Hell Night

During a college costume party, Peter prepares to initiate four new pledges into Alpha Sigma Rho. The four consist of Jeff, a boy from an opulent upbringing; Marti, an intelligent girl from a poor background; Denise, a promiscuous party girl from England; and Seth, a surfer from Southern California. As part of the initiation, the group is forced to spend the night in Garth Manor, an abandoned mansion once owned by Raymond Garth, who murdered his wife and three deformed children, Morris, Margaret, and Suzanne. Garth then hanged himself. While he had a fourth deformed child, Andrew, his body was never found, nor the body of Morris. Folklore states that Morris and Andrew still lurk within the mansion.

Peter and the students lock the pledges on the grounds behind the estate's large iron gates. Jeff and Marti bond by discussing their contrasting social classes while Seth and Denise hook up. The group endures several scares that Peter, along with two students, May and Scott, has set up around the mansion to frighten them. May and Scott are murdered by an unseen assailant. Peter discovers Scott's body strung up on the roof and flees into the hedge maze, where a second assailant murders him with a scythe.

Meanwhile, Seth goes to use the restroom, only to return and discover Denise missing and May's severed head on the bed. Panicked, he alerts Marti and Jeff and scales the gates to escape and get the police. Jeff investigates a light in the maze that he discovers is Peter's flashlight near his body. Back at the house, a figure attacks them in the bedroom, and Jeff uses a pitchfork to wound the assailant, who disappears. They remove the rug, discovering a trapdoor through which the assailant fled. The couple descends into the tunnels, where they discover Denise's corpse set at a table with the preserved remains of Garth's family members.

Seth arrives at the local police station, begging for help, but the police believe him to be playing a fraternity prank. Seth steals a shotgun from the station and carjacks a vehicle. Meanwhile, Jeff and Marti escape the deformed Garth brothers. Seth returns to the mansion, where he shoots and kills Morris Garth. Jeff and Marti meet him in the foyer, but Andrew kills Seth before pursuing the couple back to the bedroom. Jeff urges Marti to escape out a window. Before he can follow suit, Andrew hurls him out the window, killing him.

Marti enters the hedge maze, where she finds Peter's corpse and pries the gate keys from his fingers. She unlocks the gates and escapes in Seth's stolen vehicle, knocking over one of the iron gates in her attempt. Ambushed by Andrew, she drives the car into the fallen gate, impaling Andrew on its spikes. She awakens as the sun rises over the mansion and emerges from the car, stoically walking away.

{{Cast list|

• Linda Blair as Marti Gaines
• Peter Barton as Jeff Reed
• Vincent Van Patten as Seth
• Suki Goodwin as Denise Dunsmore
• Kevin Brophy as Peter Bennett
• Jimmy Sturtevant as Scott
• Jenny Neumann as May West
• Gloria Heilman as Party Girl
• Hal Ralston as Old Cop
• Carey Fox as Younger Cop
• Ron Gans as The Driver
• Jean Hasselhoff as Party Guest (uncredited)
• Nathan L. Truman as Fraternity Member (uncredited)

}}

James Tucker of Rue Morgue magazine notes that Hell Night contains a subtext regarding social class in both the central characters (the working-class Marti and wealthy Jeff discuss at length the differences between their respective low and high-class backgrounds){{sfn|Muir|2012|p=248}} as well as the villains of Andrew and Morris Garth, deformed brothers who were neglected by their wealthy father and concealed in the family's sprawling mansion.{{cite web|work=Rue Morgue|last=Tucker|first=James|url=https://rue-morgue.com/streaming-sematary-hell-night-is-a-serviceable-if-predictable-80s-slasher/|title="Hell Night" is a Serviceable (If Predictable) '80s Slasher|date=July 17, 2020|url-status=live|archive-date=May 22, 2023|archive-url=https://archive.today/20230522031241/https://rue-morgue.com/streaming-sematary-hell-night-is-a-serviceable-if-predictable-80s-slasher/}}

Literary critic and film scholar John Kenneth Muir cites the character of Marti as emblematic of the working class, writing: "She's a smart young woman (her father is a garage mechanic), is resolutely blue collar, in contrast to the other pledges, and shares an interesting conversation regarding capitalism and the division between the rich and poor with the ill-fated Jeff."{{sfn|Muir|2012|p=248}}

Randy Feldman, then a recent graduate of the University of California, Berkeley, wrote the screenplay for Hell Night over an approximate five-week period.{{cite AV media|title=Randy Feldman: Writing Hell|year=2018|publisher=Scream Factory|medium=Blu-ray documentary short|oclc=1017989578}} Feldman was loosely inspired by the plot of Black Christmas (1974), which centers on a killer preying on sorority sisters in their sorority house. Feldman stated in a 2018 interview that he approached the writing of the screenplay in a literary manner, owing to his background as a college English major, and admitted the original draft was excessively detailed.

