Girlfight

Diana Guzman is a Brooklyn teenager whose hot temper gets her into trouble at school as she repeatedly gets into fights with other students. Her frustration stems from her unhappy home life; she lives in a public housing estate with her brother Tiny and their abusive father, Sandro. Sandro pays for Tiny's boxing training in hopes of his becoming a professional boxer, although Tiny would prefer to be an artist.

After visiting Tiny's gym and intervening in a spar to defend him, Diana asks the trainers to let her box, too. She is told she can train there, but not compete in actual fights. When she learns that she cannot afford coaching from Tiny's trainer, Hector Soto, she asks her father for an allowance but he tells her to get a job. She resorts to stealing his money instead and returns to the gym, where Hector begins to teach her the basics of boxing.

Diana's first spar is with Adrian Sturges, whom she later meets again when Hector takes her to a professional fight. Adrian invites Diana to dinner after the fight and kisses her after walking her home. One night after a spar which gave Diana a black eye, Sandro sees Diana and Adrian together and confronts her, assuming that she is in an abusive relationship. She storms out of the apartment and spends the night with Adrian. When he asks about her parents, she reveals that her mother died by suicide several years ago. When Diana returns to her apartment, Tiny offers to give up boxing so that she can use the coaching money he gets from their father.

Diana later goes to Hector's birthday party, but leaves when she sees Adrian getting friendly with his ex-girlfriend. When Diana and Adrian spar at their next session in the gym, he is reluctant to hit her, and she leaves before he can talk to her. Diana's first amateur match is scheduled against another girl, but when her opponent pulls out she ends up fighting a man, Ray Cortez. Sandro arrives in the middle of the fight to see the match end in Ray's disqualification for illegal shoving. When Diana arrives home, Sandro berates her for looking like a loser. She retaliates by beating him to the floor and accuses him of abusing her mother to the point of suicide.

After weeks of rigorous training, Diana wins another amateur fight, this time against a girl, Ricki Stiles. Although Diana has accepted Adrian's apology, tensions rise between them again when they learn that they both have advanced to the finals in their division to fight each other. Adrian refuses to fight a girl and Diana struggles to convince him to view her as a legitimate opponent. He turns up for the fight on the day, however, and after an even match, Diana wins with a unanimous decision by the judges. After the fight, Adrian fears that he has lost Diana's respect, but she tells him she respects him even more for fighting her, and they reconcile.

• Michelle Rodriguez as Diana Guzman
• Jaime Tirelli as Hector Soto
• Paul Calderón as Sandro Guzman
• Santiago Douglas as Adrian Sturges
• Ray Santiago as Tiny Guzman
• Victor Sierra as Ray Cortez
• Elisa Bocanegra as Marisol
• Shannon Walker Williams as Veronica
• Louis Guss as Don
• Herb Lovelle as Cal
• Thomas Barbour as Ira

File:John Sayles.jpg

Girlfight was written and directed by Karyn Kusama, marking her feature film debut. Her aim was to subvert "the classic boxing story" with a female lead, having taken up boxing herself in 1992 at the famous Gleason's Gym in Brooklyn. After writing the script, she struggled to persuade production companies to finance the film; numerous producers suggested that Kusama cast a white woman in the lead role rather than a Latina and felt that having a female protagonist was "unappealing [and] unbelievable". Maggie Renzi, Sarah Green and Martha Griffin eventually agreed to produce the film, and found a financier in 1999 to provide the $1 million budget. Two days before pre-production on the film was set to begin the financier backed out, but Renzi and her partner John Sayles—an independent filmmaker and Kusama's former mentor—decided to provide funding for the film's entire budget themselves. The Independent Film Channel later contributed $300,000 towards the budget.{{cite web |url=https://www.nytimes.com/2000/10/01/movies/film-now-it-s-women-s-turn-to-make-it-in-the-ring.html?pagewanted=all |work=The New York Times|title=FILM; Now It's Women's Turn to Make It in the Ring|first=Dinitia|last=Smith|date=October 1, 2000|access-date=November 29, 2014}}

