Good to Go, with a Tribute to Bu

{{Album ratings

| rev1 = AllMusic

| rev1Score = {{rating|4|5}}{{cite web |url=https://www.allmusic.com/album/good-to-go-with-a-tribute-to-bu-mw0000598391 |title=Andrew Cyrille Trio: Good to Go, With a Tribute to Bu |last=Yanow |first=Scott |website=AllMusic |access-date=January 31, 2022}}

| rev2 = The Penguin Guide to Jazz

| rev2Score = {{rating|4|4}}{{cite book | last1=Cook |first1=Richard |last2=Morton |first2=Brian | title=The Penguin Guide to Jazz Recordings | publisher=Penguin Books | year=2006 | pages=307 }}

|rev3 = Tom Hull – on the Web

|rev3Score = A−{{cite web |last=Hull |first=Tom |url=https://www.tomhull.com/ocston/nm/jazz-60s.html |title=Jazz (1960–70s) |website=Tom Hull – on the Web |accessdate=February 28, 2022}}

}}

In a review for AllMusic, Scott Yanow called the album "an intriguing set," and wrote: "Due to the variety of the material (mostly originals) and the consistent brilliance of Newton, this CD is recommended to fans of advanced jazz."

The authors of The Penguin Guide to Jazz awarded the album 4 stars, and stated: "The set is bracketed by two takes of Cyrille's brilliant impersonation of Art Blakey in excelsis. They and the other title-piece are essays in freedom and responsiveness."

Amiri Baraka commented: "With James Newton on flute and Lisle Atkinson on bass, one does get the expected subtlety, measured color, and intimacy that that orchestration would predict. Certainly, Newton's introspective 'Oblong' speaks from this context very movingly. A deep lingering touching piece. But that is not nearly the whole story. Lisle Atkinson's emphatic bass voice makes certain of this. Atkinson, a highly respected, widely sought-after, and constantly gigging yeoman at the other rhythm post, not only powerfully and dynamically paddles this furthership, but allows Cyrille to circle back and forth inside the main flow without the least loss of drive."{{cite book |last=Baraka |first=Ian |title=Digging: The Afro-American Soul of American Classical Music |publisher=University of California Press |year=2009 |pages=319 }} He concluded: "This album, with its modest construct yet powerful presence, is a gem! It will be a real find for the humble stumbler, but actually a confirmation of just how musically important and gratifying Andrew Cyrille is and has been, for a while now! And his friends, James Newton and Lisle Atkinson, don't leave them out. They contribute with equal persona to this wonderful effort. This is the kind of album you like to pull your friends' coats to, so they’ll know you know."{{cite book |last=Baraka |first=Ian |title=Digging: The Afro-American Soul of American Classical Music |publisher=University of California Press |year=2009 |pages=320 }}

1. "A Tribute to Bu (Take 1)" (Cyrille) - 5:32
2. "Oblong" (Newton) - 6:17
3. "Enter from the East" (John Carter) - 8:34
4. "Inch Worm" (Frank Loesser) - 7:25
5. "Nicodemus" (Andrew Hill) - 4:01
6. "Aftermath" (John B. Gordon) - 7:09
7. "Hit It" (Atkinson) - 3:45
8. "Olmecas (Dedicated to Ivan Van Sertima)" (Newton) - 7:43
9. "Good to Go" (Cyrille) - 4:43
10. "Fate" (Cyrille) - 6:42
11. "A Tribute to Bu (Take 2)" (Cyrille) - 5:50

• Andrew Cyrille – drums, percussion
• James Newton – flute
• Lisle Atkinson – bass

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Category:1997 albums

Category:Andrew Cyrille albums