Feldman shopped the spec script to several film studios, among them Irwin Yablans's Compass International Pictures, who had distributed John Carpenter's Halloween (1978). Producer Bruce Cohn Curtis, a colleague of Yablans, subsequently contacted Feldman and expressed interest in purchasing the film rights. Mark L. Lester had also read the screenplay, but passed on directing the project.{{cite AV media|title=Producing Hell with Bruce Cohn Curtis|year=2018|publisher=Scream Factory|medium=Blu-ray documentary short|oclc=1017989578}} Curtis and his brother helped finance the film, which Curtis pitched to director Tom DeSimone, with whom he had worked on Chatterbox (1977). Several of the film's financiers were businesspeople in Washington, D.C., who were friends of Curtis's brother.

Feldman's screenplay was slightly altered after it was purchased by Curtis, mainly in its implementation of an additional villain; the original draft had only featured one of the Garth brothers as a killer instead of two. Chuck Russell, who would later direct A Nightmare on Elm Street 3: Dream Warriors (1987), served as executive producer on the film.{{sfn|Harper|2004|p=110}}

Actress Linda Blair was the first to become attached to the project through her working relationship with producer Curtis, who had produced several of her previous films, including Born Innocent (1974) and Roller Boogie (1979).{{cite AV media|title=Linda Blair: The Beauty of Horror|year=2018|publisher=Scream Factory|medium=Blu-ray documentary short|oclc=1017989578}} The film marked her first horror film in several years, following The Exorcist (1973) and Exorcist II: The Heretic (1977).

Johanna Ray served as the film's casting director, and it was her first feature film credit. Curtis sought Peter Barton for the role of Jeff. Barton, a model, was hesitant to take the role and was considering abandoning his acting career at the time, but Curtis convinced him to star in the film. Vincent Van Patten was subsequently cast as Seth, while Suki Goodwin, an English actress, was cast in the role of Denise.

File:Kimberly Crest, Redlands, CA 1984 (6944588351).jpg in Redlands, California]]

Principal photography for Hell Night took 40 days{{cite web|url=http://retroslashers.net/the-making-of-hell-night-1981/ |work=Retro Slashers |title=The Making of Hell Night |author=Sellers, Christian |date=April 26, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20140309160522/http://retroslashers.net/the-making-of-hell-night-1981/ |archive-date=March 9, 2014 }} in the fall and winter of 1980,{{sfn|Rockoff|2002|p=119}} between November 1980 and January 1981{{efn|Bruce Cohn Curtis recalls shooting a scene of the film on New Year's Eve, meaning the production ran until at least January 1981.{{sfn|Blair|Curtis|DeSimone|Yablans|1999|loc=50:30}} }} with Swedish cinematographer Mac Ahlberg.{{cite news|url=https://www.washingtonpost.com/archive/lifestyle/1981/09/19/hell-night-the-horror-the-horror/0b3efc01-9156-4ce3-af31-882d6fb769c4/|newspaper=The Washington Post|date=September 19, 1981|title='Hell Night': The Horror, the Horror|last=Shales|first=Tom|url-status=live|archive-url=https://archive.today/20230521065931/https://www.washingtonpost.com/archive/lifestyle/1981/09/19/hell-night-the-horror-the-horror/0b3efc01-9156-4ce3-af31-882d6fb769c4/|archive-date=May 21, 2023}} Frank Darabont, a collaborator of the film's executive producer, Chuck Russell, served as a production assistant.{{cite web|url=https://filmschoolrejects.com/6-filmmaking-tips-from-frank-darabont-7563add00e7?gi=8e7ec499369a|title=6 Filmmaking Tips From Frank Darabont|last=Beggs|first=Scott|date=August 29, 2012|work=Film School Rejects|archive-date=May 22, 2023|archive-url=https://archive.today/20230522033236/https://filmschoolrejects.com/6-filmmaking-tips-from-frank-darabont-7563add00e7/?gi=8e7ec499369a|url-status=live}}