Kusama initially sought to cast a professional actor to play Diana but felt that many of those who auditioned were overly feminized and "polished" and decided to cast an untrained actor instead.{{cite web|url=http://filmmakermagazine.com/archives/issues/summer2000/features/contenders.php#.VH_jKclA9Fp|title=Contenders|work=Filmmaker Magazine|date=Summer 2000|first=Peter |last=Bowen |access-date=December 4, 2014}} Michelle Rodriguez, who had worked as a film extra but had never auditioned for a speaking role before, attended an open casting call for the lead.{{cite magazine|url=http://content.time.com/time/magazine/article/0,9171,998084,00.html|title=Cinema: Her Fighting Chance|magazine=Time|first=Christopher John |last=Farley |date=October 2, 2000|access-date=December 4, 2014}} Although Kusama described Rodriguez's audition as "a disaster", she won the role because out of the 350 auditionees Kusama "could not find anyone who could come close to her in physical power". Since Rodriguez was not a boxer, she trained at Gleason's Gym five to six days a week for four months in preparation for filming,{{cite news|title=Spotlight On Michelle Rodriguez Actress Lands Knockout Role In 'Girlfight'|url=https://www.mcall.com/2000/09/30/spotlight-on-michelle-rodriguez-actress-lands-knockout-role-in-girlfight/|date=September 30, 2000|work=The Morning Call|access-date=December 4, 2014}} as did Santiago Douglas, who was cast as Adrian.{{cite news|url=http://www.hudsonreporter.com/view/full_story/2383679/article-Hoboken-s-Latin-actor-Girlfight--s-Santiago-Douglas-performs--sings-in--Punto-45--drama?mobile_view=false|title=Hoboken's Latin actor Girlfight' s Santiago Douglas performs, sings in 'Punto 45' drama|work=Hudson Reporter|date=August 13, 2002|first=Eugene|last=Mulero |access-date=December 4, 2014}}

Girlfight was filmed over 24 days{{cite news|url=http://bombmagazine.org/article/2337/|title=Karyn Kusama|first=Bette|last=Gordon|issue=73|work=Bomb|date=Fall 2000|access-date=November 30, 2014|url-status=dead|archive-url=https://web.archive.org/web/20141214234821/http://bombmagazine.org/article/2337/|archive-date=December 14, 2014}} in New York and New Jersey. The scenes inside the gym where Diana and Tiny train were shot in a warehouse in Jersey City. The initial boxing sequences were shot from a spectator's view outside of the ring, but later sequences were filmed more intimately from inside the ring. Director of Photography Patrick Cady used camera rigs that allowed the actors to hit him or the camera itself to mimic the sensation of being hit.{{cite journal|title=A New Combination: Women and the Boxing Film: An Interview with Karyn Kusama|journal=Cineaste|last=Baker|first=Aaron|year=2000|volume=25|issue=4|pages = 22–26}}

Girlfight premiered on January 22, 2000, at the Sundance Film Festival, where it won the festival's Grand Jury Prize and the Directing Award in Dramatic Competition.{{cite news|url=http://www.deseretnews.com/article/809427/Girlfight-gets-a-Sundance-KO.html?pg=all|archive-url=https://web.archive.org/web/20141217042315/http://www.deseretnews.com/article/809427/Girlfight-gets-a-Sundance-KO.html?pg=all|url-status=dead|archive-date=December 17, 2014|title='Girlfight' gets a Sundance KO|first=Jeff|last=Vice|work=Deseret News|date=January 30, 2000|access-date=November 29, 2014}} North American distribution rights to the film were subsequently purchased by Screen Gems for $3 million, beating out studios including Fine Line Features, Paramount Pictures and USA Films, while United Artists Films, the international arm of United Artists, bought international rights shortly after.{{cite web|title=Screen Gems punches up 'Girlfight' rights|website=Variety|date=25 January 2000|access-date=17 October 2023|url=https://variety.com/2000/film/news/screen-gems-punches-up-girlfight-rights-1117765697/}}{{cite web|title=United Artists takes int'l rights to Songcatcher|website=Screen International|first=Liz|last=Shackleton|date=29 March 2000|access-date=17 October 2023|url=https://www.screendaily.com/united-artists-takes-intl-rights-to-songcatcher/401882.article}}

It had a limited release in the United States on September 29, 2000, opening in 28 theaters.{{cite web|url=https://boxofficemojo.com/movies/?page=weekly&id=girlfight.htm|publisher=Box Office Mojo|title=Girlfight (2000): Weekly|access-date=November 29, 2014}} In its debut week, it ranked 30th at the box office, grossing $282,145 with a per-screen average of $10,077. The following week it expanded to 253 theaters, but fell to a per-screen average of $2,687, ranking 18th. In its third week, the film's per-screen average dropped to $1,156 with a cumulative total gross of $1,254,600. Girlfight ended its theatrical run after five weeks with a total domestic gross of $1,565,852.{{cite web|url=https://www.boxofficemojo.com/movies/?id=girlfight.htm |title=Girlfight (2000) |publisher=Box Office Mojo |access-date=November 29, 2014}} Internationally, it grossed $100,176, making a worldwide total of $1,666,028.

