Garry Winogrand

Winogrand's parents, Abraham and Bertha, emigrated to the U.S. from Budapest and Warsaw. Garry grew up with his sister Stella in a predominantly Jewish working-class area of the Bronx, New York, where his father was a leather worker in the garment industry, and his mother made neckties for piecemeal work.{{cite web |url = http://www.michaelhoppengallery.com/artist,show,1,92,0,0,0,0,0,0,garry_winogrand.html |title = Michael Hoppen Gallery – Garry Winogrand |access-date = November 28, 2011 |url-status = dead |archive-url = https://web.archive.org/web/20111129035400/http://www.michaelhoppengallery.com/artist,show,1,92,0,0,0,0,0,0,garry_winogrand.html |archive-date = November 29, 2011 }}

Winogrand graduated from high school in 1946 and entered the U.S. Army Air Force. He returned to New York in 1947 and studied painting at City College of New York and painting and photography at Columbia University, also in New York, in 1948. He also attended a photojournalism class taught by Alexey Brodovitch at The New School for Social Research in New York in 1951.

Winogrand worked as a freelance photojournalist and advertising photographer in the 1950s and 1960s. Between 1952 and 1954 he freelanced with the PIX Publishing agency in Manhattan on an introduction from Ed Feingersh, and from 1954 at Brackman Associates.

Winogrand's beach scene of a man playfully lifting a woman above the waves appeared in the 1955 The Family of Man exhibition at the Museum of Modern Art (MoMA) in New York which then toured the world to be seen by 9 million visitors.{{Cite book | author1=Steichen, Edward | author2=Sandburg, Carl | author3=Norman, Dorothy | author4=Lionni, Leo | author5=Mason, Jerry | author6=Stoller, Ezra | author7=Museum of Modern Art (New York) | title=The family of man: The photographic exhibition | date=1955 | publisher=Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation | url=https://trove.nla.gov.au/work/10809600 }}{{Citation | editor1=Hurm, Gerd | editor2=Reitz, Anke | editor3=Zamir, Shamoon | title=The family of man revisited : photography in a global age | date=2018 | publisher=London I.B.Tauris | isbn=978-1-78672-297-3 }}{{Citation | author1=Sandeen, Eric J | title=Picturing an exhibition : the family of man and 1950s America | date=1995 | publisher=University of New Mexico Press | edition=1st | isbn=978-0-8263-1558-8 }} His first solo show was held at Image Gallery in New York in 1959. His first notable exhibition was in Five Unrelated Photographers in 1963, also at MoMA in New York, along with Minor White, George Krause, Jerome Liebling, and Ken Heyman.{{cite web|access-date=April 22, 2019|title=Five Unrelated Photographers|url=https://www.moma.org/calendar/exhibitions/3441|website=The Museum of Modern Art}}

In the 1960s, he photographed in New York City at the same time as contemporaries Lee Friedlander and Diane Arbus.{{cite book|last=Peres|first=Michael|page=116|year=2014|title=The Concise Focal Encyclopedia of Photography: From the First Photo on Paper to the Digital Revolution|publisher=CRC Press|isbn=9781136101823}}

In 1964 Winogrand was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation to travel "for photographic studies of American life".

In 1966 he exhibited at the George Eastman House in Rochester, New York with Friedlander, Duane Michals, Bruce Davidson, and Danny Lyon in an exhibition entitled Toward a Social Landscape, curated by Nathan Lyons.{{cite book | last= Lyons | first= Nathan | author-link = Nathan Lyons | title = Toward a Social Landscape: Bruce Davidson, Lee Friedlander, Garry Winogrand, Danny Lyons, Duane Michals | year= 1966 | publisher= Horizon Press | location= New York, NY | oclc = 542009}}{{cite news|first1=William|last1=Grimes|access-date=September 8, 2020|title=Nathan Lyons, Influential Photographer and Advocate of the Art, Dies at 86|url=https://www.nytimes.com/2016/09/02/arts/design/nathan-lyons-dead.html|newspaper=The New York Times|date=September 1, 2016|issn=0362-4331}} In 1967 his work was included in the "influential" New Documents show at MoMA in New York with Diane Arbus and Lee Friedlander, curated by John Szarkowski.{{cite web |url = http://kopeikingallery.com/artists/view/garry-winogrand |title = Garry Winogrand – Bio |access-date = November 29, 2011 |url-status = dead |archive-url = https://web.archive.org/web/20111104020558/http://www.kopeikingallery.com/artists/view/garry-winogrand |archive-date = November 4, 2011 }}

