Georgina Hale

Georgina Hale was born in Ilford, Essex, to publicans Elsie (née Fordham) and George Robert Hole. She later said that she had:

{{quote|...a really bad education. I couldn't write, spell, or read, so it was a real problem, because that sort of thing wasn't acknowledged then. There was a real shame in it, and you were the dunce of the class, always getting whacked around the head. We were on the move a lot as well, so going to so many schools, always being the new girl, it was so frightening and so nerve-wracking as a kid, and it really affected me.{{cite news |last=Cooper |first=Neil |title=Opposites Attract |url=https://www.heraldscotland.com/news/12136567.opposites-attract-as-chekhovs-the-cherry-orchard-and-sarah-kanes-blasted-prepare-to-open-at-glasgows-citizens-theatre-this-week-neil-cooper-examines-two-very-different-plays-from-two-very-different-times-still-so-in-love-with-the/ |work=Glasgow Herald |date=5 March 2002 |access-date=24 January 2020}}}}

As a teenager, she worked as an apprentice hairdresser and studied Stanislavski's method approach to acting at a fledgling studio, the Chelsea Actors' Workshop, in London,[https://books.google.com/books?id=AwfEuurw-D0C&dq=Chelsea+Actors%27+Workshop+georgina+hale&pg=PA55 – recollections in biography, 2009], Mim Scala and subsequently was accepted into the Royal Academy of Dramatic Art, where she graduated in 1965.{{cite web |title=Student and Graduate Profiles |url=https://www.rada.ac.uk/profiles/georgina-hale/ |website=Royal Academy of Dramatic Art |access-date=14 January 2020}}

In 1965, Hale made her professional debut playing unnamed parts with the Royal Shakespeare Company in 1965.Resource: Shakespeare Birthplace Trust. Photograph and cast, Comedy of Errors, May 1965 [https://collections.shakespeare.org.uk/search/rsc-performances/com196505/view_as/grid/search/everywhere:georgina-hale/page/1#] She appeared in repertory theatre at Canterbury, Windsor and Ipswich, then at the Playhouse in Liverpool, in 1967, where her parts included the title role in Gigi and Juliet in Romeo and Juliet. At the Thorndike Theatre in Leatherhead in October 1975, she played Eliza Doolittle in Pygmalion, followed by a portrayal of Nina in Chekhov's The Seagull at the Playhouse in July 1976, making her West End debut in the production when it transferred to the Duke of York's Theatre in August 1976.Who's Who in the Theatre, 17th edition (1981) The Stage review found her performance “tender, thoughtful and charming”.{{cite web|url=https://www.thestage.co.uk/obituaries--archive/obituaries/georgina-hale|work=The Stage|access-date=28 December 2024|title=Georgina Hale Obituary|first1=Nick|last1=Smurthwaite|date=2024-01-31|url-access=subscription}}

Other roles included Marie Caroline David in The Tribades (Hampstead Theatre Club, May 1978); Melanie in Boo Hoo (Open Space Theatre, July 1978); and Bobbi Michele in Neil Simon's Last of the Red Hot Lovers (Royal Exchange, Manchester, April 1979 – transferring to the Criterion Theatre in November 1979).

In 1981, Hale played the leading role of Josie in Nell Dunn's play Steaming at the Comedy Theatre in London and received a nomination for a 1981 Olivier Award.{{cite web|url=http://www.olivierawards.com/winners/view/item98515/olivier-winners-1981/|title=1981 Olivier Award Nominees|publisher=Olivierawards.com|access-date=4 April 2015}} In 1982, she appeared with Annette Crosbie and Richard O'Callaghan in a production of Noël Coward's Star Quality at the Theatre Royal, Bath. In April 1983 she starred opposite Glenda Jackson and Gary Oldman in Summit Conference at the Lyric Theatre, London, playing Benito Mussolini's mistress Clara Petacci. Later that year, she starred with Colin Blakely, Jane Carr and Paul Eddington in the play Lovers Dancing, directed by Donald McWhinnie, at the Noël Coward Theatre. She followed with roles in two productions at The Old Vic: Aricia in Phédre (1984) and Crystal Allen in The Women (1985).