The original filming budget for Hell Night was $1 million, but the shoot's duration through the holidays extended the budget an additional $400,000.{{sfn|Rockoff|2002|pages=119–120}} The film's shooting schedule reportedly consisted of six-day weeks and was described as grueling.{{sfn|Rockoff|2002|p=119}} Star Linda Blair recalled the daily shoots lasting from 5:00{{nbsp}}a.m. to 11:00{{nbsp}}p.m., and that the tight schedule demanded the cast and crew spend Thanksgiving working on the film, with the production renting a double-decker bus used to serve them a Thanksgiving meal.{{sfn|Blair|Curtis|DeSimone|Yablans|1999|loc=13:10}}

The majority of the film was shot in three locations: The exterior of Garth Manor was shot at the Kimberly Crest Mansion in Redlands, California.{{sfn|Rockoff|2002|p=119}} The hedge maze was brought in as there was no actual garden maze on the mansion property. The inside of Garth Manor was filmed in a residential home in Pasadena, California.{{sfn|Blair|Curtis|DeSimone|Yablans|1999|loc=11:19}} The frat party was filmed in an apartment lobby in Los Angeles, with the exteriors of the party filmed at the University of Redlands. The seemingly many tunnels in the movie were actually only two corridors through which the director had the actors repeatedly running from different angles. Additional interior photography took place at Raleigh Studios in Hollywood.

Director De Simone stated he wanted a "classic Gothic look" for the film: "I don't like these horror films where people are walking around haunted houses wearing jeans and T-shirts. So we threw our heads together and I said I wanted Linda in a Gothic kind of wardrobe. And we came up with the idea to make the hell night party a costume party. And that way we were able to have everyone in those kinds of costumes that suited their personality."{{sfn|Rockoff|2002|p=119}} During filming, producer Curtis urged DeSimone to implement an extended chase sequence for Linda Blair's character after seeing Jamie Lee Curtis's chase sequence in Terror Train (1980); this was the basis of the chase sequence that takes place in the tunnels under the mansion.{{sfn|Blair|Curtis|DeSimone|Yablans|1999|loc=34:17}}

The two actors who portrayed the Garth killers are not listed anywhere in the credits, although their real names are believed to be Valentino Richardson and Chad Butler. However, on the film's DVD commentary, it was noted that they are both German nationals who spoke little or no English, and that one of them (the middle-aged bearded man) died shortly after the release of the film.

Hell Night was given a regional limited theatrical release in the United States beginning August 7, 1981 by Compass International Pictures,{{cite web|work=The Numbers|title=Hell Night (1981) - Financial information |access-date=December 27, 2017|url=https://www.the-numbers.com/movie/Hell-Night#more|publisher=Nash Information Services, LLC}} opening in cities such as Detroit{{cite news|work=Detroit Free Press|date=August 7, 1981|page=58|url=https://www.newspapers.com/article/detroit-free-press/125058586/|title=Movie Guide|via=Newspapers.com}} and Miami.{{cite news|url=https://www.newspapers.com/article/the-miami-herald/125058597/|work=Miami Herald|page=13C|title=Events: Movies|via=Newspapers.com}} During its opening week in Detroit, the film was the highest-grossing release in the city, out-earning Raiders of the Lost Ark, with box office receipts totaling $187,000.{{cite news|url=https://www.newspapers.com/article/detroit-free-press/125059219/|work=Detroit Free Press|title=This cat is mad about the harmonica|last=Thurston|first=Chuck|date=August 13, 1981|page=6B|via=Newspapers.com}}

Three weeks later, on August 28, 1981, the film expanded to a wide theatrical release before having its Los Angeles and New York City openings on September 4, 1981.{{cite web|url=https://catalog.afi.com/Catalog/moviedetails/56639|work=AFI Catalog of Feature Films|publisher=American Film Institute|title=Hell Night|access-date=May 21, 2023}} During the September 4 weekend, the film ranked at number eleven at the U.S. box office, with earnings of $832,000. The film grossed a total of USD$5,300,000 in the United States by the end of its theatrical run.