His photographs of the Bronx Zoo and the Coney Island Aquarium made up his first book The Animals (1969), which observes the connections between humans and animals. He took many of these photos when, as a divorced father, accompanying his young children to the zoo for amusement.{{cite web|access-date=April 21, 2019|title=Museum of Contemporary Photography|url=http://www.mocp.org/detail.php?t=objects&type=browse&f=maker&s=Winogrand%252C+Garry&record=2|website=www.mocp.org}}

He was awarded his second Guggenheim Fellowship in 1969 to continue exploring "the effect of the media on events",{{cite book | last= Winogrand | first= Garry | author-link= Garry Winogrand | title= Public Relations | year= 1977| publisher= Museum of Modern Art | location= New York, NY| isbn= 0-292-72433-0}} through the then novel phenomenon of events created specifically for the mass media. Between 1969 and 1976 he photographed at public events, producing 6,500 prints for Papageorge to select for his solo exhibition at MoMA, and book, Public Relations (1977).

In 1975, Winogrand's high-flying reputation took a self-inflicted hit. At the height of the feminist revolution, he produced Women Are Beautiful, a much-panned photo book that explored his fascination with the female form. "Most of Winogrand’s photos are taken of women in either vulgar or at least, questionable positions and seem to be taken unknown to them," says one critic. "This candid approach adds an element of disconnect between the viewer and the viewed, which creates awkwardness in the images themselves."{{cite web|access-date=April 21, 2019|title=Winogrand's Women Are Beautiful|url=https://www.worcesterart.org/exhibitions/winogrands-women-are-beautiful/responses.html|website=www.worcesterart.org}}

He supported himself in the 1970s by teaching, first in New York. He moved to Chicago in 1971 and taught photography at the Institute of Design, Illinois Institute of Technology between 1971 and 1972. He moved to Texas in 1973 and taught in the Photography Program in the College of Fine Arts at the University of Texas at Austin between 1973 and 1978.{{cite web|url = http://www.ocgarzaphotography.com/documents/ClassTimewithGarryWinograndfinal3.pdf|title = Class Time with Garry Winogrand|access-date = November 28, 2011 | author = O.C. Garza}} He moved to Los Angeles in 1978.

In 1979 he used his third Guggenheim Fellowship to travel throughout the southern and western United States investigating the social issues of his time.{{cite web|url = http://www.artnet.com/artists/garry-winogrand/ |access-date = November 29, 2011 | title = Garry Winogrand|website=Artnet}}{{cite web|url = http://www.americansuburbx.com/2011/02/asx-tv-streetwise-a-look-at-garry-winogrand.html | access-date = November 29, 2011 | title = American Suburb X – introduction to Garry Winogrand for 'Streetwise – A Look at Garry Winogrand' article}}

In his book Stock Photographs (1980) he showed "people in relation to each other and to their show animals"{{cite book | last= Winogrand | first= Garry | author-link= Garry Winogrand | title= Stock Photographs: The Fort Worth Fat Stock Show and Rodeo | year= 1980 | publisher= Olympic Marketing Corp | location= Minnetonka, MN | isbn= 0-292-72433-0}} at the Fort Worth Fat Stock Show and Rodeo.

Szarkowski, the Director of Photography at New York's MoMA, became an editor and reviewer of Winogrand's work.

Winogrand married Adrienne Lubeau in 1952. They had two children, Laurie in 1956 and Ethan in 1958. They separated in 1963 and divorced in 1966.

"Being married to Garry was like being married to a lens," Lubeau once told photography curator Trudy Wilner Stack. Indeed, "colleagues, students and friends describe an almost obsessive picture-taking machine."

