalier|author=Anthony Tommasini|authorlink=Anthony Tommasini|date=15 December 2019|work=The New York Times|access-date=17 January 2020}} James Jorden of the New York Observer praised Groissböck's "innovative take" on the role and his "big, virile sound".{{cite web|url=https://observer.com/2019/12/met-der-rosenkavalier-metoo-spin/|title=At the Met, the Classic Rosenkavalier Takes on a #MeToo Spin|author=James Jorden|authorlink=James Jorden|work=Observer|location=New York|date=16 December 2019|access-date=17 January 2020}} A 2018 recording of the Met performance was nominated for Grammy Award in the Best Opera Recording.
Early life
Groissböck was born in Waidhofen an der Ybbs in Lower Austria{{cite news|url=https://kurier.at/kultur/guenther-groissboeck-er-ist-ein-sklave-seiner-hormone/77.832.586|title="Er ist ein Sklave seiner Hormone"|trans-title="He is a slave to his hormones"|work=Kurier|language=de|date=31 July 2014|accessdate=28 May 2019}} to a doctor (father) and a teacher (mother) and was self-motivated to play piano by the age of eight.{{cite news|url=https://www.merkur.de/kultur/oper-funktioniert-nicht-dsds-1250542.html|title=Oper funktioniert nicht wie DSDS|date=May 19, 2011|accessdate=28 May 2019}} He received vocal training at the University of Music and Performing Arts Vienna where he was under guidance from Robert Holl and José van Dam.{{cite web|url=http://www.hilbert.de/kuenstler-details.php?id=94|title=Günther Groissböck|accessdate=28 May 2019|publisher=Hilbert Artists Management|archive-date=12 August 2018|archive-url=https://web.archive.org/web/20180812034340/http://www.hilbert.de/kuenstler-details.php?id=94|url-status=dead}}
Career
From 2002 to 2003, Groissböck was a scholar at the Eliette and Herbert von Karajan Institute and then became bass singer at the Zürich Opera House.{{cite web|url=https://www.wiener-staatsoper.at/en/artists/artist-detail/artist/379-groissboeck-guenther/|title=Günther Groissböck|accessdate=28 May 2019}} He debuted in Die Liebe der Danae in 2002. In 2005, he appeared twice in a role of Sarastro in The Magic Flute under Riccardo Muti's baton. In 2007, he sang in Der Freischütz at the Salzburg Festival.
His debut at the Metropolitan Opera in New York was Colline in Puccini's La bohème in 2010. In 2011, Groissböck appeared as Landgrave Hermann in Wagner's Tannhäuser at the Bayreuth Festival.{{cite web|url=https://www.kultura-extra.de/theater/feull/rezension_tannhaeuser_bayreutherfestspiele2011.php|title=Rüben gegen Hungersnot|date=3 August 2011|author=Andre Sokolowski|website=kultura-extra.de|language=de|accessdate=17 January 2020}} In 2013, Groissböck sang the role of Vodník in Rusalka.{{cite news|url=https://www.npr.org/2011/03/25/134833132/life-yields-to-love-in-dvoraks-rusalka|title=Life Yields to Love in Dvorak's Rusalka|publisher=WDAV/NPR|date=25 March 2011|accessdate=28 May 2019}}
In 2014, the artistic director of the Teatro Real in Madrid, Gerard Mortier, offered him the title role in Boris Godunov.[https://www.lavanguardia.com/local/madrid/20120920/54350606160/gerard-mortier-el-teatro-real-es-de-los-mas-pobres-de-europa-y-este-boris-godunov-el-mas-barato.html "Gerard Mortier: 'El Teatro Real es de los más pobres de Europa y este Boris Godunov el más barato"] [Gerard Mortier: 'The Royal Theater is one of the poorest in Europe and this Boris Godunov the cheapest], La Vanguardia, 20 September 2010 (in Spanish) In 2015, Groissböck sang the role of Baron Ochs at the Salzburg Festival in Der Rosenkavalier after his appearance five years ago in Rusalka which at that time was directed by former Vienna State Opera director Ioan Holender. The same year, he sang the Landgrave in Wagner's Tannhäuser at the Met. In 2016, he sang Gurnemanz with the Dutch National Opera in Wagner's Parsifal in Amsterdam{{cite magazine|url=https://www.operamagazine.nl/achtergrond/38954/stem-nu-schaunard-award-2016/|title=Stem nu: Schaunard Award 2016|trans-title=Vote now: Schaunard Award 2016|magazine=Opéra Magazine|language=nl|date=24 December 2016}} again two years later at the Bayreuth Festival.