Hell Night received mixed-to-negative reviews at the time of its release.{{sfn|Stine|2003|pages=141–142}} John Corry of The New York Times gave the film a middling review, concluding that, "Hell Night does make one original contribution to the genre. One college student, played by Linda Blair of Exorcist fame, does escape from that terrible house. Miss Blair is throaty and rather vacant, but the character she plays is a child of the working class. Her father runs a gas station. Get it? Those nasty privileged children are only getting what they deserve. Maybe the new filmmakers are only sentimental liberals, after all."{{cite news|work=The New York Times|last=Corry|first=John|date=September 6, 1981|url=https://www.nytimes.com/1981/09/06/movies/hell-night-initiation-rite.html|title='Hell Night': Initiation Rite|url-status=live|archive-date=May 21, 2023|archive-url=https://archive.today/20230521071847/https://www.nytimes.com/1981/09/06/movies/hell-night-initiation-rite.html}}

Time Out wrote "Amazing [...] what a competent director, cameraman and cast can do to help out a soggy plot", calling the film "tolerably watchable by comparison with the average Halloween rip-off."{{sfn|Milne|1991|p=288}} The Washington Post{{'}}s Tom Shales criticized Blair's performance, and summarized: "Director Tom De Simone handles the shocks competently but not imaginatively, and most people will be able to guess from which side of the frame the beastie will leap...  Cinematographer Mac Ahlberg (I, a Woman) fails to make the most of the handsome 16-room mansion in Redlands, Calif., where most of the picture was filmed, perhaps in one night."

Roger Ebert of the Chicago Sun-Times gave the film a one-star review, writing: "You know a movie is in trouble when what is happening on the screen inspires daydreams. I had lasted through the first reel, and nothing had happened. Now I was somewhere in the middle of the third reel, and still nothing had happened. By "nothing," by the way, I mean nothing original, unexpected, well-crafted, interestingly acted, or even excitingly violent."{{cite web|url=https://rogerebert.com/reviews/hell-night-1981|title=Hell Night Movie Review & Film Summary|last=Ebert|first=Roger|author-link=Roger Ebert|date=January 1, 1981|work=Chicago Sun-Times|archive-url=https://archive.today/20230522021843/https://www.rogerebert.com/reviews/hell-night-1981|archive-date=May 22, 2023|url-status=live}} A review published by TV Guide noted the film contained "a few effective moments," adding: "Although the actual gore content is low, the titillation content is high, an avenue DeSimone would continue to explore in his future exploitation movies."{{cite web|url=http://www.tvguide.com/movies/hell-night/review/125798/|work=TV Guide|title=Hell Night|archive-url=https://archive.today/20230522021921/https://www.tvguide.com/movies/hell-night/review/2000282360/|archive-date=May 22, 2023|url-status=live}}

Critic Kevin Thomas of the Los Angeles Times wrote of the film favorably, praising Blair's performance, and remarking that its art direction and costume design "contribute substantially to Hell Night{{'}}s overall superior craftsmanship...  It's the kind of picture that just might give adults as well as youngsters nightmares."{{cite news|work=Los Angeles Times|date=September 4, 1981|url=https://www.newspapers.com/article/the-los-angeles-times/125059064/|title='Hell Night' Terror Takes the Pledge|last=Thomas|first=Kevin|author-link=Kevin Thomas (film critic)|via=Newspapers.com|page=13}} Thomas Fox of The Commercial Appeal similarly felt the film was frightening, writing: "Hell Night is scary. Silly, predictable, and sometimes unintentionally funny. But scary."{{cite news|work=The Commercial Appeal|date=August 14, 1981|url=https://www.newspapers.com/article/the-commercial-appeal/125059274/|last=Fox|first=Thomas|title='Hell Night' fits neatly into scariness formula|via=Newspapers.com|page=28}} The Evansville Courier & Press{{'}}s Patrice Smith felt the screenplay was "penned with a moderate dose of intelligence" and praised the film's cinematography and performances, adding that it "reverts to classical directorial approaches to suspense...  That method alone is praiseworthy."{{cite news|url=https://www.newspapers.com/article/evansville-courier-and-press/125109241/|work=Evansville Courier & Press|date=December 3, 1981|page=19|title=Film is cut above gory chillers|via=Newspapers.com|last=Smith|first=Patrice}}

Linda Blair was nominated for a Razzie Award in the category of Worst Actress for her performance, losing to Faye Dunaway for Mommie Dearest and Bo Derek for Tarzan, the Ape Man, who were tied.{{sfn|Wilson|2005|p=333}}