The film was released on DVD on March 27, 2001.{{cite web|url=https://www.amazon.com/Girlfight-Michelle-Rodriguez/dp/B00003CXNY/|title=Girlfight|website=Amazon |access-date=November 30, 2014}} The DVD includes two special features: an audio commentary by Karyn Kusama and a "making of" featurette.{{cite web|url=http://www.thedigitalbits.com/site_archive/reviews2/girlfight.html|work=The Digital Bits|first=Dan|last=Kelly|title=DVD Review – Girlfight|date=April 16, 2001|access-date=November 30, 2014}} The Criterion Collection released the film on Blu-ray on May 28, 2024.[https://www.criterion.com/films/33189-girlfight The Criterion Collection Website]{{Cite AV media |url=https://www.blu-ray.com/movies/Girlfight-Blu-ray/201780/ |title=Girlfight Blu-ray |access-date=2024-06-25 |via=www.blu-ray.com}}

File:Michelle Rodriguez by Gage Skidmore 2.jpg

Girlfight was well received by critics upon its release. It has a score of 87% on Rotten Tomatoes, based on 133 reviews with an average rating of 7.4 out of 10. The website's critical consensus states: "Michelle Rodriguez gives a compelling performance, despite lack of a boxing background; Karyn Kusama packs a punch with this directorial debut."{{cite web |url=https://www.rottentomatoes.com/m/girlfight/ |publisher=Fandango Media|work=Rotten Tomatoes |title=Girlfight (2000) |access-date=March 3, 2025}} The film has a score of 70 out of 100 on Metacritic, based on 34 critics' reviews, indicating "generally favorable" reviews.{{cite web |url=https://www.metacritic.com/movie/girlfight |title=Girlfight Reviews |publisher=CBS Interactive|work=Metacritic|access-date=November 29, 2014}}

Numerous reviews praised Rodriguez's performance in her debut role, with several critics comparing her to Marlon Brando.{{cite book|title=The Boxing Filmography: American Features, 1920-2003|page=66|first= Frederick V. |last=Romano|url=https://books.google.com/books?id=mR2hBAAAQBAJ&pg=PA66|year=2004|publisher=McFarland & Company|isbn=9780786417933}} David Denby of The New Yorker called her "a powerhouse star who could go a long way",{{cite news|last=Denby|first=David|title=Rough Stuff|newspaper=The New Yorker|date=October 2, 2000|page=148}} while Variety critic Emanuel Levy described her as "a natural performer who dominates every scene".{{cite web|url=https://variety.com/2000/film/reviews/girlfight-1117775597/|title=Review: 'Girlfight'|date=January 24, 2000|first=Emanuel|last=Levy|work=Variety|access-date=November 29, 2014}} In a review for The New York Times, A. O. Scott characterized Rodriguez as "a powerful, extraordinarily gifted young actress ... Remember the name."{{cite news|url=https://www.nytimes.com/2000/09/29/arts/29GIRL.html|work=The New York Times|date=September 29, 2000|first=A. O.|last=Scott|title='Girlfight': Floating Like a Butterfly, Stinging Like a Bee|access-date=November 29, 2014}} The Washington Post{{`s}} Desson Howe felt that Rodriguez's performance was the most memorable aspect of the film, and that she "becomes more appealing, formidable and beautiful by the scene".{{cite news|url=https://www.washingtonpost.com/wp-srv/entertainment/movies/reviews/girlfighthowe.htm|title= 'Girlfight': A Knockout |first=Desson|last=Howe|date=September 29, 2000|newspaper=The Washington Post|access-date=November 29, 2014}}