Around 1967 Winogrand married his second wife, Judy Teller.{{cite web|access-date=April 21, 2019|title=Judy Teller, Wife of Garry Winogrand, New York City|url=http://portlandartmuseum.us/mwebcgi/mweb.exe?request=record;id=66623;type=101|website=portlandartmuseum.us}} They were together until 1969.{{cite web|access-date=April 21, 2019|title=Garry Winogrand: All Things are Photographable|url=http://www.pbs.org/wnet/americanmasters/garry-winogrand-all-things-are-photographable-about/11274/|date=March 13, 2019|website=American Masters}}

In 1972 he married Eileen Adele Hale, with whom he had a daughter, Melissa.{{cite book|url=http://www.igorsmirnoff.com/_talk/00000029.htm|title=figments from the real world|last=Winogrand|first=Garry|author2=John Szarkowski|publisher=Museum of Modern Art, New York|year=2003|isbn=0-87070-635-7|quote=Winogrand and Judy Teller were separated in 1969, and their marriage was annulled the next year. Late in 1969 he had met Eileen Adele Hale; they married in 1972|archive-url=https://web.archive.org/web/20120426011606/http://www.igorsmirnoff.com/_talk/00000029.htm|archive-date=April 26, 2012|url-status=dead}} They remained married until his death in 1984.

Winogrand was diagnosed with gallbladder cancer on February 1, 1984, and went immediately to the Gerson Clinic in Tijuana, Mexico, to seek an alternative cure ({{dollarsign|US}}6,000 per week in 2016).{{cite web|url=https://gerson.org/gerpress/gerson-clinic-mexico/|title=The Gerson Clinic in Mexico|access-date=January 17, 2019|publisher=Gerson Institute}}Jerry Saltz (August 10, 2014), [http://www.vulture.com/2014/08/art-review-garry-winogrand-retrospective.html] New York Magazine. He died on March 19, at age 56. He was interred at Mount Moriah Cemetery in Fairview, New Jersey.

At the time of his death his late work remained largely unprocessed, with about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and about 3,000 rolls only realized as far as contact sheets being made. In total he left nearly 300,000 unedited images.

The Garry Winogrand Archive at the Center for Creative Photography (CCP) comprises over 20,000 fine and work prints, 20,000 contact sheets, 100,000 negatives and 30,500 35 mm colour slides as well as a small number of Polaroid prints and several amateur and independent motion pictureRuoff, J. K. (1991). Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World. Cinema Journal, 6–28. films.{{cite web|url = http://2point8.whileseated.org/2006/03/05/winogrand-archives/ |access-date = November 29, 2011 | author = Michael David Murphy | title = Winogrand Archives}} Some of his undeveloped work was exhibited posthumously, and published by MoMA in the overview of his work Winogrand, Figments from the Real World (2003).

Yet more from his largely unexamined archive of early and late work, plus well known photographs, were included in a retrospective touring exhibition beginning in 2013 and in the accompanying book Garry Winogrand (2013). Photographer Leo Rubinfien who curated the 2013 retrospective at the San Francisco Museum of Modern Art felt that the purpose of his show was to find out, "...was Szarkowski right about the late work?” Szarkowski felt that Winogrand's best work was finished by the early 1970s. Rubinfien thought, after producing the show and in a shift from his previous estimation of 1966 to 1970, that Winogrand was at his best from 1960 to 1964.{{cite news|title=Revisiting Some Well-Eyed Streets|author=Loos, Ted|date=May 2, 2013|access-date=August 23, 2018|work=The New York Times|url=https://www.nytimes.com/2013/05/05/arts/design/garry-winogrand-retrospective-in-san-francisco.html}}

All of Winogrand's wives and children attended a retrospective exhibit at the San Francisco Art Museum after his death. On display was a 1969 letter from Judith Teller, Winogrand's second wife:

{{block quote|But my analyst bill is not even relevant at this point. What is extremely relevant is the money you owe the government in back taxes. Your inability to pay the rent on time. Your constantly running out of money. Your credit rating. And most of all, your flippant, irresponsible, nonsensical attitude toward all these very real problems. (‘I’ll wait till the government catches up with me. Why should I pay them any money now?’) You seem incapable of exercising your mind in any cogent way.{{cite web |first1=Richard B. |last1=Woodward |access-date=2019-04-22 |title=Garry Winogrand and the Art of the Opening |url=https://www.theparisreview.org/blog/2013/05/13/garry-winogrand-and-the-art-of-the-opening/ |date=13 May 2013}}}}

