Goodbye Charlie
{{short description|1964 film by Vincente Minnelli}}
{{For|the episode of the science fiction series Millennium|Goodbye Charlie (Millennium)}}
{{Use American English|date=January 2025}}
{{Infobox film
| name = Goodbye Charlie
| image = Goodbye Charlie - 1964 - Poster.png
| caption = Theatrical release poster
| director = Vincente Minnelli
| producer = David Weisbart
| screenplay = Harry Kurnitz
| based_on = {{based on|Goodbye Charlie
1959 play|George Axelrod}}
| narrator =
| starring = Tony Curtis
Debbie Reynolds
Pat Boone
| music = André Previn
| cinematography = Milton R. Krasner
| editing = John W. Holmes
| color_process = Color by DeLuxe
| studio = Venice Productions
| distributor = 20th Century Fox
| released = {{Film date|1964|11|18}}
| runtime = 117 minutes
| country = United States
| language = English
| budget = $3.5 millionSolomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. {{ISBN|978-0-8108-4244-1}}. p254
| gross = $3,700,000 (US/ Canada rentals)This figure consists of anticipated rentals accruing distributors in North America. See "Big Rental Pictures of 1965", Variety, 5 January 1966 p. 6 and Solomon p. 229. Please note these figures are rentals accruing to distributors not total gross.
}}
Goodbye Charlie is a 1964 American comedy film directed by Vincente Minnelli and starring Tony Curtis, Debbie Reynolds and Pat Boone. The CinemaScope film is about a callous womanizer who gets his just reward after a jealous husband kills him. It is adapted from George Axelrod's 1959 play Goodbye, Charlie. The play also provided the basis for the 1991 film Switch, with Ellen Barkin and Jimmy Smits.
Plot
Philandering Hollywood writer Charlie Sorrel is shot and killed by Hungarian film producer Sir Leopold Sartori when he is caught fooling around with Leopold's wife Rusty. Charlie's best and only friend, novelist George Tracy, arrives at Charlie's Malibu beach house for the memorial service, after an exhausting series of flights from Paris that have left him broke. There are only three people there: Charlie's agent and two ex-girlfriends. George does his best to eulogize his friend, but there is little to be said in favor of Charlie, whose final bad joke on George is making him executor of his estate, which is a mess of debts and unpaid taxes.
Soon after the guests leave, an exhausted George is awakened by a knock at the terrace door and the appearance of Bruce Minton III assisting a petite blonde woman swathed in a huge brown overcoat. Bruce came to her aid when he found her dazed and wandering on the road, completely naked. She does not remember much, but she recognized Charlie's house as they drove past it and it made her feel safe. Bruce rushes off to a dinner engagement, leaving a sleep-deprived George to cope with the delirious woman. The next morning, George awakes to her screams. She recalls that she is Charlie, reincarnated as a woman. After getting over the shock, she convinces George of her identity by telling him about a dirty trick that she had recently played on him as a man. George realizes that this must be a case of karmic retribution for all of the women that Charlie had used and betrayed.
All manner of complications arise as Charlie decides to take advantage of the situation. George helps her by establishing her as Charlie's widow, figuring out their finances—they are both broke—and boosting her morale. From the beginning, Charlie finds herself subject to a whole new set of emotions and sensations. Her masculine mannerisms begin to fade, partly because Charlie is a consummate actor, but also because the change is more than skin deep. At one point, she bursts into uncontrollable tears. George comforts her as he would a weeping girl, wiping her tears and stroking her hair to calm her, then pulls back, disturbed at the tenderness.
Although Charlie has changed her gender, she is unable to change her ways. She decides to solve her money problems by using her intimate knowledge for blackmail and by marrying Bruce for money. The plans fall apart when Bruce, on the verge of passing out, reveals the depth of his love for her. Charlie takes pity on him and slips the engagement ring into his hand.
Eventually, in a grim role-reversal that she recognizes when it happens, Charlie is chased around the house by Leopold, who cheerfully spouts amorous nonsense and is intent on making love to her. Rusty arrives, gun in hand, and, just as Charlie climbs onto the terrace railing with intent to jump, Rusty shoots her, and she plunges into the ocean below. George, who has arrived in the midst of the melee, leaps after Charlie, but there is no sign of a body. After admonishing the Sartoris for their actions, George orders them to leave and never tell anyone about it. The couple reconcile, and Leopold promises eternal gratitude to George.
George is asleep in a chair; the sound of a woman's voice repeatedly calling "Charlie" wakes him. This time, there are two beings on the terrace: a woman and her Great Dane Charlie. George quickly establishes that she is a real person, Virginia Mason. She takes a look at him and decides that he needs food. She commands Charlie to sit and stay. Virginia and George talk in the kitchen; it is clearly love at first sight. The dog goes into the living room, to the bookcase, to Charlie's secret cache of vodka (behind War and Peace). The bottle falls and breaks; Charlie laps a bit from the floor and, looking heavenward, begins to howl.
