Gold Sounds

{{Music ratings

| rev2 = AllMusic

| rev2Score = {{rating|4|5}}

| rev1 = All About Jazz

| rev1Score = {{rating|4.5|5}}

|rev3 = The Penguin Guide to Jazz Recordings

|rev3score = {{Rating|3|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=The Penguin Guide to Jazz Recordings |year=2008 |edition=9th |publisher=Penguin |isbn=978-0-141-03401-0 |page=233}}

}}

The AllMusic review by Sean Westergaard commented: "Gold Sounds is an overwhelming success, not just as a tribute but as a jazz album ... If you're a Pavement fan, you owe it to yourself to check out what these guys do with the songbook. If you're a jazz fan, forget that these tunes come from the world of indie rock; in the hands of Carter and Chestnut, they might as well be undiscovered standards".{{AllMusic|first=Sean |last=Westergaard |class=album |id= mw0000169924 |title=Gold Sounds – Review |accessdate=October 15, 2016}} On All About Jazz, Michael McCaw observed: "Gold Sounds doesn't give you everything the first time around. Like Pavement's recordings, what may seem complete is only a portion of the melody and musical ideas to which you ultimately want to return, because each time they hook you in a different way. In the end, the album provides a meaty dose of jazz that is as infectious as the pop from which it is derived".McCaw, M., [https://www.allaboutjazz.com/gold-sounds-james-carter-brown-brothers-recordings-review-by-michael-mccaw.php All About Jazz Review], accessed October 15, 2016 In JazzTimes, Brent Burton was less enthusiastic, writing: "a big hunk of the covers disc is, simply put, rather anonymous sounding, which leaves listeners with the quartet's somewhat cheesy conception of what it means to—gulp—rock".Burton, B., [http://jazztimes.com/articles/16307-gold-sounds-james-carter-cyrus-chestnut-ali-jackson-reginald-veal James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal: Gold Sounds – review], JazzTimes, December 2005 – accessed October 15, 2016

:All compositions by Stephen Malkmus.

1. "Stereo" – 6:24
2. "My First Mine" – 6:30
3. "Cut Your Hair" – 6:30
4. "Summer Babe" – 4:36
5. "Blue Hawaiian" – 4:54
6. "Here" – 5:52
7. "Platform Blues" – 5:38
8. "Trigger Cut" – 3:54

• James Carter – tenor saxophone soprano saxophone, contrabass sarrusophone
• Cyrus Chestnut – piano, electric piano, organ
• Reginald Veal – bass, electric bass, vocals
• Ali Jackson – drums, vocals

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Category:2005 collaborative albums

Category:James Carter (musician) albums

Category:Cyrus Chestnut albums

Category:Ali Jackson (jazz drummer) albums

Category:Reginald Veal albums