Szarkowski called Winogrand the central photographer of his generation. Frank Van Riper of the Washington Post described him as "one of the greatest documentary photographers of his era" and added that he was "a bluntspoken, sweet-natured native New Yorker, who had the voice of a Bronx cabbie and the intensity of a pig hunting truffles."{{cite web |last1=Van Riper |first1=Frank |title=Camera Works: Photo Essay |url=https://www.washingtonpost.com/wp-srv/photo/essays/vanRiper/030131.htm |website=www.washingtonpost.com |access-date=April 22, 2019}} Critic Sean O'Hagan wrote in The Guardian in 2014 that in "the 1960s and 70s, he defined street photography as an attitude as well as a style – and it has laboured in his shadow ever since, so definitive are his photographs of New York"; and in 2010 in The Observer that though he photographed elsewhere, "Winogrand was essentially a New York photographer: frenetic, in-your-face, arty despite himself." Phil Coomes, writing for BBC News in 2013, said "For those of us interested in street photography there are a few names that stand out and one of those is Garry Winogrand, whose pictures of New York in the 1960s are a photographic lesson in every frame."{{cite news |url=https://www.bbc.co.uk/news/in-pictures-21712576 |date=March 11, 2013 |access-date=January 17, 2015 |first=Phil |last=Coomes |work=BBC News |title=The photographic legacy of Garry Winogrand}}

File:Garry Winogrand exhibition, San Francisco Museum of Modern Art, 2013.jpg

• 1969: The Animals, Museum of Modern Art, New York.
• 1972: Light Gallery, New York.
• 1975: Women are Beautiful, Light Gallery, New York.
• 1977: Light Gallery, New York.
• 1977: The Cronin Gallery, Houston.
• 1977: Public Relations, Museum of Modern Art, New York.
• 1979: The Rodeo, Allan Frumkin Gallery, Chicago.
• 1979: Greece, Light Gallery, New York.
• 1980: University of Colorado Boulder.
• 1980: Garry Winogrand: Retrospective, Fraenkel Gallery, San Francisco.{{cite web |title=Retrospective |url=https://fraenkelgallery.com/exhibitions/retrospective |website=Fraenkel Gallery |access-date=September 9, 2020}}
• 1980: Galerie de Photographie, Bibliothèque nationale de France, Paris.
• 1981: The Burton Gallery of Photographic Art, Toronto.
• 1981: Light Gallery, New York.
• 1983: Big Shots, Photographs of Celebrities, 1960–80, Fraenkel Gallery, San Francisco.{{cite web |title=Celebrities 1960 – 1980|url=https://fraenkelgallery.com/exhibitions/celebrities-1960-1980 |website=Fraenkel Gallery |access-date=September 9, 2020}}
• 1984: Garry Winogrand: A Celebration, Light Gallery, New York.{{cite news |first1=Andy |last1=Grundberg |title=Photography View; Life Seized on the Fly |url=https://www.nytimes.com/1984/12/23/arts/photography-view-life-seized-on-the-fly.html |newspaper=The New York Times |date=December 23, 1984 |issn=0362-4331 |access-date=September 9, 2020}}
• 1984: Women are Beautiful, Zabriskie Gallery, New York.
• 1984: Recent Works, Houston Center for Photography, Texas.
• 1985: Williams College Museum of Art, Williamstown, Massachusetts.
• 1986: Twenty Seven Little Known Photographs by Garry Winogrand, Fraenkel Gallery, San Francisco.{{cite web |title=Twenty Seven Little Known Photographs by Garry Winogrand |url=https://fraenkelgallery.com/exhibitions/twenty-seven-little-known-photographs-by-garry-winogrand |website=Fraenkel Gallery |access-date=September 9, 2020}}
• 1988: Garry Winogrand, Museum of Modern Art. Retrospective.{{cite web |url=https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/6537/releases/MOMA_1988_0040_40.pdf?2010 |publisher=Museum of Modern Art |title=Major Garry Winogrand Retrospective Opens at the Museum of Modern Art |access-date=January 31, 2015}}
• 2001: Winogrand's Street Theater, Rencontres d'Arles festival, Arles, France.
• 2013/2014: Garry Winogrand, San Francisco Museum of Modern Art, San Francisco, March–June 2013"[http://www.sfmoma.org/exhib_events/exhibitions/452 Garry Winogrand ]", San Francisco Museum of Modern Art. Accessed November 7, 2014. and toured; National Gallery of Art, Washington, D.C., March–June 2014;"[http://www.nga.gov/content/ngaweb/exhibitions/2014/winogrand.html Garry Winogrand]", National Gallery of Art. Accessed November 7, 2014. Metropolitan Museum of Art, New York, June–September 2014;"[http://www.metmuseum.org/exhibitions/listings/2014/garry-winogrand Garry Winogrand]", Metropolitan Museum of Art. Accessed November 7, 2014. Galerie nationale du Jeu de Paume, Paris, October 2014 – February 2015."[http://www.sfmoma.org/exhib_events/exhibitions/452 Garry Winogrand]", Galerie nationale du Jeu de Paume. Accessed November 7, 2014.
• 2019: Garry Winogrand: Color, Brooklyn Museum, Brooklyn, NY, May–December 2019.{{cite web |url=https://www.brooklynmuseum.org/exhibitions/garry_winogrand |title=Brooklyn Museum: Garry Winogrand: Color |website=www.brooklynmuseum.org |access-date=October 10, 2019}}

