George Brunies
{{Short description|American jazz trombonist}}
{{Use mdy dates|date=August 2012}}
{{distinguish|George Bruns}}
{{More footnotes|date=July 2021}}
{{Infobox musical artist
| name = George Brunies
| image = George Brunis, Tony Parenti (Gottlieb 00871).jpg
| caption = George Brunis and Tony Parenti, Jimmy Ryan's (Club), New York, c. August 1946, image: Gottlieb
| background = non_vocal_instrumentalist
| birth_name = George Clarence Brunies
| alias = Georg Brunis
| birth_date = {{Birth date|1902|2|6}}
| birth_place = New Orleans, Louisiana, U.S.
| death_date = {{death date and age|1974|11|19 |1902|2|6 |mf=yes}}
| death_place = Chicago, Illinois, U.S.
| occupation = Musician
| instrument = Trombone
| years_active = 1920–1960
| associated_acts = New Orleans Rhythm Kings
}}
George Clarence Brunies (February 6, 1902 – November 19, 1974), {{aka}} Georg Brunis, was an American jazz trombonist, who was part of the dixieland revival. He was known as "The King of the Tailgate Trombone".Stetler, Susan L. (editor) (1987), "Brunis, George", Biography Almanac, (Third edition), Gale Research Company, Detroit, p. 257, {{ISBN|0-8103-2142-4}}
Background
Brunies was born in New Orleans, Louisiana, United States, into a musical family. His father led a family band, and his brothers Henry, Merritt, Richard, and Albert ("Abbie") all became noted professional musicians. By the age of eight, George was already playing alto horn professionally in Papa Jack Laine's band.{{cite web |title=George Brunies (1902-1974)|url=https://syncopatedtimes.com/george-brunies-1902-1974/ |website=Syncopatedtimes.com|date=May 20, 2020 |access-date=May 20, 2020}} A few years later he switched to trombone. He played with many jazz, dance, and parade bands in New Orleans. He never learned to read music, but could quickly pick up tunes and invent a part for his instrument.
He first went to Chicago in 1919 with a band led by Ragbaby Stevens, then worked on riverboats going up and down the Mississippi River. In 1921, he returned to Chicago, and joined a band of his New Orleans friends playing at the Friar's Inn; this was the band that became famous as the New Orleans Rhythm Kings. Brunies's trombone style was influential to the young Chicago players, and his records were much copied.
After the Rhythm Kings broke up in Chicago in 1924, Brunies joined the nationally famous Ted Lewis band, which he played with through 1934.
After some time with Louis Prima's band he landed a steady gig at the New York City jazz club, Nick's, through 1938.{{cite book|title=The Guinness Who's Who of Jazz|editor=Colin Larkin|publisher=Guinness Publishing|date=1992|edition=First|isbn=0-85112-580-8|page=66}} In 1939, he joined Muggsy Spanier's band, with whom he made some of his most famous recordings. The following year he returned to Nick's, where he remained until 1946. Brunies then worked with Eddie Condon.
Later career
In 1949, Brunies moved back to Chicago to lead his own band. Brunies often showed off his unusual technical abilities and bizarre sense of humor at the same time; for example he would lie on the floor and invite the largest person in the audience to sit on his chest while he played trombone.
On the advice of a numerologist, he changed his name to Georg Brunis in the late 1940s,{{Cite web|url=https://www.allmusic.com/artist/georg-brunis-mn0000804170/biography|title=Georg Brunis | Biography & History|website=AllMusic|access-date=July 25, 2021}} when he was playing at the 1111 (eleven-eleven) Club in Chicago. He believed that this name change would increase his good fortune. The 1111 was a popular jazz club which was always full on Friday and Saturday nights with jazz lovers from the northern suburbs of Chicago. Every now and then other well-known jazz musicians, such as Muggsy Spanier, would drop in and sit and play until dawn.
Sources
- Kernfeld, Barry Dean, and Stanley Sadie. "New Orleans Rhythm Kings." The New Grove Dictionary of Jazz. London: Macmillan, 1988.
- New Orleans Rhythm Kings biography. The Red Hot Jazz Archive. Retrieved June 29, 2006.
- Kennedy, Rick. Jelly Roll, Bix, and Hoagy: Gennett Studios and the Birth of Recorded Jazz. Bloomington: Indiana UP, 1994. {{ISBN|978-0253213150}}
- Kenney, William Howland. Chicago Jazz: A Cultural History, 1904-1930. New York: Oxford UP, 1993. {{ISBN| 9780195092608}}
References
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Category:Dixieland jazz musicians
Category:Jazz musicians from New Orleans
Category:American jazz trombonists
Category:American male trombonists
Category:20th-century American trombonists
Category:20th-century American male musicians
Category:American male jazz musicians