In 1991, Hale starred opposite Glenda Jackson in Mourning Becomes Electra by Eugene O'Neill,at the Glasgow Citizens Theatre. In 1993, she appeared in a production of Alan Ayckbourn's Absurd Person Singular at the Theatre Royal, Bath. In 1994, she appeared opposite Rupert Everett in a production of Tennessee Williams' The Milk Train Doesn't Stop Here Anymore at the Glasgow Citizens Theatre. In 1997, she appeared opposite Alan Bates in Life Support by Simon Gray at the Aldwych Theatre in London. Critic Sheridan Morley wrote in The New York Times that Hale, as the bed-bound Gwen, was "supremely touching even in almost total paralysis".{{cite news|url=https://www.nytimes.com/1997/08/13/style/IHT-return-of-butley-in-life-support.html|title=Return of Butley in 'Life Support'|work=The New York Times|date=13 August 1997 |access-date=13 January 2020 |last1=Morley |first1=Sheridan }}

Other stage appearances include The Guardsman at the Noël Coward Theatre (2000), where New York Times critic Sheridan Morley noted that Hale added "superbly timed comic support",{{cite news|url=https://www.nytimes.com/2000/10/18/style/IHT-london-theater-an-itch-for-nostalgia-just-for-the-starstruck.html|url-access=subscription|date=2000-10-18|title=LONDON THEATER: An 'Itch' for Nostalgia, Just for the Starstruck|work=The New York Times|access-date=13 January 2020}} Semi-Monde at the Lyric Theatre (2001), Britannicus and as Madame Ranevsky in The Cherry Orchard at the Glasgow Citizens Theatre (both 2002), and Chéri and Take a Chance on Me at the New End Theatre (both 2003).

Hale's final stage role was that of Nell in a production of Samuel Beckett's Endgame at the Gate Theatre, Dublin and then the Barbican Centre, London, as part of the Beckett Centenary Festival in May 2006.

In 1971, Hale made her film debut as Betsy Balcombe in the historical drama Eagle in a Cage. Roger Greenspun of The New York Times noted that, at age 24, Hale displayed "a kind of mature intensity that argues for at least 30 years' experience on the stage".{{cite web|url=https://www.nytimes.com/1972/01/10/archives/eagle-in-a-cageexile-of-napoleon-is-subject-of-romance.html|work=The New York Times|access-date=12 January 2020|title='Eagle in a Cage': Exile of Napoleon Is Subject of Romance|first1=Roger|last1=Greenspun|date=1972-01-10|url-access=subscription}}

Hale appeared as Alma Mahler in Ken Russell's Mahler (1974), opposite Robert Powell as Gustav Mahler. Her performance was called "excellent" by both Time Out and Radio Times, and earned her the 1975 BAFTA Award for Most Promising Newcomer to Leading Film Roles.{{cite web|url=https://www.timeout.com/london/film/mahler|website=timeout.com|access-date=6 January 2020|title=Mahler|date=10 September 2012 }}{{cite web|url=https://www.radiotimes.com/film/frpv4s/mahler/|access-date=10 January 2020|title=Mahler|website=Radio Times}}{{cite web|url=http://awards.bafta.org/award/1975/film|title=1975 Bafta Winners|website=bafta.org|access-date=4 April 2015}} Stephen Farber of Film Comment wrote:

{{quote|Georgina Hale gives an electric performance as Alma. She is touchingly vulnerable in all the flashback sequences, while in the scenes on the train she presents a completely different side of Alma’s character-a supremely bitter, savagely sarcastic shrew. Alma’s imperious, ice-cold facade is the mask she has chiseled to conceal her frustration and disappointment over the stifling of her creative potential. The tension is palpable: We can feel the anger and pain seething beneath her sardonic exterior.{{cite web|url=https://www.filmcomment.com/article/a-blast-from-the-past-russellmania/|publisher=Film Comment|access-date=3 May 2020|title=Russellmania!|first1=Stephen|last1=Farber|date=November 1975}}}}

Hale also made appearances in a number of Russell's other films, with roles in The Devils (1971), The Boy Friend (1971), Lisztomania (1975), Valentino (1977), and Treasure Island (1995). Russell later referred to Hale as "an actress of such sensitivity that she can make the hair rise on your arms".{{cite news|url=https://www.thetimes.com/travel/destinations/north-america-travel/us-travel/california/the-actresses-who-have-bewitched-me-kbrmzl6vgdb|title=The Actresses Who Have Bewitched Me - Ken Russell|work=The Times|access-date=12 June 2009 | location=London | date=30 August 2007}}

Hale played a supporting role in the romantic drama The World is Full of Married Men (1979), based on the novel of the same name by Jackie Collins. Variety noted that Hale was "effective as a laconic wife who’s come to terms with the sexcess scene".{{cite web|url=https://variety.com/1978/film/reviews/the-world-is-full-of-married-men-1200424343/|author=Variety Staff|publisher=Variety|title=The World Is Full of Married Men | date=January 1979 |access-date=2020-01-06}}

Hale had a small role in the film The Watcher in the Woods (1980), starring Bette Davis. Hale took the role of the younger version of Davis' character largely because of her admiration for Davis.{{cite video

| people = Hough, John

| title = The Watcher in the Woods

| medium = DVD

| publisher = Anchor Bay Entertainment, Walt Disney Pictures

|date =2002 }}

Her other film appearances included supporting roles in Butley (1974), Sweeney 2 (1978), McVicar (1980), Castaway (1986), Preaching to the Perverted (1997), Mrs Palfrey at the Claremont (2005), and Cockneys vs Zombies (2011).