• 1955: The Family of Man, The Museum of Modern Art, New York.{{cite news |url=https://www.nytimes.com/2014/07/04/arts/design/garry-winogrand-a-retrospective-at-the-metropolitan-museum.html |date=July 3, 2014 |access-date=December 28, 2014 |first=Holland |last=Cotter |newspaper=The New York Times |title=No Moral, No Uplift, Just a Restless 'Click': 'Garry Winogrand,' a Retrospective at the Metropolitan Museum}}
• 1957: Seventy Photographers Look at New York, The Museum of Modern Art, New York.
• 1963: Photography '63, George Eastman House, Rochester, New York.
• 1964: The Photographer's Eye, Museum of Modern Art, New York. Curated by John Szarkowski.{{cite web |url=http://www.moma.org/momaorg/shared/pdfs/docs/press_archives/3231/releases/MOMA_1964_0018_1964-05-27_20.pdf?2010 |access-date=January 31, 2015 |publisher=Museum of Modern Art |title=No. 20}}
• 1966: Toward a Social Landscape, George Eastman House, Rochester, NY. Photographs by Winogrand, Bruce Davidson, Lee Friedlander, Danny Lyon, and Duane Michals. Curated by Nathan Lyons.
• 1967: New Documents, Museum of Modern Art, New York with Diane Arbus and Lee Friedlander, curated by John Szarkowski.{{cite news |first1=Philip |last1=Gefter |title=John Szarkowski, Eminent Curator of Photography, Dies at 81 |url=https://www.nytimes.com/2007/07/09/arts/09szarkowski.html |newspaper=The New York Times |date=July 9, 2007 |issn=0362-4331 |access-date=September 8, 2020}}{{cite web |title=Was John Szarkowski the most influential person in 20th-century photography?|url=http://www.theguardian.com/artanddesign/2010/jul/20/john-szarkowski-photography-moma |date=July 20, 2010 |website=The Guardian |access-date=September 8, 2020}}
• 1969: New Photography USA, Traveling exhibition prepared for the International Program of Museum of Modern Art, New York.
• 1970: The Descriptive Tradition: Seven Photographers, Boston University, Massachusetts.
• 1971: Seen in Passing, Latent Image Gallery, Houston.
• 1975: 14 American Photographers, Baltimore Museum of Art, Maryland.
• 1976: The Great American Rodeo, Fort Worth Art Museum, Texas.
• 1978: Mirrors and Windows: American Photography since 1960, Museum of Modern Art, New York.{{cite news |first1=Hilton |last1=Kramer |title=Cover: Photographs by Helen Levitt and Marl: Cohen / Picture credits, Page |url=https://www.nytimes.com/1978/07/23/archives/the-new-american-photography-photography.html |newspaper=The New York Times |date=July 23, 1978 |issn=0362-4331 |via=NYTimes.com |access-date=September 8, 2020}}
• 1981: Garry Winogrand, Larry Clark and Arthur Tress, G. Ray Hawkins Gallery, Los Angeles.
• 1981: Bruce Davidson and Garry Winogrand, Moderna Museet / Fotografiska, Stockholm, Sweden.
• 1981: Central Park Photographs: Lee Friedlander, Tod Papageorge and Garry Winogrand, The Dairy in Central Park, New York, 1980.
• 1983: Masters of the Street: Henri Cartier-Bresson, Josef Koudelka, Robert Frank and Garry Winogrand, University Gallery, University of Massachusetts Amherst.