Cast
{{castlist|
- Tony Curtis as George Tracy
- Debbie Reynolds as Charles Sorel / Virginia Mason
- Pat Boone as Bruce Minton III
- Joanna Barnes as Janine Highland
- Walter Matthau as Sir Leopold Sartori
- Ellen Burstyn as Franny Salzman (as Ellen McRae)
- Laura Devon as Rusty Sartori
- Martin Gabel as Morton Craft
- Roger C. Carmel as Inspector Frank McGill (as Roger Carmel)
- Harry Madden as Charles Sorrel
- Myrna Hansen as Starlet
- Michael Romanoff as Restaurant Patron
- Michael Jackson as Michael Jackson
- Anthony Eustrel as Butler (as Antony Eustrel)
- Donna Michelle as Woman Doing the Twist on Yacht
}}{{Infobox play
| name = Goodbye Charlie
| image =
| caption =
| writer = George Axelrod
| characters =
| setting = The beach house of the late Charlie Sorel, a few miles north of Malibu, California. The present.
| premiere = December 16, 1959
| place = Lyceum Theatre, New York
| orig_lang = English
| subject =
| genre = Comedy
}}
Production
Film rights to the play were bought by 20th Century Fox before it premiered for $150,000 plus a percentage of the profits.{{Cite news|title=Of Local Origin|date=July 3, 1959|work=New York Times|page=8}} James Garner and Marilyn Monroe were discussed as stars.{{Cite news|title=Garner Gets Offer to Co-Star with Marilyn|author=Hopper, Hedda|date=Jan 30, 1961|work=Chicago Daily Tribune|page=a1}}
Darryl F. Zanuck offered the project to Billy Wilder after he returned to Fox, but Wilder turned it down, saying that "no self-respecting picture maker would ever want to work for your company".{{Cite news|title=Studio Shakeups Send Hopes High: Hollywood Letter|author=John C. Waugh|date=Dec 13, 1962|work=The Christian Science Monitor|page=6}} (Zanuck had just forced Joseph L. Mankiewicz to re-cut Cleopatra (1963)).
Playwright Harry Kurnitz was hired to write the script, and Tony Curtis was attached early.{{Cite news|title=Looking at Hollywood: 'Goodbye, Charlie' Script Is in Work|author=Hopper, Hedda|date=Feb 20, 1964|work=Chicago Tribune|page=c2}} Vincente Minnelli was hired to direct, his first movie away from MGM since 1942.{{Cite news|title=Film Director Moves to Fox|date=Jan 21, 1964|work=New York Times|page=24}}
Reception
According to Fox records, the film needed to earn $7 million in rentals for the studio to financially break even on its release. The film ultimately failed to make this goal, earning $4,555,000.{{cite book|page=[https://archive.org/details/foxthatgotawayt00silv/page/323 323]|title=The Fox that got away: the last days of the Zanuck dynasty at Twentieth Century-Fox|url=https://archive.org/details/foxthatgotawayt00silv|url-access=registration|last=Silverman|first=Stephen M|year=1988|publisher=L. Stuart|isbn=9780818404856}}
George Axelrod's play debuted on Broadway in 1959 starring Lauren Bacall and Sydney Chaplin, produced by Leland Hayward, and directed by Axelrod. It was not a success, running for 109 performances.[http://www.playbillvault.com/Show/Detail/7169/Goodbye-Charlie Goodbye Charlie] at Playbill
The New York Times critic Bosley Crowther led his review of the film by panning the play and the movie: "… 'Goodbye, Charlie,' was bad enough on the stage. On the screen, it is a bleak conglomeration of outrageous whimsies and stupidities. And it has Debbie Reynolds and Tony Curtis so sadly cast in distasteful roles that it causes even a hardened moviegoer to turn away from it in pain and shame."{{Cite news |title=Debbie Reynolds Stars in 'Goodbye, Charlie' |language=en |work=The New York Times |url=http://timesmachine.nytimes.comhttp//timesmachine.content-tagging.us-east-1-01.prd.dvsp.nyt.net/timesmachine/1964/11/19/97357426.html?pageNumber=49 |access-date=2023-10-22}} Crowther concluded, "Under Vincente Minnelli's direction, the film has a certain style and pace. But it is much more vulgar than stylish, much more sluggish and dull than fast."Crowther, Bosley. “Debbie Reynolds Stars in ‘Goodbye, Charlie’.” New York Times, 19 November 1964, 49.
In 2019, Stephen Vagg reviewed the film in Diabolique magazine: "It's not that shocking to see the star of Spartacus (1960)... make moves on a woman not knowing she's a man, but it is a surprise to see Boone to do it. He later admitted to having a drinking problem around this time and shot some scenes for the movie while drunk.... This film remains resolutely undiscovered by queer/feminist film analysts, despite its subject matter and bisexual director... I think this is in part because Reynolds's performance is so utterly sexless. It holds any feeling of kinkiness at bay. However, there's no denying it because Boone plays a guy who effectively tries to make out with a dude." The magazine also points out that the opening scene features a tracking shot at a party where a man gets upset and shoots the man sleeping with his wife, similar to Boogie Nights (1997).{{Cite magazine|url=https://diaboliquemagazine.com/the-surprisingly-interesting-cinema-of-pat-boone/|first=Stephen|last=Vagg|date=10 September 2019|magazine=Diabolique Magazine|title=The Surprisingly Interesting Cinema of Pat Boone}}
On Rotten Tomatoes, the film has 50% rating, based on 8 contemporary and modern reviews.{{Cite web |date=1964-11-18 |title=Goodbye Charlie |url=https://www.rottentomatoes.com/m/goodbye_charlie |work=Rotten Tomatoes |access-date=2023-10-22 }}
Television adaptation
In 1985, Goodbye Charlie was made into a TV series (starring Suzanne Somers as the reincarnated Charlie), but only the pilot episode was broadcast.{{IMDb title|0250409|Goodbye Charlie (TV pilot)}}
See also
References
{{Reflist}}
External links
- {{IMDb title|0058154}}
- {{TCMDb title|16777}}
- {{AFI film|22683}}
- [https://www.nytimes.com/movie/review?res=9A07E3D8133AE13ABC4152DFB767838F679EDE Review of film] at New York Times
- {{IBDB title|2873}}
{{Vincente Minnelli}}
Category:1960s English-language films
Category:1960s fantasy comedy films
Category:American fantasy comedy films
Category:American films based on plays
Category:English-language fantasy comedy films
Category:Films about reincarnation
Category:Films directed by Vincente Minnelli
Category:Films with screenplays by Harry Kurnitz