As of May 2023, 57 percent of fourteen critics on review aggregator Rotten Tomatoes gave the film a favorable review, with an average weighted rating of 5/10.{{cite web|url=https://www.rottentomatoes.com/m/hell_night/|title=Hell Night (1981)|website=Rotten Tomatoes|access-date=May 22, 2023}} On Metacritic the film has a weighted average score of 36 out of 100, based on 4 critics, indicating "generally unfavorable" reviews.{{cite web|url=https://www.metacritic.com/movie/hell-night|title=Hell Night (1981) reviews|work=Metacritic|access-date= April 4, 2020}}

The film was released on VHS by Media Home Entertainment in 1982.{{sfn|Stine|2003|p=141}} It was later released on DVD by Anchor Bay Entertainment on August 31, 1999.{{sfn|Harper|2004|p=110}}{{cite web|archive-url=https://web.archive.org/web/20070927095440/http://www.horrordvds.com/modules.php?name=Reviews&file=viewarticle&id=439|archive-date=September 27, 2007|work=HorrorDVDs.com|title=Hell Night|url=http://www.horrordvds.com/modules.php?name=Reviews&file=viewarticle&id=439|date= September 14, 2003}} This release featured an audio commentary with Linda Blair, producers Bruce Cohn Curtis and Irwin Yablans, and director Tom DeSimone; it also included television spots and the original theatrical trailer as bonus material.

On January 2, 2018, Scream Factory released the film for the first time on Blu-ray in a Collector's Edition set, which features four hours of new interviews, as well as the bonus materials contained on the 1999 Anchor Bay DVD.{{cite web|url=https://joblo.com/horror-movies/news/hell-night-coming-to-blu-ray-via-scream-factory-this-december-188|work = Arrow in the Head| author=Sprague, Mike|date=September 5, 2017|archive-url=https://archive.today/20230521065431/https://www.joblo.com/hell-night-coming-to-blu-ray-via-scream-factory-this-december-188/|archive-date=May 21, 2023|url-status=live|title=Hell Night Collector's Edition Blu-ray coming in December via Scream Factory}} The British distributor 101 Films issued a limited edition Blu-ray on July 26, 2021.{{cite magazine|url=https://lwlies.com/articles/hell-night-tom-desimone-linda-blair-slasher/|magazine=Little White Lies|title=Discover this cutting-edge, Gothic-inspired '80s slasher|issn=2516-0559|last=Bitel|first=Anton|date=July 26, 2021|url-status=live|archive-url=https://archive.today/20230522021603/https://lwlies.com/articles/hell-night-tom-desimone-linda-blair-slasher/|archive-date=May 22, 2023}}

Hell Night has attained a cult following in the years since its release.{{sfn|Harper|2004|p=110}} Critic Robin Wood retrospectively praised the film for portraying a strong lead character, Marti, calling her "an active and resourceful heroine capable of doing more than screaming and falling over."{{sfn|Wood|1987|p=82}} Anton Bitel, writing for Little White Lies in 2021, similarly observes that the film "reconfigures the slasher as social struggle, with Marti not just its final girl, but also its working-class heroine. And while she may continue to embrace liberty and equality, Marti learns to turn her back on fraternity. Literary scholar John Kenneth Muir similarly notes that the character of Marti has been cited as one of several female heroines of slasher films that bear a unisex name, adding that, "whether or not that's significant, Blair crafts a unique and interesting character."{{sfn|Muir|2012|p=248}}

In his book The Gorehound’s Guide to Splatter Films of the 1980s (2003), film scholar Scott Stine wrote of the film: "Hell Night is one of those early '80s stalk 'n' slash quickies that—although almost universally despised at the time, despite the fact they made money—is actually quite endearing in retrospect.{{sfn|Stine|2003|p=141}}