Karyn Kusama's script and direction were also highlighted by critics. The Los Angeles Times{{`s}} Kenneth Turan commended her "craft, empathy and respect" and compared her to the character of Diana, writing that Kusama "is her protagonist's double in terms of drive, commitment and ability".{{cite web |last=Turan |first=Kenneth |date=September 29, 2000 |title='Girlfight' Comes Out Ready for the Next Round |url=https://www.latimes.com/archives/la-xpm-2000-sep-29-ca-28342-story.html |url-status=live |archive-url=https://web.archive.org/web/20141222021327/https://articles.latimes.com/2000/sep/29/entertainment/ca-28342 |archive-date=December 22, 2014 |access-date=November 29, 2014 |work=Los Angeles Times}} Lisa Schwarzbaum of Entertainment Weekly felt that, although the plot was clichéd and unrealistic at times, Kusama's direction showed "a clear, personal filmmaking style ... and a respect for her characters' weaknesses as well as their moments of athletic beauty".{{cite magazine |last=Schwarzbaum |first=Lisa |date=October 6, 2000 |title=Movie Review: 'Girlfight' |url=https://ew.com/article/2000/10/06/movie-review-girlfight/ |access-date=November 29, 2014 |magazine=Entertainment Weekly}} James Berardinelli gave the film three and a half stars out of four, calling it "a well crafted and emotionally satisfying debut" and applauding Kusama's "single-minded determination and a passion for the project".{{cite web|url=http://preview.reelviews.net/movies/g/girlfight.html |title=Review: Girlfight |publisher=Reelviews.net |year=2000 |access-date=November 29, 2014|first=James|last=Berardinelli}}

Roger Ebert, who gave the film three and a half out of four stars in a Chicago Sun-Times review, enjoyed that the story is "always about more than boxing" with its deeper themes "about a girl growing up in a macho society and ... discovering she has a nature probably more macho than the men around her".{{cite web|url=https://www.rogerebert.com/reviews/girlfight-2000|title=Girlfight|date=September 29, 2000|first=Roger|last=Ebert|work=Chicago Sun-Times|access-date=November 29, 2014}} On the other hand, the San Francisco Chronicle{{`s}} Edward Guthmann opined that Kusama "ultimately undercuts her theme of female self-reliance by having Diana fall for Adrian" and criticized the plot for "tak[ing] too much time justifying a woman's right to be in the ring – instead of celebrating her achievement".{{cite web|url=http://www.sfgate.com/movies/article/Girlfight-Packs-a-Punch-Rodriguez-excels-in-3303359.php|title='Girlfight' Packs a Punch / Rodriguez excels in spin on 'Rocky'|last=Guthmann|first=Edward|work=San Francisco Chronicle|date=September 29, 2000|access-date=November 29, 2014}}

Girlfight was one of the first boxing films to portray women in the sport.{{cite book|url=https://archive.org/details/maidenusagirlico0000swee|url-access=registration|page=[https://archive.org/details/maidenusagirlico0000swee/page/140 140]|title=Maiden USA: Girl Icons Come of Age|first=Kathleen|last=Sweeney|year=2008 |isbn=9780820481975|publisher=Peter Lang}} Film studies academic Katharina Lindner has argued that Girlfight was responsible for the "influx of female protagonists into the [boxing film] genre" of the 2000s, specifically the 2004 films Million Dollar Baby and Die Boxerin (alternatively titled About a Girl).{{cite journal |url=http://www.alphavillejournal.com/Issue7/PDFs/ArticleLindner.pdf |journal=Alphaville: Journal of Film and Screen Media|first=Katharina |last=Lindner|issue=7|date=Summer 2014|title=Corporeality and Embodiment in the Female Boxing Film|pages=6–23 |doi=10.33178/alpha.7.01 }}

The film was responsible for launching Rodriguez and Kusama's careers in film; Rodriguez went on to star in numerous major studio films while Kusama later directed Æon Flux (2005) and Jennifer's Body (2009).{{cite web|url=http://www.dga.org/Craft/DGAQ/All-Articles/0802-Summer-2008/Independent-Voice-Karyn-Kusama.aspx|title= The Good Fight |date=Summer 2010|publisher=Directors Guild of America|first=Lael|last=Loewenstein|access-date=26 December 2014}}

• List of boxing films

{{Reflist}}

• {{IMDb title|id=0210075|title=Girlfight}}
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{{succession box

| title=Sundance Grand Jury Prize: U.S. Dramatic

| years=2000
tied with You Can Count on Me

| before=Three Seasons

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{{Karyn Kusama}}

{{Sundance Grand Jury Prize Dramatic}}

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