Hale's television career spanned six decades. Her first major television appearances were supporting roles in plays filmed for The Wednesday Play, ITV Playhouse and ITV Play of the Week. Recurring roles in primetime series followed, first opposite Adam Faith in Budgie (1971) as his wayward wife, and then as Lili Dietrich in the miniseries The Strauss Family (1972).

In 1973, she starred in A.D.A.M. as a physically disabled woman who develops an unusual relationship with the sentient computer system that controls her home. Directed by Michael Lindsay-Hogg, the drama was broadcast as part of the ITV Sunday Night Drama anthology strand. In 1975, Hale appeared in two television plays written by Simon Gray, broadcast as part of the BBC series Play for Today. These were Plaintiffs and Defendants and Two Sundays. In 1978, Hale appeared with Michael Gambon in the BBC Play of the Month adaptation of Anton Chekhov's The Seagull. In 1980, Hale portrayed Ruth Ellis, the last woman to be hanged in the UK, in an episode of the drama series Ladykillers.

In 1990, Hale succeeded Elizabeth Estensen in the eponymous role of T-Bag, the villainous, tea-drinking sorceress in a succession of children's adventure series produced by Thames Television. Hale played the role in four series and two Christmas specials broadcast between 1990 and 1992.

In December 1992, Hale appeared in two television plays produced by Simon Curtis, broadcast as part of the anthology series Performance. These were Luigi Pirandello's Six Characters in Search of an Author and Terence Rattigan's After the Dance.

In 1994, Hale appeared in the sitcom pilot The Honeymoon's Over, written by Paul Whitehouse and Charlie Higson, broadcast as part of the Comic Asides anthology strand on BBC Two.

In 2007, Hale made a guest appearance in the crime drama The Commander. Television critic Nancy Banks-Smith noted in The Guardian that Hale "was able to do wonders with a mere sliver of a scene".{{cite web|url=https://www.theguardian.com/culture/tvandradioblog/2007/jul/09/theweekendstvthesouthbank|title=The Weekend's TV|work=The Guardian|access-date=8 January 2020 |location=London|date=9 July 2007}}

Other television appearances include guest starring roles in Upstairs, Downstairs (1975), Minder (1980), Hammer House of Horror (1980), the Doctor Who serial The Happiness Patrol (1988), One Foot in the Grave (1990), Murder Most Horrid (1994), The Bill (2002), Emmerdale (2006), Hollyoaks (2010–2011), Crime Stories (2012) and Holby City (2016).

Hale married actor John Forgeham in 1964, but they later divorced.

She died on 4 January 2024, at the age of 80.{{cite news |last1=Hayward |first1=Anthony |title=Georgina Hale obituary |url=https://www.theguardian.com/film/2024/jan/10/georgina-hale-obituary |access-date=10 January 2024 |work=The Guardian |date=10 January 2024}}

{{noteslist}}

{{reflist}}

• Who's Who in the Theatre, 17th edition, Gale (1981) {{ISBN|0-8103-0234-9}}

• {{IMDb name|id=0354914|name = Georgina Hale}}
• {{discogs artist|Georgina Hale}}
• [https://www.rachellum.com/portraits?pgid=irngfjsm-2ea658ac-945a-4d60-8540-3607a6f9ba98 Portrait by photographer Rachel Lum]

{{s-start}} {{s-ach}}

|-

! colspan="3" style="background:#daa520;" | BAFTA Award

|-

{{s-bef|before=Peter Egan
for The Hireling}}

{{s-ttl|title=Most Promising Newcomer to Leading Film Roles
for Mahler|years=1974}}

{{s-aft|after=Valerie Perrine
for Lenny}}

{{end}}

{{Bafta Award for Most Promising Newcomer}}

{{Authority control}}

{{DEFAULTSORT:Hale, Georgina}}

Category:1943 births

Category:2024 deaths

Category:Alumni of the Royal Academy of Dramatic Art

Category:BAFTA Most Promising Newcomer to Leading Film Roles winners

Category:English film actresses

Category:English stage actresses

Category:English television actresses

Category:Actors from the London Borough of Redbridge

Category:Actresses from Essex

Category:20th-century English actresses

Category:21st-century English actresses

Category:People from Ilford