In 2013, Ray Fulk, a Lincoln, Illinois resident, bequeathed his $1 million estate—including a {{convert|165|acre|adj=on|ha}} farm—to the film's two stars, Peter Barton and Kevin Brophy, of whom he was a fan.{{cite web|url=https://www.sfexaminer.com/culture/recluse-leaves-his-estate-to-stars-of-1981-s-hell-night/article_22e354aa-ef3d-552c-8c15-1812ee18631e.html|work=San Francisco Examiner|date=February 10, 2013|author=Examiner Staff|url-status=live|title=Recluse leaves his estate to stars of 1981's "Hell Night"|archive-url=https://archive.today/20230522020426/https://www.sfexaminer.com/culture/recluse-leaves-his-estate-to-stars-of-1981-s-hell-night/article_22e354aa-ef3d-552c-8c15-1812ee18631e.html|archive-date=May 22, 2023}}{{cite web|work=The Orange County Register|url=https://www.ocregister.com/2015/01/31/bugs-alligators-fox-tv-business-series-reveals-strange-inheritance/|title=Bugs? Alligators? Fox TV Business series reveals 'Strange Inheritance'|url-status=live|archive-date=July 30, 2023|archive-url=https://archive.today/20230730085416/https://www.ocregister.com/2015/01/31/bugs-alligators-fox-tv-business-series-reveals-strange-inheritance/|last=Larsen|first=Peter|date=January 31, 2015}} {{closed access}} In his will, Fulk described Barton and Brophy as friends, though neither of the actors had ever met him.

{{notelist}}

{{reflist}}

{{refbegin|30em}}

• {{cite AV media|last1=Blair|first1=Linda|author1-link=Linda Blair|last2=Curtis|first2=Bruce Cohn|last3=DeSimone|first3=Tom|author3-link=Tom DeSimone|last4=Yablans|first4=Irwin|author4-link=Irwin Yablans|year=1999|title=Hell Night|medium=DVD audio commentary|publisher=Anchor Bay Entertainment}}
• {{cite book|last=Harper|first=Jim|title=Legacy of Blood: A Comprehensive Guide to Slasher Movies|publisher=Critical Vision|year=2004|isbn= 978-1-900-48639-2}}
• {{cite book|last=Kerswell|first=J. A.|year=2018|title=The Teenage Slasher Movie Book|edition=2nd, revised|publisher=Fox Chapel Publishing|location=Mount Joy, Pennsylvania|isbn=978-1-620-08307-9}}
• {{cite book |editor-last=Milne |editor-first=Tom |year=1991 |title=The Time Out Film Guide |publisher=Penguin Books |edition=Second|location=London, England|isbn=978-0-140-14592-2}}
• {{cite book| last=Muir| first=John Kenneth | author-link=John Kenneth Muir | year=2012 | title=Horror Films of the 1980s| volume=1| location=Jefferson, North Carolina| publisher=McFarland| isbn=978-0-786-47298-7| oclc=840902442}}
• {{cite book|last=Rockoff|first=Adam|title=Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986|year=2002|publisher=McFarland|location=Jefferson, North Carolina|isbn= 978-0-786-46932-1}}
• {{cite book|last=Stine|first=Scott Aaron|title=The Gorehound's Guide to Splatter Films of the 1980s|year=2003|publisher=McFarland|location=Jefferson, North Carolina | isbn= 978-1-476-61132-7}}
• {{cite book|last=Wilson|first=John|title=The Official Razzie Movie Guide: Enjoying the Best of Hollywood's Worst|year=2005|publisher=Grand Central Publishing|isbn=978-0-446-69334-9|location=New York City, New York}}
• {{cite book|editor1-last=Waller|editor1-first=Gregory Albert|year=1987|title=American Horrors: Essays on the Modern American Horror Film|last=Wood|first=Robin|author-link=Robin Wood (critic)|chapter=Returning the Look: Eyes of a Stranger|pages=79–86|publisher=University of Illinois Press|location=Champaign, Illinois|isbn= 978-0-252-01448-2}}

{{refend}}

• {{AFI film|56639}}
• {{IMDb title|0082511}}
• {{rotten-tomatoes|hell_night}}

{{Portal bar|Film|1980s|Speculative fiction/Horror}}

Category:1981 films

Category:1981 horror films

Category:1980s horror thriller films

Category:1981 independent films

Category:1980s mystery films

Category:1980s serial killer films

Category:1980s slasher films

Category:1980s teen horror films

Category:American teen horror films

Category:American haunted house films

Category:American independent films

Category:American monster movies

Category:American slasher films

Category:American supernatural horror films

Category:Films about brothers

Category:Films about fraternities and sororities

Category:Films about pranks

Category:Films about social class

Category:Films produced by Irwin Yablans

Category:Films set in abandoned houses

Category:Films set in country houses

Category:Films shot in California

Category:Films directed by Tom DeSimone

Category:American gothic horror films

Category:1980s English-language films

Category:1980s American films

Category:Supernatural slasher films

Category:English-language horror thriller films

Category:English-language independent films

Category:English-language crime films

Category:English-language mystery films