{{cite magazine|url=https://www.operamagazine.nl/featured/45109/laufenbergs-parsifal-overtuigend-hernomen/|title=Laufenbergs Parsifal overtuigend hernomen|author=Peter Franken|magazine=Opéra Magazine|language=nl|date=9 August 2018}} During the 2016/2017 season he also sang as Fasolt in Wagner's Das Rheingold and Veit Pogner in Die Meistersinger von Nürnberg.{{cite web|author=Sam Goodyear|url=http://www.wagneropera.net/articles/articles-bayreuth-2017-goodyear-meistersinger.htm|title=Bayreuth Festival 2017: Die Meistersinger von Nürnberg|accessdate=28 May 2019}}{{cite news|url=https://www.nytimes.com/2017/08/01/arts/music/wagner-meistersinger-bayreuth-review.html|author=Zachary Woolfe | author-link=Zachary Woolfe|title=Review: A New Meistersinger in Bayreuth Stars Wagner|work=The New York Times|date=1 August 2017|accessdate=28 May 2019}}
In 2017, Groissböck reprised his Ochs, this time at the Metropolitan Opera, and again at that house in 2019/2020.{{cite web|url=https://www.metopera.org/discover/artists/baritone-and-bass/gunther-groissbock/|title=Günther Groissböcl|publisher=Metropolitan Opera|access-date=16 January 2020}} From 2017 to 2019, he appeared as Prince Gremin in Eugene Onegin.{{cite web|url=https://operawire.com/anna-netrebko-peter-mattei-star-in-pbs-broadcast-of-tchaikovskys-eugene-onegin/|author=Francisco Salazar|title=Anna Netrebko & Peter Mattei Star in PBS Broadcast of Tchaikovsky's Eugene Onegin|website=operawire.com|date=25 July 2017|accessdate=28 May 2019}}
Groissböck regularly gives lieder recitals. In 2018 he gave a recital at the Frankfurt Opera, accompanied by Malcolm Martineau, which included Brahms' Vier ernste Gesänge, Robert Schumann's Liederkreis, Op. 39, and the ending of Die Walküre.{{cite news|url=https://www.fr.de/kultur/musik/traulich-tiefe-10972142.html|author=Judith von Sternburg|title=Traulich ist es nur in der Tiefe|work=Frankfurter Rundschau|language=de|date=13 September 2018|accessdate=17 January 2020}} The same year he performed the role of King Marke in Tristan und Isolde with the Dutch National Opera.{{cite magazine|url=https://www.operamagazine.nl/featured/42713/dno-triomfeert-met-tristan-und-isolde/|title=DNO triomfeert met Tristan und Isolde|trans-title=DNO triumphs with Tristan und Isolde|magazine=Opéra Magazine|language=nl|date=19 January 2018}} He was also part of the Metropolitan Opera's 2019 revival of Robert Lepage's production of Wagner's Ring Cycle as Fasolt.{{cite web|url=https://www.washingtonpost.com/entertainment/music/the-met-operas-high-tech-ring-was-a-flop-can-a-soprano-change-that-at-its-revival/2019/03/26/dcfa0704-4fce-11e9-a3f7-78b7525a8d5f_story.html|title=The Met Opera's high-tech Ring was a flop. Can a soprano change that at its revival?|author=Anne Midgette|authorlink=Anne Midgette|date=27 March 2019|work=The Washington Post|access-date=16 January 2020}}
He was supposed to sing Wotan in the new production of Der Ring des Nibelungen initially scheduled for the year 2020 at Bayreuth Festival and rescheduled for year 2022, but he decided to withdraw from this production. He sang Fiesco in Simon Boccanegra in September 2020, and will perform King Philip in Don Carlos in 2022 at the Metropolitan Opera.[https://onlinemerker.com/guenther-groissboeck-bayreuth-ist-der-ort-meiner-traeume/ "Günther Groissböck: Bayreuth ist der Ort meiner Träume"], interview by Renate Wagner, Online Merker, 23 September 2019 (in German) In 2024 he is scheduled to perform at the Bayreuth Festival again, as Veit Pogner in the festival's opening opera Die Meistersinger von Nürnberg.{{cite magazine|author=Barbara Stieber|title=Alumni in Focus – Günther Groissböck|url=https://www.mdw.ac.at/magazin/index.php/2017/09/29/alumni-im-fokus-guenther-groissboeck/?lang=en|magazine=MDW-Webmagazin|publisher=University of Music and Performing Arts Vienna|date=29 September 2017|access-date=16 January 2020}}
Groissböck is also known for performances with La Scala in Milan, the Paris Opera, the Bavarian State Opera, the Staatsoper Unter den Linden and the Deutsche Oper Berlin, in roles such as Henry the Fowler in Wagner's Lohengrin, Hunding in Die Walküre, Banco in Verdi's Macbeth (opera) and Zaccaria in Nabucco, and Rocco in Beethoven's Fidelio. His international repertoire includes performances at the Accademia Nazionale di Santa Cecilia, Gewandhaus, the Berliner Philharmonie, Carnegie Hall and the Boston Symphony Hall.