Winogrand's work is held in the following public collections:

• Art Institute of Chicago, Chicago, IL"Garry Winogrand," Art Institute of Chicago, https://www.artic.edu/collection?artist_ids=Garry+Winogrand
• George Eastman Museum, Rochester, NY{{cite web |url=http://www.geh.org/taschen/htmlsrc12/m196600580006_ful.html |archive-url=https://web.archive.org/web/20001209043000/http://www.geh.org/taschen/htmlsrc12/m196600580006_ful.html |url-status=dead |archive-date=December 9, 2000 |publisher=George Eastman Museum |title=America Seen |access-date=September 1, 2016}}
• Museum of Modern Art, New York{{cite web |url=http://www.moma.org/collection/artist.php?artist_id=6399 |publisher=Museum of Modern Art | title = Garry Winogrand (American, 1928–1984) |access-date=February 8, 2015}}
• Whitney Museum of American Art, New York{{cite web |url=http://collection.whitney.org/object/11823 |publisher=Whitney Museum of American Art |title=Houston, Texas, 1977 from Women are Better than Men |access-date=June 25, 2015}}

• 1964, 1969, 1979: Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation
• 1975: Fellowship from the National Endowment for the Arts

Image:Winogrand.jpg

• The Animals. New York, NY: Museum of Modern Art, 1969. {{ISBN|9780870706332}}.
• Women are Beautiful. New York, NY: Light Gallery; New York, NY: Farrar, Straus and Giroux, 1975. {{ISBN|9780374513016}}.
• Public Relations. New York, NY: Museum of Modern Art, 1977. {{ISBN|9780870706325}}.
• Stock Photographs: The Fort Worth Fat Stock Show and Rodeo. Minnetonka, MN: Olympic Marketing Corp, 1980. {{ISBN|9780292724334}}.
• Figments from the Real World. New York, NY: Museum of Modern Art, 1988. {{ISBN|9780870706400}}. A retrospective, published to accompany an exhibition at the Museum of Modern Art and which travelled. Reproduces work from each of Winogrand's previous books, along with unpublished work, plus 25 images chosen from the work Winogrand left unedited at the time of his death.{{cite web |title=Figments from the Real World |url=https://fraenkelgallery.com/publications/figments-from-the-real-world |access-date=July 6, 2020}}
• New York, NY: Museum of Modern Art, 1990. {{ISBN|9780870706417}}.
• New York, NY: Museum of Modern Art, 2003. {{ISBN|9780870706356}}. With addenda.
• The Man in the Crowd: The Uneasy Streets of Garry Winogrand. San Francisco, CA: Fraenkel Gallery, 1998. {{ISBN|9781881337058}}. With an introduction by Fran Lebowitz and an essay by Ben Lifson. More than half of the images are previously unpublished.
• El Juego de la Fotografía = The Game of Photography. Madrid: TF, 2001. {{ISBN|9788495183668}}. Text in English and Spanish. A retrospective. "Published to accompany an exhibition at Sala del Canal de Isabel II, Madrid, Nov.-Dec. 2001 and at three other institutions through June of 2002."
• Winogrand 1964: Photographs from the Garry Winograd Archive, Center for Creative Photography, the University of Arizona. Santa Fe, NM: Arena, 2002. Edited by Trudy Wilner Stack. {{ISBN|9781892041623}}.
• Arrivals & Departures: The Airport Pictures of Garry Winogrand. Edited by Alex Harris and Lee Friedlander and with texts by Alex Harris ('The Trip of our Lives') and Lee Friedlander ('The Hair of the Dog').
• New York: Distributed Art Publishers, 2003. {{ISBN|9781891024474}}.
• New York: Distributed Art Publishers; Göttingen: Steidl, 2004. {{ISBN|9783882438604}}.
• Garry Winogrand.
• San Francisco, CA: San Francisco Museum of Modern Art; New Haven, CT: Yale University Press, 2013. {{ISBN|978-0-300-19177-6}}. Edited by Leo Rubinfien. Introduction by Rubinfien, Erin O'Toole and Sarah Greenough, and essays by Rubinfien ('Garry Winogrand's Republic'), Greenough ('The Mystery of the Visible: Garry Winogrand and Postwar American Photography'), Tod Papageorge ('In the City'), Sandra S. Phillips ('Considering Winogrand Now') and O'Toole ('How much Freedom can you Stand? Garry Winogrand and the Problem of Posthumous Editing').
• Paris: Jeu De Paume; Paris: Flammarion, 2014. {{ISBN|9782081342910}}. French-language version.
• Madrid: Fundación Mapfre, 2015. {{ISBN|978-8498445046}}. Spanish-language version.
• Winogrand Color. Los Angeles: Twin Palms, 2023. Edited by Michael Almereyda and Susan Kismaric. {{ISBN|978-1-936611-18-8}}.

