Get Thee Out

{{short description|1991 film}}

{{Use dmy dates|date=May 2020}}

{{Infobox film

| name = Get Thee Out

| image = Get Thee Out Izydi.jpg

| caption = Film poster with original title

| director = Dmitry Astrakhan

| producer =

| writer = Dmitry Astrakhan

| starring = Otar Megvinetukhutsesi

| music = Alexander Pantykin

| cinematography = Yuri Vorontsov

| studio = Lenfilm

| editing = N. Viktorova

| distributor =

| released = {{Film date|1991|9|11|TIFF|df=yes}}

| runtime = 83 minutes

| country = Soviet Union

| language = Russian

}}

Get Thee Out ({{langx|ru|Изыди!|Izydi!}}) is a 1991 Soviet comedy-drama film directed by Dmitry Astrakhan.{{cite web |url=https://www.nytimes.com/movies/movie/169763/Izydi/overview |archive-url=https://web.archive.org/web/20160307101422/http://www.nytimes.com/movies/movie/169763/Izydi/overview |url-status=dead |archive-date=7 March 2016 |department=Movies & TV Dept. |work=The New York Times |author=Clarke Fountain |date=2016 |title=Get Thee Out |access-date=19 September 2015 }} The film was selected as the Soviet entry for the Best Foreign Language Film at the 64th Academy Awards, but was not accepted as a nominee.Margaret Herrick Library, Academy of Motion Picture Arts and Sciences

Plot

The film was based on literary works of Sholom Aleichem, Aleksandr Kuprin and Isaac Babel.[http://www.jewish.ru/culture/cinema/2015/11/news994331530.php Дмитрий Астрахан: «Евреи не только молятся, иногда они дерутся»]

Motya Rabinovich, in celebration of his good fortune, is preparing a feast for the entire village. However, his mind is haunted by visions of pogroms rolling across the country. His only daughter has converted to Christianity in order to marry the son of the village elder. Alongside the troubling visions, scenes emerge of a truck, carrying pogromists under the Russian tricolor flag, ominously approaching the village to a mournful waltz.

In the final scene, Motya and his family are packing up to leave the village with all their belongings. But as they prepare to depart, Motya spots a crowd approaching the village. In a moment of desperation, he grabs an axe and rushes to meet the truck of terror. A miracle happens—he is joined by the local men, who march alongside him toward their inevitable fate.

Cast

Production

Making his debut in cinema, the young theater director from Leningrad Dmitry Astrakhan, along with his permanent co-author playwright Oleg Danilov, turned to the Jewish theme, which was as popular in the late 1980s as the Stalinist theme. According to Astrakhan's recollections, he was allocated 100,000 rubles for a movie worth a million rubles at the prices of that time on Lenfilm. The remaining 900 thousand he found through a journalist Vladimir Kamyshev.

See also

References

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