Recordings
Groissböck appeared in several productions filmed at the Zürich Opera House: Don Fernando in Fidelio under the baton of Nikolaus Harnoncourt (Arthaus Musik 2004); Police Inspector in Der Rosenkavalier under Franz Welser-Möst (EMI Classics 2004); Nightwatchman in Die Meistersinger under Welser-Möst (EMI Classics 2005); the King in Aida under Ádám Fischer (ARTE France 2006); Titurel on Bernard Haitink's recording of Parsifal (Deutsche Grammophon 2007);[http://www.musicalcriticism.com/recordings/dvd-parsifal-0808.shtml "Wagner: Parsifal – Haitink et al."], review by Dominic McHugh, musicalcriticism.com, 23 August 2008 Boland in Fierrabras under Welser-Möst (EMI Classics 2007).
He sang Sarastro in Mozart's Die Zauberflöte, conducted by Roland Böer and filmed in 2011 at La Scala (Opus Arte). In 2012, his Landgrave in Tannhäuser under Sebastian Weigle at the Liceu was released for C Major Entertainment. In 2013, his performance as Fasolt in a concert of Das Rheingold under Marek Janowski was live recorded at the Berliner Philharmonie for Pentatone.[https://www.theguardian.com/music/2013/may/30/wagner-das-rheingold-review "Wagner: Das Rheingold – review"] by Andrew Clements, The Guardian, 31 May 2013 Groissböck appears on several operas in the Metropolitan Opera Live in HD series
In 2017, Groissböck recorded Schubert's Winterreise and Schwanengesang, accompanied by Gerold Huber, for Decca.[https://www.operanews.com/Opera_News_Magazine/2019/1/Recordings/G%C3%BCnther_Groissb%C3%B6ck__Herz/Tod.html "Franz Schubert: Winterreise, Schwanengesang – Günther Groissböck, DECCA-Debütalbum, 2 CDs"], review by Ingobert Waltenberger, Online Merker, 9 March 2017 (in German) His 2018 album, Herz/Tod (Heart/Death), again with Huber and for Decca, featured lieder by Brahms, Wagner, Hugo Wolf, and Mahler.{{cite news|author=Manuel Brug|url=http://klassiker.welt.de/2018/07/15/muenchner-festspiel-liederabende-anja-harteros-gibt-die-dame-guenther-groissboeck-gibt-sich-hin/|title=Münchner Festspiel-Liederabende: Anja Harteros gibt die Dame, Günther Groissböck gibt sich hin|language=de|date=15 July 2018|accessdate=28 May 2019|archive-date=29 May 2019|archive-url=https://web.archive.org/web/20190529162604/http://klassiker.welt.de/2018/07/15/muenchner-festspiel-liederabende-anja-harteros-gibt-die-dame-guenther-groissboeck-gibt-sich-hin/|url-status=dead}}[https://www.operanews.com/Opera_News_Magazine/2019/1/Recordings/G%C3%BCnther_Groissb%C3%B6ck__Herz/Tod.html "Günther Groissböck: Herz/Tod"], review by William R. Braun, Opera News, January 2019 Also in 2018, the Metropolitan Opera recording of Der Rosenkavalier with Groissböck as Ochs was nominated for Grammy Award in the Best Opera Recording.{{cite news|url=https://www.sfcv.org/music-news/bay-area-musicians-nominated-for-grammy-awards|author=Janos Gereben|title=Bay Area Musicians Nominated for Grammy Awards|date=10 December 2018|accessdate=28 May 2019}}
References
{{Reflist}}
External links
- {{Commons category-inline|Günther Groissböck}}
- [https://www.operabase.com/artists/gunther-groissbock-6658/en Performance schedule], Operabase
- {{IMDb name|4321823|Günther Groissböck}}
- [https://www.prestomusic.com/classical/artists/5146/browse?sort=date&size=40&view=large&page=1 Discography], Presto Classical
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Category:People from Waidhofen an der Ybbs
Category:Musicians from Lower Austria