• Winogrand / Lindbergh: Women. Cologne: Walther Konig, 2017. {{ISBN|978-3960980261}}. Photographs from Women Are Beautiful (1975) by Winogrand and On Street by Peter Lindbergh, plus other color photographs by Winogrand. With a short essay by Joel Meyerowitz on Winogrand, and by Ralph Goetz on Lindbergh. Published on the occasion of the exhibition Peter Lindbergh / Garry Winogrand: Women on Street at Kulturzentrum NRW-Forum, Düsseldorf, 2017. Text in English and German.

• Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art. New York: Museum of Modern Art, 1973. {{ISBN|978-0-87070-515-1}}. By John Szarkowski.

• Garry Winogrand: All Things Are Photographable (2018) – documentary feature by Sasha Waters Freyer

{{reflist}}

• The Street Philosophy of Garry Winogrand. By Geoff Dyer. Austin: University of Texas Press, 2018. {{ISBN|978-1477310335}}.

• [https://www.youtube.com/watch?v=wP6lP3UaP24 'Garry Winogrand at Rice University'] – Winogrand talking to students (1 hr 46 m video)
• [http://2point8.whileseated.org/?p=152 'Garry Winogrand with Bill Moyers, 1982'] {{Webarchive|url=https://web.archive.org/web/20070401204329/http://2point8.whileseated.org/?p=152 |date=April 1, 2007 }} – video and transcript of Winogrand describing his practice
• [http://www.jnevins.com/garywinograndreading.htm 'An Interview with Garry Winogrand'] – transcript of a video interview 'Visions and Images: American Photographers on Photography, Interviews with photographers by Barbara Diamonstein, 1981–1982'
• [http://www.photogs.com/bwworld/winogrand.html 'Coffee and Workprints: My Street Photography Workshop With Garry Winogrand'] – Mason Resnick describes attending one of Winogrand's photography workshops
• [http://www.cameraquest.com/LeicaM4G.htm Photographs of Winogrand's Leica M4] at CameraQuest

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{{DEFAULTSORT:Winogrand, Garry}}

Category:1928 births

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Category:Social documentary photographers

Category:American documentary photographers

Category:American street photographers

Category:Photographers from New York (state)

Category:Artists from Austin, Texas

Category:Photographers from the Bronx

Category:American people of Polish-Jewish descent

Category:20th-century American photographers

Category:Columbia University School of the Arts alumni

Category:Deaths from cancer in Mexico

Category:Deaths from gallbladder cancer

Category:Burials at Mount Moriah Cemetery (Fairview, New Jersey)